THE PRINCESS AND THE FROG IS GETTING A SERIES??!!?!?

IT'S WHAT SHE DESERVES

i just spent all day drawing this lol

The. Best.

SHES COMING 😭😭😭😭😭😭

rapunzel has a whole song about what you can do while self-isolating at home. tangled said queen of social distancing

she is the princess of corona. literally. like that’s the name of her kingdom.

Lottie is Gay and Doesn’t Know It

1. She is exclusively attracted to princes, despite having never met one.

She won’t even DANCE with boys at her party who aren’t princes despite thinking they’re good boys who would treat girls well (she advises the boy she doesn’t want to dance with to find someone eager to dance with him, rather than tell him to go home).

To me this comes across as her choosing “prince” as the ideal that she finds attractive solely because it’s theoretical, the imaginary Perfect Boy who doesn’t exist. This is common among young people who aren’t exposed to homosexuality but don’t feel attraction to people like they’re “supposed” to.

2. She’s never comfortable around Naveen, always thinking about things that have or could go wrong.

Part of this self-consciousness is obviously because he’s a fake, but even when she’s set for marriage and all her dreams are coming true she’s antsy and upset and lashes out at her dad while trying to over-please the fake Naveen.

She also glances nervously at the priest right before the pronunciation, as though still dwelling on things that could go wrong rather than her happy moment–and this is the scene in which she’s been the MOST visibly relaxed with the prince.

She’s realized something’s wrong with HER not feeling attracted to the prince, despite him being “perfect” for all intents and purposes, and she doesn’t know why that is.

3. She doesn’t kiss Naveen right away despite saying in the opening that she’d kiss 100 frogs if it meant becoming a real princess.

Tiana interrupts her sure but only AFTER she’s been counting and recounting Naveen’s story back to him. She’s stalling because she doesn’t want to lock herself into another marriage with someone she’s not attracted to.

4. She doesn’t actually want to marry a prince, she just wants to be a princess. When she’s proposed to she barely pays any attention to her rapidly-transforming, lying fiancee because she’s so enamored with the image of herself as royalty. She actually shoves him away.

5. She’s absolutely in love with Tiana and still doesn’t know it.

She compliments Tiana more than any man in the film. She respects all of Tiana’s life decisions even if she doesn’t even slightly understand them because of their different perspectives, supports her dream of a restaurant even if she doesn’t share it, and is willing to give up potential romance with a prince, the thing she has dreamed about all her life, at the drop of a hat to comfort a humiliated Tiana.

And then there’s this line.

Charlotte La Bouff is only actually willing to kiss a prince if it means her best friend Tiana’s dreams will all come true.

This makes a lot of sense actually

Lotte is a lesbian icon holy shit

@bellecesca I heard you like The Princess and The Frog?

the little mermaid ii was good, actually

as was mulan ii!

scamp’s adventure had good songs

insulting kronk’s new groove should be a capital offense

and cinderella iii was a masterpiece. thank you for coming to my ted talk

I had this redraw of Ariel laying around my folders which I don’t know why I never finished sooner lol

I never reblog my own posts but they announced Halle Bailey as the new Ariel and I feel like I’m psychic like????? I’m so happy??? look at this!!!!!

And to everyone who’s complaing, that’s how you sound like :)

the switch from ‘a girl worth fighting for’ to coming upon the decimated village in mulan is THE MOST kick-in-the-teeth mood change IN ALL OF CINEMA

That scene shift did more for our generation’s understanding of the horror of war in ten seconds than Game of Thrones did in eight seasons, and it did it without showing us a single dead body. 

OKAY BUT HOLD ON THOUGH.

I’ve spent the past… five? Let’s say five - the past five years analyzing the structure of Disney Musicals as part of the process to write my own/a parody of them, and the thing is that all the modern ones have roughly the same number of songs - except Mulan.

Mulan has about half, because after AGWFF ends with that unresolved final phrase, there are no more songs until the end credits, which isn’t even sung in-universe.

Mulan wasn’t even the REALM of fucking around - when they arrive at that village, when the true horrors of war are brought into the story, not only does it interrupt THAT song, it breaks the entire fucking mold - the movie’s damn genre changes; it is no longer a musical.

And the Huns represent this from the start - Jafar and Hades are notable for not having proper villain songs, but Jafar does get his Prince Ali refrain and Hades and his plan get sung ABOUT by the muses. No scene with the Huns has any singing, they are mentioned once in song (the second line of Man, natch), and they of all Disney Villains are probably the most serious - no jokes, no witty asides, no sassy delivery of dry humor. The Huns are an invading army who plan to straight up kill a fuckton of people, including children, and AGWFF’s sudden end is the moment when our happy go lucky MUSICAL protagonists finally come in contact with them and their work directly - and it breaks them. Because shit like the Huns cannot exist in happy go lucky musical world. They just exist in our world. The real world. And you can’t sing your problems away here.

The end of A Girl Worth Fighting For is a brilliant use of metanarrative sensibilities to convey a message. It is utterly perfect.

Daaaamn, Tony. That’s fucking deep, my guy

I didn’t spend two years and thousands of dollars on a Master’s Degree in literature to NOT over analyze every text I engage with.

Can’t wait til Elsa stops Anna from joining orochimaru

yall: gave me really good prompts to draw

me: sad… sti tch……………….

*Lemony Snicket voice* The word ‘poison’ here can mean many things. ‘Poison’ may literally refer to the presence of an unwashed llama in a stream from which a nearby village likely collects its drinking water. Likewise, it may figuratively refer to the effect of greed and isolation on the priorities of a young ruler, or the machinations of a villainous royal advisor on the health and wellbeing of said young ruler. In this case, however, ‘poison’ most literally refers to the poison, the poison for Kuzco, the poison chosen especially to kill Kuzco, Kuzco’s poison… That poison.

The Hunchback of Notre dame soundtrack grabbed us by the soul with that first vocalization of AH-AH-AAAAH, AH-AH-AHHHHH and didn’t let go for the entire 95 minutes.

you know that part in emperor’s new groove when devil kronk is like “that’s nothing. look what I can do” and does a one-handed handstand and then angel kronk is like “he’s got a point”? that’s two brain cells representation babey

Vanellope saying to Ralph “I love you so much” is the kind of platonic love we need more of nowadays in our movies and tv shows.

Let characters say “I love you” to friends and family. Don’t just let it always be a romance thing.

Disney Princesses + Hair

Me trying to make friends:

Atlantis would be a great candidate!

RARE PICTURES OF EEYORE SMILING

Good post OP

reblog for good luck and happiness