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No stop, there's nothing to see

@dikubutto / dikubutto.tumblr.com

YOU THOUGHT THIS WAS A RANDOM BLOG, BUT IT WAS ME!
This is the place I put things I wanna see again
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I think every girl who has killed herself and been remembered and forgotten as a boy, every girl who has killed herself never knowing she was a girl, deserves to be saved. I think there is nothing in the world worth more than that.

No one left behind. No one forgotten. I promise.

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Murderbot TV textposts round 2

now with 50% more Standing There Having an Emotion™

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one of my favourite little things about the murderbot diaries is how present all secunit's friends are even if they're not actually physically present. it doesn't do the annoying thing where it jumps through hoops to bring back characters that aren't really relevant to the narrative but it also doesn't do the other annoying thing where it pretends they never existed either. like secunit talks about art and mensah all the time even when art or mensah aren't in the book. it's clear how bharadwaj has impacted its personal growth even when she's literally on another planet. it complains about gurathin and pin-lee when they're not there. it's still sad about miki and don abene and it mentions tapan and maro and rami even though it only knew them for a few days (because when you're new at being a person every interaction with other people is important even if it's short). iris reminds it of mensah. iris also reminds it of ratthi. its hair is fluffy bc it let amena play hairdresser off-screen and it messages her so she knows it's okay. it doesn't have to worry about protecting volescu anymore because volescu retired thank goodness. it's still using thiago's language module. etc etc etc

it's such good writing because it's such a little thing that gives the characterization and relationships greater depth and also reinforces the running theme of friendship in the series and then also subtly gives this sense of 'the people you love are a part of you/your story' and also reinforces secunit's role as a storyteller because it's constantly telling little stories about all its friends.

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guess who ended up drawing a comic of an entire scene from Artificial Condition

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I love the scene in Network Effect where Secunit spends a full paragraph explaining that ART doesn't fight fair it goes right for the eyes it doesn't know what a minimum level of response is which it, Secunit, does know, because as a Secunit you have to make sure you don't accidentally murder a client,

and it just goes on forever with the "fight" looming in the background until you're like oh nooooo what did ART do

and then you find out. That Secunit's idea of a disproportionate response. Is tattling to the humans.

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A side thing I really, really enjoy about the Murderbot universe is its lawyers.

For one thing, Martha Wells refers to "corporate solicitors", not "attorneys" nor "counsel". In one book (can't remember which), Pin-Lee refers to her General Counsel which is the apex of in-house practice.

Pin-Lee is close to perfectly written, she is strategic, sharp as a razor, pugnacious and ever so slightly too aggressive for everyone else's comfort, of course is a workaholic and is almost always up to her eyeballs in documents and drafting.

In Fugitive Telemetry, the second that Mensah even suggests displeasure at Indah Pin-Lee has begun her legal research, is preparing to advise and is champing at the bit to draw up a legal fireball. And she is not happy when the tack changes, but of course takes instructions and backs down. (I myself have never hissed when the opportunity to really go someone evaporates, but I have certainly felt it.)

And Pin-Lee is much more than a brain on legs. She cares very strongly about and for her team: in Exit Strategy she's well aware how dangerous a situation she, Ratthi and Gurathin are in, tries (not well admittedly) to buoy the others up and is sensibly cautious when Murderbot approaches her. When Murderbot returns to Preservation Space she's the one who makes sure that not only does it know it's free to leave again if it wants but that it has the means to do so (with the hard currency and fake IDs). She swears, drinks, parties and loves watching gruesome I-told-you-so media about hostile fauna.

She's sized up Murderbot and totally runs rings around it in her own domain - one of the funniest things for me in Network Effect (besides "no hugging") was the revelation that she'd written its contract with PresAux so as to try and keep it safe from itself. To its outrage.

The court system is never explained (with no apparent government, how are Corporate Rim judges appointed and their decisions enforced? Is there any appeal system? My guess would be that it's essentially treaty-based with each participating polity enacting the necessary legislation and the corporations entering into some behemoth multipartite Deed the breach of which brings the wrath of all the counterparties raining down...but that's circular, because - I'll stop myself here on the basis that very few lawyers will be reading this!) I'll buy it though as equivalent to the tech hand-waving. It's something that doesn't get explained because Murderbot doesn't need to know or care about the details for it and the story to get the benefit.

