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If I didn't do it, who did.

@didnt-do-it

Fuck canon, AU's all the way!

Knowing that trans women of color started the movement in the united states and were literally immediately erased and excluded from what they started is the most deeply jading knowledge.

It is the original sin of the so-called queer community and it damns it from the cradle.

no white gay boy will ever reblog this, watch:

no white gay will reblog this

no white lgb person will reblog this

Without Stonewall, without the efforts of Marsha P. Johnson and Sylvia Rivera, the LGBTQ Community wouldn’t be where it is today. Don’t forget the roots, don’t forget the catalyst.

and then TERFs wanna be like, “hmm well the LGBT community existed before Stonewall!”

but like…Becky, of course LGBTQ+ people existed before Stonewall. We’ve all existed since the beginning of time. But the movement got a shock to its senses, a jump-start, a rocket-into-space when that glass shattered via Marsha P. Johnson, and when Sylvia Rivera was up on-stage protesting guess who was on the sidelines heckling her?

The same fuckers who won’t ever reblog or acknowledge this

My apologies to the original poster as I photo captured this post to add to the thread-I reposted this last year for pride and expect to repost it every year I have left-it’s our history people.

Marsha P. Johnson allegedly died of suicide in 1992, and her death was never investigated. Even I, a mere prole, could catch the “she was murdered” vibes from the circumstances surrounding the discovery of her body.

Without a trans black woman, LGBT+ rights would not exist. Never forget. Never “pay it no mind”.

R E M E M B E R

And whatever you do, don’t watch that awful movie Stonewall.  Go watch a documentary on Marsha P. Johnson instead.

there’s a wonderful documentary on netflix called the death and life of marsha p. johnson! very powerful watch.

every white person ever should reblog this

Official graveyard post. +Bonus

✊🏿🏳️‍🌈🏳️‍⚧️

blow them all away

witcher!jaskier + igni bc i love both both aksljfdlskjf

do you ever like dont wanna draw but you need to draw cos like youve come so far in improvement and if you stop its back to square one? yeah. jaskier is the only one i can draw through art blocks :’D 

DDoS Attack Against AO3: Correcting Misinformation

Normally I don't make any posts like this, but I have an interest in cybersecurity and sadly I've seen people are being really ignorant about this recent DDoS attack against the site AO3 (Archive of Our Own), so I thought I'd remind people of a few things:

  1. Anonymous Sudan appears to have no actual link to Sudan at all, or to any previous hacktivist groups that once operated there. This masquerade is probably based in anti-immigration and other racist sentiments, and utilizing those sentiments in other people to scare people and set up Muslims and Sudanese people as a target. This should be obvious from the language used in their note, but this was already known prior to this particular attack.
  2. This so-called Anonymous Sudan has actually been very active recently—remember that they claimed to attack Reddit, Flickr, Riot Games, a huge number of Microsoft web portals like OneDrive and Outlook, etc. before AO3, so AO3 was totally a logical target for them since they've gone after smaller entities before. DDoS attacks like this are easy for any script kiddie to set up, so it's not weird that they'd go for a smaller target like this.
  3. Honestly this group of posers probably just wants money, everybody. They sent AO3 a ransom note asking for Bitcoin (and just in case people don't know, do not pay a ransom if at all possible if this ever happens to you).

My advice to people who've noticed this attack is two-fold: calm down since this is part of a larger pattern that has literally resulted in basically no loss for the end-user of any of the sites, and... I don't really know a better way to put this, but don't believe everything you read. A religiously-motivated hate group wouldn't use terms like "LGBTQ+" and "smuts," and it's so blatantly obvious that the timing of every single one of these attacks is being used to smear Muslims and Sudanese people if you think about current events for like. One second. And if you look up Anonymous Sudan, you'll see their string of attacks and how all experts know that they have nothing to do with Sudan at all. Even AO3 itself told everybody that the group is lying about their motivations... though I think I'd go further than that personally because even their name itself is almost certainly a total sham.

