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@fantasylover16

Just a 23 year-old guy from the Netherlands

I’m Hosting A jercy week from the 8th until the 14th of Augustus

The AO3 Collection is open and will stay open until the 21 of Augustus to give everyone maximum writing time

I Can’t wait to see everyone creations and To binge read many Great fics

The Prompts:

Monday 8 Augustus:

Parent switch/Ancient Greece AU

Tuesday 9 Augustus

First date/First kiss

Wednesday 10 Augustus

Deity AU/Telepathic bond

Thursday 11 Augustus

Assumed Death/High Fantasy

Friday 12 Augustus

Meeting The Family/Childhood Friends

Saturday 13 Augustus

Bedwetting/Diapers/Spanking

Sunday 14 Augustus

Aged Up Jason or Percy/Kid fic

Ao3 collection with rules:

Discord Jercy sever to discuss the fics event and everything else Jercy

Please Reblog so as many people as possible see it and can participate

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Since no one seems to be teaching the kids this anymore:

Don't post anything with specific registration numbers on it, kids! This includes driver's licenses (we're so proud you can drive now, but don't show us your name, face, address, and driver number!), passports (travel is fun, but just post pictures of what you saw after the trip is over!), train/plane/concert/show tickets (see above!), or credit cards oh my god people are posting their entire credit card online that will put you in massive debt and screw your credit score for life please do not!!!

This has been a PSA from your concerned friend online. Please protect yourself. Some secrets are not only okay, but necessary.

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AND!! And! This also includes posting pictures of barcodes, especially on boxes from things you’ve ordered from Amazon, UPS, etc etc etc.

Barcodes are scannable. I occasionally have to do this for clients at work, and no, I do not work for Amazon, FedEx or UPS or anything like that. At the very least, barcodes contain your home (shipping) address. Do not post images that show a straight on picture of a barcode - the picture of the barcode may or may not be scannable, by people who may or may not work for the company you ordered from.

And absolutely positively do not post pictures containing a tracking number! You don’t even need a barcode reader to decode that information.

And license plates. DO NOT POST photos of your car where your license or registration sticker are visible! This goes for friends' vehicles that might show up in your photos too. Don't post photos where your street number or house/apartment building number are visible and turn off geotagging/ location tagging for photos on your phone. The Internet Elders warn you about these things for really good reasons.

Anonymous asked:

Hello. I'm writing a story and I'd like to base my magic system on that of the fae's magic? Do you know how their magic works? The rules of their magic? I've heard of things like prices and contracts, but I'd love to know more. Thank you for helping. I love your blog.

In a desperate attempt to prevent this answer from getting far out of hand, I'll try to limit myself to something more practical you can use. However it is important that you understand that many magical abilities, events, and things had their roots in various ancient cultural practices, beliefs, and cultural needs or desires. As these tales were passed down orally they were changed with each successive generation, adapted for the huge cultural changes such as the rise of Christianity or for war and famine or political exploitation. The transition from Folktales (mostly oral storytelling) to the later Fairy Tales (largely dominated by literary storytelling) is an important factor in which kinds of stories are still remembered and can be studied today.

So depending on what historical period, country or locale, and cultural group you're looking at, you could have entirely different sets of faeries who had vastly different kinds of powers and rules. And those abilities and limitations were often the remains of older cultures from whom the stories had been passed down from or who had influenced it along the way, or they were a kind of wish fulfillment of basic needs and desires for a generally non-literate agrarian people, as well as an expression of their values and beliefs.

Let's look at your question. Okay, you want to know how the magic itself works, the rules. Well first let's see if we can get a very brief idea of what magic is. While it would be the work of several books to try and define an etymology and history of magic in all the different cultures connected to Faerie Folklore over the centuries, we can pick out some ideas that were of particular influence.

There are several types of magic anthropology suggests for us. These being: Sympathetic Magic, Divination, and Contagious Magic.

Sympathetic Magic is based on the principle of "Like produces like". For instance if something is to happen to an image of someone, it shall also happen to the actual person.

Contagious Magic is based on the principle that if a thing was once connected to or in contact with something else it can still influence it even when they are apart. Believers would hide their fallen teeth, nails, hair trimmings, clothes, or feces from what they believed were malevolent supernatural forces or practitioners of magic.

