no no dude listen.. being the friend IS the benefit
An SR-71 Blackbird once flew from LA to Washington DC in 64 minutes. Average speed of the flight: 2145mph.

“There were a lot of things we couldn’t do in an SR-71, but we were the fastest guys on the block and loved reminding our fellow aviators of this fact. People often asked us if, because of this fact, it was fun to fly the jet. Fun would not be the first word I would use to describe flying this plane. Intense, maybe. Even cerebral. But there was one day in our Sled experience when we would have to say that it was pure fun to be the fastest guys out there, at least for a moment.
It occurred when Walt and I were flying our final training sortie. We needed 100 hours in the jet to complete our training and attain Mission Ready status. Somewhere over Colorado we had passed the century mark. We had made the turn in Arizona and the jet was performing flawlessly. My gauges were wired in the front seat and we were starting to feel pretty good about ourselves, not only because we would soon be flying real missions but because we had gained a great deal of confidence in the plane in the past ten months. Ripping across the barren deserts 80,000 feet below us, I could already see the coast of California from the Arizona border. I was, finally, after many humbling months of simulators and study, ahead of the jet.
I was beginning to feel a bit sorry for Walter in the back seat. There he was, with no really good view of the incredible sights before us, tasked with monitoring four different radios. This was good practice for him for when we began flying real missions, when a priority transmission from headquarters could be vital. It had been difficult, too, for me to relinquish control of the radios, as during my entire flying career I had controlled my own transmissions. But it was part of the division of duties in this plane and I had adjusted to it. I still insisted on talking on the radio while we were on the ground, however. Walt was so good at many things, but he couldn’t match my expertise at sounding smooth on the radios, a skill that had been honed sharply with years in fighter squadrons where the slightest radio miscue was grounds for beheading. He understood that and allowed me that luxury.
Just to get a sense of what Walt had to contend with, I pulled the radio toggle switches and monitored the frequencies along with him. The predominant radio chatter was from Los Angeles Center, far below us, controlling daily traffic in their sector. While they had us on their scope (albeit briefly), we were in uncontrolled airspace and normally would not talk to them unless we needed to descend into their airspace.
We listened as the shaky voice of a lone Cessna pilot asked Center for a readout of his ground speed. Center replied: “November Charlie 175, I’m showing you at ninety knots on the ground.”
Now the thing to understand about Center controllers, was that whether they were talking to a rookie pilot in a Cessna, or to Air Force One, they always spoke in the exact same, calm, deep, professional, tone that made one feel important. I referred to it as the “ Houston Center voice.” I have always felt that after years of seeing documentaries on this country’s space program and listening to the calm and distinct voice of the Houston controllers, that all other controllers since then wanted to sound like that, and that they basically did. And it didn’t matter what sector of the country we would be flying in, it always seemed like the same guy was talking. Over the years that tone of voice had become somewhat of a comforting sound to pilots everywhere. Conversely, over the years, pilots always wanted to ensure that, when transmitting, they sounded like Chuck Yeager, or at least like John Wayne. Better to die than sound bad on the radios.
Just moments after the Cessna’s inquiry, a Twin Beech piped up on frequency, in a rather superior tone, asking for his ground speed. “I have you at one hundred and twenty-five knots of ground speed.” Boy, I thought, the Beechcraft really must think he is dazzling his Cessna brethren. Then out of the blue, a navy F-18 pilot out of NAS Lemoore came up on frequency. You knew right away it was a Navy jock because he sounded very cool on the radios. “Center, Dusty 52 ground speed check”. Before Center could reply, I’m thinking to myself, hey, Dusty 52 has a ground speed indicator in that million-dollar cockpit, so why is he asking Center for a readout? Then I got it, ol’ Dusty here is making sure that every bug smasher from Mount Whitney to the Mojave knows what true speed is. He’s the fastest dude in the valley today, and he just wants everyone to know how much fun he is having in his new Hornet. And the reply, always with that same, calm, voice, with more distinct alliteration than emotion: “Dusty 52, Center, we have you at 620 on the ground.”
And I thought to myself, is this a ripe situation, or what? As my hand instinctively reached for the mic button, I had to remind myself that Walt was in control of the radios. Still, I thought, it must be done - in mere seconds we’ll be out of the sector and the opportunity will be lost. That Hornet must die, and die now. I thought about all of our Sim training and how important it was that we developed well as a crew and knew that to jump in on the radios now would destroy the integrity of all that we had worked toward becoming. I was torn.
Somewhere, 13 miles above Arizona, there was a pilot screaming inside his space helmet. Then, I heard it. The click of the mic button from the back seat. That was the very moment that I knew Walter and I had become a crew. Very professionally, and with no emotion, Walter spoke: “Los Angeles Center, Aspen 20, can you give us a ground speed check?” There was no hesitation, and the replay came as if was an everyday request. “Aspen 20, I show you at one thousand eight hundred and forty-two knots, across the ground.”
I think it was the forty-two knots that I liked the best, so accurate and proud was Center to deliver that information without hesitation, and you just knew he was smiling. But the precise point at which I knew that Walt and I were going to be really good friends for a long time was when he keyed the mic once again to say, in his most fighter-pilot-like voice: “Ah, Center, much thanks, we’re showing closer to nineteen hundred on the money.”
For a moment Walter was a god. And we finally heard a little crack in the armor of the Houston Center voice, when L.A. came back with, “Roger that Aspen, Your equipment is probably more accurate than ours. You boys have a good one.”
It all had lasted for just moments, but in that short, memorable sprint across the southwest, the Navy had been flamed, all mortal airplanes on freq were forced to bow before the King of Speed, and more importantly, Walter and I had crossed the threshold of being a crew. A fine day’s work.
We never heard another transmission on that frequency all the way to the coast.”
-Brian Schul, Sled Driver: Flying The World’s Fastest Jet

