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Eurasier Aurora

@eurasieraurora

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no offense to anyone personally but I think we are way too used to and comfortable with weekly releases and if that wasn’t already bad enough, it seems like most of you aren’t even patient enough to wait for the official release date my point is this industry moves way too quickly

The way that people treat with the medium of manga is interesting and sad because a lot of mangaka are disabled and becoming disabled because of the intense workload. The grace extended to legendary author-artists like Togashi should be how all these artists are treated, and more. Your favorite artists are destroying themselves to create the pages you consume and make judgments on and they deserve to take the time their bodies need to recover from these efforts. The weekly release schedule is literally hurting artists.

What’s worse is how they’re expected to do extra work unpaid like exclusive bonus illustrations for retailers and are expected to pay for assistants themselves. Licensing deals with adaptions are fucked up Gureishi is not the only one who has said an anime adaption did nothing for them financially Hideaki Sorachi of Gintama fame has also been open about how little money he has made from the hugely successful Gintama live action projects. Its so fucked up out there for them with no safeguards when their health fails them aside from living off of royalties, and this is an “improvement” from when publishers were fully okay roping manga artists into doing more than one serial at a time or lock them up in hotels with no sleep until they completed their manuscripts

May his memory be a blessing.

Willem Arondéus (22 August 1894 – 1 July 1943) was a Dutch artist and author who joined the Dutch anti-Nazi resistance movement during World War II. He participated in the bombing of the Amsterdam public records office to hinder the Nazi German effort to identify Dutch Jews and others wanted by the Gestapo. Arondéus was caught and executed soon after his arrest. Yad Vashem recognized Arondéus as Righteous Among the Nations.

Their attack, which took place on 27 March 1943, was partially successful, and they managed to destroy 800,000 identity cards, and retrieve 600 blank cards and 50,000 guilders. The building was blown up and no one was caught on the night of the attack. However, due to an unknown betrayer, Arondéus was arrested on 1 April 1943. Arondéus refused to give up the rest of his team.

Arondéus was openly gay before the war and defiantly asserted his sexuality before his execution. His final words were:

"Tell the people that homosexuals are not by definition weak."

From Wikipedia

He was also a pretty great artist

Great news, SAG-AFTRA has created an influencer hub for anyone trying to figure out what they should or should not be doing as a person who makes things on the internet during the strike.

Bad news, I have already SEEN WITH MY OWN TWO EYES people in fandoms I talk about and participate in spreading misinformation that these guidelines are only for union influencers. This is not true, it’s for all of us.

Solidarity in this case looks like no organically talking about, cosplaying from, accepting brand deals to promote works from struck companies. I am begging, covered in blood and sweat, I have run all the way here I have been running for years, listen to the official union sources and act accordingly or be prepared for the people who make those things you love to view you quite differently.

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Allow me to elucidate, @a-sour-nectarine

When most people "roll their eyes", they flick their eyes directly upward, usually as far as they comfortably go, then resume looking normally.

When someone who learned the phrase before the behavior does it, they usually go in a circular (ish) motion. Since most eye movements are lines, it's usually pretty triangular: the key points are usually a diagonal up one way, then to the far other side, then to a diagonal low the first way. Thus, the eyes basically make a loop, so they "rolled".

I've found that when people who learned the up-down way first try the circular motion, they might risk motion sickness, so experiment carefully.

watching people on tiktok consume borax is uh. something.

having to say “don’t eat borax” was not on my 2023 bingo

Can’t believe in the year 2023 we have to say: do not consume borax. It will not provide a “parasite cleanse”, it does not combat the “evil fluoride” in your water, and it is not a super mineral. It will damage your organs. Also, it’s not rated for human consumption so frankly, who knows what it’s cross-contaminated with (my personal bet would be arsenic).

Absolutely love when I Google something I've never heard of and find the reason I've never heard of it is because it's been banned in the EU for safety concerns

I'm just gonna slide this on in here for anyone that is interested in preserving old games. They take it very seriously too, they want an archive of every single game. Like, they have lists of every game ever released for a system, and once that system gets old enough, they add it to their archive and start collecting. Their latest addition was the Xbox 360, they opened that vault up in September 2022, and proudly announced they'd finished their collection of games for it back in April.

Also, while their game archives are almost entirely complete, they've got another project of archiving the manuals that came with those games, and that is... considerably less well filled out. Their collection of Xbox 360 manuals is especially rough, they've only gotten manuals for three games. So if you've got some Xbox 360 games kicking around, and the manual's still with them, please consider scanning them and submitting them to the site!

Game preservation is important, but people rarely consider preserving the manuals as well; I really respect Vimm's Lair for being so thorough in their archival work.

Source: twitter.com

A note to all creatives:

Right now, you have to be a team player. You cannot complain about AI being used to fuck over your industry and then turn around and use it on somebody else’s industry.