Divination, which you may be more familiar with, is the procedures and ways in which knowledge of a certain event or of some future event are determined.

But these terms don't really offer us a very clear idea of what's going on with this idea of magic. Alternatively we can think about the different methods in which people would practice magic. Spoken words, writing, or symbols of power were thought to have magic in a number of different cultures. While in animistic beliefs even ordinary items could take on magical attributes as well as a spirit.

The sources of power for this magic were varied. Anything from nature, deceased humans reincarnated and willing to intercede, and sacred or secret knowledge of the world and realities it hides from common knowledge.

In medieval France and Britain there was an idea where women were magical because they could create new life and give birth to it, the act of creating something itself being the magical ability they possessed. So too were other acts of creative work such as cooking, mathematics, and various types of craftsmanship viewed as a kind of magic. It's unlikely that these women, scholars, and craftsmen were viewed as magical practitioners, but the idea of the work itself being a kind of hidden magical knowledge made it into the oral and later literary storytelling and remains there to this day.

Even in contemporary fantasy there are remnants of this idea that crafting itself is a kind of magical knowledge. Think of all the items in literature that are magical. Cloaks, wands, food, weapons. Even everyday items such as a looking glass can become a magic mirror, or a pair of shoes the enchanted seven league boots.

A great deal of Faerie magic in folklore seems to have been a mixed kind, with different types of magic for different situations or peoples. For instance the story of Rumpelstiltskin shows a heavy emphasis on the magic supposed to be inherent in finding the True Name of a thing and the apparent delight in deals and agreements, especially exploitative ones. Other stories present us with Faeries and magical beings who rely on rituals of certain words or events that must take place for a magic to be effective, items combined or crafted in a specific way with specific ingredients or words of power to make charms, and a large variety of abilities that suspiciously have a great deal in common with medicinal practices.

There is, of course, the question of Glamour. Initially a kind of illusion magic, such as in the Ballad of Tam Lin where the titular Tam Lin was "transformed" into a number of frightening shapes in order to try and get his lover, Janet, to let go. It can also be used to disguise the faerie themself, or make a cave appear to be a beautiful palace, or a pile of leaves into a grand feast.

Strangely, there are also many folktales that describe Faeries as having actual powers of transformation, being able to shift their size and form, and the limitations differed from tale to tale. Several variants deal with the contradiction of Faeries who are somehow both intangible and tangible at the same time, or only tangible in certain conditions.

Wings are common in Victorian Art of faeries, but in older stories there are many depictions of Faerie beings who can simply fly without them.

Folklore studies doesn't really make it clear what abilities the Faeries were supposed to have or how those powers worked, and this problem is only muddled further by the lack of surviving materials on these cultures, and the slow influence of changing generations and storytelling that time has upon our existing texts and materials. What you mention, however, is the prices and contracts. The idea of tricksters who will wheedle and bargain and use clever words to get what they want is as old as myth itself, and throughout the history of folklore and fairy tale there are countless trickster characters. Though the Faerie are drawn from multiple different sources they are known in more than one place as having a penchant for trickery or malicious behavior to go with their supernatural abilities and powers. Despite looking, I haven't been able to pin down any particular point in which they began to be associated with deliberately ill intended contracts, it's certainly easy to see that throughout the medieval period and onward the Fae definitely had a strong connection to the idea of bargains and deals, often being incredibly upset (not to mention exceedingly dangerous to all around them) should that contract be broken by the human party usually involved. In many stories the human's ill fortune is caused by them agreeing to things they thought they wanted, but turned out not to be happy with when they got it, or found that they weren't prepared for the true scope of the price they agreed to when they made the deal. Since the Fae do not care whether the human likes the deal as long as it is upheld as agreed, they can understandably be very annoyed when a human breaks the agreement and still thinks themself entitled to the treasures and pleasures they got from said deal.

In contemporary fantasy we might be able to guess that the connection between Faeries and their supposed interest in the true names of things, as well as their often mischievous or maleficent nature, somehow was combined with this tendency in fairy tales to make deals and bargains with mortals. It's conjecture on my part, but it would definitely explain some of the trends in the depictions of faeries in modern literature. It's not a huge stretch to imagine that over time magic in literature came to be directly involved in those deals as well, not just enforced by a deal-loving being with magic, but being enforced by the nature of the magic itself.

