Avatar

Your Local Unauthorised Superboi

@friendly-neighbourhood-boi

A trans lad who won't take a shit

Black people do not have to be exceptional for their right to life!!!!

Repeat after me:

Black people do not have to be exceptional for their right to life!!!!!!!!!!!!!!

This hardly has any notes but can I just say that non black people and white people you can in fact reblog this, thanks x

I’d encourage non black people and white people to reblog this so we at least know ya’ll understand and that we’re on the same page.Thanks.

Odysseus in the Iliad: great. The only one in the entire army with half a brain cell.
Odysseus in the Odyssey: peak dumbass. Half a brain cell was forgotten in Troy. Points his house out on Google Maps to the monster trying to kill him. Disaster

i always get a little miffed when i see apollo refered to as “the only man artemis ever loved” because no he wasn’t there was this dude named orion who accidentally stumbled on her hunting camp one time and she got all “hey fuck off im not having any of your rapey shit” but he was just like “dude wtf no its night time in the forest and youve got a campfire i just want to get warm” and she was like “???? okay?? this is weird and i don’t trust you but whatever” and they got to talking and they became the bestest hunting buddies ever and then apollo showed up like “oh HELL no youre not having your way with my sister” and tried to kill orion but artemis was like “damn it you sunbaked asshole think before you attack do you really think i couldnt have killed this guy on my own if i wanted to? hes cool af okay ima be mad as hell if you hurt him” and apollo was like “oh okay i get it i have to be sneaky about the fact that im a jealous fucknut who wants to kill this dude just because youre hanging out with him instead of me” so he gave orion a dream where he got killed by a fucking 10 foot scorpion and when he woke up there was an actual 10 foot scorpion outside his house so he did what any reasonable motherfucker would do and grabbed his gods damn sword to try and kill it but it was too strong and it pushed him back into the sea so he just goes “fuck this shit ima swim for it” and then apollo went to artemis and was all like “hey i saw this dude rape and kill a girl and i could have killed him myself but i thought youd want to do it” and artemis is all “youre damn right i do” and she shoots an arrow through orion’s face from so far away that his head looked like a tiny dot on the water at which point apollo just starts laughing like “haha lmao you said i couldnt kill him so i got you to do it for me also btw i lied about seeing him do some shit see ya” and fucks off to leave artemis alone with her dead best friend so she does what gods always do when shit goes down and hangs orion in the stars and goes to kill the scorpion but you know apollo didnt like that too much so he tries to send his fuckening scorpion up there to get orion a second time but artemis fuckin swats it and the scorpion ends up on the other fucking end of the sky so it never comes anywhere near him and theyre not even up there during the same months so since orion’s up there trying to hunt down that fucking scorpion and it’s trying to obey apollo and kill him, they just chase each other in circles for all eternity BUT orion got the better end of that deal because his belt is one of the most recognizable asterisms in the sky and i fucking dare you to tell me what scorpio looks like.

can we just talk about the time that Lupin was recovering from a full moon and Snape taught the DADA class and made all the students write essays on how to kill werewolves for Lupin to read when he got back I hate Snape so much it’s not funny

Lupin gets back and he feels like crap and suddenly his best friend’s son is writing an essay about how to kill him like that is so fucked up

Avatar

Bear in mind that an ex-Death Eater does this to someone who was in the Order, risked his life fighting against said Death Eaters and lost his best friends to the Death Eater’s genocidal leader, for the sole purpose of screwing him over, and as far as we know he experiences no consequences whatsoever for doing so.

And if that wasn’t enough, he made them write those essays hoping some of them would realize Lupin’s a werewolf. And one did, but Hermione is a fucking DECENT HUMAN BEING and said nothing. Apparently the ‘insufferable know-it-all' can keep her mouth closed, when it’s for something important. Just like Snape didn’t do at the end of the book.

I’m getting mad, so here’s something I’ve realized while reading The Order of the Phoenix again. (Please keep in mind that my books are in Italian and some concepts might be hard to explain, I apologize for my English mistakes)

In chapter 14, when The Trio talked with Sirius, he said that two years before Dolores Umbridge had written a law against werewolves that made it almost impossible for Lupin to find a job.

Now ask yourself this question. Why two years?

What had happened two years before? During Harry’s third year? Oh, right. The Magical World had discovered that one of Hogwarts’ teachers (someone who was in constant conctat with their children) was a werewolf. Does that ring any bell?

