MARRKNULL FW23

Chanel - Fall 1995 Couture

I am a wound and a blade, a victim and an executioner.

Funeral Parade of Roses, 1969 dir. by Toshio Matsumoto

“We love life whenever we can”

June 1982, Beirut, Lebanon — Palestinian Soldier Stroking a Kitten

Sheep zig-zag up trail, Aletsch glacier, Blatten, Switzerland, 2012 - by Jean-Christophe Bott, Swiss

Bettie Page

Luis Sánchez Olivares 'El Diamante Negro' (1952)

Alfredo Boulton

this is the church that bisan is telling its story.

miu miu 1999 pocket boots

some of the hausa architecture of zinder, niger. zinder rose from a small hausa village into an important center of trans-saharan trade during the 18th century, culmunating in it becoming the capital of the sultanate of damagaram in 1736.

Paste necklace, Georgian, 1820s

White and hot pink cushion-cut lead crystals with foil-backings. Built in silvered brass, with a 15k gold clasp. Probably English-made. ($4,650, Erie Basin)

hustler april 1977

wild horses crossing a river in iran, eydi heydari

Evening Dress, 1903, Marjorie Merriweather Post's sweet 16 dress.

Pokrovskyi Monastery in Kyiv, 1988

ID: three fish embroidered on an upholstery sample with a design that looks like coral. the fish are embroidered so they appear to be swimming in between the coral. the colors are shades of olive green and beige.

~ Tapestry panel from a Tiwanaku-style tunic.

Culture: Possibly Pukara culture

Date: A.D. 250–450

Place of origin: Tiwanaku, Perú

Medium: Wool [camelid] tapestry

Textile panel, 1700-25, Europe.

Arab Women’s Union of Ramallah, Palestine. 1934-1939.