Always reblog passive-aggressive Blackbird speed check
guys seriously tho what the fuck even was the SR-71 blackbird. That plane is like someone made a fucking bet. Like someone went “I have ten bucks that says you can’t make something that cruises at Mach 2.5″ and the aero folks scoffed and went hold our collective goddamn beers and then they cracked out a plane that CRUISES AT MACH 3 (for reference the much vaunted “supercruise” of the F-22 is only a few ticks above Mach 1). You need to understand how patently absurd this fucking vehicle is from nose to tail. Its original iteration, the A-12, was the successor to the U-2 when it became clear the USSR had developed missiles that could fly high enough to shoot it down so instead they built a new plane so fast you couldn’t fucking hit it. THAT WAS LITERALLY HOW THE SR-71 WORKED. By the time you realized what was goddamn happening at 80,000 feet it was already out of your fucking timezone. One time a pilot missed a turn by a second and ended up over Atlanta instead of DC. It flew so fast and got so hot that the entire fuselage stretched by several inches midflight which turned out to be a gigantic pain because all the fuel lines were hooked up assuming this stretching factor, so while on the ground it leaked like a goddamn sieve so at one point they decided to combat this BY STUFFING IT FULL OF KOTEX literally they had to shove tampons in this incredibly sophisticated aircraft so the fuel would stay in. It was the first serious aircraft built entirely out of titanium because no other metal could do the job, and at the time titanium wasn’t a widely-used metal so the world’s only major supplier WAS THE ACTUAL USSR SO THE US ACTUALLY BOUGHT THE MATERIAL TO MAKE THEIR SECRET SPY PLANE FROM THE PEOPLE THEY WERE SPYING ON.
TL;DR Every single thing about this fucking aircraft is fucking ridiculous.