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If I may once again dip my toe into the discourse surrounding Greek Mythology, a lot of people like to rewrite or reframe the story of Medusa, and that’s great! Highly encourage it. But, DON’T YOU DARE GO AND DEMONIZE MY BOY PERSEUS!

Perseus isn’t some vile misogynist who hunts down and murders Medusa for the hell of it. He’s a scared kid who’s trying to save his mom from a forced marriage (whom herself has been a victim of terrible abuse from her father) to a creepy evil king and gets duped by the Gods into cleaning up their mess for them. He’s not the villain, he’s just another pawn. So if I see one more motherfucker trying to make him out to be the “real monster” I will throw hands.

You know what would be way more interesting?! Medusa sees Perseus rolling up to her crib and freaks out cause ‘holy shit this is a fucking kid. a fucking toddler with a sword and shield.’ and they hash it out and then TEAM UP to kill the evil kind trying to force marry Perseus’ mother! Think of the dynamics that you could write! The interactions that could occur. I mean, one of ‘em is gonna have to wear a blindfold but hey, minor problems.

What I’m saying is, gimme a buddy cop movie where Perseus and Medusa team up to fight evil in Ancient Greece.

I’m just picturing Perseus as this fairly well built sixteen year old kid, who looks a little underfed, and he’s like ‘ma’am I’m so sorry, I have to bring your head back to save my mom’ and medusa is like ‘okay, start over. We can work with this’ and compare trauma over some watered wine.

Danae and Medusa can get married and Perseus can have TWO Badass Moms

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Okay but consider: Perseus regretfully tells Medusa he has to bring back her head to save his mother from a forced marriage and Medusa cocks her head and says “did the bastard say the rest of me couldn’t be attached?” and long story short Perseus rocks up with a Lady-Gaga-esque entourage of men carrying this gigantic silver platter with a giant metal cloche on top of it and announces it to his mother’s tormentor as the head of Medusa, and dude lifts it up and Perseus finishes, “and also the rest of her” and fucker turns to stone.

Percy Jackson Summer Solstice Gift Exchange

It's time for another gift exchange! All ships are welcome!

Rules, FAQs, and Sign-Ups can be found here

May 12th is the last day to sign up!

Assignments will be sent out May 13th. Fics will be due June 16th and revealed on the 21st.

Feel free to send any questions our way. We also have a gift exchange discord server.

Please reblog!

Sharing space is nothing new. Sharing bathrooms is nothing new. The reactionary outrage is so manufactured.

The parking lot? As in the gender neutral parking lot? As in a place where you have no privacy?

These are the bathrooms at the airport in question:

As you can see, complete privacy for all waste-expulsion activities. You only encounter other people around the sink.

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The spitfire words - kill yourself - still echo in the air around that one spot at the dining pavilion and people avoid it like the plague. It's brushed clean of tracked dirt from the soles of shoes, a person shaped hollowness, representative of their fears.

He'd cried a little after he said it. When the camper he'd screamed it at lifted their knife and cut their own throat so deep they could not be saved.

Blood was heavy in the air, thick like iron. Jason inhaled it over and over again and watched Nico freeze with wide eyes as everyone around him cried out and scrambled forward. The little girl he'd been defending stopped crying.

Jason hadn't met her before. She was brand-new to camp, my niece, Nico had said in a voice note when asking Jason to visit. The daughter of blessed death and going to sleep with a quiet sigh and deflating lungs, painless and comforting.

And Nico had come back from a three-day excursion in South America - Brazil or Peru, Jason couldn't remember - to find out that some hardheaded son of Ares had been bullying her. Quietly out of view of other people who might've agreed but would've chastised him. Apparently she didn't fit. He thought she should leave with her uncle and never come back.

Jason knows Ares, Mars, whichever one the god chooses to be at any given moment, likes death. Needs it to make his wars. There's no goal if death isn't there. No sense to it but the slaughter and maybe Ares is more bloodlust than Mars but one in the same, how can violence prevail if everyone is too busy fighting the same war over and over again.