To be clear: this post isn't targeted at anyone in particular. I've just seen a lot of people falling for this overall or not realizing this is part of a pattern, and I also wanted to remind everyone that this isn't anything to be concerned about. What is something to be concerned about is not doing research or thinking critically and then unwittingly spreading racist ideas.

headcanon that the smaller batkids steal the bigger ones' hoodies and jackets. and by "bigger ones" I mean literally anyone bigger than them.

jason gets the short end of the stick because dick and all his little siblings take his. tim's the only one bold enough to go for the leather jackets (well, and cass, but they're way too wide in the shoulders for her) but it's not uncommon to find dick or stephanie in a dark red or gray hoodie that smells of motor oil and gunpowder.

damian usually takes dick's hoodies, but they're very oversized on him. on the bright side, there are thumbholes in the sleeves of all dick's hoodies, so he can still use his hands. the thumbholes make them a hot commodity in the winter.

there is a tim-steph-cass jacket pipeline. steph steals tim's hoodies and cass takes them from steph. hence tim stealing jason's leather jackets -- steph won't take them, so he gets to hold on to them until jason realizes and takes them back. sometimes cass will also steal duke's hoodies, but she always returns them clean and neatly folded (unlike how it goes with the rest of the family, in which they are returned only under threat of blackmail or with long rounds of negotiation).

this is an extremely long-standing ring of jacket theft. you cannot leave a hoodie unattended in wayne manor. damian doesn't actually own any hoodies, and cass only owns one, because there's so many other people in the house to "borrow" one from. nowhere is safe. steph once broke into dick's apartment to steal his warm hoodie, the one with the fuzz on the inside.

but it goes the other way sometimes. jason leaves things in the pockets of his leather jackets for tim -- film for his camera, hand sanitizer, half-filled punch cards for local coffee shops with "drink water too, fucker" written on the back. cass will tuck little slips of paper in the cuffed sleeves when she leaves hoodies out. the notes don't say anything, but they have little smiley faces and hearts on them, and steph has taken to doing something similar with corny jokes. dick just straight-up leaves candy in the hoods of his jackets.

it's a game, it's a love language. it's simultaneously annoyance and affection. there's nothing like wearing a hoodie that's too big for you, that smells like your family, to make you feel safe.

Witcher/Jaskier Fic Ideas I've not written yet but think should be unleashed to the public

  • Aiden tells Jaskier the secret to finding the Cat Caravan. He uses that knowledge to fuck with the Witchers
  • Cats are taught sign language to communicate sneakily- 2 Witchers have a screaming match through only sign to the amusement and confusion of everyone around them
  • Jaskier hires Witchers for the oddest jobs you can imagine. Shenanigans ensue.
  • Jaskier talks about wanting to fuck Witchers around Witchers for the sake of amusing them and seeing their reaction
  • Jaskier pays the Cats to help with the Sandpiper business. It's all good till the Wolves overhear Jaskier telling a Witcher to "take out the elves"
  • Jaskier writes a series of books called "How to train your Witcher" and it's actually good advice
  • Jaskier offers to share his inn room with a random Witcher. He either doesn't know or doesn't care that said Witcher DOES NOT trust him in the slightest
  • Jaskier keeps accidentally bumping into the Caravan on his solo travels. It's awkward every. Single. Time.
  • Jaskier isn't short on money or time: whenever he hears a Witcher is near he bursts into their rooms or camps- throws money and supplies at them and runs away
  • Jaskier starts name dropping Witchers in his songs, which is both hilarious and infuriating for said Witchers
  • Jaskier finds (steals) a dead Witchers medallion from a royal and goes on a wild goose chase to find a Crane still alive so he can give back the medallion to the right school, unaware that they've gone extinct
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"Stop saying 15 year olds with weird interests are cringe, they're 15" this is true however you should also stop saying adults with weird interests are cringe because who gives a shit

To wit:

I want to share some wisdom from my high school art teacher.

