DOCTOR WHO: THE DAY OF THE DOCTOR / THE TIME OF THE DOCTOR Murray Gold’s lush and spirited scores to the final two episodes of Matt Smith's journey as The Doctor features the BBC National Orchestra of Wales and Crouch End Festival Chorus conducted by Ben Foster. The first disc presents music from the 50th Anniversary episode, The Day of the Doctor, starring Matt Smith, David Tennant and John Hurt, with a guest appearance from Tom Baker and a two second 13th Doctor incarnation of Peter Capaldi. Disc Two contains music from the 2013 Christmas episode, The Time of the Doctor, featuring Matt Smith’s final Doctor Who performance and Peter Capaldi in his first regular appearance as The Doctor. Click the link for the full tracklist.
Foxes performs a special cover of Queen’s ‘Don’t Stop Me Now’ on board the Orient Express, with clips from Doctor Who Series 8.
Stories Murray Gold Uploaded by WhoFan9 Robots of Sherwood (2014)
Features a lovely arrangement of the twelfth Doctor's theme at around 1:44.
Take A Punt Murray Gold Uploaded by WhoFan9 Robots of Sherwood (2014)
Features both the Doctor's and Clara's themes.
Twelfth Doctor's Theme Murray Gold
First appeared in Deep Breath, but also in Into The Dalek. There's no doubt. This is The Doctor's new theme.
The Twelfth Doctor's Theme (Calm)
Here's a rough transcription of the theme and accompaniment:
Interestingly enough, the chords are exactly the same as I Am The Doctor, but begin on A minor, instead of D minor.
A Call From Trenzalore Murray Gold Uploaded by DoctorWhoInfinity Deep Breath (2014)
Features the music underscoring Clara and Twelve's scene in the TARDIS, as well as the Eleventh Doctor's cameo.
Destroy You Murray Gold Uploaded by WhoFan9 Deep Breath (2014)
Action music!
Possibly features the Doctor's new theme, although it's a little too soon to tell. Peppered through out Deep Breath the interval of a 6th, A up to F (also the interval of the first two notes of the Doctor Who theme itself), followed by a perfect 5th, G to D. You'll hear it in the brass at 0:19-0:34.
This motif can also be heard during the Doctor's horse ride across London, as well as during his talk with Clara in the TARDIS.