It’s really fun that you all get to see their relationship bloom and Alex coming into her own.
I’m so mad because this worked
help me roger
Reblogging myself because… what was that? Five minutes?
O_O
………my friend has made me curious
help me roger
Update: after I reblogged this someone messaged me offering me tickets to the sold out Hausu screening with a Q&A and autograph session with the director
These never work for me, but here’s to trying.
- I don’t believe in these things
- But last time I reblogged one ten/fifteen minutes later I got a call offering me a job
- But I reblogged it because I was waiting on hearing back from the job. So there you go.
- Roger is cute.
Eh Roger is cute I might as well
That fish is so happy it makes me happy.
Reblogging myself because I reblogged this yesterday and got promoted today!
help me roger
halp
halp me roger
Do you dream, Elliot? You scraping so hard like you ain’t ever asked yourself this before. I said, do you want to be here right now? And I don’t mean like here-here, but I mean here in a cosmic sense, bro.
Leon appreciation post because he is too good for this world.
I’ll argue that Lisa has always thought fondly of Cisco, in her own way, from the very first time they met. She deceived him, of course but let’s not forget she is, in fact, the villain. However, once the Snart’s kidnapping scheme is in swing, she takes a protective stance over him. It’s subtle, it has to be in order to avoid her brother’s judgments, but her affections are there. I’ll count that at least three times in that first episode she saved Cisco from Leonard’s placid wrath.
The first came when Cisco first realizes he’s been played. He tells Snart, in a blundered fluster, that he kissed his sister. Leonard’s eyebrows arch, but before he can properly threaten his victim, Lisa smooths over his ruffled feather by turning the blame to herself.
The second, she certainly saved Cisco’s life. Cisco tried to play Leonard at his own game when he rigged the firing pin in his new cold gun to backfire. Now, Leonard may not have killed Cisco right away (he still wanted to find out the Flash’s identity and needed him alive to obtain that information), but he undoubtably would have caused him considerable harm for his actions. But just as Snart’s about to wreak retribution, Lisa steps in, sweetly complaining that her brother has all the toys to himself.
The third time follows immediately after. You see, Lisa could have asked for any type of gun, something much more scientifically plausible, but instead she asks for gold. What is the significance of that? She claims she wants a gold gun because it fits her aesthetic, but it goes far deeper. Alchemists had been trying to figure out how to change common materials to gold since the medieval ages and failed. It had never been done. Heat requires a simple combustion system, ice is still within the realm of molecular science, but gold? Simply not possible. We don’t know if Lisa’s gun truly turns things to gold or if it’s just a substance that creates a similar appearance, but the point of this all is that it was not something that was easily accomplished. It took Cisco a few hours to make it, rather than a few minutes. Lisa was buying him time.
She is a villain through and through, and, by her perception, she could only help him so much, but made sure he stayed safe. Slowly but surely, Cisco is turning her own heart to gold.
i’ve put together fun fic prompt generator with thousands of possible combinations! each prompt combines different settings, genres, tropes, and a prompt idea to get you started in a direction. you can use one or more of the ideas or the entire combination if it works out, or just refresh until you’re inspired.
two versions! the safe for work version includes all pg-13 prompts, and the nsfw version includes a kink category as well as many more sexytime prompts.
i hope this is a helpful resource! (✿◕ ‿◕ฺ)ノ。₀: *゚
Heya, guys and gals etc, etc!
Been planning this for a few months now but finally letting myself sit down long enough to type it all out. I’ve been lowkey overwhelmed by the amount of love I’ve gotten from y’all in terms of notes, messages and followers (so close to yet another milestone?), and I wanted to do a little something back.
Here’s what you can win:
- A DVD copy of Celeste and Jesse Forever (with Andy Samberg as Jesse)
- A DVD copy of Short Term 12 (with Stephanie Beatriz as Jessica)
- A copy of Latina magazine (featuring Stephanie Beatriz and Melissa Fumero)
- A Brooklyn Nine-Nine poster (1st winner get to choose)
- A smol Zootopia figurine and eraser (1st winner gets to choose)
As the photos indicate, there will be two winners, who shall be picked randomly using this. Some other information:
- I will ship anywhere
- Reblog and/or like this post to participate, both will count. The more your name appears in this post’s notes, the higher your chances (but no spamming)
- Winner will be chosen after July 1st (response must be within 24 hours)
- You must be willing to give me your address, or whatever address I can use to get it to you
- Following me is not necessary, but appreciated
Any questions? Don’t hesitate to ask. I hope you’ll like what I’ve slowly been putting together over the last couple of months. :) Also, feel free to suggest what you’d like for future giveaways, this will definitely not be the last.
Last chance to reblog and participate! Winners will be contacted tomorrow.
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angelisvaporius coding!!!
Because education should be free, not a business.
Keep this post moving
ok but like when did self-sacrifice become synonymous with death? writers seem to have forgotten that people can make personal sacrifices for the greater good without giving their lives. plots about self-sacrifice and selflessness don’t always have to end in death. suffering doesn’t have to be mourning. you can create drama and emotional depth on your show without killing everyone. learn to explore the meaning of living rather than dying
Death. Is. NOT. The. Only. Way. To. Advance. The. Narrative.
Fun things to sacrifice for your loved ones in your free time that don’t include death and actually set up for a whole new season of high level drama:
- humanity (mostly applicable to sci-fi/supernatural genre) - memories (mostly applicable to sci-fi/supernatural genre) - love for that special someone (mostly applicable to sci-fi/supernatural genre) - emotions (mostly applicable to sci-fi/supernatural genre) - rank/position/ - yourself/your brain/your skills (give yourself over to bad guys and become their brainwashed agent so your loved ones live) - years of bloody ruthless traditions to make way for peace (hi lexa and fuck jroth tbh) - freedom (includes that of speech/mind/will) - your grandpa’s fortune - hell even material possessions have that girl sacrifice her goddamn house so they can pay off her gf’s student loans or whatever juST STOP KILLING CHARACTERS TO FURTHER YOUR PLOT
.psd file number fifty seven by ciaracoloring. Adjust the layers as you want, but don’t repost it. I’ll be so gratefull if you give me a like or reblog. Thanks!
The patch that makes you invisible to mosquitoes
You’ve been there, scratching that big mosquito bite and wishing those bloodsuckers were never born.
The good news is relief is on its way. A patch will be commercially available next year that can make you undetectable to mosquitoes. It works by interfering with their ability to sense carbon dioxide, which is how they find you.
The Kite Patch was developed out of research at UC Riverside and is produced with food-grade and non-toxic compounds, making it a much safer alternative to most insect repellents like DEET. Once the company gets EPA approval, the Kite Patch will be available in the United States.
And with Zika virus looming as a global health emergency (not to mention malaria), this patch could have the potential to save lives.
I can finally be invisible….
THERE IS A GOD
Writing with Color: Description Guide - Words for Skin Tone
We discussed the issues describing People of Color by means of food in Part I of this guide, which brought rise to even more questions, mostly along the lines of “So, if food’s not an option, what can I use?” Well, I was just getting to that!
This final portion focuses on describing skin tone, with photo and passage examples provided throughout. I hope to cover everything from the use of straight-forward description to the more creatively-inclined, keeping in mind the questions we’ve received on this topic.
So let’s get to it.
S T A N D A R D D E S C R I P T I O N
B a s i c C o l o r s
Pictured above: Black, Brown, Beige, White, Pink.
“She had brown skin.”
- This is a perfectly fine description that, while not providing the most detail, works well and will never become cliché.
- Describing characters’ skin as simply brown or beige works on its own, though it’s not particularly telling just from the range in brown alone.
C o m p l e x C o l o r s
These are more rarely used words that actually “mean” their color. Some of these have multiple meanings, so you’ll want to look into those to determine what other associations a word might have.