In my AP Art class, there was a girl who was just starting to experiment with mixed media. At this point she was still playing around, trying to decide what direction she wanted to go with her portfolio. So one critique day, she brought in an abstract canvas with some rhinestone highlights and painted and real peacock feathers. She loved sparkles and peacock feathers so she thought she’d try introducing them a *little*. And after everyone had given some input, the teacher gave her his advice, VERY roughly paraphrased here:

“So here’s the thing… I do not like this style. These are just elements that do not speak to me personally, but I see that you like them, and you’re doing interesting things with them.

“My biggest critique is, I only merely *dislike* this piece. I want you to make me HATE it. Go crazy with the things that you like. Don’t hold back trying to make it palatable to people like me. Because I am NEVER going to like it. And if the audience does not like it, it should drive them crazy seeing how much YOU love it.”

Her portfolio was chock full of neon colors and glitter and rhinestones and splashes of peacock feathers and it was a delight. Our teacher despised every piece lol, but she got great marks and I think even won some awards. And more importantly, she was happy and proud of the results. Because she didn’t limit herself by trying to appeal to people who were never going to enjoy what she enjoyed.

Takeaway here: be as cringe as you want. Don’t limit yourself based on other ppl’s tastes. They’re not you, and you are incredible 💕

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people get so confused trying to figure out the Lois/Clark/Superman situation that somehow they come to the conclusion that Clark is cheating on Lois with Superman

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I mean Lois clearly has nothing to hide, everyone from here to Krypton’s seen Superman fly her with a chaste hand around her waist. but Clark puts an awful lot of effort into making sure no one ever gets a pic of him and Superman together

what is he worried Lois will see

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people shake their heads sadly every time Superman visits the Daily Planet and then Clark emerges from a closet disheveled and tucking his shirt back into his pants. but if Lois won’t see it there’s nothing they can do

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When Lois finds out she thinks it’s hilarious, and when someone finally tries to ‘break it to her’, she’s all ready. 

“Oh, I know.”

“You… know?”

“Neither of them would ever lie to me.” 

“So… *gears frantically spinning* this is like some kind of threesome thing?” 

“Oh! No, no, no, absolutely not. *Lois pauses and grins the most lascivious grin she can produce* I just… watch.” 

Clark gets a lot of very weird looks that day that he can’t understand at all. 

@elidyce​ no, no, no. don’t hide a shit-stirring bruce and chaotic lois in the tags. this is an important addition, too. just gives that final touch that’s dearly needed to really complete this, y’know?

Thoughts on the different ways Tim and Dick relate to Bruce in self-isolation mode and Batman going off the rails. Because they BOTH have a lot of experience with both situations, but react differently to it.

It’s a reflection on the observation that Dick will walk out on Bruce when he’s in grimdark mode while Tim will cling closer to try and rein him in; while as soon as someone accuses Bruce of killing, Dick refuses to believe it but Tim will be like ‘we have to seriously consider the result if he did’.

Tl;dr they are the only two Robins/ex-Robins with such deep experience with this because they’re the only two who have been left on their own to deal with a Batman being criminally reckless. Jason’s period as Robin somehow never scored a go-around of Bruce going into self-hatred mode (possibly because the amount of stories written about Jason’s period of Robin is realistically under a year’s worth, I don’t care that some timelines suggest he might have been in the costume as much as 2.5 years, there isn’t anywhere near the material for that) and Damian has always, ALWAYS had Dick and/or Tim available to defuse and redirect Bruce, and they both have patented strategies to deal with this.

While Dick acted as a (largely unspecified) handbrake on Bruce up until the grand “You’re Fired!/I Quit!” contretemps, and then developed the far more personally protective strategy of just walking away and letting Bruce deal with it on his own, as they’re both adults and he should not be required to act as emotional regulation for a grown adult. There’s not a lot of ON PANEL discussion of this, between 99% of their period as Batman and Robin being pre-Crisis and the flashbacks we’ve had since then tending to revolve around a few set pieces. But there’s a reason that Bruce describes Dick as his greatest achievement and the most important part of him being Batman. Not disappointing Dick functioned as the brake up until Dick became an adult.

