Avatar

sparklight

@flintandpyrite / flintandpyrite.tumblr.com

Knitter
Avatar
Avatar
kaelio

Not to undermine the message, because yes, especially locally, votes count - but the only reason they were able to avoid the veto-override was that a couple more Republicans changed their votes from when they originally passed the legislation.

So, actually this is more "vote and" adding to the message rather than undermining, because at least one of those Repubs said her changed vote was due to people in her district contacting her and urging her not to support the override. So vote AND contact your reps.

(Kansas Reflector is a good source for KS news for those interested)

Avatar

Scarp socks! I’ve told myself I can’t buy anymore sock yarn until I finish what I have. So in a drastic move I cut up all my ugly / scrap self striping yarn and sorted it by colour.

They turned out great and I love playing with colour like this but there are just so many ends to weave in! (too many, one might say).

The colour work was inspired by Emma Ducher’s Anni sock pattern, which in turn was inspired by Anni Albers’s Bauhaus weaving.

Avatar
Avatar
squeakitties

my favorite piece of modern art is Ai Weiwei’s Sunflower Seeds, over one hundred million hand-painted ceramic sunflower seeds made by dozens of craftsmen

Avatar
marithlizard

My first thought was "WHY" but @json-derulo did the work so I didn't have to:

Avatar
mikkeneko
Avatar
reblogged

Ensemble

1630s

England

This ensemble demonstrates fashionable formal dress for men in the 1630s. The breeches are long and fairly full in cut, reaching just below the knee. The doublet has a high waist at the sides and back, extending to a point in front. A deliberate opening of the seam on each sleeve allows the fine linen shirt underneath to be seen. No ensemble was complete without a cloak, and this example spans almost a full circle. The ornamental technique used on this outfit is unique and complicated. Braided silk threads were couched to narrow bias strips of satin which were sewn to a wider satin strip, pinked on each side. Then they were cut into short pieces and arranged vertically and diagonally over the satin surfiace of each garment to create a decorative effect that, from a distance, looks like slashing. The cape [flat collar] of the cloak has been altered at a later date.

The Victoria & Albert (Accession number: T.58 to B-1910)

Avatar
reblogged
Avatar
omgthatdress

Robe à la Française

1760-1770

The Metropolitan Museum of Art

"Women with coquettish airs were imposing in robes à la française and robes à l'anglaise throughout the period between 1720 and 1780. The robe à la française was derived from the loose negligee sacque dress of the earlier part of the century, which was pleated from the shoulders at the front at the back. The silhouette, composed of a funnel-shaped bust feeding into wide rectangular skirts, was inspired by Spanish designs of the previous century and allowed for expansive amounts of textiles with delicate Rococo curvilinear decoration. The wide skirts, which were often open at the front to expose a highly decorated underskirt, were supported by panniers created from padding and hoops of different materials such as cane, baleen or metal. The robes à la française are renowned for the beauty of their textiles, the cut of the back employing box pleats and skirt decorations, known as robings, which showed endless imagination and variety."

This is one of the dresses that I was truly surprised to see had never been on display, because to me this dress epitomizes the rococo era with its pastel blue, delicate floral pattern, pretty ruffles and ribbons, and flirtatious bows. Imagine how stunning it must have been with all of its lacy sleeve ruffles and undergarments, carefully rouged cheeks, glittering jewelry, and huge elaborate hair. It is truly one of my favorites.