But that’s not all! If we take a look at chapter 15, in the Daily Prophet article we can see a familiar name: Remus Lupin. In a newspaper. Where everyone can read it. “The werewolf Remus Lupin”. No wonder he couldn’t find a job! And it’s not the first time the Daily Prophet has written about him, as it’s stated in the article itself. There must have been a huge scandal when it had all come out.

So basically, when Snape decided he couldn’t bear not having what he wanted (for example, SIRIUS BLACK GETTING KISSED BY A DEMENTOR) and spilled the secret, he didn’t only tell the whole school. He didn’t only tell the kids’ parents. The told the whole Magical World.

He told the whole Magical World that a man who had kept his condition secret all his life was a werewolf.

And the Magical World responded with a law against werewolves.

So, basically, Snape didn’t only ruin Remus Lupin’s life. He ruined the life of every single werewolf in the UK.

But, you know. Bravest man I ever knew.

I will never not reblog how horrible Snape was. A great character? Why of course. But a great man? Absolutely disgusting.

Avatar

Severus Snape is a garbage human being, and I will die on that hill.

reading letters from 1818 is wild

“it’s that time of the year when I get colds for no apparent reason again” have some Clairitin hon

But also we’re not becoming allergic to everything nowadays like certain white moms fear. Allergies have always existed. They were just talked about differently

Like “oh clams always ~turn my stomach~”. Or “what a pity he was taken from us at age 5”

“Well we didn’t have all this fancy chronic illness stuff in the Olden Days, what did people do then??”

They died, Ashleigh. 

This is a picture tracking bullet holes on Allied planes that encountered Nazi anti-aircraft fire in WW2.

At first, the military wanted to reinforce those areas, because obviously that’s where the ground crews observed the most damage on returning planes. Until Hungarian-born Jewish mathematician Abraham Wald pointed out that this was the damage on the planes that made it home, and the Allies should armor the areas where there are no dots at all, because those are the places where the planes won’t survive when hit. This phenomenon is called survivorship bias, a logic error where you focus on things that survived when you should really be looking at things that didn’t.

We have higher rates of mental illness now? Maybe that’s because we’ve stopped killing people for being “possessed” or “witches.” Higher rate of allergies? Anaphylaxis kills, and does so really fast if you don’t know what’s happening. Higher claims of rape? Maybe victims are less afraid of coming forward. These problems were all happening before, but now we’ve reinforced the medical and social structures needed to help these people survive. And we still have a long way to go.

This is one of my favorite anecdotes to show how clever rewording of statistics can make them say the opposite of what they mean:

Every time a state makes riding a motorcycle without a helmet illegal, the number of ER patients seriously injured in motorcycle accidents skyrockets. Every single time.

When you phrase it just right, it makes it sound like it’s more dangerous to ride a motorcycle with a helmet than without one. Of course, the reality is that before those laws, those patients were going to the morgue, not the ER.

That also reminds me of a story from world war 1 where the soldiers started to take their helmets off because more soldiers would come back injured while wearing a helmet. That’s because if they didn’t have a helmet they died.

Even if you concede that a 50-foot-long Basilisk was able to fit through plumbing that didn’t exist at Hogwarts until recently because wixen apparently just soiled themselves, how did the Basilisk get into the corridors?

“Through the pip-”

Yes, it moved through the pipes, but how did the Basilisk get from the pipes that were inside the walls, through said walls, into the corridors, back through the walls, and into the pipes, all while presumably hissing, “Don’t be suspicious, don’t be suspicious.”???

I just…

“Ah,” Dumbledore softly laments. “Whatever did this has developed a clever means of escaping, rendering our pursuit impossible.”

“Truly a mystery.”

it’s hilarious to me when people call historical fashions that men hated oppressive

like in BuzzFeed’s Women Wear Hoop Skirts For A Day While Being Exaggeratedly Bad At Doing Everything In Them video, one woman comments that she’s being “oppressed by the patriarchy.” if you’ve read anything Victorian man ever said about hoop skirts, you know that’s pretty much the exact opposite of the truth

thing is, hoop skirts evolved as liberating garment for women. before them, to achieve roughly conical skirt fullness, they had to wear many layers of petticoats (some stiffened with horsehair braid or other kinds of cord). the cage crinoline made their outfits instantly lighter and easier to move in

it also enabled skirts to get waaaaay bigger. and, as you see in the late 1860s, 1870s, and mid-late 1880s, to take on even less natural shapes. we jokingly call bustles fake butts, but trust me- nobody saw them that way. it was just skirts doing weird, exciting Skirt Things that women had tons of fun with

men, obviously, loathed the whole affair

(1864)