HOWEVER. The only reason Dick was able to get away with his brand new strategy is not that Bruce became better at regulating his own emotions (it is to laugh). Oh no. Alfred and then particularly Tim stepped in to pick up the slack, and pretty much have never stopped since then.

Tim became Robin specifically to stop Batman going off the rails. “Batman needs a Robin”. He saw the violence and he stepped in to find a way to stop it. And when Dick refused to help out, Tim took on the role of emotional regulation buddy and essentially never stopped.

Plus, if Tim did not think the position was important, Knightfall reinforced it in the worst possible way. The arc of Knightfall, for Tim: Bruce pushes Tim away and becomes more exhausted. Tim is assigned to teach JPV how to be a hero. Bruce, trying to do too much on his own, gets his back broken. Bruce assigns Tim to making sure JPV functions as Batman. (Dick turns up for 3 pages to complain that he did not get the mantle and Tim, dealing with Bruce being injured and on a quest, his dad being kidnapped, and the realisation that Azbats is going off the rails ON HIS ASSIGNED WATCH, doesn’t have time to do anything else but sigh and go ‘yeah you’d be better but Bruce set it up this way’). Azbats locks Tim out of the cave. Tim continues to Robin his way around the edges trying to clean up Azbats going off the rails. JPV kills a Rogue and leaves a victim to die. Bruce comes back, deals with Azbats, then disappears off again, giving the mantle to Dick this time. Tim and the rest of us get to experience Prodigal. Bruce comes back again and within no time at all Tim is flinging himself on top of Harvey Bullock to protect him during a shootout in Troika.

Tim came out of Knightfall CONVINCED that his most important job as Robin was to act as emotional regulator. Especially since Alfred quit at this point. “What does a Batman who kills look like” is not an academic question to Tim. It’s not even a “well I’ve seen other timelines” thing for him. Tim has literally been the assigned Robin to a Batman who ended up killing and the death occurred, in part, because Robin couldn’t hold him back.

It’s also notable to me that that one time Tim HAS tried Dick’s “let him deal with it himself” strategy, that was the run of ‘Tec and Batman between Officer Down and Bruce Wayne: Murderer. Alfred had quit again (and was living with Tim at Brentwood, while Bruce refused to go near Alfred). Tim was ignoring Bruce because he told Steph Tim’s identity. Bruce literally only had Sasha Bordeaux (and Steph for a bit) as assistance. And what happened? Bruce ended up accused of murder and was arguably off the rails enough that he COULD have done it, given how much he wasn’t talking to anyone.

Tim has never ever risked that again. He was only able to quit following his 16th birthday for a couple of days before he went straight back to Bruce, not even expecting an apology. Following War Games, War Games, when Tim’s so heartbroken and tired he has to leave Gotham and moves to Bludhaven, Tim is still talking to Bruce and seeing him regularly, because Bruce is all by himself in Gotham again and Tim knows that’s a recipe for him falling off the rails again.

This is part of what I think is at the heart of the debate between Dick and Tim over “growing up and out of being Robin and finding your own identity”. Dick is convinced that you can safely leave Bruce to his bullshit when he’s going off the rails, because Dick was able to walk out and it went fine (Bruce found himself Jason and was just fine…right up until Jason died, but they all got past that time! Bruce doesn’t need this level of coddling! You cannot find who you are apart from Bruce unless you give yourself that separation!), while when Tim tried, Bruce got accused of murder and decided he was going to abandon the whole identity of “Bruce Wayne” until he got his ass kicked by enough family members over how stupid he was being. Tim doesn’t think it’s safe. Tim’s seen Batman and seen Bruce ‘die’ too many times when he needed rescue.

Tim knows Alfred won’t always step up to the role. He’s quit twice and is now dead. Tim knows Dick refuses to act as an emotional regulator for Bruce anymore. Tim simply doesn’t TRUST anyone else with the role as they’ve never had to actively deal with it on their own, and being part of the bigger network is very different to being The One.