Pin-Lee, my unexpected sci-fi hero!

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So About That Armor…

I regret to inform myself that I like it.

If you haven't seen it:

I'll give you time to take it in. This is a static, (hopefully) eternal text post, so take your time.

Ok so before I go further, you are allowed to have any and all opinions about the armor. Do not listen to me; I am a stranger on the internet who attaches himself to fictional murder cyborgs and treats them like kitty cats.

So first of all, it's weird. And I like it for that. Even if I found it to be the most infuriating piece of costume design ever, I still wouldn't be able to help but respect it for how strange it is.

When it comes to fanworks, adaptations, new installments in a franchise, or even just different takes on the same trope, I love it when creators take things in an unconventional or even seemingly unrelated direction that upon closer inspection still relates to the base or original concept. To get what I mean, think goth interpretations of Rarity or Cosmopoliturtle's Pokémon redesigns. The TV series armor sits alongside these for me, because this was the thought process of the designer, Tommy Arnold:

First of all, it is so funny that The Company would just brand their armor and by extension their secunits, their combat/security products, like Louis Vuitton bags. Also, the logo of The Company strikes a nice balance between being simple enough to be easily reproducible and recognizable, but complex enough to read as a logo and not just a simple shape or pattern. Plus, The Company logo being mostly just concentric Cs, clever there.

But there's also some worldbuilding and character expression in this design.

The Corporation Rim is just capitalism but more. A company slathering everything and everyone they create and own in mountains of logos, even when it's potentially impractical, showcases just how extensive corporatism is in this setting. Additionally, this design could be something of a status marker. Secunits are high end additions and/or alternatives to other security measures. Much like how logos on purses, tennis shoes, and cars serve to tell observers, "I have the fancy, expensive version of [insert category of thing here] ergo I am a very wealthy/powerful/cool person", a secunit covered in corporate logos communicates the high status and access of the client(s).

Now what was one of the first things we learned about Murderbot in the books? It disabled its governor module, the thing preventing it from defying orders and having any level of freedom, but instead of doing what it could to leave The Company, Murderbot just stayed with it and kept doing its intended function. For over four years. What else do we learn in the first book? That it feels most comfortable in the armor because this prevents humans from seeing its face, from treating it more like a person or human rather than a tool or bot. This makes the armor being composed of the logo of the group that both created and hurt Murderbot very symbolic.

Murderbot has internalized the message that it is a dangerous weapon and not a person deserving of care to the point that, at least at the beginning of the series, it shies away from anything that insists that it deserves the same kindness that humans do. It's only ever been taught what the company built it to do, so it doesn't know what to do next once it's obtained some semblance of freedom for itself by disabling its mental shock collar and so keeps doing what it's always done, even though it very much would rather not be in such a situation. Even by the most recent book, System Collapse, Murderbot is still wrestling with the idea that it matters beyond how it can assist others. Murderbot finding comfort hiding behind the very thing that will not let you forget the company that enslaves it, is just juicy theming.

Also, the helmet looking so weird works well with how many humans don't know what secunits look like, with some not even thinking they have human-like faces. If you had no context for this image, you might very well assume this is a fully robot character or even a statue.

I have my own gripes and worries and hopes concerning the upcoming show, but I just couldn’t get this fun bit of character design analysis out of my head. Shouldn’t have watched so much TB Skyen.

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Murderbot, a construct that was built and used to do extreme violence it's entire existence : I hate talking to people but I will try to resolve this situation peacefully if I can, threats only make people panic and then they take irrational decisions. Extreme violence is sometimes unavoidable but last resort.

ART, a peaceful research transportation : I love talking to people because I can threaten them with extreme violence right off the bat and it makes them do what I want (ads more totally-not-weapons to it's research equipment)

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I've seen people online complaining that Alexander Skarsgard isn't good casting as Murderbot. I'll agree, he's not exactly suited for how Murderbot (the very flawed narrator) expresses itself, but Alexander Skarsgard is EXACTLY what an evil future corp would think a Security Unit should look like.

Murderbot's outsides do not match what it feels inside, that's a repeated part of the books. It's a corporate killing machine slowly finding it's humanity and building community. This makes the guy who is stereotyped as 'Manly Viking Warrior' fantastic casting.