POV you've gotta pick up your cross-faded loser of a baby brother up from the drunk tank
at least he has the decency to look ashamed of himself.

at least he has the decency to look ashamed of himself.
Do you hc America to speak other languages or is he a fully English bimbo? To my knowledge, NASA requires Russian fluency, I don't think many other US-government level agencies require another language but I could be wrong. I know Spanish translations of official documents are increasingly accessible but English is still the de facto language.
What I will say is that the notion that Alfred, as a superpower in the modern age, does not speaks several languages is absurd to me.
The languages i hc him to know, besides English, are:
All that said, Alfred is, in heart and soul, an "English bimbo" 🙏
Do you think there was ever a point where Francis realize he didn't love Matthew the way a Father should?
i personally feel like he might've realised it quite soon, even when Matt is pretty young. however, it's the situation where somebody knows they're not treating someone as they deserve, but there's still a gap between that realisation and actually working on yourself hard enough to change and doing something to fix that. francis and matthew, as i see it, exist in the similar context of maría (mexico) and antonio (as well as alfred and arthur): a colony is a prize to show off for their ambition, and i feel like he and arthur felt maría was more impressive than matthew (or alfred back then).
and in many ways...this kind of dysfunctional dynamic isn't just because they're not human: human families where a parent regards a child as an extension of their own pride and something to show off do exist too no? a child with a powerful father who is distant? in any case, francis is no less an empire than arthur or antonio in that regard, even if the precise specifics of french imperialism in the americas had differences. while i think he is not necessarily overtly cruel to Matt the way some parents will say actually hurtful shit to a kid's face, but my guess is that he could be hurtful in his lack of attention and sense of disinterest, or the way he might pay attention to Matt when he sees him in person, and say 'i'll write to you' but then...he doesn't.
and like, not to excuse Francis in anyway, but i feel he, Arthur and Antonio just have an inherently dysfunctional baseline of what a 'normal' childhood looks like because they themselves are children of the medieval era. Baptised in the Europe that was born after fall of the (Western) Roman Empire, in the wars, conflicts and changes wrought—and being preoccupied with also chasing Rome's shadow and fancying themselves maritime empires more than any sort of healthy concept of being present and around a child for the child's own sake. i can perhaps see more...honest and revealing conversations about this when Matt is much older and able to vocalise it, but it's never neat and easy.
off topic but i really adore the history left behind by the nations. of them in photographs; their letters to each other over the centuries, paintings, polaroids, etc. it’s so distinctly and weirdly intimate and deep to me, like saying i’m here, and i have lived like any other being. just because the world found out about them in a later time didn’t mean they didn’t exist nor live a life before that. that despite being absolutely immortal and divine, they are still captured in photographs and there are ink stains on the letters they wrote that say, this is a life lived. they aren’t just mindless entities that equate to the representation of a society, they have genuine personal lives that are in the very proof of pages and papers.
headcanon that US officials use DEFCON to informally indicate how angry Alfred is at any given moment. the exercise names even work too.
DEFCON 5: FADE OUT. everything is chill. Alfred is anywhere from happy to apathetic. no need to worry.
DEFCON 4: DOUBLE TAKE. someone did something fucking stupid and Alfred isn't sure yet if he's more shocked or offended. there's still time to intervene and get the situation under control.
DEFCON 3: ROUND HOUSE. Alfred is yelling in the middle of the NATO meeting and diplomatic relations are going to take a hit with at least one country. still able to de-escalate but at least some damage has been done.
DEFCON 2: FAST PACE. [Kill Bill sirens] someone just lost a game of chicken with the world's premier superpower and now Alfred is mid-fistfight. allow other nations to intervene and de-escalate.
DEFCON 1: COCKED PISTOL. Alfred just threw a car like the fucking Hulk. do not try to de-escalate, just get out of the way.
I wonder if Alfred ever dusts off his law degree (s) and goes plays lawyer for a bit
I'm thinking he either finds the funniest most insane lawsuit filed and picks it up or he works for free for some smaller case that he cares about but knows the person won't have the money for a proper fancy lawyer
Or or imagine in a public knowledge AU and you are in night court when the judge says, "oh look your government appointed lawyer is here" and you turn around its just the fucking United States of America because he got in trouble during a recent trip to Las Vegas and congress is having him work as a public defender for the next 6 months to earn back his credit cards and to prove to them he understands what public indecency laws are
I don't think you've ever gone into much detail on the relationships between Alfred and Zee/Jack. Does he care about them or is it more like an an adult sibling in their 30s suddenly having siblings that are in their teens? Nothing in common and generally don't really speak to each other or feel like they're really related at all. Just some other people that his father calls his children that he couldn't care less about?