No AI book covers. No making funny little videos using deepfakes to make an actor say stuff they never did. No AI translation of your book. No AI audiobooks. No AI generated moodboards or fancasts or any of that shit. No feeding someone else’s unfinished work into Chat GPT “because you just want to know how it ends*” (what the fuck is wrong with you?). No playing around with AI generated 3D assets you can’t ascertain the origin of. None of it. And stop using AI filters on your selfies or ESPECIALLY using AI on somebody else’s photo or artwork.

We are at a crossroad and at a time of historically shitty conditions for working artists across ALL creative fields, and we gotta stick together. And you know what? Not only is standing up for other artists against exploitation and theft the morally correct thing to do, it’s also the professionally smartest thing to do, too. Because the corporations will fuck you over too, and then they do it’s your peers that will hold you up. And we have a long memory.

Don’t make the mistake of thinking “your peers” are only the people in your own industry. Writers can’t succeed without artists, editors, translators, etc making their books a reality. Illustrators depend on writers and editors for work. Video creators co-exist with voice actors and animators and people who do 3D rendering etc. If you piss off everyone else but the ones who do the exact same job you do, congratulations! You’ve just sunk your career.

Always remember: the artists who succeed in this career path, the ones who get hired or are sought after for commissions or collaboration, they aren’t the super talented “fuck you I got mine” types. They’re the one who show up to do the work and are easy to get along with.

And they especially are not scabs.

*that’s not even how it ends that’s a statistically likely and creatively boring way for it to end. Why would you even want to read that.

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Mielenosoitus hallituksen rasisteja vastaan keskiviikkona 19.7. klo 17

Tekstit kopioitu Facebook tapahtuman sivulta, johon linkki postauksen lopussa!

FIN: Suomella on avoimesti rasistinen hallitus. Riikka Purran kirjoitukset ja hallituspuolueiden reaktiot kirjoituksista nousseeseen kohuun osoittavat tämän kiistattomasti. Petteri Orpo väittää, että hallituksessa on "nollatoleranssi rasismille". Tämä on ilmiselvästi valetta ja pelkkää sanahelinää. Tule mukaan vaatimaan, että Petteri Orpo seisoo sanojensa takana ja erottaa Riikka Purran valtionvarainministerin tehtävästä. Rasistit ulos hallituksesta!

Kokoonnumme klo 16.45 Säätytalolle josta marssimme klo 17–18 Esplanadin ja Mannerheimintien kautta Eduskuntatalolle. Jos et pääse paikalle, voit osallistua somemielenosoitukseen tunnisteilla #RasistitUlos ja #Nollatoleranssi.

Mielenosoitus on yksityishenkilöiden järjestämä. Kaikki paitsi rasistit ovat tervetulleita mukaan.

ENG: The Finnish government is openly racist. Riikka Purra's online comments and the reactions of the government parties are undeniable proof of this. Petteri Orpo claims that the government has "a zero tolerance for racism". This is obviously an outright lie. Join us to demand that Petteri Orpo stands behind his words and removes Riikka Purra from her position as Minister of Finance. Racists out of the Government!

We will gather at the House of Estates (Säätytalo) at 16.45. From there we will march at 17-18 through Esplanadi and Mannerheimintie to the Parliament (Eduskuntatalo). If you are unable to make it in person, you can join the online demonstration using the hashtags #RasistitUlos and #Nollatoleranssi.

This protest is organized by individuals. Everyone except racists welcome.

SVE: Finland har ett öppet rasistisk regering. Riikka Purras skrivelser visar detta utan tvekan. Petter Orpo hävdar att regeringen har "nolltolerans för rasism". Detta är helt klart lögn och struntprat. Kom med och kräv att Petteri Orpo står fast vid sina ord och ger sparken åt Riikka Purra som finansminister. Rasisterna ut ur regeringen!

Vi samlas 16.45 till Ständerhuset varifrån vi marscherar kl. 17-18 till Riksdagshuset via Esplanaden och Mannerheimvägen.

Demonstrationen organiseras av privatpersoner. Alla förutom rasister är välkomna. 

the way these strikes get framed is always so funny to me

"the strike could stretch on until the end of summer" or the execs could pay their workers

"there won't be ANY new shows because of this strike" or the execs could pay their workers

"no more content for us because the mean old writers and actors are-" OR THE EXECS COULD PAY THEIR WORKERS

OK WAIT SO IF POC GET STRICTER SENTENCES IN COURT… AND IF WOC ARE MORE AT RISK OF MISCARRIAGE AND GENERAL MALPRACTICE… AND IF SEX EDUCATION IS WORSE IN INNER CITY PUBLIC SCHOOLS… AND IF RACIAL HOUSING DISCRIMINATION IS PRACTICED BY 85% OF REAL ESTATE AGENTS… AND IF SCHOOL DISTRICTS ARE FUNDED VIA PROPERTY TAXES WITHIN EACH DISTRICT… HOLD ON………. WAIT A MINUTE

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This is what we mean by systemic racism

“I suffered so why should anyone else have it easy” is definitely one of the worst outlooks anyone could have on life

Here’s one good thing to come out of 2020:

Paleontologists completed a life-sized replica of Sue, the most complete T. Rex ever found.