(1850s. gods, if only crinolines were huge enough to keep men from getting too close)

(no date given, but also, this is 100% impossible)

(also undated, but the ruffles make me think 1850s)

it was also something that women of all social classes- maids and society ladies, enslaved women and free women of color -all wore at one point or another. interesting bit of unexpected equalization there

and when bustles came in, guess what? men hated those, too

(1880s)

(probably also 1880s? the ladies are being compared to beetles and snails. in case that was unclear)

(1870s, I think? the bustle itself looks early 1870s but the tight fit of the actual gown looks later)

hoops and bustles weren’t tools of the patriarchy. they were items 1 and 2 on the 19th century’s “Fashion Trends Women Love That Men Hate” lists, with bonus built-in personal space enforcement

Gonna add something as someone who’s worn a lot of period stuff for theatre:

The reason you suck at doing things in a hoop skirt is because you’re not used to doing things in a hoop skirt.

The first time I got in a Colonial-aristocracy dress I felt like I couldn’t breathe. The construction didn’t actually allow me to raise my arms all the way over my head (yes, that’s period-accurate). We had one dresser to every two women, because the only things we could put on ourselves were our tights, shifts, and first crinoline. Someone else had to lace our corsets, slip on our extra crinolines, hold our arms to balance us while a second person actually put the dresses on us like we were dolls, and do up our shoes–which we could not put on ourselves because we needed to be able to balance when the dress went on. My entire costume was almost 40 pounds (I should mention here that many of the dresses were made entirely of upholstery fabric), and I actually did not have the biggest dress in the show.

We wore our costumes for two weeks of rehearsal, which is quite a lot in university theatre. The first night we were all in dress, most of the ladies went propless because we were holding up our skirts to try and get a feel for both balance and where our feet were in comparison to where it looked like they should be. I actually fell off the stage.

By opening night? We were square-dancing in the damn things. We had one scene where our leading man needed to whistle, but he didn’t know how and I was the only one in the cast loud enough to be heard whistling from under the stage, so I was also commando-crawling underneath him at full speed trying to match his stage position–while still in the dress. And petticoats. And corset. Someone took my shoes off for that scene so I could use my toes to propel myself and I laid on a sheet so I wouldn’t get the dress dirty, but that was it–I was going full Solid Snake in a space about 18″ high, wearing a dress that covered me from collarbones to floor and weighed as much as a five-year-old child. And it worked beautifully.

These women knew how to wear these clothes. It’s a lot less “restrictive” when it’s old hat.

I have worn hoop skirts a lot, especially in summer. I still wear hoop skirts if I’m going to be at an event where I will probably be under stage lights. (For example, Vampire Ball.)

I can ride public transportation while wearing them. I can take a taxi while wearing them. I can go on rides at Disneyland while wearing them. Because I’ve practiced wearing them and twisting the rigid-but-flexible skirt bones so I can sit on them and not buffet other people with my skirts. 

Hoop skirts are awesome.

Hoop skirts are also air conditioning.  If you ever go to reenactments in the South, particularly in summer, you’ll notice a lot of ladies gently swaying in their big 1860s skirts – because it fans all the sweaty bits.  You’ll be much cooler in a polished cotton gown with full sleeves, ruffles, and hoopskirt than in a riding jacket and trousers, let me promise you!  (This is part of the reason many enslaved women also enthusiastically preferred larger skirts – they had more to do than sit in the shade, but they’d get a bit of a breeze from the hoops’ movement as they were walking.)  

They’re also – and I can’t emphasize enough how important this is – really easy to pee in.  If you’re in split-crotch drawers (which, until at least the 1890s, you were), you can take an easy promenade a few feet away from the gents and then squat down and pee in pretty much total privacy.  It gives so much freedom in travel when it’s not a problem to pee most anywhere.

People also don’t realize that corsets themselves were a HUGE HUGE IMPROVEMENT over previous support-garment styles – and if you have large breasts that don’t naturally float freely above your ribcage (which some people’s do! but it’s not that common), corsets are often an improvement over modern bras.

