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And the radio says

@fantasma-na-web

reb. 31. Brazilian. Gorillaz. Blur. ASOIAF. GoT. sudoku player. jamie hewlett's avatar. she/her

Hiromu Arakawa’s genius is obvious throughout all of FMA but her first and biggest leap of genius was in how she crafted her protagonist. 

Arakawa realized the burgeoning youth of the early 2000s wasnt interested in another plucky spry optimistic young shonen protag. Instead she gave us a short ugly egotistical asshole smarter-than-you atheist with so much money and power that people could no longer best him in arguments by telling him “dude shut up ur literally like 12″ 

Five pages in we’re told Edward’s famous and rich and powerful. Five more pages and he’s calling some girl stupid for thinking God exists. Five more pages and he’s proven right. Five more and he’s kicked an evil priest’s teeth in. And no one can tell his mom on him.

Hiromu Arakawa figured out the dream of every edgy young weeb discovering internet arguments for the first time and she cast them an idol made of gold.

It’s like the original protagonist got turned into a suit of armor, so his asshole sidekick had to fill in as the face.

Wait holy fuck

Im seeing a lot of people come out and talk about how the ending had ruined the show and was unnecessary for the dynamics and relationships it had built. Now, I'm the type of person that doesn't really rebal against what writers choose to do with my favorite shows because i perceive it as being something i can't control, its out of my hands thus i can only accept what has been written and acted out.

Although i happen to agree with everyones distaste for the ending, watching the last two episodes, their were too many situations where i believe both heedo and yijin would've acted differently. The show had worked hard on building their character separately and i didn't see them making the mistakes they had made in their relationship that had caused its downfall.

Inputting my own biases, i really just wanted them to end up together man and i saw the relationship issues as something they could've worked out and it was like the writers were persistent on not doing so, ive read people say that the show was trying to tell us 'you're first love, no matter how powerful and forever memorable, isn't your last' or smth like that. Idk dude the show had a lot of good messages and could've had way better ones. i just really wish the writers would've made them end up together. Im still grieving over them.

Anonymous asked:

Hi! I’ve read all your 2521 character analyses and they give the lit major in me so much joy, especially your post on the death of the author!

I was just wondering, if Baekdo had broken up and then run into each other at Seungwan’s dad’s funeral and gotten back together, would you still find that terribly out of character?

I honestly think it’s so odd that they stay out of each other’s lives completely and I’m convinced the writer keeps it that way because there’s no way they could stay broken up if they ran into each other even years down the line.

I wish I could pretend the canon ending doesn’t exist but I can’t. 😭 So I just tell myself they get back together after the events of the series to preserve my mental health. In the same way that I have convinced myself that Ben Solo is not really dead and Rey is going to find him because they are a FORCE DYAD. I swear JJ Abrams and the 2521 director would get along famously and I don’t mean that in a good way. 😤

hi! thank you so much for reading my posts, i'm so glad they bring you joy!!!

no, i wouldn't find that out of character within the context of the show. it was on the bottom of my wishlist of the finale, but as soon as i understood that the writer was going to be idiotic about them, i hoped to see them get back together later, and i endured the funeral scene up until it became obvious that we weren't even going to get this basic courtesy from the showmakers.

and yes, i absolutely agree with you -- the only reason the writer doesn't permit them to maintain any contact in her twisted-up version of events is because as soon as they have one calm conversation, they'll sort out their issue and realize they have the same goal. it's unrealistic for them to not run into each other on the bus or at a bar or in their neighbourhood shortly after the already out-of-character fight, especially since so many people around them support their relationship. there's no way heedo's mom doesn't confront yijin about the break-up at their workplace, or that seungwan, jiwoong, and yurim don't devise some elaborate plan to get them back together that involves setting them up on a drinking date and not letting them leave until they talk it out. can you imagine what a menace heartbroken baekdo would be for any friend gathering? the squad would split up, they'll talk to each of them individually, and as soon as they figure out the issue is miscommunication, they'll make it their mission to make them talk it out. it's what any friend group would do when their friends are suffering and pining away for each other.

i think fiction is only true when we believe in it, so whichever version of events you believe in will exist for you.

i personally think the story wrapped up all its plot points at the beginning of ep.15, when yijin transferred to another media department to safeguard his relationship with heedo. heedo's arc as a fencer finished in ep.7 to ep.9, with the episodes until 13 focusing on her romantic arc, while yijin's arc finished with his realization that love is the most precious thing in life in ep.15, just like his mom advised him to. from then on, i see them continuing to advance in their respective fields while cheering each other on from up close, having a beach wedding in pohang, and spending their lives together happily (as i've written about here).

whether yijin gets sent to new york or not is of no importance to his character arc, which was complete before this, but if he does it's only for a month or two like journalists did during the real-life 9/11, and he communicates with heedo during this time like he always does, while she supports him while encouraging him to take care of his mental health. because he's able to receive support from her and from therapy like she advises him to, he's able to preserve his hope and returns with a better understanding of the importance of balancing between his work and personal life. because of his journalistic integrity and his excellent reporting, he soon advances in his job and gains bigger control of his projects and his schedule, which he coordinates with heedo's. he picks heedo up from training in the evenings, they drive to picturesque towns on the weekends and try all the street food, and when summer comes they stretch out in their lounge chairs on the pohang beach and challenge each other to read each other's books while their two daughters splash around in the surf.

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it's about yearning. it's all about yearning. it's about trying to catch up with everything, but failing failing failing. falling. it's about coming to terms with the fact that things will never stay the same. it's about feeling like everyone's getting ahead of you while you're stuck stuck stuck. it's about running away and to something. it's about wanting something everything anything too much. but then. it's about a burst of colours. it's about that feeling of acceptance. that feeling of freedom. it's about coming to terms with, and realising that you're happy where you are. it's about accepting that because you're happy, you can jump, you're free. you can dance and jive and just live.

don’t let this world’s obsession with youth rob you of the big and small joys of adulthood. i spent most of my teenage years and early twenties struggling with my mental health. but there’s no timeline for happiness. for many people, getting older and growing up means having more chances to redefine their values, find their path and stability in life. some people go to college in their forties. some people marry in their sixties. some people recover better after their thirties. there’s no timeline for this kind of stuff. your childhood and teenage years won’t be the only chance you have at experiencing freedom and joy.