Shadow and Bone rant, because I need it
Shadow and Bone has some incredible potential, both the books and the show, but neither actually lives up to it.
Alina could have been interesting. Cartographer is a rare profession for fictional characters, but in the books/show she's just a beginner (at 17/20 it's understandable). Make her at least 25 with 9 years of experience in the army, give her a promotion with subordinates she's responsible for and you would get a more interesting character who saw some serious shit in the army, acts like a soldier, and knows responsibility. (And maybe wants to stop the war at all cost, utilizing the Fold maybe.*wink, wink*)
It bothered me that we never saw her using cartography this profession that makes her unique for reaching her goals. In the show, she has dreams about the stag. It would have been interesting to see HER figuring out the whereabouts of the stag by using the stag's surroundings like mountains, specific types of trees, topography, etc. Work smarter, not harder.
Diana Bishop suffers from the same passiveness in the first book of the All Souls trilogy, but she actively uses her science historian background and those passages are the most interesting parts of her POV. Alina's interest in drawing and geography would give her a unique personality, and made her relatable to many (see ADoW and history nerds). Many YA heroines have a specific and useful skillset: Katniss-archery, Clary Fray-drawing, etc. Sadly, her entire personality is running away with Mal.
Mal's character feels pointless to me. The story depicts an oppressed minority group with special powers, and their struggles in the world, the heroine and the antagonist are both part of the said minority group, and he's constantly shown to be a bigot against the Grisha, so what makes him so important to the plot? His tracking skills? Give the job to a no-name tracker and I wouldn't miss him.
At least the show made him more likable, but Archie and Jessie still lack romantic chemistry. However his chemistry with his friends Mikhail and Dubrov was spot on, I really liked it. They showed life as a simple otkazat'sya soldier on the front, and their death was painful to watch. I thought that his friend's death would make a bigger impact on Mal, him wanting to get revenge on the fjerdans and end the war at all cost, and saying that maybe Kirigan's plan actually makes sense would make an interesting narrative. (They are at war dammit, there's no black and white only grey.)
Mal and Alina don't act like soldiers in a war-torn country, they act like American teenagers, and it's annoying. The General and Ivan are the only ones who act as soldiers in a 3 front war. When the villain shows the most responsibility in your story you should rewrite your heroes completely, or make the villain your hero.
The show is better than the books. It's a rare phenomenon but it is something everyone agrees upon. To me, the first book reads like a draft the author forgot to expand. The worldbuilding, the Grisha, and the characters were a perfect base to an original fantasy universe, but it all falls flat. The show made it richer by introducing multiple POVs and giving the actors more leeway (Ben Barnes ladies and gentlemen). But in the end, they had to stick to the books.
This is incredibly confusing to me because we have numerous fanfictions about Alina staying at the Little Palace, embracing her Grisha side, helping the Darkling because his plan makes sense, or changing his plan by coming up with a better one, or having dark!Alina etc... Clearly, this is what book fans wanted: giving Alina agency, make her realize that she had to work with the Darkling because she's Grisha too and they have the same goals but have different methods, let her be Professor X to Alexander's Magneto, ending the corrupt and incompetent Lantsov line, anything would have been better than taking Baghra's words at face value and running off.
Change I like: the whole West-Ravka storyline, it made the General decision understandable. Zlatan sold Grisha to the fjerdans, wanted to kill Alina and his actions could have led to a civil war, Kirigan only acted as a general of his time (not 21 century guys, we are talking about the unforgiving 19 century) and besides we only see the destruction of Zlatans army (BTW they were ready to kill everyone on the skiff) and not the whole city.
Change I don't like: making Alina half Shu. I'm not completely against it, but it was poorly executed. The racism Alina faces overshadows the Grisha-hate, rather than complementing it. Alina acts like being half Shu is somehow worse than being Grisha, eventough there are literal Holocausts going on against Grisha in two neighbouring countries, slavery in another, and the show never addresses it. This is the biggest problem with her character, she never embraces being Grisha, sides with the muggles, and makes her mission to kill the only person who stands between Grisha and persecution.
Would have been good: the show could have made little 5 minute scenes depicting the plight of Grisha in other countries. Either at the beginning or the end of every episode.
Episode 2: the Ice Court
Episode 3: the Shu concentration camps with the experimenting
Episode 4: slavery in Kerch
Episode 5: the Wandering Isle with consuming grisha blood
Episode 6: the Demon in the Woods storyline
Episode 7: Luda+Aleksander
And now... The Darkling/ Aleksander Morozov/ General Kirigan: the most interesting character in the entire series.
In the first half of SaB he was depicted as every soldier's dream general. Sitting and eating with his men, fighting side by side with them, constantly checking on his troops while other generals prefer to attend court. But in the second half, he transforms into a Mustache Twirling Villain TM and makes rather OOC decisions throughout the trilogy. He could have been a generic villain from the start, but why make him then a compelling character with understandable motivations?
In the books, I understood his motivations, but in the show, he was completely right. His backstory shows that he tried peaceful tactics but those never worked out. The only thing that worked against his enemies was power and violence. The price of hesitance was Luda's life (I'm willing to bet they were married). The Fold was actually a mistake born from desperation. He spent centuries in hiding, seeing his people persecuted. Even with the Little Palace and the Second Army Grisha are considered second-class citizens, they can't hold properties. He has to walk the fine line between usefulness and being a threat. He has to bow to incompetent Kings who don't give a shit about the state of the country. If Alina had to go through so much how would she end up? Because it's a miracle that Aleksander still has it in him to fight for the Grisha.
Many bring up Nikolai Lantsov as the Darklings foil ( or Diet Darkling as @ambitious-witch calls him) to show there is an alternative to Aleksander, but it's wrong. Because Nikolai was never part of an oppressed minority group, never had to fear centuries of persecution, he's an actual prince, it's easy to not be radicalized with his background.
Bonus: If Bardugo wanted to create a fictional world with tsarist Russia as a base, the least she could have done is to open a Wikipedia page or a dictionary for the correct names and terms. Starkov is a man's name: Alina Starkova is the correct form. Ilya Morozov, Aleksander Morozov, and Baghra Morozova would be the correct forms.
EDIT: They could have shown the building of the Little Palace and the start of the Second Army. I wanted to see the normal life at the Little Palace before Alina came along, little Grisha enjoying their powers, their reaction if the Darkling comes to see their training (I headcanon he visits the lessons at least once a year), the other teachers, and their reaction to Alina. Alina in canon is good with kids, maybe if she had spent time with little Grisha, she could have embraced her powers sooner. Having met with foreigners (Fjerdan, or Shu) and hearing their gruesome accounts of the foreign treatment of the Grisha would made her willing to fight for their future.
