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WHERE WERE THEY GOING, MISHA?

@eshusplayground / eshusplayground.tumblr.com

Please read "Seriously, Read This First" before engaging.

Rules of Engagement (updated)

Also linked at READ THIS FIRST!

Do not reblog or reply to this post. This is me setting my boundaries, not me asking your permission to have them.

1. This Tumblr is intended for grownups. I’m not checking any IDs, but you need to know that this Tumblr is a place where grown folks can freely talk about grown folks’ shit.

2. I have zero tolerance for verbal abuse. Come at me with all kinda hate and vitriol, and you’ll get blocked and reported with extreme prejudice. I don’t give a shit how strongly you feel about what you’re saying or how right you think you are.

3. No shit-stirrers allowed. I don’t like gossip at the best of times. If you’re in the habit of spreading rumors or hearsay or false accusations about people, keep that shit away from my Tumblr.

4. If it ain’t about you, don’t make it about you. I’m not gonna put a thousand disclaimers in front of every fucking thing I say. I aim for clarity when I communicate, so don’t put words in my mouth.

5. If you can't stay on topic, stay off my post. I'm done being nice about this. The topic I bring up in my OP is what I want to talk about. Wanna talk about something else? Start your own post. Don't derail mine.

6.This is not a Social Justice Tumblr ™. I don’t talk about anti-blackness, antisemitism, lesbophobia or misogyny to prove how woke I am. I talk about this stuff because it’s my life.

7. My name is not Oprah Winfrey, and this Tumblr is not The Help. My purpose in life is not to constantly affirm that “you is kind, you is smart, you is important.”

8. No, you may not share my posts on other social media. There’s a lot I feel safe to share on Tumblr that I don’t feel safe sharing anywhere else. Don’t fuck that up for me.

9. Be fuel for my fire, not a drain on my energy.

What gentiles imagine vs. what Jews actually are

Culturally Christian Gentiles: The Judeo-Christian concept of original sin

Jews: Huh?

Culturally Christian Gentiles: The Abrahamic religions’ belief in heaven and hell

Jews: Say what now?

Culturally Christian Gentiles: The Judeo-Christian religions emphasize obedience over asking questions and debating ideas.

Jews: *spit coffee laughing*

I’ve seen some people confused about this:

Judiasm has no concept of original sin, we have mitzvah and averah (good deeds and transgressions. You cannot be born with transgressions you must personally commit them, they are actions). No concept of heaven or hell, merely a world to come. “A” singular world to come. We do have a sort of, i guess “purgatory” the maximum time spent there before proceeding to the world to come is 11 months Judaism is founded on fist fighting G-D and debating every aspect of our scriptures (which we have been doing for millennia) 

Wait “original sin” is not just about Eve sinning by eating the apple, it means everyones is born a sinner? A baby is sinning? Deadass?

Yup. And that's why God had to become Jesus and then die.

Tina Turner was living proof that the most revolutionary act a Black woman can do is live her best muthafucking life.

Listen to or make whatever music you like. Live where you feel safe and appreciated. As long as nobody gets hurt, date or fuck whoever. Marry them if or when you feel like it. Claim your freedom to live on your own terms, not what someone else thinks you need to be.

Tina Turner was #notyourmule decades before it became a hashtag.

I'm gonna miss the hell outta her.

Jewish American History Month is a great time to get my book, THE RED DOOR

The Red Door is a dark fairytale told in story-poems that follows a woman’s spiritual and erotic awakening after she has an otherworldly encounter while visiting the mystical city of Tzfat.

The structure and content of The Red Door draw heavily from Jewish folklore and mysticism, and its style is inspired by writers, filmmakers, and other artists who blur the lines between fantasy and horror.

Get your copy today if you enjoy works like…

  • The Bloody Chamber and Other Stories by Angela Carter
  • The Company of Wolves (dir. Neil Jordan)
  • Lilith’s Cave (ed. Howard Schwartz)
  • Pan’s Labyrinth (dir. Guillermo del Toro)
  • Kissing the Witch by Emma Donoghue Labyrinth (dir. Jim Henson)
  • Grimm’s fairy tales

And if you've already read it, feel free to reblog and tell everyone why they need to get a copy ASAP.

(BTW, I welcome asks and meta about THE RED DOOR!)

It is excellent!

😊

Jewish American History Month is a great time to get my book, THE RED DOOR

The Red Door is a dark fairytale told in story-poems that follows a woman’s spiritual and erotic awakening after she has an otherworldly encounter while visiting the mystical city of Tzfat.

