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@figlikesfignewtons

♥︎ a friend ♥︎ ace ♥︎ 18 ♥︎
she/her ♥︎

here’s some cryptid pevensie headcanons because the idea lives rent free in my head:

🙧 the first year in narnia, peter quickly learns to be careful of his own strength. at thirteen years old, he can summon up the strength of a fully grown man. it’s humorous at first when he accidentally breaks a glass or throws a battle axe through the target, but as he grows older, his strength grows with him; golden hair and a blue-sky smile belie the strength of river-gods and wolf jaws. it is said that he can best the giants in sheer physical strength, and that the bones of narnia’s enemies seem to crack in two in the high king’s grasp.

🙧 it’s little children who first begin to giggle that queen susan can tell what trouble they’re going to get into before they even start it. they talk of how her eyes seem to cloud over like the the sky before a rainshower and her voice turns firm and unfinching as oak wood, giving them a little fright until she shakes her head and laughs her sunshine laugh, reminding them not to swim very far across the river. mothers know the look in her eyes; soldiers learn to watch for it, to mark the moments where disaster may come swiftly and they must trust in the gentle queen’s uncanny vision.

🙧 it starts out as a game, as a wine-drunk faun sends a goblet flying off the table at a feast one night. edmund catches it without looking, without spilling so much as a drop. at first, he favors it as a party trick, something to make his siblings laugh - he can catch anything with ease, even with his eyes closed. but as he grows older, the quiet king’s eagle-keen senses grow ever sharper. soldiers will sit around their campfires and tell tales of the just king who parries the fastest swing of an enemy’s blade and catches flying arrows by the shaft before they hit their mark.

🙧 lucy learns a language that no one in narnia knows besides the land itself; she learns to speak the language of the trees and the rivers and the sea. she does not realize when she switches tongues; when she first learned to speak it, her siblings feared she was going mad. now all of narnia knows that when the little queen hums and trills in strange, wild tones, the very earth will respond; narnia’s enemies become wary of the ground the walk on and the sea that takes them home, lest the valiant queen speak it to life and bid it swallow them whole.

 @narnianetwork voyage 16: favorite characters - PETER PEVENSIE

❝ Life is made of so many moments that mean nothing. Then one day, a single moment comes along to define every second that comes after. Such moments are tests of courage, of strength. ❞
- An Ember in the Ashes by Sabaa Tahir
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me, watching LGBTQ videos: [sees a gay/lesbian couple kiss]
me, feels uncomfortable: oh no... am I homophobic??!
me, remembers I'm a sex repulsed asexual aromantic: oh yeah, lolll

When your dad tries to guilt trip you into visiting him: “well I guess I’ll just spend the weekend all by myself...”

You say “glad to know we’re on the same page.” Slowly, he will have to adapt to just outright telling you what he thinks instead of playing mind games.

When your friend tries to hint that they’re mad at you without saying anything: “Oh, I’m fine, clearly you don’t need to worry about me,”

You say: “I’m glad you’re doing well. Call me if you want to talk, though!” Soon enough, they will accept that they can’t be passive aggressive with you.

When your boyfriend says: “All your friends are great, I really love *insert male friend* especially.”

You say: “I’m so glad you like my friends! I should invite them back soon.” He needs to understand that if he has a problem with your friends, he needs to just voice his concerns instead of being sarcastic and accusatory.

As someone who has lived through several toxic relationships and has an abusive father, I think one of the most important manipulation tools a toxic person has is excessive subtext and hidden meanings in their conversation. It hides all of the actual fighting from the eyes of onlookers while still hurting you, which is scary and makes you feel like you’re making it all up. Don’t put up with this bs. Make them stop hiding.

Make. Them. Say. What. They. Mean.

Here’s what happens, my dear, in the end:

 *

You send your children away on a cold day heavy with English rain. Your hands tremble and their cheeks are wet or maybe just stained with all that they’re not told. You settle the whole world atop your eldest’s shoulders, with his eyes wide and his bones like glass.

Edmund is spitting all that falls from dark night skies back at your face, unflinching and with his words wound around his own throat, a little boy covered in scabs and all that you couldn’t keep from them.

You send them away. Susan’s hair is in perfect curls, her cheeks a red, blotched thing, and her words barely hold themselves up, strung between you. Lucy jumps into your arms and you kiss her nose as if she was still small enough to fit snugly in your palms.

 *

They come back with steel wrapped around their bones, their lives dusted like sugar from a hundred rations on their lips, and Susan’s words are a string of pearls around your neck. The world lies still and slow on Peter’s shoulders, and his knees do not buckle. Lucy sits nestled in a tree’s branches, and smiles at you with sharp, hollowed teeth. Edmund’s back is straight. There’s no sugar sticking to his fingers and no life like a chord on his tongue, anymore.

Peter’s eyes are a storm.

Do you hug them, Helen, when you find them at the train station, wrapped around each other? Do you take Lucy in your arms, with her sharp hands and her canine teeth? Do you kiss Edmund’s forehead when he looks at you with gunmetal warped around him? What of Susan, and her porcelain smile, the earth stretched between your chest and hers? Do you cup Peter’s face, his trembling hands, or his glass-shard bones?

while they are generally an unfairly talented family (who also work pretty hard at stuff), here are some things the Pevensies are bad at:

- Peter is a terrible liar. not in a 'couldn't possibly because I am too Honourable' way, he's just bad at it. he can never think of anything believeable and he has never uttered a lie in a convincing tone of voice in his life. he's decent at evasion but Edmund lives in fear of him ever being asked a direct question about crown secrets because he lies so badly

- Susan is good at concealing things she is bad at, because being bad at things annoys her and then she doesn't do them. thus, she avoids making speeches as queen whenever she can - she's great at one to one conversation but struggles with engaging a whole room

- Edmund is so spectacularly awful at cooking that he is not even allowed to touch stoves or cooking fires either in Narnia or England. if he wants so much as a piece of toast he has to get someone else to make it for him, by collective decree of everyone in the surrounding area

- Lucy is concerningly unbothered by her own complete inability to navigate. she tends to adopt the philosophy that she'll end up where she's supposed to be, an idea which is not comforting to her older siblings or the court

probably also many other things that they are vaguely passable at but not that good, but those are the standout awful ones

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things that the Pevensies are terrible at for @thorndykechristopher for the 1k celebration - thanks for the request!