Pictured above: Umber, Sepia, Ochre, Russet, Terra-cotta, Gold, Tawny, Taupe, Khaki, Fawn.
- Complex colors work well alone, though often pair well with a basic color in regards to narrowing down shade/tone.
For example: Golden brown, russet brown, tawny beige…
- As some of these are on the “rare” side, sliding in a definition of the word within the sentence itself may help readers who are unfamiliar with the term visualize the color without seeking a dictionary.
“He was tall and slim, his skin a russet, reddish-brown.”
- Comparisons to familiar colors or visuals are also helpful:
“His skin was an ochre color, much like the mellow-brown light that bathed the forest.”
M o d i f i e r s
Modifiers, often adjectives, make partial changes to a word.The following words are descriptors in reference to skin tone.
D a r k - D e e p - R i c h - C o o l
W a r m - M e d i u m - T a n
F a i r - L i g h t - P a l e
Rich Black, Dark brown, Warm beige, Pale pink…
If you’re looking to get more specific than “brown,” modifiers narrow down shade further.
- Keep in mind that these modifiers are not exactly colors.
- As an already brown-skinned person, I get tan from a lot of sun and resultingly become a darker, deeper brown. I turn a pale, more yellow-brown in the winter.
- While best used in combination with a color, I suppose words like “tan” “fair” and “light” do work alone; just note that tan is less likely to be taken for “naturally tan” and much more likely a tanned White person.
- Calling someone “dark” as description on its own is offensive to some and also ambiguous. (See: Describing Skin as Dark)
U n d e r t o n e s
Undertones are the colors beneath the skin, seeing as skin isn’t just one even color but has more subdued tones within the dominating palette.
- Mentioning the undertones within a character’s skin is an even more precise way to denote skin tone.
- As shown, there’s a difference between say, brown skin with warm orange-red undertones (Kelly Rowland) and brown skin with cool, jewel undertones (Rutina Wesley).
“A dazzling smile revealed the bronze glow at her cheeks.”
“He always looked as if he’d ran a mile, a constant tinge of pink under his tawny skin.”
Standard Description Passage
“Farah’s skin, always fawn, had burned and freckled under the summer’s sun. Even at the cusp of autumn, an uneven tan clung to her skin like burrs. So unlike the smooth, red-brown ochre of her mother, which the sun had richened to a blessing.”
-From my story “Where Summer Ends” featured in Strange Little Girls
- Here the state of skin also gives insight on character.
- Note my use of “fawn” in regards to multiple meaning and association. While fawn is a color, it’s also a small, timid deer, which describes this very traumatized character of mine perfectly.
Though I use standard descriptions of skin tone more in my writing, at the same time I’m no stranger to creative descriptions, and do enjoy the occasional artsy detail of a character.
C R E A T I V E D E S C R I P T I O N
Whether compared to night-cast rivers or day’s first light…I actually enjoy seeing Characters of Colors dressed in artful detail.
I’ve read loads of descriptions in my day of white characters and their “smooth rose-tinged ivory skin”, while the PoC, if there, are reduced to something from a candy bowl or a Starbucks drink, so to actually read of PoC described in lavish detail can be somewhat of a treat.
Still, be mindful when you get creative with your character descriptions. Too many frills can become purple-prose-like, so do what feels right for your writing when and where. Not every character or scene warrants a creative description, either. Especially if they’re not even a secondary character.
Using a combination of color descriptions from standard to creative is probably a better method than straight creative. But again, do what’s good for your tale.
N A T U R AL S E T T I N G S - S K Y
Pictured above: Harvest Moon -Twilight, Fall/Autumn Leaves, Clay, Desert/Sahara, Sunlight - Sunrise - Sunset - Afterglow - Dawn- Day- Daybreak, Field - Prairie - Wheat, Mountain/Cliff, Beach/Sand/Straw/Hay.
- Now before you run off to compare your heroine’s skin to the harvest moon or a cliff side, think about the associations to your words.
