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wine goddess trainee

@flannelshirt-denimjacket

i forgot my tumblr existed. god and his most foresaken creation at the same time. i smoke, be bisexual, and scream every night listening to techno music.
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gothicprep
Anonymous asked:

why is your cat green?

She’s built different 😌

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gothicprep

Look i tried to laugh it off, but I haven’t stopped thinking about this message because… my cat literally isn’t green

like where is the green

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gothicprep

Oh Christ

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sapropel

This is the color your cat is

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lazygravez

colors i eyedropped directly from op's cat

I drew a tree using only colours eyedropped from OP's cat.

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karakats

every time i see this post all i see is some green alien kitty with antennae so i had to draw it

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bogleech

I originally thought those were supposed to be mushrooms, implying that this cat is moldy

Moldy forest cat

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gothicprep

i'm happy y'all made fan art of my cat. i tried to show her and she just rubbed her face on my phone

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kob131

Pet your cat OP, 50% shot it helps.

the first time I reblogged this, like a few weeks ago, it had like 4,000 notes. why do people keep insisting tumblr is dead

i had a DREAM about the green cat last night. not sure what she was up to but. nice to meet her :)

GREEN CAT IS BACK ON MY DAAAAAASH

We Love Green Cat

Temples are built for gods. Knowing this a farmer builds a small temple to see what kind of god turns up.

Arepo built a temple in his field, a humble thing, some stones stacked up to make a cairn, and two days later a god moved in.

“Hope you’re a harvest god,” Arepo said, and set up an altar and burnt two stalks of wheat. “It’d be nice, you know.” He looked down at the ash smeared on the stone, the rocks all laid askew, and coughed and scratched his head. “I know it’s not much,” he said, his straw hat in his hands. “But - I’ll do what I can. It’d be nice to think there’s a god looking after me.”

The next day he left a pair of figs, the day after that he spent ten minutes of his morning seated by the temple in prayer. On the third day, the god spoke up.

“You should go to a temple in the city,” the god said. Its voice was like the rustling of the wheat, like the squeaks of fieldmice running through the grass. “A real temple. A good one. Get some real gods to bless you. I’m no one much myself, but I might be able to put in a good word?” It plucked a leaf from a tree and sighed. “I mean, not to be rude. I like this temple. It’s cozy enough. The worship’s been nice. But you can’t honestly believe that any of this is going to bring you anything.”

“This is more than I was expecting when I built it,” Arepo said, laying down his scythe and lowering himself to the ground. “Tell me, what sort of god are you anyway?”

“I’m of the fallen leaves,” it said. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth. I’m a god of a dozen different nothings, scraps that lead to rot, momentary glimpses. A change in the air, and then it’s gone.”

The god heaved another sigh. “There’s no point in worship in that, not like War, or the Harvest, or the Storm. Save your prayers for the things beyond your control, good farmer. You’re so tiny in the world. So vulnerable. Best to pray to a greater thing than me.”

Arepo plucked a stalk of wheat and flattened it between his teeth. “I like this sort of worship fine,” he said. “So if you don’t mind, I think I’ll continue.”

“Do what you will,” said the god, and withdrew deeper into the stones. “But don’t say I never warned you otherwise.”

Arepo would say a prayer before the morning’s work, and he and the god contemplated the trees in silence. Days passed like that, and weeks, and then the Storm rolled in, black and bold and blustering. It flooded Arepo’s fields, shook the tiles from his roof, smote his olive tree and set it to cinder. The next day, Arepo and his sons walked among the wheat, salvaging what they could. The little temple had been strewn across the field, and so when the work was done for the day, Arepo gathered the stones and pieced them back together.

“Useless work,” the god whispered, but came creeping back inside the temple regardless. “There wasn’t a thing I could do to spare you this.”

“We’ll be fine,” Arepo said. “The storm’s blown over. We’ll rebuild. Don’t have much of an offering for today,” he said, and laid down some ruined wheat, “but I think I’ll shore up this thing’s foundations tomorrow, how about that?” 

The god rattled around in the temple and sighed.