It's really not very sibling but it's kind of distantly familial. But mostly they interact as friends. Zee has been very sceptical about Alfred pretty much from the get-go. She met him probably in the early Victorian Era and Alfred interpreted her clinging to Uncle Rhys as shyness, but she was low-key cranky and not having it. It's not that she doesn't like him, because she does. Alfred's impossible not to like especially when he's being genuine. But she's not sure she trusts him. He's ambitious and cunning in that bible salesman kind of way.
But he also has had some moments where he recognizes how Europe rejects both of them for being very obviously on the edge of European hegemony. They might ride a lot of human context of whiteness but empire is a very fucked up cosmopolitan thing so "neither you nor I are entirely European. We're western states but never going to completely European and there will always be a barrier there. Don't bother with them, I've already tried and pushed our limits." made for some surprising commonality with them. He's also had his head in her lap hallucinating and begging for Matt, death or Dad when he was low-key dying of malaria or dengue in the South Pacific. She also, perhaps ironically given their power differences, has given him the biggest fuck you anyone ever has by banning his ships from her ports while not only not escaping punished but still entirely benefiting from the American security apparatus. He saves the majority of his emotional attachment for Matt but they can have a beer and go surfing without major incident. He certainly trusts her more than she trusts him but like it's just more solid than intimate.
Jack's relationship with Alfred is both more and less fraught. Mostly because of gender. Zee has it harder in a lot of ways being afab and feminine presenting most of the time but that's also made her less concerned about masculinity. Especially the sword clashing virility-as-nationalism they came of age in. The stolid, stoic, takes-his-lashes-silently ideal of British manhood that Jack does not suit. He looks at Arthur and he looks at Matt and he doesn't want to be them. His father's rage, Matthew's senseless martyrdom. He wants that respect, the warriors right to respect as it is. But he looks across the Pacific in the late 19th century and early 20th and Alfred is bright, forward-looking friendly and progressive. He has a navy. He has respect. He has a battle scars waged in the name of glamorous things like freedom and democracy and equality. That's an example of masculinity he likes. Alfred standing on the flag ship's prow, at the head of the Great White Fleet announcing him as the next great power kind of beat Jack over the head with a 'oh I'm a baby I need to grow up and get a navy and be a man and earn respect.' And he does pursue those goals and something of Alfred's version of great power projection. But its also not long before Alfred scares the shit out of him too. The costs of his father' ambitions have always been visible but when Alfred's are revealed to Jack they're shocking and frightening. He doesn't want to be his father and he doesn't want to be Alfred. But sometimes, the blunt imperialism of his father is a little easier to handle than the way Alfred operates as an empire of militant idealism. So while he and Alfred appear to get along very well on the surface, and work together very well while they're at it, there's very fundamental differences to who they are and that keeps them friends, not family.
how is an Alfred in love? what type of love language did he developed in his relationships or his idea of what love should look like? I have seen almost every kind of characterisation (innocent, flirty, shy, confident, devoted, straight up toxic) so I'm feeling like asking an expert here
🌻
I think of Alfred in love as an arc of all of these above. In the 18th century, when he and Maria got close, he was shy and innocent, and she had to make all the first moves. He was thrilled to hear her opinions on the enlightenment and to discuss things they’d read and could discuss. I think it was the first time he had an equal and kindred spirit in his life, and it showed how hesitant he was to initiate anything. Contrary to popular belief, Puritans did love to fuck; it was just supposed to be within the bounds of marriage, so when she finally did kiss him, I think he justified it in that he couldn’t marry like a human; the closest thing is that geography can’t really be changed. It’s permanent. And for the rest of his life, a piece of his heart will belong to her and no one else. He fucked her over; they have some serious ups and downs. Some nights, however, Alfred still is the young firebrand that was still being forged on a gentler fire who meant the oaths he spoke. She’s the incredibly intelligent, poised young woman who outranked him and, much to her later chagrin, believed him. There’s, to this day, a particular devotion there, I think, that only she really has access to. He adjusts to fluctuations in his relationships better than Matt because of that. She was his first, and if the world came crashing down tomorrow, she’d be his last if he had any say in it.
