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Diane Duane

@dduane / dduane.tumblr.com

The writer: 40 years in print, 50+ novels, assorted TV and movie work, the NYT Bestseller List a few times, blah blah blah. Best known for: the Young Wizards series (1983-2020 and beyond), the Middle Kingdoms LGBTQ epic fantasy series (1979-2019), and a whole lot of work for Star Trek. Long postings mostly turn up on my main blog at DianeDuane.com. Shorter stuff goes here: links, images, video, random thoughts... things that tickle my fancy, move me, or seem to need sharing. Also appearing: scraps of what I'm working on, recipes, fangirling, and other mental/emotional incunabulae. Almost everything interests me, so beware. Now also at Mastodon

...So this is the time of year when I return to this piece of digital art (or its earlier versions), tweak it a little, and repost it for Pride.

At the moment I'm looking at These Two Idiots (for so they are) and considering how long I've been working with them. Of all the characters I've worked with in print, the only ones I've known longer would be the crew of NCC-1701.

i'm helping out at a creative writing workshop for uhhh i think 10-12s? 10-14s? idk. but that age range. and anyways

a) i forgot how fun this is

b) it's really hard not to like, re-write for them and stick to just "hey add descriptions here, change this grammar, really cool ideas!" bc i'm an adult and not trying to talk over/railroad these kids, but i'm just so excited for their ideas!!!

c) little boys write cool stuff like "what if we went to mars but it sucked so we left, but left behind all our technology and the technology rose up and created its own society and then went to war with us for abandoning them? what if transformers had 100x the war crimes? what if the earth blew up. what if we were the robots all along?"

d) little girls out here writing like "aunt melanie's skin was sloughing off the bones as her beloved dogs tore her apart, turning on her in blind animal instinct. the second she stopped providing food, she became food." and a lot of body horror and dark themes about group pacts and betrayals and ritualistic murder/sacrifices. like a lot

me, turning to the teacher who is also doing this: hey so, i'm personally really cool with the tone and direction these girls take, but is any of this? how you say... a red flag?

teacher: little girls have really rich inner lives to combat the way they're puppeted by society in real life. they'll learn to censor it out in a couple years, but it doesn't go away.

me, who was also a weird little girl who phased in and out of weirdness depending on social settings: nice.

happy pride ! to the faggots and freaks, the trannies, the boygirls and girlboys and the he/him butches and she/her twinks ! to the gendervague and the genderfucked !! to every trans and nonbinary person at whatever stage they're at !! and to the eggs and the questioning ! to my bisexuals and pansexuals and omnisexuals and polysexuals and the lesbians w/ boyfriends and gays w/ girlfriends !! happy pride to the queers who wear battle jackets and the queers who stealth and every single one of you in between !! happy pride to my aces and aros !! happy pride all you funky sexual deviants and kinksters !! to my elders who faced decades of bigotry and lost many a loved one, and the youngsters learning our history and experiencing it themselves !

I love you all so so much I love us and who we are and I ask you: be kind to each other

reminder this pride month that disabled people in the US on SSI and SSDI do not have the same marriage equality as people not on SSI and SSDI. its called the marriage penalty.

by getting married, a disabled person can lose their income, benefits, and health insurance.

if a disabled person marries an able bodied person, and combined their assets are $3000 or over they will lose all benefits, including medicaid (health insurance).

if a disabled person marries a disabled person, their assistance is lowered 25%.

we don’t have marriage equality until all disabled marriages are equal.

sources x x x x

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Northern Constellations Star Quilt

I think it's about time I make a masterpost for this quilt, pattern by Haptic Labs -- I started making it in February 2021 as fulfillment of the 2nd wedding anniversary gift of "cotton" for @starfoozle and I. As of May 28th, 2023, I completed the last stitches. Last night we were able to sleep under it :')

Theres a novel by Poul Anderson called The High Crusade, which has an alien spacecraft land in rural England in 1345 during the Hundred Year’s War. The local baron has been raising an army to help King Edward against the French, and immediately assumes this must be some kind of enemy trick.

In a way, he’s correct: the aliens are scouts for a brutal and repressive interstellar empire, which has dominated numerous planets through their devastating technology.

Unfortunately, this reliance on advanced weapons means they’ve completely forgotten all forms of melee combat and Sir Roger of Tourneville leads his militia to defeat the aliens easily.

They spare a single enemy, forcing him to fly the ship at spearpoint. They intend to raid behind enemy lines, capture the king of France to end the war, and then go onward to reclaim the Holy Land using the same tactic.

In an attempt to outwit the knights, the alien pilot actually travels to the nearest Imperial planet, where he expects the occupying military forces to save him.

I won’t spoil the details, but the knights accept this as a challenge and declare the launch of the “high crusade”.

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That last picture is so stupidly badass I might tattoo that next to my dick cause it ain’t getting any better after that

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May 31, 2023

Los Angeles, CA — As the Directors Guild of America’s negotiations with the Alliance of Motion Picture and Television Producers (AMPTP) enter their final scheduled week, the International Alliance of Theatrical Stage Employees (IATSE), the Teamsters, Hollywood Basic Crafts (Teamsters Local 399, IBEW Local 40, LiUNA! Local 724, OPCMIA Local 755 and UA Local 78), the Writers Guild of America East (WGAE), the Writers Guild of America West (WGAW), and the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) stand alongside our sisters, brothers, and kin in the DGA in their pursuit of a fair contract.

We believe in a Hollywood where every worker is valued and their contributions recognized, whether their labor is on or off screen. A fair contract for directors does not benefit just a select few; it uplifts every worker in the film and television industry and acknowledges the interconnected nature of our work. We call on the AMPTP to immediately negotiate a fair agreement that addresses the Directors Guild of America’s unique priorities in good faith.

As eyes around the world again turn towards the negotiation table, we send a clear message to the AMPTP: Our solidarity is not to be underestimated. The Hollywood guilds and unions stand united, and we stand strong.

In solidarity,

Matthew D. Loeb International President, IATSE

Lindsay Dougherty Motion Picture Division Director & Western Region Vice President, Teamsters Hollywood Basic Crafts, Chairperson

Duncan Crabtree-Ireland National Executive Director and Chief Negotiator, SAG-AFTRA

Michael Winship President, Writers Guild of America, East

Meredith Stiehm President, Writers Guild of America West