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nobody makes a monkey out of bandit keith

@eggmacguffin / eggmacguffin.tumblr.com

Em. Batman, Star Trek, some anime(mostly haikyuu). Lesbian, 20s, Magneto was right.
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Anonymous asked:

You don’t own fanfics. They’re inherently public domain because they aren’t your IP. Agree or disagree with AI, there are no grounds for “protection” from AI because it isn’t your IP to begin with. That’s what you chose when you chose this medium

Oh dear.

Okay, you get an answer, because at least you took the effort to write your ask out properly, even if you are hiding behind the grey, sunglassed circle.

Do I, or any fanfic author for that matter, have any legal claims to our work? No, not really, no. (Although if someone took a fic, filed off the serial number--deleted the fandom specific elements--, and then had it published for financial gain, yeah, that would be a case.)

BUT

Fandoms are built on a social contract that says we respect each others work, the effort people put into their art. We don't steal or disrespect the work of our peers. By feeding people's fanworks to AI you both steal and disprect it, and we need to make people realize that before it's too late--before fandom falls apart, because there will be no more real, actual fanworks.

Disrepectfully,

Orlissa

(i can't believe I have to say this)

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Also this is not true. You do in fact have the copyright to the specific writing you did in a fic, because that's not how copyright law works. Like this is not a grey area.

People who write IP content for corporations give up their copyright on a contractual basis--the company wants writing they can sell about characters/settings they own without getting entangled in royalty obligations etc, so they hire people. Who sign contracts saying they don't own what they write as part of that job.

That's why you don't own Star Wars stuff you wrote for Disney; you specifically agreed not to own it.

Writing for IP you don't own leaves you in a position where you can't legally monetize it (without taking out the Owned parts ad rebranding), but it absolutely does not automatically cede or void copyright. That is super not a thing.

SUPER not a thing, I cannot say this enough.

I can't sell my Batman fic, but neither can DC Comics without my duly authorized consent. Because they own Batman, but not the prose I composed about him.

Do not perform that kind of massive corporate overreach for them. Holy shit. Do they not own enough.

It’s fascinating that this misconception of copyright still exists. Haven’t we all seen the posts on here where authors beg fans to please not send them fanfic of their works? They’re not doing that because they feel like it, they do that because fans legally own their words and ideas, and an author who takes them even unintentionally can in fact end up in real legal trouble for taking something that’s not theirs. It doesn’t matter whether they own the canon.

shakespeare characters having weird reactions to deaths: macbeth / hamlet / julius caesar

sorry to be pedantic outside of the tags but i love these as exhibits a b and c of why the “shakespeare is meant to be performed” cliche is real; on the page they look wild but actors know how to read the embedded stage directions

two of these examples can’t be shared lines of iambic pentameter (both gertrude’s line and brutus’ are already rushed and irregular at eleven syllables, so laertes and cassius both get their full ten beats for two or three words) and one of them doesn’t have to be (macduff and malcolm’s lines add up to ten beats indicating that it’s shared but no one will call the scansion cops on you if you split it into two and divvy up the extra ten syllables between them, which imo is the more playable option)

remember that verse is symphonic and that those extra syllables are notes in the orchestration of the scene— they have to go somewhere, either into beats of rest or sound. there’s a lot of ways to score any of these moments but one possibile notation for the first is

MACD: your royal father’s murdered.

(rest/ rest/ rest/ rest/ rest/)

MAL: oh.

(rest / rest / rest/ rest/ rest/) ...

by whom?

all that silence affords the director a moment to let a lightning-fast scene (the entire cast pouring onstage in ones and twos, yelling over each other at varying levels of authenticity) come to a screeching halt, and the severity of the situation set in. for the actor it’s playable as all hell, and ultimately very human: the kind of raw shock that makes you ask stupid questions. you get the same thing with laertes. tbh i’ve always found “drowned? (rest / rest /) oh. (rest / rest / rest / rest/ rest /) .....where?” to be utterly goddamn devastating in how realistic it is, bc what else can you say to that? if someone told you with no warning that your sister drowned, what else would come out of your mouth in the moment but something stupid and mundane? oh. ..........where did it happen?

the other notable similarity in these three moments is the use of un-words: two ‘o’s and a ‘ha’ (they aren’t meant to be pronounced exactly like “Oh” or “Ha”; traditionally shakespearean un-words are performed as unarticulated sounds, sighs, groans, exhalations etc). un-words leap out to the actor because it is a character rendered speechless. i made a post a few weeks ago about how big of a deal it is when people written by william shakespeare dont have words for what they’re experiencing/when the pain is so big that even in a metanarrative universe where you are only the words you speak you are forced to admit that something is unspeakable, and every “o” or “ha” or “ah” etc is a moment of this horror, this defeat at the hands of your own medium

it’s a rich moment for actors because in classical text it’s frowned upon to act “outside” of the line (to waste vocal qualities on things that aren’t words, ie to take a pause from speaking your richly layered monologue to let out a pained exhale. “act on the line” says your director, smacking you on the knuckles with a copy of freeing shakespeare’s voice), it’s diva-y and amateurish to take more syllables than you’re given. but when you’re given the space of ten beats for “ha portia”, who will dare call you a scene hog for stretching that “ha” into five notes of agonized, wordless noise?

in the same way that lear’s “howl howl howl” is very much not just the word ‘howl’ said three times these moments demand full, shattering vulnerability from the actor, a dive into the place in the body where pain lives. maybe laertes and malcolm really do say “oh.”, quiet and childlike, or maybe that ‘o’ is a stand-in for the all-air sound that shakes out of you when you get punched in the lungs and try to talk through it, or for that deep animal groan you heard that made you think what was that before you realized it was coming out of your own throat

anyway you get what i mean. you wouldn’t look at a blueprint and say you saw the house, you wouldn’t read the sheet music and say you heard the symphony, etc

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fireflies lighting up a rural Pennsylvania field at dusk

As a european i sometimes forget furefkied are actually real and not american folklore/cryptids. Like you’ve got friendly little bugs that glow in the dark….. b r uh

i learned that there was an early 1900s act named “Sober Sue”, who’s draw was she never smiled. A theater offered $1000 to any one who could make her laugh, attracting big comedians. Crowds came out to watch them try, and fail, giving them a free show. Later it came out that Sue suffered from facial paralysis (x)

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fucken h8 fathers day ads “take your dad to home depot” my dad doesnt LIKE home depot🤬🤬🤬 he likes cds that he already has

I told my father about this post today. I had to explain the punchline to him, but once he got it he thought it was quite funny.

idk when we decided that explaining yourself shouldn't be part of an apology but like. if someone was a dick to me and apologizes but I still don't understand why they did it I'm not gonna feel any better

I wanna know what people assume about me because of my tumblr.

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Put an assumption in my ask. I’ll confirm or dispute it. I’m not gonna be mean or anything, I’m just very interested. You can go anon if you want.

Do something creative even if it sucks. Do something creative even if it sucks. Do something creative even if it sucks. Do something creative even if it sucks. Do something creative even if it sucks. Do something creative even if it sucks. Do something creative even if it sucks.