- When I think cliff, I think of jagged, perilous, rough. I hear sand and picture grainy, yet smooth. Calm. mellow.
- So consider your character and what you see fit to compare them too.
- Also consider whose perspective you’re describing them from. Someone describing a person they revere or admire may have a more pleasant, loftier description than someone who can’t stand the person.
“Her face was like the fire-gold glow of dawn, lifting my gaze, drawing me in.”
“She had a sandy complexion, smooth and tawny.”
- Even creative descriptions tend to draw help from your standard words.
F L O W E R S
Pictured above: Calla lilies, Western Coneflower, Hazel Fay, Hibiscus, Freesia, Rose
- It was a bit difficult to find flowers to my liking that didn’t have a 20 character name or wasn’t called something like “chocolate silk” so these are the finalists.
- You’ll definitely want to avoid purple-prose here.
- Also be aware of flowers that most might’ve never heard of. Roses are easy, as most know the look and coloring(s) of this plant. But Western coneflowers? Calla lilies? Maybe not so much.
“He entered the cottage in a huff, cheeks a blushing brown like the flowers Nana planted right under my window. Hazel Fay she called them, was it?”
A S S O R T E D P L A N T S & N A T U R E
Pictured above: Cattails, Seashell, Driftwood, Pinecone, Acorn, Amber
- These ones are kinda odd. Perhaps because I’ve never seen these in comparison to skin tone, With the exception of amber.
- At least they’re common enough that most may have an idea what you’re talking about at the mention of “pinecone.“
- I suggest reading out your sentences aloud to get a better feel of how it’ll sounds.
“Auburn hair swept past pointed ears, set around a face like an acorn both in shape and shade.”
- I pictured some tree-dwelling being or person from a fantasy world in this example, which makes the comparison more appropriate.
- I don’t suggest using a comparison just “cuz you can” but actually being thoughtful about what you’re comparing your character to and how it applies to your character and/or setting.
W O O D
Pictured above: Mahogany, Walnut, Chestnut, Golden Oak, Ash
- Wood is definitely an iffy description for skin tone. Not only due to several of them having “foody” terminology within their names, but again, associations.
- Some people would prefer not to compare/be compared to wood at all, so get opinions, try it aloud, and make sure it’s appropriate to the character if you do use it.
“The old warlock’s skin was a deep shade of mahogany, his stare serious and firm as it held mine.”
M E T A L S
Pictured above: Platinum, Copper, Brass, Gold, Bronze
- Copper skin, brass-colored skin, golden skin…
- I’ve even heard variations of these used before by comparison to an object of the same properties/coloring, such as penny for copper.
- These also work well with modifiers.
“The dress of fine white silks popped against the deep bronze of her skin.”
G E M S T O N E S - M I N E R A LS
Pictured above: Onyx, Obsidian, Sard, Topaz, Carnelian, Smoky Quartz, Rutile, Pyrite, Citrine, Gypsum
- These are trickier to use. As with some complex colors, the writer will have to get us to understand what most of these look like.
- If you use these, or any more rare description, consider if it actually “fits” the book or scene.
- Even if you’re able to get us to picture what “rutile” looks like, why are you using this description as opposed to something else? Have that answer for yourself.
“His skin reminded her of the topaz ring her father wore at his finger, a gleaming stone of brown, mellow facades.”
P H Y S I C A L D E S C R I P T I ON
- Physical character description can be more than skin tone.
- Show us hair, eyes, noses, mouth, hands…body posture, body shape, skin texture… though not necessarily all of those nor at once.
- Describing features also helps indicate race, especially if your character has some traits common within the race they are, such as afro hair to a Black character.
- How comprehensive you decide to get is up to you. I wouldn’t overdo it and get specific to every mole and birthmark. Noting defining characteristics is good, though, like slightly spaced front teeth, curls that stay flopping in their face, hands freckled with sunspots…
G E N E R A L T I P S
- Indicate Race Early: I suggest indicators of race be made at the earliest convenience within the writing, with more hints threaded throughout here and there.
