kanahebi1783

Will Govus

“Naiad” by Katrina Sesum

The Naiads were fresh-water Nymphs who inhabited the rivers, streams, lakes, marshes, fountains and springs of the earth. They were immortal, minor divinities who were invited to attend the assemblies of the gods on Mount Olympos. The Naiad Nymphs were often classified by their domain:

Pegaiai were the Naiad nymphs of the springs; Krenaiai, the Naiads of fountains; Potameides, the Naiads of rivers & streams; Limnades and Limnatides, Naiads of the lakes; Heleionomai, the Naiad Nymphs of marshes and wetlands.

The Naiades, along with Artemis, were regarded as the divine nurses of the young, and the protectors of girls and maidens, overseeing their safe passage into adulthood. Similarly Apollon and the River-Gods (fathers of the Naiades) were the patron gods of boys and youths. Many of the Naiades married local kings and played a prominent role in the genealogies of the royal families of myth. Others, such as the beautiful Naiad daughters of Asopos, were loved by the gods. They often gave their names to towns, cities and islands, and as such were most likely regarded as the goddess-protectors of the community’s water supply, which usually consisting of a spring, stream-fed fountain, or well.

The Pegaiai with their distinctive natural springs, and the Krinaiai who presided over town fountains, were the mostly commonly worshipped and individualised of the Nymphs. Those who possessed waters with some special property (or which were believed to have some special property), often had proper cults and shrines established in their honour. Examples of these include the Anigrides of Elis whose waters were believed to cure disease, and the Nymphs of Helikon and Delphoi whose waters were thought to bestow poetical and prophetic inspiration respectively. The Naiades were depicted in ancient art as beautiful, young women, either seated, standing or reclining beside their springs, and holding a hydria (water jug) or branch of lush foliage.

ｓｏｕｒｃｅ

bewitched forest 

Floral Contrasts, 2015

Sofija Olson