And I think this is part of why Tim cannot move himself on. He doesn’t trust Bruce to cope. Even if there are approximately a dozen other Bat folk around to step in if Bruce starts his self-isolation cycle again. Because too many of them historically have gone “well screw you too” when Bruce started the cycle, and the 13 year old kid who talked Batman down from being too violent with criminals, and the 14 year old kid who was left to control a Batman experiencing religious psychosis and got strangled in the process, and the 15 year old kid who hung off Nightwing’s arm to stop him punching the Joker one more time, who left Batman to his own devices only for him to be framed for murder and refuse to try and get out of it, and the 16 year old kid who realised if he quit and left Bruce would never speak to him again so he swallowed it down and reached out again and again and again even as he was hurting, in the worst year of his life, and the 17 year old kid who refused to believe Bruce could be dead and went to find him, damn the consequences to himself? That kid cannot walk away because he KNOWS THE PRICE and he knows what it costs to pay it and he doesn’t trust anyone else to do so.

(yes, Tim should be allowed to have an arc to move away from this dynamic. But I understand why he can’t, and DC will have to have someone ELSE take over the role or commit to writing ‘Batman goes off the rails’ plots where Bruce provides his OWN emotional regulation that pulls him back ahahahahahaha like that will occur)

Something tells me in the airport battle that had Steve, Sam, or Bucky been able to stop Spider-Man for a few minutes so they could explain to him what the Accords entailed, he would instantly turn on Tony and Team Cap would be the winners of the fight.

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I don't know if that would have been enough to give Team Cap the victory but I would have loved to see Peter turning against Team IM.

One of the things I dislike the most about Peter in CW is that he's shown to be no more than a fanboy that is happy to just be around the Avengers or more accurately Stark. And it bothers me because Pete is not the kind of kid to agree to fight just because a billionaire told him to, his morals are far too important for him to behave that way - especially when Homecoming confirmed that he had no idea whatsoever as to why they were fighting in the first place.

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First of all, the very first thing Peter says to Steve in the fight is that he's a big fan, so at the very least he knows more or less what Steve stands for. So, if Stark tells him something about him "going crazy", are we to believe Peter would be fine with just that? He would find that reasoning enough to put on a suit and fight against him? I'm sorry but.. no way. He's not the kind of hero to get physical unless he knows what's going on and there's an immediate threat, and this wasn't it.

And second, CW makes it very clear that ideologically Peter is on Steve's side. The only logical solution to that is to at least have him find out mid-battle why they are fighting and realize he's on the wrong side. I wouldn't have wanted him to start fighting on Team Cap's side... but I would have loved a scene where Steve tells him what's going on and Peter just... stops fighting. He removes himself from the battle and when Stark complains, he tells him he knows what's going on and wants nothing to do with it.

Of course this is assuming he would believe Steve, but the movie had him trusting Stark's word for no reason so.. why not? 🤷‍♀️

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lady shiva calls up tim every few months for one call that lasts 15 seconds and it always goes like,

"are your morals gone yet?"

"nope. try again in another few months."

He keeps telling her no even when he's barely hanging on, because he refuses to give her the satisfaction. It's a spite matter atp, it's the reason he drags himself from the edge.

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tims literally at rock bottom and will still tell lady shiva to call back another time because he'll be damned if he lets her win

Asking her to call back is actually a strategy to trick himself to never fall over the edge. He knows that he could be holding a gun to someone’s head and if Shiva called him right then to ask if he’d lost his morals yet, he would suddenly be nowhere near that gun no-thank-you, drinking hot chocolate with Cass on his favorite couch. Really he’s just using her so she can never get what she wants because he is too full of spite and every once in a while he needs a reminder about what he’s being spiteful about

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tim gets a little too evil and suddenly everyone's reminding him of shiva

Tim's slamming a guy's head into the pavement with no intent of stopping and when he hears a voice in his comm saying "little bird," he's three feet away from the guy and actually calling paramedics before the sentence can finish. He's seething but he will not be caught lacking.