So the kid doesn't match up and now he's dead in the ground. Nico left into the shadows only minutes after. Calanthe went with him.

Jason remembers Nico muttering to him about how, despite Will's careful kind words, he still felt like a pariah, eyes watching him, people wondering why he was still around. Jason didn't know how to tell him his fears were right. People whispered and the air was soft and sweet, carried those whispers right to Jason's ears and drove him mad with protective care.

It doesn't shock him when the whispers become bolder, louder, in Nico's absence.

Nico had said once, This place isn't meant for the Underworld. It's too bright for us. We're cave-dwellers at heart. He'd called things off with Will hours after that and sometimes Jason wondered if that was what he'd meant. Olympus was high on the mountain, bright in the sky, like Will and all the others. Nico was grounded in dirt and darkness.

Jason didn't mind burying himself with him though.

He was pretty sure he could find air in the depths.

The blood was scrubbed clean from the concrete but sometimes its resurfaces, pooling and puddling in the pores. It tastes sharp and bitter in the stale air. It smells like a reminder. Jason mentions it once, offbeat, as he walks Lou Ellen into the cozy cottage hidden clustered in far edges of a forest and Nico just rolls his eyes and mutters something about his brother and threats.

Zagreus despises Olympus almost as much as he loves his father. As much as love his mother and his siblings.

Zagreus would burn it down if he could but he settles for subtle threats and crafting a forest to hide all the dark and dreary, the children that belong to shadows and solitude and exhale gravedirt from their lungs and drive madness through whispering waking nightmares.

Jason never asks how Nico did it. But he dreams of it. It's not the same as charmspeak. He remembers how that had felt, when Piper used to talk to him and his world went fuzzy around the edges, and he was hazed away, not really himself, but unaware that something was wrong until she was finally gone and days faded into months and suddenly the air was sweeter than it had ever been.

Her words had crowded into his head so fierce his memories had been pushed away. The headache that had pounded for days after while he finally recovered who he was, or, rather, who he'd been once before.

The dream turns him from a bystander to a victim, to a bully feeling greater than themselves, and it makes him laugh. Jason has always been bigger than britches, deserved and fought for with teeth and claws and a determination to survive that this dreamlike body doesn't carry. Couldn't even comprehend.

(Won't ever comprehend)

But Nico's words hit him and it warps everything. Oh. He does want to kill himself. He wants nothing more than to drive the knife into his throat and die. So he does.

Over and over again, mechanical and determined.

It's like a twist in his very being - different from Piper's pretty soft words. If she'd told him to, he'd paused and questioned it until she repeated it with more conviction. If she'd told him to kill himself, the world would've gone fuzzy around the edges and he wouldn't want to so much as he'd be convinced to. She's so pretty. Why not do it? Just to make her happy. When he snapped out it - either when the knife made contact with the flesh of his throat, or maybe further past that when Thanatos was collecting his soul - he'd wonder to himself, Why did I do that?

With Nico's words, they're vicious and to the point. It sinks like heavy hot fog into his soul and warps him different. He wants to do it. Not because Nico said to. But because he wants. He wants to kill himself.

So he does. There's no question. And there's no wondering, there's no why.

There never will be.

When he wakes up, Jason tastes blood on his tongue and wishes he cared. But he doesn't. So he doesn't ask about it. Nico isn't afraid to speak. Sometimes Jason doesn't know if it was an accident, too much force, too much anger. Or if it was intentional, rage and reactivity being what they are.

He knows that - knows it like the snap of his jaw around another's throat for calling Dakota a bastard and making his eyes well up thick and heavy. Knows it like the twitch of his fingers, the itch to claw, when the whispers at camp become heated and nervous.

Lou Ellen leaves and Clovis leaves. They all follow Jason like pups to the feast. The Underworld does not breathe at camp anymore. You'd think that would make all their fears sleep easy but it just makes them anxious.

He wanted them where he could see them, Percy had said late one night, when Nico was fast asleep, sandwiched between them. Percy's hands are soft on Nico's hair. He smells like saltwater and it mixes with Nico's graveyard scent easy. Jason could track that scent from the other side of the country.

Who did? Jason asked, and Percy's lips twitched, brows furrowing.

