I made another thing.
With apologies to Neil Gaiman.
No apologies needed.
Gomez and Morticia Addams got divorced. I woke up mortified and with a sense of inexplicable dread.
dude. he needs a minute !!!!!
HAPPY WAIT A MINUTE WEDNESDAY TO ALL WHO CELEBRATE🗣🗣🗣🗣
[image description: original post consists of three screenshots from Black Sails of Flint saying "Now wait a minute" or "Wait a minute." Image in reblog is a screencap of tags that say "wait a minute wednesday". /end]
[plain text: Happy wait a minute Wednesday to all who celebrate [speaking head emoji x4] /end]
rotsuko
is this even funny i dont think its funny im not putting it in the tags
How has this comic made such a groundbreaking cultural impact without getting over 40k notes
Do you write music with the view of being politically active and delivering a message or does it just happen and the rest follows?
Friendly reminder that Hozier’s first music video, in 2013, involved him literally taking his life savings and using it to make a protest video about anti-gay actions in Chechnya. This was not a popular position at the time, to the point that damn near every interviewer asked “so, are you gay?” because they literally could not figure out why he cared so much.
Incidentally, after the first few times of saying “no, I’m straight but it’s important,” he started saying “you can think that if you want.” ALSO not a popular position at the time. Adam Lambert’s entire career had been derailed only four years before because he dared to be openly gay and sexual about it.
He literally came out swinging like Muhammad Ali and has not stopped. And he finds it odd that people find it odd! Like he was asked if he was aware of his “lesbian cult following” and seemed genuinely puzzled why he has a lesbian cult following (and, later, just a massive queer following in general) and it’s like. Honey. You loved us first. You loved us more and harder than most people were willing to. When it was unpopular to even whisper about how maybe queer people shouldn’t be seen as inhuman actually, you grabbed a megaphone and screamed. You risked not just losing a career, but never having one at all, to stand by us. You loved us. We’re just loving you back.
Source: youtube.com
For those who haven't watched Nimona yet, this is all you need to know about the movie
Has my propaganda worked on any of you yet?
I am shaking my fellow solarpunks by the shoulders, if Ron DeSantis becomes president people are gonna die. People are gonna get killed. Here and overseas. I feel it in my bones. And if you’re ‘fortunate’ enough to live quality of life is going to be dropping way low in the US if you aren’t some rich millionaire or billionaire who also happens to not be a person of color or queer in any way.
Does the system need a major overhaul/overthrow? Absolutely! But until we get there I swear PLEASE keep that man out of the oval office, he’s unhinged enough as just governor—as much as some of yall make fun of Southerners for being dumb and stupid and racist? Hoo buddy, you don’t wanna deal with what we gotta deal with after a level up like that.
Sincerely, A Floridian
Oh!!!! My apologies!!!! Sorry for, uh, being born here!!! Sorry for not being able to even afford to move out of my parents place right now, let alone cross state lines to where I know FUCKING NOBODY and just start all over on a whim!!! Maybe I’ll reroll better on the ‘do my parents live in Florida or not’ lottery in the next rebirth cycle who knows!!!
And also lets ignore all the reasons why people who could be harmed by DeSantis’ policies could be in Florida in the first place, I’m sure anyone with a modicum of a braincell could realize how a person could be born in Florida and still be queer, or how theres a like 50/50 shot of being born a girl in Florida and dealing with all the shit that comes with that! And anyone remember that thing that happened awhile back, what was it called… oh yeah, the slave trade? Surely all those Black people were immediately able or even desired to pick up shop and move immediately after the Emancipation Proclamation was signed, right????? Surely my immediate and sxtended family are the only ones dumb enough to still be in Florida—oh? What’s that? Florida is 15% Black???
Anyways thats besides the point. Even if I were able to pick up all my friends and family and move out of the state of Florida to someplace else, thats not gonna matter all that much if Ron DeSantis becomes president of the entire country!!! THATS what I’m worried about and what I’m urging everyone to worry about here!!!
Also if your solution to ‘fascist taking over state government’ is a universal ‘just leave and if you can’t guess you’re just dumb and will die’ thats. Uh. Pretty fucking shitty of you.
Saw this tweet and had to collect Ryan Gosling’s best PR quotes for Barbie
Hey uh brand new addition
It's amazing to me just how good the Mormon church has been at hiding just how bad they really are from public view. Even the shit that gets spread around is the relatively harmless bullshit. They had a crazy prophet with magic glasses. They believe in god-mandated polygyny. They think everyone who is good enough will get their very own planet after the world ends. They wear magic underpants. Mormon men are all paladins.
Here's one of the ones you hear less often:
See, like many other Christian sects, the Mormons really do believe that the existence of Christ obviates the existence of Judaism. Judaism was just a placeholder until the "real" church could be established by Jesus.
And the Mormons in particular believe, dead ass, that the entire inheritance of Israel has been given to them, because the Jews failed to recognize the Messiah when he was on Earth. They really do. They have this whole system where people are given a "divine revelation" about which of the Tribes of Israel they're a member of (don't worry, they decided that most people belong to the two tribes that are willing to "adopt" people. Only the most specialest boys and girls are members of the original ten).
Let's sum up so far. The Mormons believe that they are the people of Israel, chosen and protected by God. If Jews want to get back in on that party, they can always repent and convert to Mormonism, the one true church to which God gave all the rights and blessings that were originally bestowed on Abraham's house.
But it doesn't stop there!
The Mormons also believe, in all seriousness, that all Indigenous peoples of the Americas are descended from a small group of Jewish people who left just before the fall of Jerusalem (~600 bc iirc). Their entire weird-ass extra bible is a chronicle of those people's history in [unspecific part of America]. At the very beginning of the book, two brothers in the original family turn away from god, so they and all their descendants are cursed with dark skin, so that the good Nephites (who remain "white and delightsome") will always be able to tell themselves apart from the wicked Lamanites.
So, you've got supposedly Jewish people running around the Americas. And the "good" ones are white, and the "bad" ones are brown. Then, ofc, Jesus comes to visit them (I guess supposedly that's part of what he was doing during his dirt nap? Or possibly after he left again, it's not clear), and they all convert to Christianity, which they think is clearly the natural evolution of Judaism. Well, at the end of the book, all of them become wicked, in a kind of weird pseudo-apocalyptic series of events. They are all cursed with dark skin, until such time as they repent for their ancestors sins and return to the gospel.
But of course, Mormons being the good and kind people they are, they want everyone to receive the blessings of God and be brought into the houses of Israel etc etc. And it isn't the fault of those poor little Indigenous children that their distant ancestors turned away from God and became wicked.
So what's the natural answer? Well, Mormons are real big on missionary work, as we all know. But apparently that wasn't enough in this case.
Because the Mormon church has been one of the big players in abducting as many Indigenous children as possible, in order to indoctrinate them into being good Mormons, so that they can turn white again and be blessed. My mother remembers hearing talks about this in the 70s and 80s. The church literally had a "Lamanite Adoption Program," where families in the church were encouraged to get as many Indigenous children as possible away from their families and not let them be reunited until they were fully assimilated and ready to go back and proselytize about how wonderful the church is.
The church leadership literally talked about how wonderful it was to see these children becoming whiter. Actually whiter. Like, saying that when they finally saw them with their families again, it was beautiful how much paler they were.
I'm pretty sure this program has been officially ended, but it doesn't take a genius to speculate about who might be behind the curtains on the movement in the western US to gut the ICWA....
So yeah. Next time someone tries to tell you that the Mormons are just harmless weirdos, please remember that they're an antisemitic cult that advocates for the forced assimilation of Indigenous children to help them escape the cursed brown skin of their ancestors.
Imagine actually being so evil that you'd rather make sure your writers suffer financially instead of just paying them the pay they deserve. Hell truly has some seats reserved already, holy shit.
Time to start throwing money at strike funds, y’all.
When Zuko apologized to uncle Iroh in the tent cause he was so ashamed of his actions and what he’d done to the only person who unconditionally believed in his ability to do good >>>>>
So okay, I’ve given this rant before but this is another good time for it.
Structurally speaking, ATLA did something important with Zuko that, in a purely mechanistic sense of narrative development, I think a lot of people don’t notice immediately, and that even fewer people who want to emulate what was done with him get.
Which is Zuko is made a protagonist VERY early, and the show goes out of its way to continually place Zuko into situations where the audience empathizes and roots for him.
This happens in literally the second episode of the series, if we count the two-part premiere as a single episode, which I think we should. The A-plot of that episode, “The Southern Air Temple,” is Aang reckoning with the genocide of his people… but the B-plot?
The B-plot is the introduction of Zhao, and more specifically, his introduction in a way that is calculate to shift the audience, whose introduction to Zuko did NOT engender a ton of sympathy to him, directly and forcefully onto his side. They want Zuko to kick Zhao’s ass.
This continues all through book one and book two. Remember, Zuko is never, ever the main villain of this series. That’s initially Zhao, followed by Azula and Ozai. (Plus various temporary players like Long Feng.) Whenever Zuko isn’t placed into direct conflict with the other protagonists, he’s always written and presented in a way that is careful, VERY VERY careful, not to make him too monstrous, and to make us root for him. He’s placed right next to Iroh, who is designed for people to like, and that reflects back onto Zuko; we want Zuko to be better than he is because we want Iroh to have good things.
Put aside for the moment whether any specific character, including Zuko, deserves their redemption. If you’ve decided you’re going to do that, you have to erect the proper narrative scaffolding around them, and it extends to far more things than “did this person not do things that were too horrible” and “is this person genuinely sorry and is working really hard to atone.” There’s a difference between protagonist and white hat, but if you want someone to eventually wear that white hat, you REALLY need to establish them as a plausible protagonist early on.
Yeah, it was made obvious from the get go that Zuko is definitely nowhere near Zhao’s level of nasty, which in turn means he’s nowhere near Azula’s and nowhere in the scope of Ozai’s.
1.)
He made a deal with Aang to leave the Southern Water Tribe alone if Aang went with him. When Aang escaped with help from two of those tribe members, Zuko didn’t demand they go back and destroy what was left of the tribe as revenge. He didn’t even think of it as an option. There was no split second where he went, should I/shouldn’t I?
2.)
This is repeated. He corners the Avatar somewhere, causes some damage to the area in the ensuing fight, but does not stick around to raze the village/monastery to the ground and kill the people when he doesn’t get what he wants. Doesn’t consider this a necessary action even once.
3.)
The Iroh&Zuko relationship is juxtaposed with the Zhao&Zuko relationship. Both older men have more power over him. Iroh is a retired War General and Prince who is not banished. Zhao is a Commander in favor of the Firelord, who is also not banished. We could tell early on that Iroh is wise and despite being on the bad side, seems to be pretty chill. We took a liking to him immediately. Zhao is the opposite. He is very much like early!Zuko. Impulsive, rude, loud, cocky, etc… But why is he more annoying? Why do we root for Zuko as opposed to him?
Because we see what Zuko is like with his Uncle Iroh. Iroh does not rub in the fact that he’s banished. He doesn’t use that when reprimanding him for his attitude or his failings. That is a hot iron and he knows it. It’s to the point where Iroh can bend fire in Zuko’s face and Zuko is perfectly relaxed over it and doesn’t once believe his uncle will hurt him. There is a lot of faith in Iroh, from this angsty teenager, and it’s very obvious with their interactions.
Zhao is not trustworthy from the start. We’re shown this by how both Zuko and Iroh are hesitant to interact with him and don’t want to linger in areas he has control over, for too long. They even lie to him despite him obviously having more favor in the Firelord’s eyes than either of them do. Zhao’s personality opposes both Zuko and Iroh. And as we like Iroh, we want him to win and have nice things, as stated above. But Zuko&Iroh is a package deal. And as Zhao reveals himself more and more to be nasty even if it’s subtle, we want Zuko to win even harder.
And even when Zuko wins and he’s in the prime position to do to Zhao what Ozai did to Zuko for also ‘speaking out of turn’… he doesn’t do it. He walks away. He is the bigger man in that scenario. And Iroh further puts shame onto Zhao when he goes against the sacred rules of the Agni Kai because he can’t handle a loss to a banished teen. We are shown that Zuko follows rules and has honor, which is reinforced by Iroh’s, ‘even in exile, my nephew is more honorable than you’. Iroh’s Word is basically Law at this point. Sf he says it is so, then he must be right and the audience accepts that. He knows Zuko better than us and hopefully we’ll get to understand more as the story progresses.
Already by the 3rd episode, we’re shown that Zuko is in no way the worst person from the Fire Nation. In fact, we’re given a sort of scale now from the four major Fire Nation people we know of. Iroh–Zuko——-Zhao–Firelord.
We’re also hoping that Iroh rubs off on Zuko enough for him to also become wise and learn to chill out.
4.)
When “The Storm” finally rolls around, we’re pretty invested by then in the Iroh&Zuko relationship and that episode gives us so much more info into Zuko’s character and we are shown that Iroh is right. He has honor and he cares for others. And yet it’s obvious the Firelord doesn’t because we see Zuko do the right thing(protesting the plan to treat new recruits as cannon fodder) in the wrong place, and then his face gets burned off by his father because of it. And further, he’s banished for refusing to fight his own father. What sane parent wants to do battle with their own child? What sane parent banishes their child for speaking out of turn at the defense of their own peoples’ lives? What the fuck is wrong with the Firelord?
Zuko was punished severely for showing compassion and having a kind heart. And Iroh(and the ship crew even) is properly mortified by the punishments his nephew received for it, which in turn affects the audience’s perception of this situation. Iroh doesn’t like it, it’s especially bad then.
Now we start wondering why does Zuko wants to go back to the guy who burned his face off?! Iroh, talk some sense into him! PLEASE!
Halfway through S1, they got us to the point of wanting Zuko to have a redemption arc.
Making the audience want a character to be redeemed is also very important in this. We were shown he has redeemable qualities. We want that pay off! Do it justice!
To Wong Foo Thanks for Everything, Julie Newmar (1995)
Dir. Beeban Kidron
This was such a formative movie
This shit was revolutionary for the mid-90s. Among other things it helped me understand that transgender and cross-dressing were completely separate things.
To this day, I am in awe of the fact that Patrick Swayze not only campaigned hard to get the audition, not only auditioned in dress and makeup, but spent most of the day leading up to the audition walking around LA in dress and makeup.
This was a man who could sing, dance, act, ride a horse, fight, and walk in heels, he had nothing to prove to anyone, and he is MISSED.
Okay, I’m not done feeling about this.
If you’re younger, you may not know Patrick Swayze; he was Taken From Us in 2009. But Patrick Swayze was an icon of masculinity. Men were willing to watch romantic movies because Patrick Swayze was in them.
Patrick Swayze was fucking beefcake.
And this man didn’t just agree to do a movie where the only time he’s not actually in drag is the first three minutes, which involve stepping out of the shower, doing make up, and getting Dressed. He has ONE LINE that is delivered in a man’s voice, and it’s not during those three minutes.
And if you watch those three minutes, you see a stark difference between his portrayal of Miss Vida Bohéme and Wesley Snipes as Noxeema Jackson. (I am not criticizing Snipes’ performance. They were different roles.) Noxeema was a comedy character. Chi-Chi was a comedy character. But Miss Vida Bohéme was a dramatic role, played by a dramatic powerhouse.
When Vida sits down in front of the mirror, she sees a man. And she doesn’t like it.
Then she puts her hair up, and her face lights up.