The American Revolution and the Barbary Wars pushed him from the positive and boldly flirtatious young rake in training, which immediately lost his nerve as soon as clothes started coming off. French support is what won the Americans their war. Francis’ tutelage is what made Alfred’s ass a national asset. Not entirely sure if I headcanon congress pimped Alfred out for that Dutch, Spanish and French support, but Francis certainly taught him some shit regardless. He’s tall, beautiful and intelligent, and he needed any advantage he could leverage. And he definitely got pegged as a part of the tribute to the Barbary State, which was a whopping 10% of the national budget in the Republic’s early years. He learned to walk the walk and talk the talk. He practiced how to seduce and please, and he had so much natural confidence it didn’t fuck with his sense of self-worth or masculinity.
From there on out, you get an Alfred who is highly affectionate and hands-off with most of his lovers. He has no shortage of attention, and he’s a hoe, he he flits like a bee from plant to plant to plant, pollinating the hell out of the planet. Some people do mean more than others. While most of it is casual, he does have extremely strong feelings and genuine affection for some of them. And those people get an Alfred whose enthusiasm isn’t pure joy and interest but a little vulnerable because he’s trusting them. He can chat anyone up and fuck them, but real intimacy in the form of sharing things he enjoys or participating in what they want is a little rare and very cherished.
Alfred’s genuine love is the same as his usual self, just… quieter. Alfred is always generous and gregarious and cheerful, and usually, he makes a fucking show out of it. Alfred typically is ’Look what I did! Look how great I am!’ Alfred in genuine love is… Well, the Alfred who lost his virginity to Mari after debating Locke is the same one who almost burns the shit out of his hands trying to make a lasagne Romano will eat. He panicked because he thought he’d let the timer go too early. This is also the Alfred who gets up early and fills Tolys fridge and pantry before he goes home while Tolys is still asleep because it’s 1990-something and the old SSRs are basically post-apocalyptic. This is the Alfred who is genuinely almost nutting himself when Ludwig thinks his rockets are as cool as he does. This is the Alfred who sees the sakura blossoms in DC and will text Kiku random hearts and exclamation points with a surprisingly well-lit and composed photo full of pink flowers. His love language is… well fuck, what isn’t Alfred’s love language? It’s flexible, warm, and full of heart when he’s in the mood to be.
i’d never even considered how the civil war would affect alfred during ww1, that’s a really interesting idea. would you mind expanding a bit more if you haven’t already?
fuck yes I can expand on that. TW for historic nastiness.
Okay to prelude— I don't typically do 1:1 state/gov to character but considering the cession of the south into a separate state and the US itself is the Union, my boy is in blue. In this blog's universe there is no schizophrenia or split personality or Doppelgänger or any other representation of the south. It gutted him and he lost feeling in a lot of his usual area and it severely weakened him but he represented the United States and that means union blue. And considering the north really doesn't have all that much moral leverage on the south especially in matters of racism, it's not much of a jump. If you aren't crazy about that, look away now.
So. Trench warfare. It's as old as humans bashing each other's heads in. Defensive ditches are an archaeological feature across the applicable world. But it's the American Civil War that might hold the gold medal for largest gap between how technology designed to kill had advanced spectacularly over any innovation that might save lives. I won't say deadliest because you do have the Taiping Rebellion around the same time but a lot of that was sièges and counter sieges and river based naval engagements. But anyway— rifled artillery and direct fire techniques had changed the game and soldiers were driven underground behind parapets and sandbags. Around Petersburg especially. And it's towards the end of the war when the Confederacy is increasingly desperate and hand to hand fighting is getting more common and more brutal. Entire regiments were lost in hand to hand mêlée. And if a soldier didn't die instantly, it was off to a field hospital. Guts ripped open by iron shells, lungs hanging from the tips of bayonets, wounds so infected they glowed, limbs hacked off by a surgeon who hadn't washed his hands in six days and sepsis rot so foul someone can taste it on the air even with the mouth closed. Malaria and typhoid so fucking bad the army cots would literally shake apart from how bad men shivered when the chills aspect of the fever cycle hit. I know it's fashionable right now especially on vintage fashion YouTube to say people in history weren't disgusting but like, I've been in archives for years. Yeah it fucken was. Never was medicine so far behind the ability to kill.
So Alfred's probably died a solid dozen times half of which from shitting himself because he's probably riddled with parasites. He's been shot, stabbed, slashed. Shaken, rattled and absolutely steam rolled. And the final part of his almighty trauma is this is happening just up the river from where he was born in Jamestown. Alfred is on his belly in the earth beneath the feet of the people that bore him and then rejected him, begging his Protestant God and any of his own people listening and the very earth itself to protect him, to keep him alive as shell after shell lands around him.
When every battle is over, the dead rot in piles across the fields and trenches. The famous photos of the Antietam and Gettysburg dead are days old, you can see some of the bodies had been looted. There were so many dead and so many dying that upon its tardy entrance into world war one, the US had a more coherent body management and disposal program than any other of the entente powers. Who had already been at war for nearly four years.