Nico had woken up screaming and sobbing and calling out for his mom and when Jason had aprooached him, he'd scrambled back in fear, screeching bloody murder. Percy had come barreling into the bedroom. The scent of popcorn filled Jason's nose, but the food itself had been scattered in the hallway with Percy's rushed footsteps.

There was no flinching from Percy when he approached and Jason had thought it was Tartarus thing but Nico's fearful gaze, trained and tracked on Jason's soul, made him quickly realize that, no, this was something different.

Your dad, Percy answered carefully. He stroked Nico's hair sweetly and Jason wondered if Nico knew that Percy loves him. He wanted our cousins where he could see them and when Hades refused to send Nico and Bianca away, he tried to kill them.

He kissed Nico's forehead and held his clammy hand tight in his grip. Nico murmured something soft under his breath, faintly Italian, and curled deeper into Percy's protective hold.

That's why he was scared of you earlier.

Nico had once told him he had a soul like his father - electric yellow and loud. It had made Jason squirm to consider. It made him bitter then, with Percy's words and Nico's fear and the fact that even with Nico cuddled next to him, he felt like he was miles away.

It still annoys him to think. He doesn't want to be his father, paranoid and cruel. He wants to be like the Jupiter, the Zeus, the one that represented leadership and strength, law and order, the sky and thundering rains.

Not the coward that kills children because he's scared of being dethroned, and sends monsters after his own son until that child is driven to the Underworld to taste the protection of pomegranate seeds just because that child called out his own stupidity.

Percy doesn't visit camp anymore either. Although his father loves him, and he is hurricane of a demigod to deal with so monsters cower from him more than they chase him. He's loyal to his friends and with Annabeth aging out of camp and Grover venturing further and farther, his bindings to the place that caused him pain have more than unshackled from his skin.

He worries, though, about the people that will come after him, the siblings that are on the way, toddler feet no doubt scampering over tile and hardwood floors right now, and Nico rolls his eyes and mutters, Poseidon was thought to be chthonic too sometimes. And Percy relaxes.

Jason would too.

He wouldn't want his siblings to grow up in a world that looks at Nico and thinks him dangerous instead of beautiful, even with blood on his hands and a fire in his teeth. Maybe that's a curse of being wolf-raised. He sees more love in fangs born hard into flesh and bloodied meat piled on dirty floors than he does in empty words and love letters he can't read.

But Poseidon is different from Zeus, Neptune different from Jupiter. The Underworld is depths below the earth and darkness and caves and monsters, and the ocean understands all of that well.

So Jason is welcome because he is touched by darkness from the ruby stain of bitterness on his tongue, and Hermes is welcome, in fragile spades, the ghostly kids that hid themselves and their powers until they saw Jason walk out with Thanatos's young son asleep on his shoulder, and whispered, "Can I come?" and chased him as their father chases the wind and ghosts.

Jason only ever visits to bring them back here. To hear the whispers from satyrs being sent on quests and outrunning them as wolves outrun their prey, as the wind reaches shores, sweeping up kids with shadows in their veins and gravedirt in their lungs before the enemy can touch down in a tornado of future pain.

There's few of them on the radar - their parents love them as the ground loves a corpse, and keeps them safer than the sky ever could. And the ones off the radar, untouched by howling winds and unscented in grasping air, visit regularly, touch their beloved siblings and cousins and teach them how to hold their heads held high.

The ones who can't go home, who have no home to return to, stay with Nico and Jason remembers bitter seeds chewed up in his mouth, watching his uncle crowded by doting loving employees, who were more family than the people on the mountain miles above and states away.

It is more love than he has known before. Wolf hearts and warm fur meant more to him than wide eyes begging him to speak when he didn't know how words fit in his mouth. When the pedestal they dragged him onto was too cold and too high and he wanted to be back in the grass, rolling in the dirt, and growling at birds.

He learned to make his own heat, and learned not to crave the warmth of another's hold.

It was different now. Warmer. Softer. The cottage is one-story, unassuming, until you walk down and down and shadows pull you into cave-like structures decorated in string lights and soft golds. It's dim and comforting and no one has to sleep alone just because there isn't anyone to call them a sibling. Everybody shares and everybody has their own space and everyone pulls Jason into cuddlepiles, seeking his heat and strong arms to snuggle.

