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When I grow up I want to be Ming-Na Wen.

She’s the voice of Mulan, as if she wasn’t amazing enough.

She broke it with her fingers. Not a fist, her fingers.

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Girl is 50 years old.

FIFTY. YEARS. OLD.

fun fact: When you break things with your hands like that you have t break your fingers on purpose before so that they heal stronger. So basically this woman is so badass she broke her hands just to do this. 

You asshat, you’re making it sound like she snaps her fingers in half. 

Martial artists like Jackie Chan and Bruce Lee (and yes, fucking Ming-Na Wen, that beautiful badass) will build up their bone strength by repeatedly (and fairly gently) striking sand, gravel, wood and steel - this creates tons of microfractures in their bones (smaller than even a hairline fracture) so the bones will heal over again and make the bones stronger and denser with increased deposits of calcium. 

This has to be done over long-ass periods of time, so the bones have time to heal, and none of the fractures expand into actual breaks. 

Oh, and she’s doing precise-ass kicks in HIGH HEELS. 

she kicks ass like a coursing river

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Saw this post so many months ago and I still think about it from time to time lol so badass

Had the absolute pleasure of meeting her. She’s indeed a kind-hearted and gorgeous badass.

So I’m still amused by seeing a claim that this coat is somehow Eduardo copying the “Killian” look.

Because of course they’re right.

Regina hasn’t ever worn a tight fitted long black coat before.

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And black leather is not something she normally wears.

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And that coat isn’t remincent of other coats she’s worn before….

In season 1…

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In season 2…

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In season 3

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In season 4

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In season 6

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More than once…

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Nope.  That’s totally about copying the pirate coat because you need to do that to make her look good.  Otherwise no one would find her attractive.

Just like Regina wearing a red waistcoat is about copying his rarely worn secondary period costume.  She never wears red otherwise.

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Small things I love about Moana

  • There is no talk of finding Moana a husband. SHE is going to be chief of her village. No one can take that from her.
  • How Moana is a competent leader before she even sets out on her journey.
  • The village seems to have more or less a hereditary monarchy that disregards gender and the matriarchal influence is clear: Moana is mostly inspired by her grandmother and the major deity in this movie is a Mother Goddess.
  • “Crazy” does not mean worthy of ridicule.
  • The central questions: “Do you know who you are? How do you know who you are?” Those cut deep.
  • The sibling relationship between Moana and Maui.
  • The vision about the ancient wayfinders. And “Know the Way,” which makes the entire sequence a million times more emotional.
  • This might be a Disney Princess movie, but it is also solidly an action movie.
  • Moana doesn’t like being called “princess”.
  • The goddamn gold-plated glow-in-the-dark giant crab. Who sings well.
  • Forehead touches. Between a human girl and a goddess.
  • The fact that Heihei manages to do ONE USEFUL THING in the entire movie.
  • Moana is so sturdily built. She managed to clock Maui, of all people.
  • Nature has agency.
  • How Gramma Tala’s passing is quietly understated. Her last words to Moana are those of sincere encouragement and her death is not explicitly shown. But you see the huge luminous sting ray a couple minutes later and you just know.
  • The entire sequence at the beginning that depicts island life. And Chris Jackson’s singing. Everyone’s singing, really.
  • Moana gulping deep lungfuls of air the first time her canoe overturned is so realistic, I could feel myself choking on ocean water.
  • The coconut pirates. They are VICIOUS little fuckers.
  • Moana earning a place among Maui’s tattoos.
  • Gramma Tala’s spirit is solid enough to hug. No more “LOOK INSIDE YOURSELF SIMBA” from the clouds.
  • Disney smashing the fourth wall and throwing shade at their own Princess story formula.
  • Romance is never ever ever even hinted at. Because Moana is all of 16 years old and she has bigger things on her mind.
  • All the songs. ALL OF THEM. They hit just the right emotional cues.
  • How culturally rich Disney managed to make this movie.
  • The sheer vividness of the animation. The wealth of expression on the faces of these characters. The colors.

when people are like “but steve was the one who caused the whole rift by not signing the accords” i want to ask, “what did you want steve to do?”

like, literally: what should steve have done that he didn’t do?

the SAME DAY, the SAME AFTERNOON, that he’s handed a copy of the accords for the FIRST TIME, he gets word that peggy carter has died. he’s got three days (three!!!! days!!! to accept the binding terms of this complex hundred-page arrangement) and the first day and a half are spent flying to the funeral of a woman he adored, and carrying her goddamned coffin. then, while he is STILL IN THE SUIT HE WORE TO HER FUNERAL, the vienna summit is bombed. and he gets the call almost immediately that they’re moving on bucky, with a shoot to kill order. he’s got very little time to decide whether he stands back and lets bucky die, or fights for his life.

what the FUCK was this man supposed to do? i mean, was he supposed to:

a.) sign the accords immediately? signing the accords would have put him under ross, who ordered the avengers to stand down on the barnes manhunt. if steve had signed the accords on day one, or day two, the VERY FIRST thing the accords would have required him to do would have been to stand aside while the government hunted and killed his best friend.

or maybe he should have b.) surrendered at the airport? turn bucky (and everyone) over to the authorities a second time? the first time, the authorities allowed a terrorist impersonating a psychiatrist to infiltrate their security. and bucky’s continued existence embarrasses the us government. who’s to say ross wouldn’t have arranged for his execution in custody? who’s to say that every goddamn member of team cap wouldn’t have still ended up on the raft prison, the way they DID? that would have been a great ending to cap3: steve, sam, clint, wanda and scott in prison, and bucky dead “resisting capture.” that sounds like a great, easy option for steve.

c.) maybe steve should have shared his intel on zemo to try and get someone to investigate and take the supersoldier threat seriously??? oh wait, he did!!! and ross was like, “lol, idgaf”!!!!! yeah, steve should have absolutely turned himself over to this very reasonable dude. thankfully tony listened, but sadly at the last minute he was replaced by his less analytical life model decoy, which let itself get played like a stradivarius so that some fucking cinematographer could get a great shot of the arc reactor versus the shield.

in which part of the movie did anyone listen to steve and say, “you know, you’re right, this is a big issue and maybe we should think carefully about the implications… let’s focus on bringing barnes in alive and then sit down for real negotiations on the terms of the accords.” ha!!! ha ha ha ha!!!!! it was, “sign here, right now, or you’re an outlaw. sign here, right now, and accept that whether or not your friend is guilty is not factoring into our decision to put him down like a dog.”

i’m not gonna hear the “steve and tony were both wrong and it’s both of their faults” routine anymore. steve didn’t get a choice. a coerced choice is not a free choice!!! a threatened choice is not a free choice!!! the alternative to the accords for steve was not just retirement, it was accepting the murder of an innocent friend. who the fuck, on earth, would fucking accept those terms???? fuck!!!!! if y'all can shrug that off, i’d be a little nervous to be on your christmas card list.

(and like, let me make it clear: i am not in any way talking about the larger philosophical implications of “but in reality should superpowered people be regulated in their global actions???” because of course they fucking should. but i’m not talking about that. i am talking about the movie that you and i both watched, where a man was backed into a corner by two dishonest villains– zemo and ross. there was no path– IN THIS MOVIE– for steve to take that didn’t end in either risking the death of bucky, or risking the fracturing of the avengers. no middle path was offered to him. if you want to talk about “what if” or comics canon, that’s fine, but that’s not what this post is about.)

Markus and Mcfeely and the Russos did an amazing job here in that TIME was used as a key plot device. This was as much as a plot driven story as it was character driven.

They even used it for Tony, when he wanted to go find Steve and Bucky rather than have the gov’t do it. He asked for THREE days and instead Ross gave him 36 hours.  That’s less than TWO days to assemble a team, get to Europe, track them down and then do what “needs” to be done.

Also, why couldn’t Steve try to talk to Tony more at the airport? Why did they need to “punch” their way through it? TIME. Zemo, as they already knew, was headed to Siberia. They needed to get out of there as quickly as possible.

Time was used in this movie as a perfect plot device to cause everything to come to a head and blow up in everyone’s faces and the villains utilized it just right. 

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