They hold up the breasts from underneath, taking the weight of them off your back.  Most historical corset styles don’t have shoulder straps, so you’re not bearing the weight of your breast there, either, and you can raise your arms as far as your dress’s shoulder line allows (which is the actually restrictive bit – in my 1830s dress, literally all I can do is work in my lap, but in my 1890s dress I can paddle a kayak or draw a longbow with no trouble.  Both in a full corset).  They support your back and reduce the physical effort it takes to not slouch, helping avoid back pain.  They’re rigid enough that you don’t usually have to adjust your clothing to keep it where it belongs.  They’re flexible – if you’re having a bloaty PMS day you just … don’t lace it as tightly, and if your back muscles are sore you can lace it a little tighter.  And you can undo a cup (or, y’know, not have breast cups) to nurse a baby without losing any of the structural integrity of the garment.

I do educational/historical dressing and people are really insistent, like, “The corset was invented by a man, wasn’t it?”  “Actually, women were at the forefront of changing undergarment styles throughout the 19th century!” “But it’s true that it was invented by a man.”  

Uh, well, it’s hard to say who “invented” the style but it’s very likely that women’s dressmakers mostly innovated women’s corsets and men’s tailors mostly innovated men’s corsets, honey.  Because those exist too.

Everything about all of this is accurate.

Yeees.

Also? These fashions are about taking up space. They’re about being loud and visible and saying HERE I AM. About saying “I’m so rich, I need someone to help me dress every morning.” And about saying, “I am not solely here for male consumption”–there’s a reason so many cartoons lampooning women’s fashion are about how hard those ladies are to kiss, and how impossible it’d be to have a quick fuck in them. (Which it actually isn’t, but that’s beside the point)

Historical women’s fashions aren’t 100% unproblematic and absolutely wonderful. They make stark class distinctions incredibly visible, because you simply cannot wear some of these dresses and keep them maintained without a private staff to do a ton of work for you. They upheld a standard of femininity a lot of women were excluded from. They limited women’s and girls’ participation in sports and athletics. 

But damn, women wore them for a reason.

I want Clara Oswald, safe, alive, and returned to me immediately. You bring her back. You do that. You do that now. Unharmed. Unhurt. Alive.

Do you ever think about just how MUCH Twelve listened to Clara? How much he really heard what she was saying and did so to an extent that she didn’t even realize?

In Deep Breath, Clara tells him, “I will smile first and then you know it’s safe to smile.” And so she sets herself up as the one in the relationship who sets the tone for everything. For hugs, for confessions, for emotional transparency. Just look at Last Christmas, where he only confesses about Gallifrey after she tells him about Danny. Clara becomes the emotional leader of their relationship right away.

Here, in MOTOE, she tells him getting her home and keeping her safe are her only requirements for traveling with him. And he remembers this long after Clara seems to have forgotten or stopped caring. See the “don’t go native” conversation in Under the Lake. 

Or perhaps she just changes the terms. In Before the Flood, she tells him, “If you love me in any way, you’ll come back.” It’s no longer home and safety that matter to her but the Doctor, this Doctor. And into the stasis chamber he goes to sleep for 140 years to get back to her. 

And I’ve talked about this before but in Dark Water, he sees the extreme lengths she was willing to go to save the person she loves, even though that person is dead. And then Twelve knows that that’s what you do, what they do, when the one they love dies. They go as far as needed to bring them back. Enter Heaven Sent and Hell Bent where he dies millions and millions of times and puts the laws and lives of his own species as secondary to saving Clara Oswald.

But then lastly, of course, is, “Everything you’re about to say, I already know. Don’t do it now. We’ve already had enough bad timing.” Clara doesn’t even understand the magnitude of preventing the Doctor (and herself) from saying what absolutely does need saying. She doesn’t get it until they are kneeling in the cloisters and she’s staring at a Doctor who has been through billions of years of torment and pain and loss. And maybe only then does she see how much this Doctor learned from her, the good and the bad. How much he took her words to heart. And so she tells him.

“People like me and you, we should say things to one another. And I’m going to say them now.”

Not long after this, Ashildr says, “…a passionate and powerful Time Lord and a young woman so very similar to him.” And while she’s right, she also misses the point. 

Clara isn’t just like the Doctor. 

The Doctor is like Clara. 

Today’s Heaven Sent watchalong has me thinking again about how the Doctor learned so much for Clara. During the live-tweeting, Steven Moffat said: 

And wow that just reminded me so much of my opinion that the reason the Doctor goes so far and hard in Heaven Sent is that he learned from Clara that when someone you love dies, you do whatever you need to in order to get them back. 

What people assume that 12 is like: grouchy old man

What he's actually like: Fuck the government. Fuck the military. Eat the rich. The Doctor is in and he says LGBT+ Rights. I'm gonna go eat a packet of crisps or some gas station sushi and be very punk rock of me. Kindness is the dankest meme of them all.