2013: One Thing ~ One Direction 2014- New Year ~ Death Cab 2015- Shake it out ~ Florence 2016: 500 Miles ~ The Proclaimers
2017: HandClap ~ Fitz and The Tantrums
2018: Praying ~ Ke$ha
2019: Happily ~ One Direction
2020: Old Town Road ~ Lil Nas X ft. Billy Ray Cyrus
2021: Delilah ~ Florence
2022: Water Me ~ Lizzo
2023: Late Night Talking ~ Harry Styles
2013: One Thing ~ One Direction 2014- New Year ~ Death Cab 2015- Shake it out ~ Florence 2016: 500 Miles ~ The Proclaimers
2017: HandClap ~ Fitz and The Tantrums
2018: Praying ~ Ke$ha
2019: Happily ~ One Direction
2020: Old Town Road ~ Lil Nas X ft. Billy Ray Cyrus
2021: Delilah ~ Florence
2022: Water Me ~ Lizzo
2013: One Thing ~ One Direction 2014- New Year ~ Death Cab 2015- Shake it out ~ Florence 2016: 500 Miles ~ The Proclaimers
2017: HandClap ~ Fitz and The Tantrums
2018: Praying ~ Ke$ha
2019: Happily ~ One Direction
2020: Old Town Road ~ Lil Nas X ft. Billy Ray Cyrus
2021: Delilah ~ Florence
2013: One Thing ~ One Direction 2014- New Year ~ Death Cab 2015- Shake it out ~ Florence 2016: 500 Miles ~ The Proclaimers
2017: HandClap ~ Fitz and The Tantrums
2018: Praying ~ Ke$ha
2019: Happily ~ One Direction
2020: Old Town Road ~ Lil Nas X ft. Billy Ray Cyrus
2013: One Thing ~ One Direction 2014- New Year ~ Death Cab 2015- Shake it out ~ Florence 2016: 500 Miles ~ The Proclaimers
2017: HandClap ~ Fitz and The Tantrums
2018: Praying ~ Ke$ha
2019: Happily ~ One Direction
me receiving an email from a company i applied to
me opening it and seeing yet another fucking automated rejection message
That tear deserves an Emmy
I have no idea what’s going on but I could watch this for 7 days straight
Rich white women are WILD! LMFFAAAOOO!
This is so dramatic lmfao
2013: One Thing ~ One Direction 2014- New Year ~ Death Cab 2015- Shake it out ~ Florence 2016: 500 Miles ~ The Proclaimers
2017: HandClap ~ Fitz and The Tantrums
2018: Praying ~ Ke$ha
me arriving next year at the movie theather to watch ocean’s 8
The Fourth Wall by Klaus Frahm
Hamburg-based photographer Klaus Frahm takes us behind the stage of many European theaters and offers us an unconventional perspective, which symbolizes the antithesis of the spotlight. By shattering the illusion of completion and perfection, Frahm depicts the full production behind the scenes. The dark and highly contrasted photographs reveal the theaters’ technological elements, its staging lights and complicated, less glamour space behind the curtain, which are concealed from the audience. Frahn’s goal “is to give way for a new perspective, to entertain, to offer a fresh sight on familiar things,” and to “reveal something laying under the surface.” The Fourth Wall is the audience’s chance at viewing reality.