So yeah, in my opinion he got ten steps into a front line trench where the British and especially the French were just causally walking on bodies, he vomited so hard New York felt California rattling around in there and said fuck it. My boy was either off to cleaner pastures like Belleau Wood or the air corps. It was too much too soon and he just couldn't keep it together in those conditions. They knew what bacteria were by WW1 and he was a burgeoning world power. So he probably only went full himbo with dysentery twice in France so it wasn't as bad as his civil war flop era but oof. That smell, the screams, pressing himself into soil that is not his own yet again is too recent and too vulnerable. He can't do it again so soon.
The greatest line in musical cinema history
My submission for the @hws-anthology! Thank you so much to all of the mods for making this possible
Characters/ Ships: England, France- FrUK (But gently… softly)
Summary: The rediscovery of lost relics has a habit of awakening unwelcomed feelings. The past overlaps with the present far more than France realises.
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‘There you are. Hiding as usual.’
England looked over his shoulder at the sound of France’s voice. He was leant against the railings of the walkway overlooking Portsmouth harbour, wearing a light coat and stood as far as he could get away from the main crowds without missing the view. It was a busy day, unsurprisingly given the circumstances, and even where he was on the waterfront people were thronged out all along the railings and in the nearby buildings to get the best look at the happenings out at sea. It was not every day that a ship this old- a rare find indeed for how intact it was rumoured to be- was raised back to the surface. Some more eager watchers had even gone out onto the water themselves; past England, France saw a small pleasure boat packed with onlookers come in closer to shore to avoid an official navy ship, bearing down imperiously on anything in its way.
Maybe sensing his wish to be alone from just his expression, or from whatever it was that connected their people to them as they so keenly were, the onlookers nearest to England had given him as wide of a berth as they possibly could. He stood there in the crowd out of place and alone, a lone island close pressed by a sea of mortal life that dare not come closer than the five feet he mentally permitted.
‘I wondered when you’d show up.’ Was all England said as France approached.
‘You thought that I would?’
‘No, that I’m still surprised by. But I felt you arrive a few hours ago.’
‘Ah.’
STOP IT…. STAWPIT…. YOUR TAGS ABOUT AMERICA BEING SCOT’S + IRE’S BABY HAS ME CHOKING ON TEARS 😭😭😭😭☹️☹️☹️☹️😭☹️😢☹️😭☹️😭😣😣☹️😣😭😣☹️ He is such a good boy… he loves them so much and never lets them forget it 💔💔💔
Alfred's that guy who's a dick to everyone except his mom, except in this case his "mom" is actually his aunt Ireland and uncle Scotland.
I saw someone post about how they hope the writers got rid of Sokkas “stupid humor” for the live action show and like damn I don’t think someone had fundamentally misunderstood a character more.
Sokkas humor is a huge part of his character and shows a major aspect of his growth. At the beginning of the show Sokka is NOT the funny guy. In fact, he’s the most serious dude in his village. In the pilot, Aang and Katara are off playing with penguins while Sokka is literally putting on war paint and preparing to defend the rest of the village from a Fire Nation war ship. He has been the only man in his village for like four years. And he’s only fourteen. Sokka doesn’t make jokes at first, and when he does they’re usually sexist because his whole thing is about how much of a man he is. Sokka developing humor signifies his growth is a thousand ways. How he learns to respect others. How he starts to make friends. And more importantly, how he turns from a man back into a boy.
half of me wants to believe alfred does this unironically, but the bigger brained part of me says he does this with one specific house he owns and uses only when he has guests staying over, just to annoy them and be as obnoxious as possible
Alfred, low-key dying of cold: "Last time my balls were this blue I was still in my isolationist era. 😭"
Saw a comment that said when the CIA is training American spy's, that one of the big habits that has to be broken is the American habit of leaning on things. Leaning on door frames, leaning on cars, leaning their bodyweight on a table or desk. America is a nation of leaners.
Now imaging that Alfred is a habitual leaner. Doesn't even realize he is doing it. If he even recognizes that he dose it, just sees it as a casual and comfortable stance. One that shows he isn't on edge.
Yet there is a decades long debate at the UN and G8 meetings about if Alfred knowingly leans on peoples desks as an intimidation tactic or he really is simply redistributing his weight
Random silly question but do you think nations can highlight/ and dye their hair or will it go back to their usual magically?
Well, I should have answered that about six months ago, but yes, I do.
Quick sketch of America
i keep seeing this cut off but the preceding “yessiree” is vital to it imo