Before he'd seen his muscles for warrior strength, but now it's to lift four or so conked out preteens to bed and rearrange furniture, and that matters more to him than anything. But even still, no one bats an eye when he shoots forward and sinks his teeth into monster flesh and no one complains when he licks blood from his hands.

The inhumanity of his humanity is never questioned here, not among the otherworldly spectators who see beauty in dark things.

Nico pours him a glass of pomegranate juice and chases Jason into their shared bed. It feels partially-empty without Percy on the other side, but Hazel drops into the space with a loud yawn and it's better.

Hazel visits often. Frank doesn't follow, but he calls. Hazel disappears into shadows and emerges in the outdoors to answer the calls. She will not jeopardize their safety in anyway, even though Jason is sure Frank would follow her into the wrong side of any war if she asked.

The kids love Hazel as much as they love Nico and the covet all the time they get with her. She wilts whenever she has to leave and Jason wonders how long it will take before she stops. Before she ditches her house in New Rome and crafts her own space deep below the earth where the shadows whisper and gold lays.

He wonders how long it would take Frank to settle in with the rest of them. Not long, he thinks.

Once you've seen the beauty of the dark, it's hard to return to the harsh ugliness of the light.

Percy Jackson is a tidal wave. he is a tsunami.

from the moment he discovered his heritage, the waters began to recede. we saw him struggle, and learn, and try his best, and hold back power he didn't know how to control. we saw him grow, and we saw him save the world.

and then the moment it all let loose. Hera takes Percy. she wipes his memories.

Perseus wakes up remembering nothing. he doesn't remember his growth, or the path the led him to where he is now. he doesn't remember making the decision that he needs to hold back. all he knows is the power that's at his fingertips. it can help him. he can use it. damn the consequences and anyone who might stand in his way.

maybe he would have turned out differently, had he kept his memories. but the moment his memories were taken, Hera released the tsunami, released Percy from his self-imposed restraints, and he won't stop for anything in his path.

Estelle, refusing to go to sleep:
Percy, babysitting and about to make up a story about a monster he fought who specifically attacked little girls who didn’t listen to their older brothers: Oh, haven’t you heard?

The Chalice of the Gods except instead of Percy doing quests for gods in order to get recommendation letters, Poseidon shows up at New Rome and terrifies New Rome University’s admissions office

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Can't leave all this in the tags 🤣

The real conflict of the story is Percy being mad at Poseidon because NRU didn’t admit him based on merit, but out of fear of Poseidon/Neptune. Poseidon doesn’t understand what he did wrong. He was just trying to be a good dad to his mortal son. How is telling them that “Percy is a very good and hardworking student, and that I [Poseidon] can’t wait for when Percy has a stronger control of his earthshaker powers just like his father. And did you know that Percy once…” bad?

Rick Riordan didn't need to go so hard with the Big Three kids lmao.

Percy? He's the son of Poseidon. He fought the war god and won when he was twelve. He was one of the protagonists of two Great Prophecies. Was named praetor in like a week. He's a skater. He likes Led Zeppelin. He can talk to horses. He confuses everyone by eating blue food. Certified simp.

Nico di Angelo? He's Italian. He's a son of Hades. He was born in like the 1920's or 30's but didn't age for decades. He's like emo. He's a huge nerd. He's even gay.

Or Thalia? She is the daughter of Zeus. She has electric blue eyes and always uses eyeliner. She's goth and punk. She only listens to rock. She's an immortal huntress. Her mom was an actress. She can probably fly but she's scared of heights. Also she was a tree for like six years?

Or Hazel? She's the daughter of Pluto. She was born in New Orleans in the 1920's. She canonically got her mouth washed with soap by nuns for swearing. She died to stop Gaia and came back over seventy years later. She stabbed a giant in the ass. She is a horse girl.

And Jason was like. Raised by wolves and then was accepted into the legion as a 3yo which like. Huh.

Anyway characters of all time.

