Crowley was twenty two when he graduated his fancy art school with his fancy art degree and fancy artistic fancies. He had too long hair and tight flared trousers back then, and a burning bright drive to make his mark on the world. Who knows, maybe change it? Or something.
His first job search landed him in advertisement. Ten years later, a career change to the marketing business side of the same company (‘You’ve got vision, darling, you’re wasted on the creative division’) sealed the fate of his artistic career. He never looked back, really. Bigger bucks on that side of things, for starters. And a very different sort of professional pressure, one that doesn’t cut as deep and intimately at the essence of his being. Win-win all around, right ?
Crowley is forty nine and sitting down for his ninth life drawing class after so many years. It’s not as daunting as the first session anymore, definitely not as much as the following half a dozen ones and the realization of how rusty his skills were and how much practice he had lost with the years; but the wait at the beginning of each class still makes him thrum with an undercurrent of nervousness. And also, with each consecutive session, the dusty thrill of an old passion, one lying crumpled and forgotten in the back of an heirloom wardrobe and squinting in the first rays of light of an opening creaky door.
On the stool beside his rickety easel, an array of lead pencils awaits him, guarded by a case of charcoals on one side and three balls of increasingly dirtier kneaded erasers on the other. The room smells of turpentine, cold tobacco and something sticky sweet. The first bathes Crowley in nostalgia. He keeps to the back of the room to avoid the sharper edges of the other two.
At his desk near the entrance, Sergeant Shadwell sips at the punctured edge of a can of sweet condensed milk and gives a grunt of greeting to the people he bothers acknowledging. Crowley himself had the honor of receiving one such earlier. Crowley arrives on time and pays the exacting sum in cash. Shadwell leaves him to the shadows of the back of the room and seldom delivers unasked for advice. They have an understanding.
“Witch! Ken’t ye read a clock?!”
From her spot unloading her many bags at the easel on Crowley’s right, Anathema snorts. “The model isn’t even here yet.
"What, ye need his eyes? Don’t ye have yer own to read with?”
At this point, their bickering has become part of the starting routine. The rest of the class settles in for the show. Crowley tips his tall stool back a few inches and settles into a slouch with his back against the wall.
In so few sessions, they haven’t had many different models yet. Shadwell’s something, Madame Tracy, a woman well into her sixties with a skill for panache and chatting, features most prominently. In-between her memorable appearances have figured Deirdre and Lesley so far, the first a middle-aged woman with loving horror stories of parenting what she assumes to be the Antichrist, the second a deliveryman a bit over Crowley’s age whom Shadwell bullies into showing his surprisingly fit physique so he can go on about muscle groups, and make a few up on the way.
Lesley is fine: unassuming, professional, reserved without being aloof, but the anatomical precision required to draw him is exhausting, and Crowley rolls his head back with a groan.
There’s a man in the doorway, all in beige and pastels as if colours couldn’t stick to him without fading, all the way up to his hair which is almost white; khaki slacks, a light powder blue button-up and a pale brown waistcoat whose bottom edges have been strangely and specifically worn out, complete the picture.
The mild voice causes Shadwell to falter in his tirade, only for his ire to redirect at the sight of the newcomer. “Whadyawant?!”
The man briefly looks at a paper in his hand and then the door. “I’ve been told this is the place to go for a life drawing session?”
With an increasingly prejudiced expression, Shadwell stares him up and down. “Wouldn’t wanta hurt yer sensibilities. There’re gonna be nekid people here.”
The man blinks. “Why, yes, I should hope so? That’s why I’m here.”
With the experience of someone who has witnessed this train wreck before, Crowley winces. It’s more exasperate than compassionate, but it’s also more sympathy than he’d have expected to feel for a total stranger. From behind the sunglasses he has yet to take off, he aims an eye-roll at Anathema, who purses her lips.
Shadwell jumps to his feet. “Why yer h–My class, some ponce’s twisted sex fantasy? Never! Away! Deviant!”
“My good sir, you’ve got it all–”
Newton Pulsifer, another student, peeks his face from behind his easel and clears his throat. It’s a mild throat clearing, like it knows it should be heard but really doesn’t want to. “Sergeant, didn’t Madame Tracy say she was sending a model friend for today?”
Anathema nods in approval. Instead of bolstering him, the weight of that acknowledgement sends Newt hunching back into hiding. Still, his intervention gives Shadwell pause.
Shadwell squints. “Yer the Ezra Fail fella?”
“Aziraphale Fell, yes, at your service.”
In a display of admirable bravery, the newcomer offers a smile and a little bow. It’s ridiculous, and also a little enchanting, Crowley finds to his very disgruntlement. None so disgruntled as Shadwell though, who muses on this new information with the face of one sucking on a sour lemon and takes a sip of condensed milk before passing judgement.