A year passed, and then another. The temple had layered walls of stones, a roof of woven twigs. Arepo’s neighbors chuckled as they passed it. Some of their children left fruit and flowers. And then the Harvest failed, the gods withdrew their bounty. In Arepo’s field the wheat sprouted thin and brittle. People wailed and tore their robes, slaughtered lambs and spilled their blood, looked upon the ground with haunted eyes and went to bed hungry. Arepo came and sat by the temple, the flowers wilted now, the fruit shriveled nubs, Arepo’s ribs showing through his chest, his hands still shaking, and murmured out a prayer. 

“There is nothing here for you,” said the god, hudding in the dark. “There is nothing I can do. There is nothing to be done.” It shivered, and spat out its words. “What is this temple but another burden to you?”

“We -” Arepo said, and his voice wavered. “So it’s a lean year,” he said. “We’ve gone through this before, we’ll get through this again. So we’re hungry,” he said. “We’ve still got each other, don’t we? And a lot of people prayed to other gods, but it didn’t protect them from this. No,” he said, and shook his head, and laid down some shriveled weeds on the altar. “No, I think I like our arrangement fine.”

“There will come worse,” said the god, from the hollows of the stone. “And there will be nothing I can do to save you.”

The years passed. Arepo rested a wrinkled hand upon the temple of stone and some days spent an hour there, lost in contemplation with the god.

And one fateful day, from across the wine-dark seas, came War.

Arepo came stumbling to his temple now, his hand pressed against his gut, anointing the holy site with his blood. Behind him, his wheat fields burned, and the bones burned black in them. He came crawling on his knees to a temple of hewed stone, and the god rushed out to meet him.

“I could not save them,” said the god, its voice a low wail. “I am sorry. I am sorry. I am so so sorry.” The leaves fell burning from the trees, a soft slow rain of ash. “I have done nothing! All these years, and I have done nothing for you!”

“Shush,” Arepo said, tasting his own blood, his vision blurring. He propped himself up against the temple, forehead pressed against the stone in prayer. “Tell me,” he mumbled. “Tell me again. What sort of god are you?”

“I -” said the god, and reached out, cradling Arepo’s head, and closed its eyes and spoke.

“I’m of the fallen leaves,” it said, and conjured up the image of them. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth.” Arepo’s lips parted in a smile.

“I am the god of a dozen different nothings,” it said. “The petals in bloom that lead to rot, the momentary glimpses. A change in the air -” Its voice broke, and it wept. “Before it’s gone.”

“Beautiful,” Arepo said, his blood staining the stones, seeping into the earth. “All of them. They were all so beautiful.”

And as the fields burned and the smoke blotted out the sun, as men were trodden in the press and bloody War raged on, as the heavens let loose their wrath upon the earth, Arepo the sower lay down in his humble temple, his head sheltered by the stones, and returned home to his god.

Sora found the temple with the bones within it, the roof falling in upon them.

“Oh, poor god,” she said, “With no-one to bury your last priest.” Then she paused, because she was from far away. “Or is this how the dead are honored here?” The god roused from its contemplation.

“His name was Arepo,” it said, “He was a sower.”

Sora startled, a little, because she had never before heard the voice of a god. “How can I honor him?” She asked.

“Bury him,” the god said, “Beneath my altar.”

“All right,” Sora said, and went to fetch her shovel.

“Wait,” the god said when she got back and began collecting the bones from among the broken twigs and fallen leaves. She laid them out on a roll of undyed wool, the only cloth she had. “Wait,” the god said, “I cannot do anything for you. I am not a god of anything useful.”

Sora sat back on her heels and looked at the altar to listen to the god.

“When the Storm came and destroyed his wheat, I could not save it,” the god said, “When the Harvest failed and he was hungry, I could not feed him. When War came,” the god’s voice faltered. “When War came, I could not protect him. He came bleeding from the battle to die in my arms.” Sora looked down again at the bones.

“I think you are the god of something very useful,” she said.

“What?” the god asked.

Sora carefully lifted the skull onto the cloth. “You are the god of Arepo.”

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stu-pot

Generations passed. The village recovered from its tragedies—homes rebuilt, gardens re-planted, wounds healed. The old man who once lived on the hill and spoke to stone and rubble had long since been forgotten, but the temple stood in his name. Most believed it to empty, as the god who resided there long ago had fallen silent. Yet, any who passed the decaying shrine felt an ache in their hearts, as though mourning for a lost friend. The cold that seeped from the temple entrance laid their spirits low, and warded off any potential visitors, save for the rare and especially oblivious children who would leave tiny clusters of pink and white flowers that they picked from the surrounding meadow.

