you guys know you can get USB connectable CD, dvd, and blu-ray players right. and you can buy external hard drives with crazy amounts of space for an amount of money that would make the average person from 2009’s head explode bc of how cheap it is. and if you do this and get ripping software such as handbrake for CDs and DVDs and makeMKV for blurays you can both own a physical copy of whatever media you want and make it accessible to yourself no matter where you are. do you guys know this
lots of people are reblogging this and tagging it #piracy—i should clarify, this is not piracy! ripping DVDs and CDs to have your own copy is fully legal, because it’s your legal right to do what you will with your property individually. it only becomes illegal if you then distribute that file on the internet.
anyway. onto better things
onto better things thursday
laracroftpussyshedied-deactivat
u can't get rid of me bitch.. I'm not going nowhere.. I'm not going no fucking where..
laracroftpussyshedied-deactivat
thought they needed a little reminder that they still have far more to lose if they double down on this stupidity. spread the word, it seems they're... very forgetful about this.
A small collection (feel free to add):
@staff You're not very subtle.
Of course it goes without saying that I am hopelessly dependent on the ingot
The Concept of Non-Photography:
Non-photography, theorized by François Laruelle, is about devorcing all context from a photgraph. There is no concept of a subject, photographer, composition, pretext, or context. It exsists in a void as a sort of non-thing, as if there was no sentient being able to percive and analize it. It exsist’s merely as an aeasthetic, but not even really as an aesthetic because that is a philosophy in itself.
He states that the photograph is not a picture of reality or even a copy or abstraction. It is a fiction that is “wholly real but in its own mode”- the fictional realm. The photograph is unique unto itself, an unlimited opening into the world occasioned by lights and shadows in time, but is in no way constrained by either the experiential universe or the theoretical and art historical preconditions set up for it.”
Melanie Martinez wishes she was Grimes. Grimes wishes she was Bjork. Bjork wishes she was 2 inches tall so she could go inside the computer and have a big adventure
“Here is what the sea smells like. It is more texture than scent, because the sea is primarily made of two substances that have no smell of their own: water and salt. Salt has no smell, but makes the air sting, and so all of the other smells of the sea are layered upon the pang of salt. Water has no smell but instead a comfort. We feel moisture as life and so the smells of the ocean are layered upon the contentment of the water. Salt is treble and water is bass. I don’t know how I know this is true, but I know it is true. The sea smells like old wood and wet leaves. Like cold mud and warm stone. Like every creature who has ever lived in it, a churning graveyard and nursery. Like winds from the inland carrying the hot circulation of life and winds from the ocean carrying the distant froth of waves against ships and islands. Like gray, only more so. Like blue, only less so.”
— The Faceless Old Woman Who Secretly Lives In Your Home, Joseph Fink & Jeffrey Cranor