The structure and content of The Red Door draw heavily from Jewish folklore and mysticism, and its style is inspired by writers, filmmakers, and other artists who blur the lines between fantasy and horror.

Get your copy today if you enjoy works like…

  • The Bloody Chamber and Other Stories by Angela Carter
  • The Company of Wolves (dir. Neil Jordan)
  • Lilith’s Cave (ed. Howard Schwartz)
  • Pan’s Labyrinth (dir. Guillermo del Toro)
  • Kissing the Witch by Emma Donoghue Labyrinth (dir. Jim Henson)
  • Grimm’s fairy tales

And if you've already read it, feel free to reblog and tell everyone why they need to get a copy ASAP.

(BTW, I welcome asks and meta about THE RED DOOR!)

You guys know you want to.

Dooooo iiiiiiiit.

*this is not paid for in any way nor requested by the author, it’s just an awesome book and I personally think it’s a great read

😊

Hey fellow jumblr folks who have watched the new A League of Their Own: I'm curious about y'all's reaction to Shirley Cohen as a character. I'm not trying to start discourse or whatever, I'm just curious about other people's reactions here.

I really enjoyed the series, but she was my least favorite part. I felt like she was just a stereotype of a neurotic Jew and then her being the homophobic one was just like… really… 😒 thanks

I was bothered most by the neuroticism though. And not like neurotic jews don’t exist, and that it isn’t informed by history and culture, but it’s like of course it had to be the only Jewish character

I was not keen on the very stereotypical portrayal of the only Jewish character on the show or how the show treats Judaism like fundamentalist Christianity.

Save 30% on The Red Door!

From the blurb on the back...

In this poetry collection that fuses Jewish mysticism and halakha with Gothic tales and queer eroticism, Shawn C. Harris dares us to walk through that red door and lose ourselves on a journey of death, grief, rebellion, escapism, nihilism, passion. This journey—half nightmare, half revelry—ultimately leads to a re-appreciation of life and light. Each poem is a world to itself; grouped together, they become what might best be described as a (fictitious) memoir in lyrical form, a vision in a pomegranate orchard, an apparition in a cemetery. Harris’ work is unusual, highly original: densely structured, full of whispers and echoes, surprising, haunting.

Azula And The Tides: The Most Misread Scene in ATLA

Stop me if you’ve heard this one before:

“The tides scene shows how irrational and spoiled Azula is! She got lucky! She endangered her whole crew for her pride!”

Or any similar variation.

The only problem is it’s not even remotely close to true. Let’s talk about that.

Here is the scene in question for reference:

Seems pretty straightforward, right? I mean, the Captain warned Azula about the tides and she put her ego before reason and made the crew take a huge risk. Horrible leadership and narcissism on her part, right?

Except for one little detail.

Azula was right.

Remember in “The Storm” when Zuko demands his ship chase after the Avatar and his crew warns him that it’s a fool’s errand because they’ll surely perish in the storm? Zuko stubbornly insists his goals are more important than anyone else’s lives, including his Uncle, and demands they drive recklessly into the storm. Sure enough, the crew nearly perishes in the storm, just as predicted, and Zuko is humbled enough to even rescue his Lieutenant that he disrespected earlier in the episode.

I bring this up so we understand how ATLA sets up and then demonstrates its narrative cause and effect. It’s rather straightforward as, after all, this is being written to be inteligible to children.

So what happens with Azula’s ship when she demands they dock right away despite her Captain’s warnings?

The ship docks without incident or injury.

In fact, they dock stealthily enough that neither Zuko nor Iroh see Azula coming and she’s able to surprise them. How would this be possible if the Captain had been correct in his assessment and Azula had just been acting out of ego?

I’ve seen some people argue that Azula just got lucky, like a drunk person driving home in a car. Not that I expect the average person to have extensive knowledge about docking a ship, but it demonstrates a severe gap in knowledge of the subject matter. When it comes to the tides you cannot half-ass it. Either the tides are in or they’re not. Either they’re high enough or they’re not.

And if they’re not, what happens? The rocks you can’t see beneath the waves will shred your ship apart and you will get stuck or outright sink. Best case scenario, if by an act of divine intervention you avoided all the rocks, you’re still screwed because your ship is going to get beached and tip over. Especially with a ship of that size!

You cannot squeak by here. Even with all of our tech and modern day ships, if you don’t respect the tides, you’re going to have a bad time. There is no avoiding this.