- Get Creative On Your Own: Obviously, I couldn’t cover every proper color or comparison in which has been “approved” to use for your characters’ skin color, so it’s up to you to use discretion when seeking other ways and shades to describe skin tone.
- Skin Color May Not Be Enough: Describing skin tone isn’t always enough to indicate someone’s ethnicity. As timeless cases with readers equating brown to “dark white” or something, more indicators of race may be needed.
- Describe White characters and PoC Alike: You should describe the race and/or skin tone of your white characters just as you do your Characters of Color. If you don’t, you risk implying that White is the default human being and PoC are the “Other”).
- PSA: Don’t use “Colored.” Based on some asks we’ve received using this word, I’d like to say that unless you or your character is a racist grandmama from the 1960s, do not call People of Color “colored” please.
- Not Sure Where to Start? You really can’t go wrong using basic colors for your skin descriptions. It’s actually what many people prefer and works best for most writing. Personally, I tend to describe my characters using a combo of basic colors + modifiers, with mentions of undertones at times. I do like to veer into more creative descriptions on occasion.
- Want some alternatives to “skin” or “skin color”? Try: Appearance, blend, blush, cast, coloring, complexion, flush, glow, hue, overtone, palette, pigmentation, rinse, shade, sheen, spectrum, tinge, tint, tone, undertone, value, wash.
Skin Tone Resources
- List of Color Names
- The Color Thesaurus
- Things that are Brown (blog)
- Skin Undertone & Color Matching
- Tips and Words on Describing Skin
- Photos: Undertones Described (Modifiers included)
- Online Thesaurus (try colors, such as “red” & “brown”)
- Don’t Call me Pastries: Creative Skin Tones w/ pics 3 2 1
Writing & Description Guides
- WWC Guide: Words to Describe Hair
- Writing with Color: Description & Skin Color Tags
- Describing Characters of Color (Passage Examples)
- 7 Offensive Mistakes Well-intentioned Writers Make
I tried to be as comprehensive as possible with this guide, but if you have a question regarding describing skin color that hasn’t been answered within part I or II of this guide, or have more questions after reading this post, feel free to ask!
~ Mod Colette
THIS NEVER CEASES TO BE AMAZING, bless writingwithcolor
World Building Resources
World Building Worksheet (Great for Fantasy/Science Fiction)
Types of Art - Perhaps the culture you’ve built doesn’t emphasize painting and drawing, but glasswork or sand art as an art form. Be creative.
7 Deadly Sins of Worldbuilding - What NOT to Do
Cyberpunk Derivatives (Steampunk, Clockpunk, etc.)
Fantasy Resources
Fantasy Calendar Generator - (Can also be used for Sci-Fi)
Magic in Fiction - Wikipedia, discusses ways characters can use magic.
Science Fiction Resources
List of Emerging Technologies - Wikipedia
Misc.
Future Timeline - Predictions technology, natural disasters, etc., for future; organized by year. An easy to use resource.
Themed Prompts: Reading
- Your character finds an old mysterious book in their parents’ library.
- Your character is locked overnight in the public library.
- Your character fails to do something important because they’re reading.
- Your character notices someone reading their favorite book.
- Your character reads to an elderly relative.
- Your character reads to a loved one over the phone.
- Your character finds interesting handwritten notes in a book they are reading.
- Your character releases a strange power by reading a book.
- Reading a book saves your character’s life.
- The book your character needs to read is nowhere to be found.
- Your character hides in the closet at a party to read a book.
- Your character finds a book which doesn’t seem to actually exist.
- Your character meets a new friend by writing a book review.
- Your character reads over someone’s shoulder.
- Your character is in a café and someone is reading out loud to their child.
OH MY GOD THIS IS FANTASTIC. I AM THE WORST WITH PUNCTUATION AND DECIDED TO ACTUALLY CHANGE THAT. THIS IS SO NICELY SET UP.
















