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Scantily Clad

@fleshythings

||Female✨||Mexican💗||Passionate enthusiast of all things awe inspiring!🌊||99.9% Heart&Soul guaranteed.

If Anathema and Newt hadn't burned the other prophecies they would have found one that went something like "When that the Angel and Demon speaketh of an Us, like Two that came before and thus ran to the starres, their wordes shall cross the starres of their own fates, a nightingale shall close its solemn beak, and all ye who watch shall utter 'What Thee Fuck, You Are Both Bloody Idiots'."

this feels like a good time to say that when I was a teenager I went to hear Terry Pratchett and Neil Gaiman talk about Good Omens the book (I know! I know!!!) and they said that one of their favourite things about writing it together is that it brought their two fandoms together and caused all the terry fans and the neil fans to hook up. So suddenly they started seeing all these couples where one was a skinny goth Gaiman nerd and one was jolly fat little Pratchett nerd. “And,” said Terry, “they looked like lots of number 10s walking down the street together!”

and now I realise that of course Az and Crowley are the ultimate number-10-in-human-form couple.

Heyyyyyy I’d really like to talk more about the ball, who’s with me.

Because for all its glitter, the ball is dark. No, seriously, it’s dark. It’s eerie, it’s disturbing, and the narrative doesn’t shy away from showing us just how much. 

As in a classic fairytale, mortals are being spirited away into another realm to dance through the night. Here, however, we see exactly who is orchestrating the dance, and why.

And we empathize with him, but watching Aziraphale has never been so painful or so unsettling.

Nina arrives distraught and is immediately hit with the realization that she doesn’t feel distraught, even though she knows she should be feeling it. She confronts Aziraphale and he just tells her: oh yes! :) no long faces tonight! And she is disturbed throughout the ball, thinks she is losing her mind, questions and fights the enchantment… but from time to time, the enchantment still takes hold.

And just—

Aziraphale. Aziraphale, you do know that manipulating people is wrong, don’t you? You… do know that? And yes, of course, neither Crowley’s nor Aziraphale’s approach to morality is human. They are eldritch, they are otherworldly. It was Crowley who changed the paintball guns into real guns in S1, though of course, the humans still had choice in using them.

But the ball is still different.

We’ve never seen Aziraphale do anything quite so disturbing before, or go so obviously deep into his own delusion. There are moments during these scenes when even Crowley, permanently frustrated, is very nearly disturbed. (“Angel! What are you doing?” or “Making it rain is one thing, but a BALL?”)

I fully think that by that point in the story, Aziraphale is not all right. He is in an anxiety spiral, denying reality fiercely, obstinately, disastrously, not listening to any of Crowley’s hissed warnings. Yes, yes, he is giddy, he is in love. It’s so very important for him that everything go RIGHT this night, the night he gets to dance with Crowley. Is he even aware of everything he is conjuring up, of the enchantment he has woven? The humans who step through the doors of the bookshop change: their clothing, their mood, their speech patterns… By this point, is Aziraphale doing this consciously at all? Or is reality conforming to his expectations, forcing everyone into a replica of the nineteenth century while Aziraphale himself, distracted and smitten, works himself up to inviting Crowley to dance?

In the first few episodes, as fear and danger grow, as Aziraphale is faced with the danger specifically to Crowley (I don’t see why he would risk his existence for you, Shax tells him in the car), Aziraphale only denies reality all the more fiercely, only holds on to his plans tighter, only puts more force into them and exerts more control (really, rather like the archangels with their Great Plan).

And the ball, beautiful and otherworldly and eerie as it is, is also a dire warning

In the morning, it will be Crowley, not Aziraphale, who will get told off for manipulating Nina and Maggie. Aziraphale won’t reflect on this. He won’t be forced to reflect, and Metatron will manipulate him in turn.

There is a plan to follow. The show must go on.

GOD the ball is so dark.

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that-house

Our grocery store has a Perishable Manager and a Non-Perishable Manager and I know it’s talking about the departments they oversee but really it seems like Seth may be mortal but David will never die

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fellshish

girl help the eldritch horrors are organising a pride and prejudice party and making us dance to mirror their forbidden and repressed love. yes there is a michael jackson thriller video reenactment outside trying to get in. no yeah i still want that rare doctor who annual

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kaijuno

Also being a scientist pretty much gives you a free pass to be as eccentric as you want like you’ll be at a conference and it’s like “is that guy wearing socks and sandals and plaid pants???” “Ya but he was on the team that discovered gravitational waves let him be”

I once saw a highly-respected mineralogist take a slice of watermelon, put it between the two halves of a bagel, and eat it like a sandwich.

may everyone with a heavy heart feel light again

I cannot stress this enough, write it poorly. Write the shittiest draft you possibly can, stick 'ah fuck something happens here and now they're fighting' to get over

Write the worst fucking version you possibly can and stick it in a folder and forget it for a month or two before you look at it again. You know what you have now?

A first draft. And with enough time to think some new thoughts about it, you'll soon end up with a better, second draft! And eventually, you'll end up with something you'd be perfectly okay with letting other people read!

You'll never believe this process works no matter how many times you do it, but it totally does. You just have to drag your brain kicking and screaming to that blank page and get the bones down first.

Write the shit out of that shit.