“nico was the first to gaslight percy in the series” NUH UH UH. grover is the original percy jackson gaslighter™. need i remind you that in the lightning thief grover clear as day told percy that there never was a mrs dodds. percy didn’t really believe him, but grover was the first. nico’s only worked so well because percy knew ONE PERSON at the time

I've seen people blame Percy for Bianca's death. I've seen people hate on Nico for how he reacted and the things he did in TLO. I've seen people hate on Percy for how he reacted to the whole thing in the Underworld.

I am fucking annoyed.

Percy, fourteen years old, saw this child, and promised to do his best to keep his sister safe. He never promised to bring her back alive. Only to do his best. Percy did not put a bow and arrow in her hand, Percy did not choose her to go on the quest. Percy came up with a plan to defeat Talos, a plan he would follow through himself, but Bianca insisted she do it, because it was her fault Talos was even attacking them (make no mistake, I am not blaming Bianca for anything, either. This was a bunch of children having to choose between bad and worse).

Percy, fourteen years old, just had to tell a kid his sister, his only sister, is dead. Percy, just back from a quest where he saw two people die, really die, for the first time, is given the responsibility of breaking it to Nico that his only family is dead and gone. They had a kid tell another kid about the other kid now having no sister. Not Chiron, the only real adult, not one of the older counselors who've probably had to do this before. No, they had someone who is still reeling from his own grief break the news.

Percy, fifteen almost sixteen, on the brink of a war he's convinced he's going to die in, just got betrayed. Percy, who is under the constant stress of making a choice that will either lead to destruction or safety, just got betrayed. He is not in a state of mind to consider the variables, to consider what Nico's thought process was. He is a child with the weight of the world on his shoulders (pun not intended), all he sees now is betrayal.

Nico, ten (eleven, twelve? The timeline is weird) years old, made Percy promise that he'd try his best to bring his sister back. To Nico, that's a guarantee that Bianca is coming back, because this amazing, strong, boy already saved them once. He cannot conceive that Percy's best may not be enough.

Nico, ten years old, just found out his sister is dead. Percy (amazing, beautiful, strong, perfect), lied to him. Percy got his sister killed. Percy promised he would bring her back, and then he didn't. It's all Percy's fault, and Nico hates hates hates him (he tells himself he hates Percy, because if he doesn’t then what kind of brother is he? If he doesn't hate Percy with all the hate he has, then is he a good brother to Bianca? Bianca, who left him the first chance she got, who abandoned him.)

Nico, eleven (twelve? thirteen?) years old, just got promised information about his mother. He just has to bring Percy Jackson to the Underworld. He already wants Percy to come down and get Achillies curse, this will just be a detour. But then his father locks Percy away and Nico exhausts himself putting all the guards to sleep so he can get Percy free. But when he does all he gets is a sword to the throat, and later Percy telling him to stay in the Underworld to convince his father to join the war. A dismissal disguised as a war strategy.

And Bianca. Bianca was twelve, and she had to take care of her brother. Bianca was twelve, and she was given the responsibility to be a parent. Bianca wanted to be a child, not a parent. So no matter how much she loved her brother, no matter how much she wants him to be safe and sound, she joins the Hunters of Artemis. She can finally be free, and she takes the chance no matter how much it pains her to see her brother draw away. So she picks up a little gift for him, on her quest, the only figurine he does not have. But then the little gift gets them attacked, and, ultimately, killed.

These are children. These children, presented with circumstances and choices and challenges an adult would break under, are not stable enough to consider every thought, every variable, every circumstance that surrounded every decision made by others. They're under constant stress and pressure and they cannot do this in a 'sensible' way because there are things happening to and around them and they are not stable. Especially at those specific moments.

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percy jackson. percy jackson who loved to eat blue food in spite of his stepfather. percy jackson whose eyes always glowed mischievously. percy jackson whose laugh could make the whole word join. percy jackson who chopped off a strand of his hair using riptide cause it kept tickling his forehead while he tried to do math homework. percy jackson who thought he didn’t deserve his friends. percy jackson who did anything and everything he could to show his friends that he loves them, like randomly buy annabeth a book, make a little bouquet for grover, a ring for nico, hand-drawn cards for his mom. percy jackson who adored to teach new campers how to work with swords. percy jackson who held the younger new campers that felt homesick when they cried. percy jackson who was forever loyal to the people he loved.

percy jackson who deserved to live out his childhood.

percy jackson who deserved better.