My family’s covering Mom’s funeral costs and my tickets to get back to my hometown, but I’ll be losing a week of work and there’s all the other piddly stuff and bills to take care of. Still taking comms, but if you’d like to help out, I’d really appreciate it!
every time someone tries to tell me that it's gender neutral I spin it back at them like; "That dude is hot" "I slept with that guy last night" sound gender neutral to you? lol
if you feel like you can’t draw for shit but still Want to Practice, just draw over random shit
practice anatomy without having to work too hard
also 10x1
bluandorange
didn’t realize until too late that I was drawing on the wrong layer. Also this compressed Really Badly sorry
more tracin 10x2
bluandorange
like obviously you’ll learn more if you draw FROM reference rather than ON reference, but sometimes spacial-reasoning.exe crashes and its easier on ur head to just do it this way
10x3
bluandorange
10x4 and now I need to start winding down to get to sleep
zoblogs
this is really important!
what is it that makes all trans women and girls so hilarious and cool
nbirds
rb this to let your trans women followers know they’re hilarious and cool
║\
║▒\
║▒▒\
║░▒║
║░▒║with this blade
║░▒║ i protect
║░▒║all lesbians
║░▒║
║░▒║
║░▒║
║░▒║
▓▓▓▓
[█▓]
[█▓]
[█▓]
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warmbrightedits
Southern Comfort (2001)
A beautiful scene featuring transgender man Robert Eades and his transgender girlfriend Lola.
a japanese twitter is friends with me and they really love jonathan and its the most adorable thing ive seen in ages
bonus:
Pixar’s latest SparkShort Kitbull is now on YouTube and it’s lovely.
fuckin Pixar
GERTIE BROWN & SAINT SUTTLE “Something Good-Negro Kiss,” the newly discovered William Selig silent film from 1898 is believed to be the earliest cinematic depiction of African-American affection. Thanks to scholars at the University of Chicago and the University of Southern California, the footage is prompting a rethinking of early film history. The performance by cakewalk partners Saint Suttle and Gertie Brown is a reinterpretation of Thomas Edison’s “The Kiss,” featuring May Irwin and John Rice. The film was announced December 12, 2018 as a new addition to the Library of Congress’ National Film Registry—one of 25 selected for their enduring importance to American culture. The 29-second clip is free of stereotypes and racist caricatures, a stark contrast from the majority of black performances at the turn of the century.
Buttons jammin’ again - this time with some Wham!
Bonus:
