5 Things That 5Ds Fans Have Claimed Are True About 5Ds’s Production
- Crow was supposed to be the main villain of the Dark Signer arc, with the smoking-gun evidence being a piece of very early concept art by Takahashi that describes him as a guy who’s tried to steal Yusei’s D-Wheel before and is now his friend, with Rex Godwin’s massive Nazca condor shirt emblem being a cleverly-placed red herring.
- The Roma-Sophie cult scandal, which went public in September 2010, affected the production timeline of the entire second half of 5Ds, which began in mid-2009. Having seen the future, they decided to distance themselves from the cult, and cleverly destroyed the Arcadia Movement building and largely ended its plotline in December 2008. They also excised almost all elements of the occult and shifted the series in the direction of pure sci-fi. Except for that part of the series and the whole-ass DS game, because they figured they could have a little cult stuff.
- The aforementioned cult also caused them to completely revert Carly Nagisa’s long-running character arc, as her voice actress, Li-Mei Chiang, was a high-ranking member of Roma-Sophie. To accomplish this, they significantly downplayed her role in the series and turned her into a cheerleader for Jack Atlas. However, she was so nice around the office that they decided to raise her character from the dead, give her a prevalent, irritating running gag, and have her keep showing up and even get a filler recap episode that aired in October 2010, despite her having essentially no role in the ongoing plot and many other characters losing prominence or being written out in the transition to the WRGP Arc. They only recasted her part in that episode, which was near the end of the series, because she was literally under arrest at that point. It came as a complete shock to everyone, despite the fact that they had been planning for the eventuality for over a year.
These facts may have no apparent sources or citations except hoary decade-old internet rumors and fandom gossip one step above a friend’s dad who works at Nintendo, but they are definitely true. Because, as we all know, the idea of Yu-Gi-Oh shows downplaying or sidelining prominent female characters, reverting character development that might alter the status quo (especially when it comes to romance), rejecting cool occult elements that appeal to an older audience in favor of toyetic sci-fi that appeals to kids, and sticking the spotlight on completely unprecedented characters for no reason to the point of sidelining existing characters and plotlines, is utterly inconceivable. There has to be an outside explanation.
In seriousness, friends: sometimes a show just does things you don’t want it to do. There’s no reason for it. Nobody forced the writers to do it. There was no nasty executive sharpening a knife over their shoulder. The same writers who wrote the things you liked, can write the things you didn’t like. This is especially true when you are a nostalgic twentysomething Western adult and the show is aimed at ten-year-old Japanese boys and therefore does things not meant to appeal to you in any way.
And I believed most of these myself at some point. I eagerly jumped on the idea. It let me construct a “true” version of 5Ds that existed in a mental covenant between me and the show’s writers, who understood what was really good about the show. I could claim that, really, the last half wasn’t bad, because it was just them doing the best with what they could under heavy limitations.
But there were no limitations. They wanted the show to be that way. They did it on purpose. It sucks, but it happens. Some people actually preferred the show that way, you know.