It boggles my mind why people assume Azula is the one in the wrong here and not the Captain who is later shown to be so incompetent that he spoils the mission. He was talking down to her and she rightfully put in his place. Cold and ruthless as her method may have been, she was making it clear that she is not to be talked down to or to have her authority questioned. An important skill for a young leader. Look at the comparison with Zuko who couldn’t wrangle his men. They were about to mutiny and would’ve if Iroh hadn’t intervened! Azula has no Iroh to fall back on. She has to manage on her own. And she does! In this same episode we are shown that Azula is a perfectionist who can’t tolerate a single hair out of place. But somehow we are supposed to believe she is also reckless and incompetent? I don’t think so.

We also know that Azula canonically attended the Royal Fire Academy for girls. This wasn’t some preppy finishing school, it was an intense military academy with survival training so deadly that Rangi described having to eat worse than rats to make it out alive. We know Azula excelled in school. Why wouldn’t she know something as basic as how to read the tides? That’s seafaring 101.

Combine that with the fact that all their best naval officers probably perished at the North Pole and it’s easy to glean that this Captain isn’t exactly their A-Team.

So what IS the point of this scene if not to show Azula being irrational, egotistical, or incompetent?

Remember our comparisons to Zuko? The point of this scene is to show how much better and scarier of a leader Azula is. It’s a simple way to convey to the audience that unlike Zuko, Azula *can* and *does* command like a true military leader. She is therefor a more frightening and dangerous opponent for our heroes to face than the already dangerous Prince they’ve been battling since the previous season.

I don’t think this misinterpretation would’ve ever spread so far if some fans weren’t dead set on trying to tear down Azula for the simple crime of being better at things than fan-favorite Zuko.

And I say this as someone who adores Zuko.

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not proshipper not anti but a secret third thing (person who has a career in the media and, through covering legislative politics, has watched "associating with problematic fiction or entertainment is an indicator of moral degeneracy" rapidly become a mainstream GOP position that they are encoding in legislation to target the queer community under the guise of protecting children, thus coming to the conclusion that positioning the "can people enjoy things that would be immoral IRL in their fiction" debate as a proship v anti fandom debate is akin to pretending that "should we have the death penalty" is a discussion that only matters in Death Note discourse — the extent and manner to which fiction affects reality is an issue that is immediately relevant to today's US politics, and to summarize my opinions on the matter in fandom terms would be to diminish the ways this debate is affecting america Right The Fuck Now. and i have stopped taking "this person is bad for shipping the wrong anime thing and being horny about it" in any sort of good faith ever since I saw it literally used as part of a GOP smear campaign against a transgender state legislator in an attempt to defend the right from backlash after they used their supermajority in the Montana house to prevent her from speaking on the floor. Anyway I think everyone on this site, especially Americans, could benefit from ceasing to think in proship v anti vocabulary and instead developing coherent political positions on the nature of fiction that do not directly align with current fascist political tactics)

watching the 2018 milwaukee ballet production of dracula and y'all the dracula/jonathan pas de deux is amazing

it's beautiful and creepy and sensual and horrifying all at the same time

crap, i don't know enough dance terminology to make this coherent, but the way they've been utilizing going en pointe in act 2 is fascinating. like, aside from when they're doing turns and stuff like that, all the women are walking around on the flat part like regular people. but then dracula bursts in and everyone is down in the dark except lucy, who is now on her tippy toes and basically floating across the floor to him in a trance and the contrast is so eerie

also i just realized it was mean of me to talk about this without telling anyone where to watch it. here's a link to the official video from the milwaukee ballet account's @ Home series https://vimeo.com/469873929/5ee47dee00

continuing the trend of being both sensual and beautiful and horrifying, the drac+lucy pas de deux is also fantastic.

also, repeated theme the way dracula just kind of flings them around at times, like they're not dance partners but just toys to be played with and literally tossed aside. in the jonathan one he just like yote him 15 feet or something crazy across the stage, and in this one he's just positioning her like a ragdoll, the choreo is so good

agh no no no i hate this! D: lucy! :(((

looking forward to and dreading the drac+mina one if they're all gonna be this good but also upsetting lol

oh good, an ensemble mourning scene, that's cool that's fine i'm handling this gracefully

oh damn, though, she does feral really well too. cool thanks this is a great place for an intermission because i'm feeling totally emotionally stable (:

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WHAT I MUST PUT THIS IN MY EYEBALLS