When you say something bad about your self and your friends agree

i’m just really exhausted from pretending things don’t hurt me
i want to be the kind of person who can make friends easily. who doesn’t get nervous before a party. who doesn’t need a shot before feeling loose enough to socialize. who always knows the correct amount of humor and empathy. the kind of person who everyone gets along with easily. open. friendly.
im goinge to eat this thing
cat… what are you eating?
something very good for me & absolotely intended for consumptione by cat
is it plastic
i just went on r/incels to see if it was really that bad and it was actually pretty informative. i found out that women are all powerful beings and we control society by exploiting men for their money and their jobs, are NOT required to pay bills, and that we all make 50k a month on patreon. like shit why did no one tell me. i didnt even know i had a patreon
When is Big Femoid™ going to give me all my backpay
why are non-millennials so personally offended by everything? like if i’m still wearing my jacket indoors, it’s because i’m cold, not because i disrespect your home/your classroom !! if somebody has got your order wrong, it’s because they’re very busy and simply made a mistake, not because they’re trying to jeopardise your meal !! if somebodies phone rings during a meeting/lecture, it’s because they accidentally forgot to put it on silent, not because they want to disrupt your speech !! just calm down, sharon, not everything is about you
my personal favorite is when you yawn and they’re like “am I boring you?”
like bitch i’m running on five hours of sleep and chronic anxiety

Yooo fucking this man. THIS.

When they see you on your phone and they’ll be like “You’re always on your phone, you never study!”
- That’s because I am studying in my fucking phone! We’re in the digital world now! Calm the fck down!! 😪
hell yeah i’m a catholic i’ve been addicted to cats my whole life

So many of y'all have like 0 empathy for children it’s honestly terrifying

Not as terrifying as a demonic creature that can scream and cry and shit on the floor and get away with it cause it’s “just a child”.

It’s just a little kid you fucking weirdo

So what if its a child, I’m still learning as an adult but do I get a free pass? No.

“How can a child piss and shit on the floor in public but I CANT????”
children are people and need to be respected as people. even if you personally dont want kids thats no excuse to be a shit to other peoples kids


DEXNURSEY AU
AU where Derek “Nursey” Nurse is the director of a musical. Will “Dex” Poindexter is the master set builder. Jack is the leading man. Lardo paints EVERYTHING. Ford is the stage manager. Chowder does lights. Bitty does costume and makeup. Ransom and Holster are the comic relief duo. Shitty plays the motherfucking piano. Whiskey and Tango bust it up on the drums and saxophone respectively. We have Farmer as our leading lady. Johnson is the critic coming to see the musical. HMU with anyone I forgot. Here’s some deets:
- Nursey wrote this musical himself over a week where all he consumed was coffee and granola bars (basically sleep wasn’t a thing when he wrote it)
- The musical is Nursey’s child, so he will only be satisfied when his vision is perfectly fulfilled
- Nurse is a nice director. He doesn’t push you past your limits, but he will ask you to get close. He makes sure there’s enough food for everyone. There are group hugs at the end of any tough rehearsal
- That all said, he knows absolutely nothing about building something, which frustrates Dex to no end
- Derek will have these ornate set designs drawn out only to have Will shut them down because they’re just not physically possible
- Will can build anything if you just say the word though
- Directors have gotten into fist fights to have him build their set
- Little does Derek know that Will volunteered to do this set because he thinks Derek is HAWT
- Concept: Will and Derek end up in bed together. Nursey has a nightmare about the show being a disaster and Will comforts him
- Jack takes acting Very Seriously. He’s amazing too. The man can go from decrepit, old beggar to prince in 0.5 seconds
- Lardo is a maestro with a paintbrush. She is known for her hyper realistic painting style.
- Marry someone like Ford tbh. The whole cast loves her and she loves them back. Ford is the single string holding everything together. She is a blessing
- Chowder is a beast in the lighting booth. His focus is unshakable because he cannot miss his cue. Then when he leaves the booth, he’s his sweet self again.
- Chow and Cait are rumored to have done some deeds in the lighting booth
- Bitty can sew faster than any sewing machine and he will race one to show it to you. All he needs is your measurements and a design and he will have your costume done in no time.
- He will also Beat Your Face. Bitty can do any transformative makeup on you and you won’t even recognize yourself
- Jack and Bitty are In Love. They are often found giving each other kisses and pep talks in the men’s dressing room.
- Rams and Hols can just walk onstage and the audience will be roaring with laughter. Their energies are so compatible and infectious that no one can watch them and genuinely say they hated them
More deets to come, but somebody should write it