And she is freaking GORGEOUS!

As I read more about this beauty, I found out some new details regarding things I thought I previously knew about the beast that was Tyrannosaurus Rex, and I’m going to share them with you.

First, and most obvious, her size:

This is nothing new, we all figured T. Rex was big, but I for one never stopped to consider exactly how big it was. Nobody ever really knows what to imagine when they read about something the size of a whale that walked around and ate everything it could kill. 

Speaking of eating things, I just want to remind you all that T. Rex had–by miles–the strongest bite of any terrestrial animal living or dead, somewhere around six and a half tons of force. That’s over six times greater than the current estimate of what Allosaurus was capable of, and three times what was delivered by the highest measured reading of the living title holder–the estuarine crocodile. It didn’t have to waste time swinging its head open-mouthed like Saurophaganax for a little extra oomph, or grow fancy serrated teeth like Carcharodontosaurus to cut pieces out of its prey. It opted for the simplest approach: get its mouth around something and crush it to death; imagine the full weight of an elephant on whatever was between this thing’s jaws.

“How did it find something to eat?” I hear you asking. “It can’t see something if it doesn’t move, right?”

Listen, I love Jurassic Park too, but that’s a big crock of shit.

Notice how both her eyes face forward. That gives her binocular vision (the ability to focus both eyes on one target, like you and I). More importantly it means she has impeccable depth perception due to overlapping fields of vision from each, large, eyeball. Researchers agree that T. Rex not only had incredible vision, but that it was probably better than most modern animals–including eagles, hawks, and owls–and that she could likely spot something three and a half miles away. If something that big can see that well, it doesn’t matter if you move or not, she’d be able to tell if it was an animal trying to hide or a piece of vegetation. So pray she isn’t hungry if she lays eyes on you. And even if by some miracle she didn’t see you, she’d still smell you. 

If she decided you looked tasty, you probably wouldn’t hear her coming as much as you’d feel her. Modern science indicates that T. Rex didn’t roar like in Jurassic Park, but rather bellowed or maybe even hissed like crocodilians. If she were on to you, you’d most likely feel this sense of unease creep up your spine as a low-pitched rumble in the air permeated through you. You wouldn’t know what it was or where it was coming from until you hear her footfalls. By then it’s too late–you could try to run but she’d probably catch you. There’s plenty on YouTube that reconstructs what T. Rex may have sounded like, and it’s legitimately haunting.  

To wrap all of this up, the one bit of good that came out of the cursed year that is 2020 is that this wonderful child of science and art came into the world, and reaffirmed my respect and admiration for the eight ton slab of muscle and teeth that is this magnificent creature.

…and it is nothing if not magnificent.

I honestly expected like three notes, what happened!?

Palaeontologists are the ones providing the data and advice but don’t give them full credit, this life-sized sculpture was created by ARTISTS, the artist team of @bluerhinostudio

They also created this Quetzalcoatlus that made the rounds online (image credit goes to National Geographic)

As well as many more amazing sculptures and dioramas, so please check them out here on Tumblr and on Instagram

They are currently working on a new Tyrannosaurus again which will be on display in Europe (image credit goes to Blue Rhino Studio)

Please give the amazing team of Blue Rhino Studio the credit they deserve

Not to kill the buzz but where are the feathers??

As it stands now, there is no evidence for or against feathers on Tyrannosaurus specifically, so either way to depict it would be equally accurate at the moment, if feathers are present they would be on the back and shoulder region as that is the only spot that doesn’t have preserved skin impressions

Below is a handful guide by Dr. Mark Witton who happens to be both a palaeontologist and an artist:

Fun fact! Sue officially uses they/them pronouns! Scientists don’t know if they were male or female. Because of that, and as a gesture of good will to the LGBT+ community, scientists officially use they/them pronouns to refer to SUE the T-Rex!

“(Please, do not body-shame our T. rex. SUE is perfect just the way they are. And, yes, “they” is correct there—scientists don’t know if SUE was male or female, so in the spirit of scientific accuracy and LGBTQ inclusivity, we’ve transitioned to singular “they/them” pronouns instead of calling SUE “she” or “her.”)”

“Please, do not body-shame our T. rex” is the funniest thing I’ve seen in at least 20 minutes