New headcanon that the whole family carries on their own versions of the Brucie Wayne persona in order to keep up appearances, giving the whole family a reputation of a bunch of beautiful idiots. Everyone EXCEPT Damian. He understands the necessary evil of it, but he can't. He can't do it y'all it's beneath him.

So this child, who is known among the other children at his school to talk like he swallowed a dictionary and get into screaming matches with his history teachers, gets the title of The Wayne Family's Single Brain Cell. This is furthered by the fact that every time he's seen in public he has an exhausted expression on his face like

He becomes a localized meme. The Baby Wayne, fighting for his life every day against his family of well meaning morons.

Please make a post about the story of the RMS Carpathia, because it's something that's almost beyond belief and more people should know about it.

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Carpathia received Titanic’s distress signal at 12:20am, April 15th, 1912. She was 58 miles away, a distance that absolutely could not be covered in less than four hours.

(Californian’s exact position at the time is…controversial. She was close enough to have helped. By all accounts she was close enough to see Titanic’s distress rockets. It’s uncertain to this day why her crew did not respond, or how many might not have been lost if she had been there. This is not the place for what-ifs. This is about what was done.)

Carpathia’s Captain Rostron had, yes, rolled out of bed instantly when woken by his radio operator, ordered his ship to Titanic’s aid and confirmed the signal before he was fully dressed. The man had never in his life responded to an emergency call. His goal tonight was to make sure nobody who heard that fact would ever believe it.

All of Carpathia’s lifeboats were swung out ready for deployment. Oil was set up to be poured off the side of the ship in case the sea turned choppy; oil would coat and calm the water near Carpathia if that happened, making it safer for lifeboats to draw up alongside her. He ordered lights to be rigged along the side of the ship so survivors could see it better, and had nets and ladders rigged along her sides ready to be dropped when they arrived, in order to let as many survivors as possible climb aboard at once.

I don’t know if his making provisions for there still being survivors in the water was optimism or not. I think he knew they were never going to get there in time for that. I think he did it anyway because, god, you have to hope.

Carpathia had three dining rooms, which were immediately converted into triage and first aid stations. Each had a doctor assigned to it. Hot soup, coffee, and tea were prepared in bulk in each dining room, and blankets and warm clothes were collected to be ready to hand out. By this time, many of the passengers were awake–prepping a ship for disaster relief isn’t quiet–and all of them stepped up to help, many donating their own clothes and blankets.

And then he did something I tend to refer to as diverting all power from life support.

Here’s the thing about steamships: They run on steam. Shocking, I know; but that steam powers everything on the ship, and right now, Carpathia needed power. So Rostron turned off hot water and central heating, which bled valuable steam power, to everywhere but the dining rooms–which, of course, were being used to make hot drinks and receive survivors. He woke up all the engineers, all the stokers and firemen, diverted all that steam back into the engines, and asked his ship to go as fast as she possibly could. And when she’d done that, he asked her to go faster.

I need you to understand that you simply can’t push a ship very far past its top speed. Pushing that much sheer tonnage through the water becomes harder with each extra knot past the speed it was designed for. Pushing a ship past its rated speed is not only reckless–it’s difficult to maneuver–but it puts an incredible amount of strain on the engines. Ships are not designed to exceed their top speed by even one knot. They can’t do it. It can’t be done.

Carpathia’s absolute do-or-die, the-engines-can’t-take-this-forever top speed was fourteen knots. Dodging icebergs, in the dark and the cold, surrounded by mist, she sustained a speed of almost seventeen and a half.

No one would have asked this of them. It wasn’t expected. They were almost sixty miles away, with icebergs in their path. They had a respondibility to respond; they did not have a responsibility to do the impossible and do it well. No one would have faulted them for taking more time to confirm the severity of the issue. No one would have blamed them for a slow and cautious approach. No one but themselves.

They damn near broke the laws of physics, galloping north headlong into the dark in the desperate hope that if they could shave an hour, half an hour, five minutes off their arrival time, maybe for one more person those five minutes would make the difference. I say: three people had died by the time they were lifted from the lifeboats. For all we know, in another hour it might have been more. I say they made all the difference in the world.

