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@flamefear

aes sideblog to firemourn
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The combination of 'unnervingly flawless self-control' with 'occasional tendency to engage in reckless, dangerous, and borderline self-destructive or death-seeking behaviour' in a character is SUCH catnip to me

i love when a character has something terrible happen to them and as a result they see themself as, essentially if not literally, a ghost. and so that means they only can (and have to) do what ghosts do, ie get revenge and then cease to exist. easy as that. but then halfway through this ghost vengeance they realize hey actually i might still be a human person. with human needs. that’s incredibly inconvenient, considering how much i’ve invested in this whole ghost thing

i want to live.

jonathan safran foer, extremely loud and incredibly close || sylvia plath, the bell jar || robert frost, the road not taken || t.s. eliot, the love song of j. alfred prufrock || everything everywhere all at once || doc luben, love letters or suicide notes || wikipedia || john greenleaf whittier || hamilton: the musical, who lives who dies who tells your story || mary oliver, the summer day || carlos ramirez, the fig tree

It’s always “why did you commit regicide” and “your covered in blood” and never How was the treason The treason looked fun was it fun

“Just because the sharpness of the sadness has faded does not mean that it was not, once, terrible. It means only that time and space, creatures of infinite girth and tenderness, have stepped between the two of you, and they are keeping you safe as they were once unable to.”

— Carmen Maria Machado, In the Dream House