The god sat in his peaceful home, staring out at the distant road, to pedestrians, workhorses, and carriages, raining leaves that swirled around bustling feet. How long had it been? The world had progressed without him, for he knew there was no help to be given. The world must be a cruel place, that even the useful gods have abandoned, if farms can flood, harvests can run barren, and homes can burn, he thought.

He had come to understand that humans are senseless creatures, who would pray to a god that cannot grant wishes or bless upon them good fortune. Who would maintain a temple and bring offerings with nothing in return. Who would share their company and meditate with such a fruitless deity. Who would bury a stranger without the hope for profit. What bizarre, futile kindness they had wasted on him. What wonderful, foolish, virtuous, hopeless creatures, humans were.

So he painted the sunset with yellow leaves, enticed the worms to dance in their soil, flourished the boundary between forest and field with blossoms and berries, christened the air with a biting cold before winter came, ripened the apples with crisp, red freckles to break under sinking teeth, and a dozen other nothings, in memory of the man who once praised the god’s work on his dying breath.

“Hello, God of Every Humble Beauty in the World,” called a familiar voice.

The squinting corners of the god’s eyes wept down onto curled lips. “Arepo,” he whispered, for his voice was hoarse from its hundred-year mutism.

“I am the god of devotion, of small kindnesses, of unbreakable bonds. I am the god of selfless, unconditional love, of everlasting friendships, and trust,” Arepo avowed, soothing the other with every word.

“That’s wonderful, Arepo,” he responded between tears, “I’m so happy for you—such a powerful figure will certainly need a grand temple. Will you leave to the city to gather more worshippers? You’ll be adored by all.”

“No,” Arepo smiled.

“Farther than that, to the capitol, then? Thank you for visiting here before your departure.”

“No, I will not go there, either,” Arepo shook his head and chuckled.

“Farther still? What ambitious goals, you must have. There is no doubt in my mind that you will succeed, though,” the elder god continued.

“Actually,” interrupted Arepo, “I’d like to stay here, if you’ll have me.”

The other god was struck speechless. “…. Why would you want to live here?”

“I am the god of unbreakable bonds and everlasting friendships. And you are the god of Arepo.”

I reblogged this once with the first story. Now the story has grown and I’m crying. This is gorgeous, guys. This is what dreams are made of.

This is amazing!

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lumsel

chinese room 2

So there’s this guy, right? He sits in a room by himself, with a computer and a keyboard full of Chinese characters. He doesn’t know Chinese, though, in fact he doesn’t even realise that Chinese is a language. He just thinks it’s a bunch of odd symbols. Anyway, the computer prints out a paragraph of Chinese, and he thinks, whoa, cool shapes. And then a message is displayed on the computer monitor: which character comes next?

This guy has no idea how the hell he’s meant to know that, so he just presses a random character on the keyboard. And then the computer goes BZZZT, wrong! The correct character was THIS one, and it flashes a character on the screen. And the guy thinks, augh, dammit! I hope I get it right next time. And sure enough, computer prints out another paragraph of Chinese, and then it asks the guy, what comes next?

He guesses again, and he gets it wrong again, and he goes augh again, and this carries on for a while. But eventually, he presses the button and it goes DING! You got it right this time! And he is so happy, you have no idea. This is the best day of his life. He is going to do everything in his power to make that machine go DING again. So he starts paying attention. He looks at the paragraph of Chinese printed out by the machine, and cross-compares it against all the other paragraphs he’s gotten. And, recall, this guy doesn’t even know that this is a language, it’s just a sequence of weird symbols to him. But it’s a sequence that forms patterns. He notices that if a particular symbol is displayed, then the next symbol is more likely to be this one. He notices some symbols are more common in general. Bit by bit, he starts to draw statistical inferences about the symbols, he analyses the printouts every way he can, he writes extensive notes to himself on how to recognise the patterns.

Over time, his guesses begin to get more and more accurate. He hears those lovely DING sounds that indicate his prediction was correct more and more often, and he manages to use that to condition his instincts better and better, picking up on cues consciously and subconsciously to get better and better at pressing the right button on the keyboard. Eventually, his accuracy is like 70% or something – pretty damn good for a guy who doesn’t even know Chinese is a language.