This ship and her crew received a message from a location they could not hope to reach in under four hours. Just barely over three hours later, they arrived at Titanic’s last known coordinates. Half an hour after that, at 4am, they would finally find the first of the lifeboats. it would take until 8:30 in the morning for the last survivor to be brought onboard. Passengers from Carpathia universally gave up their berths, staterooms, and clothing to the survivors, assisting the crew at every turn and sitting with the sobbing rescuees to offer whatever comfort they could.

In total, 705 people of Titanic’s original 2208 were brought onto Carpathia alive. No other ship would find survivors.

At 12:20am April 15th, 1912, there was a miracle on the North Atlantic. And it happened because a group of humans, some of them strangers, many of them only passengers on a small and unimpressive steam liner, looked at each other and decided: I cannot live with myself if I do anything less.

I think the least we can do is remember them for it.

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wow okay i’m crying now

“And even as he watched the rescue unfolding that morning, he would have understood that for the living, everything which could have been done had been done: not a single survivor was lost or injured being brought aboard the Carpathia. For those who had gone down with the Titanic, save for reverencing their memory at the service later that day, there was nothing more that he or anyone could do. Rostron’s duty now was as he always saw it: to the living.”

I looked up a bit about this because the post is so movingly written that when I read it aloud to my husband and mother they both wept like babies, and something else really struck me about this story.

So Carpathia was not a top-end luxury liner. Her reputation was for being Jolly Comfortable - she was very broad in her proportions, and not super-duper fast, and the result was that she didn’t rock so much on the waves and you couldn’t particularly hear/feel the engines. She was solid and dependable, and lots of people liked using her, but she therefore occupied a lesser niche than Titanic or Olympian or whatever - and crucially, as a result of that, she only had one radio operator on board. This means she only had radio ops for a certain window in the day, unlike Titanic, which had 24 hour radio ops.

So on that night, when Titanic went down, Carpathia’s wireless operator - one Harold Cottam - clocked off his shift at midnight, and went to bed. While he was getting ready for bed, though, he left the transmitter on for the hell of it, and therefore picked up a transmission from Cape Race in Newfoundland, the closest transmitting tower sending messages to the ships. They told him that they had a backlog of private traffic for Titanic that wasn’t getting through. So, even though his shift was over, and it was now 11 minutes past bloody midnight, and he just wanted to go to bed, Harold Cottam decided that nonetheless, he’d be helpful, and let the Titanic know they had messages waiting.

And that’s how he received the Titanic’s distress signal. In spite of no longer being on shift to receive it, and therefore in order to send Carpathia galloping to Titanic’s rescue, and thus saving 705 people.

All because Harold Cottam decided one night to be kind. 

I dunno. That’s just really stuck with me.

Cottam also ended up staying awake for something like 48 hours straight trying to send survivors messages and a list of survivors home, but due to Carpathia’s limited radio frequency range and with no other ships to act as a relay, this was rather patchy. However, he tried his damn best to make sure the survivor’s messages got home, and was also bombarded with incoming messages of bribes to spill the details of the disaster to the press.

Rostrum had ordered that no messages to the press be sent out of respect to the survivors, for they would have their privacy destroyed as soon as they reached New York. Cottam respected this order, even under extreme duress of fatigue, stress, and the knowledge that in some cases the bribes were almost three times his annual salary.

He eventually went to bed but not before working with one of the rescued Titanic’s radio operators, Harold Bride, to transmit as many messages as possible. Bride was injured (his feet had been crushed in a lifeboat) and had just passed the body of the second of Titanic’s radio operators aboard (Jack Phillips), so neither of them were really in the best shape to keep working, but they did.

In the face of extreme adversity, both men refused to do anything but their duty (and exceeding their duty) not just because Rostrum had ordered it, but because it was the right thing to do. They could have profited considerably from the disaster and they refused for the dignity of the survivors.

