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@faunary

el, 27, they/them
i am normal about cannibalism

“Aperitivo,” Hannibal | “Digestivo,” Hannibal | Phoebe Bridgers, “Killer” | Sylvia Plath, “Poem for a Birthday: Who” | Erica Jong, “Where it Begins” | Mitski, “Abbey” | Julia Kristeva, Powers of Horror | Li-Young Lee, “The Cleaving,” from The City In Which I Love You | deleted lines from “Ouef,” Hannibal | Ada Limón, “Lies About Sea Creatures,” from Bright Dead Things | Simone Weil, Waiting for God | Louise Glück, “Timor Mortis,” from Vita Nova | Catherynne M Valente, The Bread We Eat in Dreams | “The Wrath of the Lamb,” Hannibal | Anne Carson, “To Compostela,” Plainwater

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“I know all too well that the story of the world is entropy, things fly apart, we sicken, we fail, we grow weary, we divorce, we are hammered and hounded by loss and accidents and tragedies. But I also know, with all my hoary muddled heart, that we are carved of immense confusing holiness…”

— Brian Doyle, “Cool Things,” One Long River of Song (2019)

“Because Christ produced a new kind of existence in the world it is impossible ever to abandon hope. Christ’s representation is the transcendental possibility of such hope.”

— Dorothee Sölle, Christ the Representative: An Essay in Theology after the ‘Death of God’