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Random Thoughts

@daydreamingwriter / daydreamingwriter.tumblr.com

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Warning! This post contains spoilers up to chapter 170 of Tsubasa (and Chapter 71 of xxxHolic). Please skip this if you have not read that far. 

Please also make no comments about what happens after that point in either manga. 

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Actually here’s a nice little moment that’s setting up another intentional misdirection by CLAMP. The cast is being looked down on for being human - a trait that is bad specifically for “living for under a hundred years”. There’s no real reason to pay particular attention to that detail in the first read through, since it’s mostly being used to establish the level of power and mystery that Lady Debonair/the Kishiim has, but it also establishes a presumed fact that will be absorbed by the audience. 

Since no-one in the cast counters her statement, it’s now safe to assume that everyone in the cast is human (which, fair) and is under a hundred years old! 

Which is NOT true. 

And of course Fai isn’t going to correct her here (because why would he?) but it’s a very subtle and smooth way to establish audience expectations that aren’t necessarily true. By the time we find out the truth we may question why we just assumed Fai was in a similar age range as everyone else, but that’s not the case either! CLAMP fed us that info deliberately to make SURE we assumed he was a regular aging person, specifically so that we COULD have the benefit of that plot twist later. Moreover, when we get the eventual payoff we’re already familiar with the reason behind Fai’s aging, because we already met it here! Right near the start of the entire manga we are introduced to the the idea that [greatly magical beings can have slower aging] safely tucked away in our worldbuilding knowledge for safekeeping. 

It’s all very seamless groundwork. Even better, if this idea had never been brought up at all the later reveal might not be as surprising as it could have been, since we may never have thought about it in the first place. But in small exchanges like this CLAMP not only feed us the correct idea to think about, as well as what they mean in context, but also lead us directly to the assumption we’re supposed to make WHILE making the entire process invisible. 

It’s incredibly well executed is what I’m saying. 

I finally linked together the chapters of The First Time Traveler to Survive!  So you can read it now without having to search through the tag.

This is the one about a time traveler who ends up in a different genre story than she expected. As it turns out, many people before her have succeeded at traveling through time, but none of them accounted for the way the planet moves. She’s the first one to do it and live – by the sheer luck of landing on a spaceship.

If you like Good Omens, there are some blatant references. (Ineffable wives in space, anyone?)

If you like “humans are weird / space orcs,” then you’ll be delighted to know that the rest of the ship’s crew aren’t human in the slightest. There’s a Stabby cameo and everything.

I had fun writing it. You can probably tell.

Despite every moment of life being indescribably precious and a wondrous mystery, I will spend it caring about dividends and how many rental properties I have.

Rich people are truly dead inside. 

I can't imagine caring this much about numbers that absolutely will never impact my life. This person is making more in passive income than I've ever made in my life and he's just like "but but I need more :(".

I mean, fuck that guy, but psychologically it's interesting.

Some desperate remnant of his soul knows what he needs. As soon as his debt is cleared, he goes on to live what many would call an utterly charmed life: working no more than 20 hours a week, travelling and spending time with friends (which he, at $150,000 a year and no mortgage, has ample money to do). He has a loving relationship also.

But his brain is so rotten that he cannot understand happiness anymore. He is incapable of conceptualising it other than in money.

A man who has everything except the ability to feel it.

How poetic.

But fuck that guy.

I want to hit this man.

I want to rob this man.

Meow appears beside Rogue, holding a sign: "Heist? Heist."

This man is so so so close to realizing a fundamental truth to how humans operate, but I genuinely don’t think he’s going to get there. Although I’m not sure he realizes it this man views the money he earns as a direct translation of his sense of personal achievement and engagement. 

Which means that when he says he regrets the months he didn’t pick up more hours to earn more money, what he’s describing here is boredom. He’s doing it in the crassest, shallowest, most income-obsessed and unattainable for most of us way possible, yes. But this man is expressing that once he achieved a certain financial goal he relaxed, enjoyed himself, got bored, realized on some level he was understimulated, and then started working more hours to meet whatever stimulated activity threshold he personally needs. 

This is infuriating because this man experienced the counter-argument to that nonsensical talking point that if we meet people’s financial needs with a universal basic income they’ll grow lazy and won't do anything. 

Anyone trying to develop $200,000 in passive annual income is not working three minimum-wage jobs to live paycheck-to-paycheck. This man’s basic financial needs were met. Working more hours to make more money is just his own personal code for ‘I still needed to use my mind to do things’ (using what might be the only metric of personal achievement he might actually have). This man lived the argument for universal basic income and I genuinely don’t think he realizes that. Once his basic income needs were met he still needed to do things to keep himself stimulated and engaged with his own life.

You see a version of this play out with retirees who leave their jobs, go home, and very quickly find themselves in need of new activities or friends or engagements to keep them present and stimulated in their lives. Ensuring someone’s basic financial needs are met doesn’t make them stop doing things, humans don’t work that way.

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Reblogging for the psychology lessons

There is, I believe, a line in an Agatha Christie story about a man so desperately unhappy he doesn’t know he’s unhappy. “Ah, a rich man,” responds the nun.

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Why would you NOT be patient with overworked staff. Is there any interaction more honest and rewarding than seeing someone obviously overwhelmed and telling them "y'all look super busy, don't worry about serving me fast, take your time" and watching them drop the customer service act for a sec to be like "yeah it is nuts today, you have no idea", like babe I've BEEN there, anyone in here gives you shit u know I gochu

Props to baby English and Composition students because I have a fucking BA in English lit and I'm staring at this 101 assignment for a "Five Paragraph Analytical Essay" and I have no fucking idea what in the name of fuck that is supposed to be.

Also a HUGE part of the emphasis in this class is on the themes of a work and you know what, I think I know why people get pissy about concepts of close reading because here's the deal: as soon as you're out of 100 level classes you stop doing shit like typing out "The theme of The Most Dangerous Game is Man's Inhumanity to Man" or "The Theme of The Lottery is that Tradition for Tradition's Sake is Harmful."

Most people do NOT get past the absolute worst parts of studying literature and WHY WOULD YOU if you think that it's four years of sitting around and identifying the same themes in hundred-year-old books that students have been identifying for a hundred years?

The five paragraph analytical essay makes me bonkers because a lot of the works we're studying have themes that are pretty fucking plainly stated and I don't think there's really enough there to make a thousand words of sense so you're gonna write a hundred words of sense and nine hundred of nonsense.

And, like, I get that this is a starting point. You tell students "make an argument about some element of a work using only that work and no outside sources" so you can figure out whether they even know what they read and if they can put a paragraph together but the problem is that for people who don't understand how to construct a paragraph this is an impossible challenge and for people who DO understand how to construct a paragraph this is an impossible challenge.

"The setting in A Cask of Amontillado is important to the story because it sets the tone. The catacombs isolate Fortunado and Montresor. The men are surrounded by images of death and Fortunado is eventually entombed in bones. As they descend the light fails and Fortunado experiences a worsening cough. Their march into the catacombs, replete with opportunities to turn back, could be seen as a descent into hell for both characters - Fortunado is damned by his pride and Montresor is cursed by his wrath. The setting, which is bones, doesn't let the reader forget this."

It's bullshit! I agree! Heartily! That it is bullshit!

One of the stories we have read so far is Orwell's "Shooting an Elephant" and. Like. Doing a thematic analysis on that story is bullshit. Pure bullshit. "Explore the theme through one of the elements of storytelling."

Cool, the element I'm exploring is the narrator repeatedly and explicitly stating that Colonialism fucking sucks. What Orwell does here is to use the narration to say that colonialism is bad. He does this several times, usually by having the narrator say that the colonizers and the colonized suffer under colonialism and that the construct of colonialism forces groups into combat with one another when they should be allies. He does this on these pages, where the narrator laments that he is in this place and is supposed to be representing empire to these people. In conclusion, Orwell uses a first-person limited perspective narrator to say that colonialism is bad by stating that he believes that colonialism is bad in his internal monologue. Essay done. The end.

Anyway, I'm off to write a thousand words about an 870 word short story because fuck it.

I have done all of my homework for all of my other classes while avoiding this assignment. I'm considering reading next week's chapter and doing next week's homework for three other classes to avoid this assignment. I have finished all the homework assignments for this class for the rest of the semester and completed half of the final for this class to avoid this assignment.

Very excited to announce that as soon as I started working on the assignment I was rescued by a power outrage.

So,.. what happens after the beginner levels? What do you do after the five paragraph essay stage? I'm genuinely curious

You start doing in-depth research with a very specific focus. It's not "the theme of pride and prejudice is equality" it's "the variably acceptable femininity of the Bennet women" with tons of resources from the time and counter examples.

It's not "black as symbolic in Hamlet" it's "Shakespeare's use of the Fools as a sympathetic attack on monarchy."

And it depends on the class. My 400-level Chaucer class required us to research the pre-chaucer tales the Canterbury Tales were based on, learn proper ME pronunciation for reciting a tale with a group, and translate 500 lines of the Tale of our choice accurately and to be able to defend our choices in that translation.

"Explore the themes in this work without comparing it to any outside sources or any more of the author's work" seems weirdly limited and obvious after that.

I feel like you've addressed a previously missing part of the puzzle over the whole "you needed to pay more attention to literary analysis / your teacher did a bad job: discourse between The Curtains Are Just Blue and Recurring Themes Linked to Blue. On one hand, this doesn't tread much outside the 101 level. On the other hand, having a grasp of the historic context and recognizing how the historical context affects a work may help facilitate a greater understanding of how works use symbols.

Like, difficult to recognize symbolism as significant when you just analyze each work in a context-free environment which can lead to an unspoken presupposition the author is making all symbolism up whole cloth.

I still like the idea of Bruce Wayne making a point to take each of his kids individually out to movies, even though there’s a movie theater in his house, because he needs all of them to experience a joy that’s permanently beyond him which is “going to the movies with dad and having him still be alive when you get home” and it usually isn’t until they get home and talk to their other siblings that they realize why he was white-knuckling a blackjack for the whole 20-foot walk from the movie theater doors to the back of Alfred’s towncar

Bruce, taking a 13-year-old Dick Grayson to his first concert (Britney Spears, 2004 Onyx Hotel Tour at the Wachovia Center with backstage passes) and paying off the whole security staff to let his butler keep the car idling directly outside the stage door so they can leave quickly after the show. Alfred’s already bought one of everything in Dick’s size from the merch table because it’s very important that they all get in the armored Lincoln Continental with bulletproof windows as quickly as possible after the show, so this can stay a happy memory for Dick as an adult that doesn’t constantly compel him to do anything

Bruce takes Damian to see Detective Pikachu because he knows Damian loves animals and they both love detective work, but he isn’t aware ahead of time that it’s an emotional story about a father whose presumed death makes his son realize he should’ve been more open to a relationship with his father, and their eventual heart-warming reunion and decision to go into detective work together. It’s an incredibly meaningful night for both of them. Neither of them ever directly mentions this to the other or realizes that the other read into it as deeply as they did

We’ll never die

For future confused Tumblr cockroaches, this post is about Facebook and it’s affiliated sites, Instagram and WhatsApp, temporarily crashing on October 4th, 2021.

We all gathered together to celebrate our refusal to fucking die and put a collective middle finger up to Mark Zuckerberg.

Like or reblog to flip Mark Zuckerberg off and receive good vibes :)

I miss when computers and websites were just wildly customizable in ridiculous ways. when I was a kid I was messing around and randomly found a little running horse cursor that was just there for some reason and changed the hourglass to that. and then got yelled at by my dad because he assumed I’d downloaded it off the internet but yknow.

nobody does shit like that anymore. I can’t just put “the 5th moon of jupiter” as my facebook location anymore because they decided to be killjoys so they could stalk people better and windows won’t let you customize your whole interface in stupid ways and they treat their user base like idiots.

like not to be a salty old man but there’s no joy in it anymore I’m just resigned that even if I customize shit I’ll still be forced to install the next mandatory update that will put it all back to its pristine bullshit original state and also break my system volume control for some reason.

Gonna extend this to the outside of the tech too, I miss when everyone had weird different funky phones and some slid and some flipped and some had a billion charms on and some were just absolutely made to be as weird as possible but they had personality yk? Don’t get me wrong the functionality of modern smartphones is wayyy better but also like everyone’s got one of two flavours of black glass slab it doesn’t compare to whatever the fuck was going on here:

The Oh Hellos, releasing Soldier Poet King: This is a song about Jesus. It's a metaphor for the second coming of the Christ
Every repressed nerd on this website: This is a song about my dnd party. It's a metaphor for gay.

Rereblogging again for these important additions from the notes and also this fun snippet from their official website. They’re inspired by Ghibli and OTGW which is rad tbh

Just because capitalism is bad doesn't make rioting a good or effective means of change.

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As much as I hate cops I feel like it pretty much proves my point to START with the article in the cop magazine about how the Rodney King riots changed policing in LA:

  • Shortly after the riot, Chief Willie Williams was sworn in as the first outside police chief in 45 years. The voters created a new system where the chief could serve only a five-year term, renewable once at the city’s option. On two occasions so far, the city has sent the chief packing after five years.

Here’s Anaheim City Councilman Stephen Fassell talking about changes after riots in Anaheim due to police shooting people:

  • We now have a representative government that we did not have before. We now have a city government that listens more. We’re only six or seven months into this, so we still have to learn our way around. Overall, the city is taking a renewed interest in that neighborhood (Anna Drive) and others. Neighborhoods, in general, have higher visibility in the eyes of the city government from one end to another.

Here’s some historians talking to Vox about rioting:

  • The 1960s unrest, for example, led to the Kerner Commission, which reviewed the cause of the uprisings and pushed reforms in local police departments. The changes to police ended up taking various forms: more active hiring of minority police officers, civilian review boards of cases in which police use force, and residency requirements that force officers to live in the communities they police.“
  • This is one of the greatest ironies. People would say that this kind of level of upheaval in the streets and this kind of chaos in the streets is counterproductive,” Thompson said. “The fact of the matter is that it was after every major city in the urban north exploded in the 1960s that we get the first massive probe into what was going on — known as the Kerner Commission.”

This is from an abstract of a study done on the 1992 LA riots

  • Contrary to some expectations from the academic literature and the popular press, we find that the riot caused a marked liberal shift in policy support at the polls. Investigating the sources of this shift, we find that it was likely the result of increased mobilization of both African American and white voters. Remarkably, this mobilization endures over a decade later.

There’s a whole-ass article about this in Jacobin this week

  • Even the case of the 1960s is more complicated than the liberal story about scared white Nixon voters suggests. For one thing, there is substantial evidence that the riots led to higher government expenditures in the deprived cities where they erupted. James W. Button’s pathbreaking 1978 book Black Violence documented the ways the riots forced policymakers to pay attention to the effects of their policies on the urban poor, a group they had been happy to neglect previously. At a time when many social scientists viewed even protest movements as a kind of mass psychosis, Button showed that riots were a rational response to being ignored.Later research showed that riots could increase welfare expenditures, even in areas where white racism was strongest. In other words, even if riots pushed white public opinion in a conservative direction, they also brought important benefits to the areas where they occurred.

And here is the full 17-page PDF of an article published by the American Political Science Association in their journal, I’m linking to the whole thing but I’m only going to reproduce the conclusion here:

  • We focus on violent protest as a political tool for a low-status group in the United States. While other scholarship has examined other forms of political action and asked if it is efficacious for racial minorities and other low-status groups, the scholarly literature has largely failed to ask whether rioting is a useful tool for building policy support, even though, from the perspective of the rioters, this question is paramount. Here we show that violent political protest can spur political participation among people who share an identity with the rioters.
  • Although it often seems extreme from the American perspective, political violence is not isolated to particular regions or eras and is still common in many parts of the world. Moreover, the implicit threat of violence underlies the relationship between governments and citizens in many places. As the use of violence continues to be an active feature of our political system, our findings and approach may help future scholars better understand this important topic.

And also just because riots may or may not be politically expedient doesn’t prevent them.

I want to talk for a second about the concept of a state monopoly on violence.

The deal is that in most states (here meaning countries or governments, not US States) the State (or government) is the only entity that is allowed to be violent. You’re not allowed to break down your neighbor’s door, your partner isn’t allowed to hit you, you’re not allowed to smash your boss’s windshield. The state and its agents are the only things allowed to be violent and their violence is supposed to be used to curtail societal violence. The cops outnumber your partner and have the legal power to lock them in a cage if your partner hits you, this is in theory supposed to prevent your partner from hitting you. Fear of state violence is supposed to act as a deterrent to crime and interpersonal violence.

BUT there are supposed to be rules. The state is the only one allowed to be violent but they’re not allowed to be wantonly, willfully violent. The state doesn’t get to hit you with no evidence of a crime, the cops aren’t supposed to smash in your windshield, sheriffs aren’t supposed to break down your door if you haven’t committed a crime that warrants a violent response from the state.

The state isn’t holding up its end of the bargain.

The state has lost its right to a monopoly on violence.

Yes, the violence is unfortunate. Yes, the violence is not ideal. No, I’m not applauding when people set fire to local businesses.

I am maybe applauding a little when they set fire to a massive corporation that has utilized the violence of the state against citizens while working hard to protect itself against workers (Target) and I’m applauding the destruction of symbols of inequality and institutionalized racism (Rodeo Drive in LA and the Market House in NC and all the statues of racists on this list) and I’ma be real here, I kind of always think police stations should be torn down brick by brick or forcibly converted into libraries or low income housing.

So while the violence is not ideal I don’t think that it’s illegitimate. The state has lost its right to a monopoly on violence and a violent response is certainly one way to make that point.

But here’s the other thing:

All these riots started with peaceful protests against state violence. There are thousands of photos and videos of peaceful protestors peacefully protesting and having speeches and asking for change.

And there are hundreds of videos and photos of cops launching tear gas and rubber bullets at these peaceful protestors. There is a staggering amount of evidence that in city after city police escalated tensions and introduced violence to peaceful protests.

(and please let’s remember: all of this started in response to an act of police violence. These riots didn’t fall out of a clear blue sky, they are a direct reaction to four police officers killing a man by kneeling on his neck for eight minutes while he begged for his mother and his life. That is, in my opinion, something completely worth burning down a police station over even if that act never accomplishes anything further than burning down that police station)

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