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This is hopepunk. This is what we can be, what we are, when instinct takes over. This is what we are when we choose to care about each other. We’re not profit machines or units of production or lone fierce wolves in a bitter wilderness. We are people, and we care about people.

This is human nature. Don’t give up on it.

Hopepunk is best punk.

this always leaves me sobbing. fuck.

I wrote a post a couple of years ago, wondering why there hadn’t been a documentary or docu-drama about the ‘Carpathia’ rescue run.

There are probably sound reasons why not, one of which is probably that getting yet another ‘Titanic’ project greenlit is far easier - name recognition, pre-sold property, multiple conspiracy theories to play with (all discredited, but when did that stop the “History” Channel?)

Here are a couple of stories about ‘Carpathia’:

As @mylordshesacactus has already said, her boilers and engines were rated for no more than 14 knots and, when she managed 17.5 for the only time in her life it’s said (I hate the phrase but I have to use it) that the Chief Engineer hung his hat over the main pressure gauge so no-one - including himself - could see how far its needle was into the red.

Captain Rostron, a religious man, was seen on several occasions standing privately on the exposed bridge wing with his own hat raised and his mouth moving in silent prayer, and when daylight revealed the extent of the ice-field his ship had passed without harm, he only said “There must have been another Hand on the wheel than mine…

There’s another problem-of-sorts about a screenplay set aboard ‘Carpathia’ - an astonishing lack of that easy dramatic tool, conflict. Captain Rostron decided he was going to the ‘Titanic’s assistance, and that was that. AFAIK not a single passenger or crewman - not one - questioned the wisdom of his decision either then or afterwards, even when…

‘Carpathia’ headed at more than full speed, in the dark, through dangerous waters where an iceberg had apparently just sunk an “unsinkable” ship.

It’s easier to write - and sell - a story about pride, arrogance, stupidity, rich against poor and lives lost through hubris, than it is to write one about people who rallied round and did the right thing at the right time, not for reward but because it was the right thing to do.

Here’s Rostron and his officers…

…the ‘Carpathia’ stewards and cabin crew….

…some of her passengers…

…and some of the people they helped.

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I will always reblog one of the few posts to GUARANTEE leaving me in an ugly sobbing heartfelt mess.

Godspeed Carpathia and your crew, your memories live on.

TV Executives: “if the strike goes in, you won’t get new episodes of your favorite shows! You won’t get new movies you were looking forward to! Isn’t that terrible, what the writers are doing to you?”

Me: Bitch, that might have been an effective threat in 2007, but we have since survived a Covid shutdown and discovered ways to amuse ourselves while we waited, we can outwait this shit, too. I got a pile of shows saved I haven’t even watched yet, and a Mt. TBR waiting for me.

Compensate (and respect) your writers for their work, assholes.

It's just hilarious that they're trying to pull this whole "but your favorite shows!" nonsense.

Oh, you mean the shows you cancel after the third season no matter how good they're doing to avoid paying writers residuals? The shows that get produced and then never aired because you found a nice tax writeoff? The shows whose writing suffers because the writers' room got six weeks to write before getting booted and making the showrunner adapt all their scripts? The shows you straight up pulled from your streaming service to scam their crews out of rewatch money?

I will happily sacrifice my shows for the writers that gave them to me, no questions needed, but if anyone tries to say that the blatantly terrible way streaming treats its writers is somehow beneficial to shows, remind them of Infinity Train and Batgirl. That's the ideal they're pushing towards if someone doesn't say no, and we should be thankful that the writers are doing that for us.

It's the annual cost that really makes it for me.

That $429 million is for 20,000 writers. When shared out it's really not very much at all.

"Ah but Bacon," you say, "it's not much shared out, but added up, nearly $500 million is a lot!"

And yes. It is. To a normal person. However to these huge studios no it isn't. Warner Bros paid their CEO $250 million last year. He is 1 guy. They gave him the same amount as it would cost to increase the pay of ten THOUSAND writers.

And that is just one single studio. The AMPTP is made up of nearly 350 studios and networks. They can afford to pay these writers what they are worth.