* * *

One day, something odd happens.

He gets a printout, the machine asks what character comes next, and he presses a button on the keyboard and– silence. No sound at all. Instead, the machine prints out the exact same sequence again, but with one small change. The character he input on the keyboard has been added to the end of the sequence.

Which character comes next?

This weirds the guy out, but he thinks, well. This is clearly a test of my prediction abilities. So I’m not going to treat this printout any differently to any other printout made by the machine – shit, I’ll pretend that last printout I got? Never even happened. I’m just going to keep acting like this is a normal day on the job, and I’m going to predict the next symbol in this sequence as if it was one of the thousands of printouts I’ve seen before. And that’s what he does! He presses what symbol comes next, and then another printout comes out with that symbol added to the end, and then he presses what he thinks will be the next symbol in that sequence. And then, eventually, he thinks, “hm. I don’t think there’s any symbol after this one. I think this is the end of the sequence.” And so he presses the “END” button on his keyboard, and sits back, satisfied.

Unbeknownst to him, the sequence of characters he input wasn’t just some meaningless string of symbols. See, the printouts he was getting, they were all always grammatically correct Chinese. And that first printout he’d gotten that day in particular? It was a question: “How do I open a door.” The string of characters he had just input, what he had determined to be the most likely string of symbols to come next, formed a comprehensible response that read, “You turn the handle and push”.

* * *

One day you decide to visit this guy’s office. You’ve heard he’s learning Chinese, and for whatever reason you decide to test his progress. So you ask him, “Hey, which character means dog?”

He looks at you like you’ve got two heads. You may as well have asked him which of his shoes means “dog”, or which of the hairs on the back of his arm. There’s no connection in his mind at all between language and his little symbol prediction game, indeed, he thinks of it as an advanced form of mathematics rather than anything to do with linguistics. He hadn’t even conceived of the idea that what he was doing could be considered a kind of communication any more than algebra is. He says to you, “Buddy, they’re just funny symbols. No need to get all philosophical about it.”

Suddenly, another printout comes out of the machine. He stares at it, puzzles over it, but you can tell he doesn’t know what it says. You do, though. You’re fluent in the language. You can see that it says the words, “Do you actually speak Chinese, or are you just a guy in a room doing statistics and shit?”

The guy leans over to you, and says confidently, “I know it looks like a jumble of completely random characters. But it’s actually a very sophisticated mathematical sequence,” and then he presses a button on the keyboard. And another, and another, and another, and slowly but surely he composes a sequence of characters that, unbeknownst to him, reads “Yes, I know Chinese fluently! If I didn’t I would not be able to speak with you.”

That is how ChatGPT works.

do y’all remember that short story where a scientist like, raises his daughter with no contact from the outside world and teaches her english wrong, like he teaches her that ‘yes’ and ‘no’ have the opposite meaning than they actually do and that ‘up’ means ‘down’ and vice versa, and then this guy meets her and starts to teach her what the words actually mean and she kinda sorta starts to get it and like, realize that it’s fucked up

and then one day she’s not home and the house is on fire and her dad’s inside and the firefighters are like ‘is there anyone inside’ and she says ‘no’ and we don’t know whether she understands what she’s saying or not

wild

no I do not but please tell me more

What IS it with short stories that are just seven crunchy layers of fucked up?

There’s another one from the same author about a salesman who goes from town to town selling his miracle glue. He gives demonstations showing that if you rejoin two pieces of cut rope with it, the rope can hold up a car! (And of course, a chain is only as strong as its weakest link).

But it turns out he’s a conman, and while the glue does work, it dissolves after a few hours of use, which is why the salesman keeps moving from town to town. And we see a few scenes of people caught up in the scam, like a guy who’s canoe sinks because he plugged a hole using the glue, or an old lady crying because her fine china - which she thought she could finally repair for good - breaks apart again.

And then the salesman meets another inventor, who presents his portable flying machine. It’s a little box you attach to your wrist like a watch, and it really lets you fly! The inventor says he actually made two, and lets the salesman borrow one, and they go flying together. It’s quite fun, to the point of losing track of time, and the two seem to get along, conversing all the while.

