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@entangledfandoms

Fandom bullshit. AM SHIT AT TAGGING. IF YOU HAVE TRIGGERS, YOU PROBABLY DON'T WANT TO FOLLOW ME.

My Salmonid OC

Title (Name): Intrepid-reporter-of-the-blackest-kelp-forest

Appearance: Extremely scarred, wrapped in bandages. Flattened snout, left eye appears to be replaced by a lens, stitches in the sides of the mouth. Tall, pointy dorsal fin "hair" also inexplicably bandaged.

Personality: Obsessive seeker of truth, with a particular fixation on human technology and history. Believes that the current world is in some way an imperfect reflection of humans, especially Inkling and Octarian societies. Swears he has Memories of the Fifth World War.

Battle: Acts as a King Salmonid wave; uses a massive, flying mech based on human technology (repaired with Octarian technology and modified to use Power Eggs as fuel). Attack patterns use bombing runs that drop inkstrikes, followed by an enormous Splashdown that creates a shockwave that must be jumped over, then using dual splatlings on the ground.

Note: The idea is that he's the Splatoon universe's version of Schwartzwald.

Based on this post. Which is also mine, but I just wanted to explain why I did this in the first place.

His name is obviously referencing the former occupation (reporter) and preferred pen name (Schwartzwald, literally black forest, which is noted in-universe in Big O) of the mysterious Michael Seebach, while the mech is present because you can't have Schwartzwald without Big Duo. Him being on a Salmon Run was just to show off Big Duo, but looking at it again, the anarcho-accelerationist character of the original Schwartzwald would be well-reflected if he regularly tried to attack Inkling society.

The Intrepid Reporter of the Blackest Kelp Forest is not a mindless attacker, let that be absolutely clear. He is trying to make the squids and octopuses think, and to stick it to the higher powers and those whose carefree lifestyles unintentionally tread upon those beneath (octarians and salmonid mostly); he just doesn't particularly care about collateral damage.

A Schwartzwald expy would work as a squid character, but I felt that his look translated better to a salmon, plus his name translated better to Salmonid titles.

If anyone wants to draw this guy, I wouldn't mind help with translating Big Duo into the Splatoon art style. Or redesigning it in general, to be honest.

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So far, I figure: forearms painted like salmon, hands as Splatoon propellers or sprinklers, splatlings in the chest holes. Also make the cockpit bigger proportionally, since I want it to be Cohozuna-sized whereas the Bigs are skyscraper-sized. Since it's supposed to be a Human relic, maybe NILS statue detailing for the head?

Big Duo in flight. When prone, it can drop massive bombs housed in its lower legs. It flys slowly and with a wide turning radius, since it's huge; it's a bomber, not a fighter. Hence why it uses inkstrike attacks in flight. It lands so you can actually have a chance to attack it as a boss wave, and to show off other ink-ified versions of Big Duo's attacks, including the dual chest-mounted gatling cannons (although sadly those aren't featured in the linked video) and propeller-hands.

Hal visits Kankri in the bubbles, but is unable to create his own memories. He gets some help in recreation.

This is a comic I've been working on for a few weeks now and I am SO excited to have it finished!! There's a lot to explain, so you can all enjoy this context-free, but I'm happy to answer questions!

Chapters: 2/? Fandom: Super Mario Bros. (Video Games), Super Mario & Related Fandoms, Mario - Fandom Rating: Teen And Up Audiences Warnings: Creator Chose Not To Use Archive Warnings Relationships: Mario/Princess Peach (Nintendo), Princess Daisy/Luigi (Nintendo), Bowser/Princess Peach (Nintendo), Koopa | Bowser/Luigi, Bowser/Mario Characters: Mario (Nintendo), Princess Peach (Nintendo), Princess Daisy (Nintendo), Luigi (Nintendo), Bowser (Nintendo), Bowsette (Super Mario) Additional Tags: Bisexual Mario (Nintendo), Luigi Needs a Hug (Nintendo), Love Triangles, Love Confessions, Declarations Of Love, Not Actually Unrequited Love, Crushes, Secret Crush, Kidnapping, Romance, Eventual Romance, Drama & Romance, Interspecies Romance, Human/Monster Romance, Slow Romance, Romantic Gestures, Slow Burn, Crossdressing, Peach-hime | Peach Toadstool is Kidnapped, super crown, Tags May Change Summary:

Well, Bowser likes Peach and Peach likes Mario and Daisy likes Luigi and Luigi likes Bowser and Bowser likes Mario and… Wait, can someone explain it again?

the thrilling sequel to Jerma985 streams from new phyrexia

*reading chat* ‘take that metal shit off dude that’s gross’ take off - how am i supposed to *he pulls on one of the metal bits attached to him. it’s stuck.* it’s literally part of my body. you know- you know what. mods, time that guy out.

*2 mins later*

what the fuck are you guys- *reading chat* ‘he’s NAKED’ ‘naked andy’ ‘put clothes on’ i’m literally not - *he looks down at himself.* guys. i know it’s - i know this metal is technically my body but that doesn’t mean i’m - i’m not naked! *he tries to keep playing the game he’s streaming but he can’t stop laughing* i’m not! i’m not naked!

*he shows up next stream wearing his Red Sex shirt. it doesn’t fit and it’s torn* is this- is this good enough? will you stop calling me naked now? *he looks at chat.* ‘nip slip.’ *the webcam turns off.* no webcam this stream. because you can’t behave.

Love the implication that jerma gets compleated and continues to stream like…like is this his role in new phyrexia? Or is this something he slinks off to do on the side? Which is funnier?

I assume he was propaganda division, but Norn couldn't properly contain him.

Here's an idea that's been buzzing in my head since I first saw your Bowluigi art.

Imagine a typical Mario scenerio of Bowsette attacking the castle to kidnap her "one true love". But while Maria is expecting her to kidnap the Prince, Bowsette just goes right past them, grabs Lucia and runs out.

And all Lucia does is awkwardly wave to the others while she blushes and smiles.

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Hehehehehehehehe-

Whole comic, anyone?

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Movie!AU where the Mario characters are actually just acting and the scene where Peach rejects Bowser has like 20 takes because every time Peach says she’ll never marry him, Bowser for real looks ready to cry and can’t muster up the anger (bc IRL he and Peach are actually married) and while Peach is cooing and consoling him, Toad!Director is just like “Mr. Bowser, sir, this film is for families, you’re gonna depress a whole generation of 5-year-olds. Please get it together.”

I am extremely and powerfully sober right now and watching the new Mario 64 A Button Challenge video from Bismuth and it occurred to me how the entire act of speedrunning has a lot in common with creating sand mandalas in Buddhism. This sounds demented because it is but hear me out here.

(You should absolutely watch Bismuth's series by the way. If you thought the parallel universe thing was wild you haven't seen shit. Bismuth is also a very talented speaker and composer. Here's the playlist starting at part 1.)

The core "thing" of sand mandalas is that they're temporary. They are meant to be constructed as genuine works of devotional art, with a great deal of skill and effort and focus put into their creation, with the knowledge that what you are making has no intrinsic meaning beyond the simple joy in the act of creating something beautiful. They are destroyed to help teach us that something being temporary or lacking inherent use or permanence neither reduces the beauty of the thing while it exists nor does it render the pursuit itself meaningless, because the meaning is what we brought to it and how we experienced it in the moment it was there.

But that's like, speedrunning shit in a nutshell, right? There's no intrinsic value in any of it. The spectacle can be useful (GDQ obviously) but the act itself is not. You derive no external value from playing a game in this way or from spending hours or years perfecting the creation of new strategies to beat a game in the way it was never designed to be beaten. You do it because you can, because the challenge is there and it is appealing even when that means writing thousands of lines of code to calculate an optimal route to save you a few A-presses in Mario 64. And then when you do beat it, usually someone comes along and sweeps your record away or finds an even better strategy and it all happens again. All of that effort and artistry and passion brought to bear on something that was brief and had no meaning in itself but was no less meaningful and joyous to us for its brevity.

I love speedrunning. It is a useless art, and that uselessness is what makes it useful and beautiful to me. It's a very Buddhist pursuit.