The salesman loves the flying and the conversation, they’re miles up and it’s thrilling. But the inventor admits the two flying machines are miles apart in terms of quality, and he decided to give the better one to the salesman for their little flight.

 After all, it’s made using the salesman’s miracle glue.

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droctavius

Whoa! I recognised these plots right away! These are both short stories by australian author, Paul Jennings - “No is Yes” and “Strap Box Flyer” respectively I believe!

They were both published in his “Un-” series of short story compilations with titles like “Unbelievable”, “Uncanny”, “Unreal” etc.

I read those books over and over when I was growing up and the plots of early seasons of the iconic Aussie kids show “Round The Twist” are actually based on his short stories!

He wrote heaps of other really cool stories I definitely recommend checking out! Paul Jennings is fantastic! 😎👌

The Washington Post's Mensa Invitational invited readers to take any word from the dictionary, alter it by adding, subtracting, or changing one letter, and supply a new definition.

Here are the winners:

These are so good.
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dduane

Absolutely stellar. 

It's actually called The Style Invitational, and my mom runs it. Ran it. They canceled it last week with no warning after almost 30 years. Feel free to write the Post and tell them Bezos is shit!

Okay fuck it if this post reaches 666k notes by the end of 2023 I'll practise basic self care

Why 666k? Because it's funny and impossible so good fucking luck

Well, OP, I’m officially invested in this shit. Your whiny ass is doing self care if I have to drive to your goddamn house and do it for you.

By Talos this can't be happening

reblog this everyone i wanna see what happens when op’s reverse-hubris forces them to practice basic self care.

why? because it’s funny and completely possible actually so good fucking luck op

I figured out roughly how many notes it's been getting per day and multiplied that by the number of days left until the end of 2023

If we keep it going at this rate we'll be far past 666k

IMPORTANT

Okay so clearly I've underestimated y'all

So how about we make this more interesting?

I will practise self care if this post reaches 666k BY THE END OF 2022

TiL (click to go to the thread, which probably has more interesting tidbits I missed).

Bonus:

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drst

These are my people.

Betting I’ve reblogged this before. Betting I’ll reblog it when it turns up again.

In addition to the print terminology stuff: the visual shorthand icons and ad graphics for something about writing are still often pen-nibs, fountain pens and typewriters…

…while graphics of a monitor, keyboard and mouse remain visual shorthand for computing

…even though most writers now use monitor /  keyboard / mouse or even laptop / touchpad.

In addition, headers for “this blog / website is about writing” are often in one of the many imitation typewriter fonts complete with smudges, or just Courier.

The start and end call icons on most / all smartphones is still the handset of a classic desk telephone, and sometimes the open-app icon is a complete phone.

The term “hang up” for “end the call” refers to something even older - one of these…

And of course the Save icon is indeed a 3½ inch floppy disc.

Why it wasn’t a 5¼ floppy is a mystery. The icon version is just as distinctive.

Also, why various OP updates never changed “Save” to the graphic of a CD / DVD or flash drive is another mystery, and nowadays a Save icon should probably be a cartoon cloud.

Graphics and terminology are funny things.

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nehirose

reblogging this again for EVEN MORE information.

I’m mostly entertained by the guy who thinks you need to know that “case” means “box” in French as though that’s not what it means in English.

skeumorphism my beloved

It is an unspoken rule that if a little kid is hiding under a blanket or couch cushions, you are required to comment on how lumpy the blanket is and pretend to sit on it to try and “smooth it out.”

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tgmember

Also, if you’re playing hide-and-seek with them, it is critical that you search every other possible (and impossible) hiding spot, all the while wondering out loud how they managed to disappear just like magic, before walking right past their hiding spot.

And if a baby starts playing peekaboo you are required to act surprised when they show their face again

If a kid hands you a phone, you answer it

If a kid shoots you with a Nerf Gun you are supposed to Die a dramatic death and explain “ugh you shot me blaahh”

when you push a kid on the swings ya gotta do the woosh

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zetsubonna

I literally just blocked about a dozen people on this post for being cranky about children.

Being a joyless shitbeast to kids isn’t cool. They’re kids. If you want to be Oscar the Grouch, that’s fine, but do it in a way they understand and explain it to them.

“I don’t want to play, I’m grumpy. Thank you, though, that was kind.”

It’s literally not hard. Kids are small people. Treat them with common fucking decency.