“Ready or not,” she says. “Here comes Mama.”
And while Noxeema is having fun with her transformation (at one point breaking into a giggling fit after putting on pantyhose), Vida is simply taking pleasure in bringing out her true self. And when she’s done, she sees this:
And you can FEEL her pride.
All of this from an actor who, up to this point, walked on to the screen and dripped testosterone.
impossiblemonsters
the fact that some of you history-ignorant children in the notes are trying to shit on groundbreaking historical queer cinema because it doesn’t meet 2021 standards is infuriating. sit down, shut the fuck up, and listen to the elders in the room for fucking once
This. If you have never lived in a world where queerness was universally pathologized and criminalized to the point that even IMAGINING a world where it wasn’t constituted a radical and potentially dangerous act, you don’t have any business judging those of us who have for how we survived it and how we found (or still find) comfort in the few imperfect representations we got.
You don’t have to like it. You probably aren’t capable of “getting” it. And to be honest, I don’t want you to! I am glad that young queer people will never know exactly what it was like “back then.” But what you also will not do is refuse to learn your own history and then shit on everything that came before you, because like it or not what came before you is the reason you will never have to get what it was like back then.
On Wesley Snipes’s role Noxeema and John Leguizamo as Chi-Chi Rodriguez.
“I grew up in the ‘70s and even within the street culture, there was a lot of flamboyancy,” Snipes told TODAY of his perception of drag before filming. “Pimps wore the same furs as theprostitutes wore.
“Some of the great musicians of the world, like Parliament-Funkadelic, were very androgynous. So it wasn’t really new for me to see men dressed as women or men dressed as drag queens.”
Snipes attended the famed LaGuardia High School of Performing Arts and then State University of New York at Purchase. He wasn’t a dance major, but most of his friends were. “That exposed me to the world of glam, vogue, drag, transgender and gay people, LGBTQ… but it wasn’t in fashion those days. But it existed and I was around it.”
Not only did “Priscilla, Queen of the Desert” pave the way for “To Wong Foo,” so did films like the 1968 documentary “The Queen” and “Paris Is Burning,” the 1990 doc that chronicled ball culture of New York and the various Black and queer communities involved in it.
Even though he was known for his action roles, Snipes’ portrayal of Noxeema wasn’t the first time he played a drag queen. In 1986, he made his Broadway debut in the play “Execution of Justice,” playing Sister Boom Boom, a real-life AIDS activist and drag nun who acted as the show’s voice of conscience. Snipes pointed out, “Sister Boom Boom did not have Noxeema’s makeup kit.”
On whether he got any pushback for stepping into Noxeema’s pumps, he said, “Not so much professionally but the streets weren’t feeling it, and there were certain community circles. The martial arts community… they were not feeling it at all.”
“In fact, when the movie came out and they would come down the street, I would see them in Brooklyn sometimes, they started listing all my movies. I noticed they would always skip that one. I would correct them, ‘Now you don’t got the full count!’”
Lesser-known than his co-stars at the time, Lequizamo didn’t really anticipate becoming a transgender icon, but he did know that they were working on something special when they started filming.
“Drag didn’t really exist in movies,” Lequizamo, who was nominated for a Golden Globe for his portrayal, told TODAY. “There were straight men pretending to be women to get out of trouble or into trouble but this was not that. I was trying to make Chi-Chi a real life trans character and Patty and Wesley were trying to be real drag queens.” Never fully articulated in the film, Chi-Chi Rodriguez has always been perceived as transgender, something that ending up making an indelible mark on LGBTQ people in the late ‘90s as trans representation in media was limited.
“Chi-Chi was a trans icon, but she also showed us that gay men and trans women can both perform and work in drag side by side, and that those relationships are symbiotic,” Cayne explained.
“It was a powerful thing. I get lots of fan mail from LGBTQ teens telling me how my character helped them come out to their parents,” Leguizamo said. “They didn’t feel like they were seen, so that was a beautiful gift from the movie.”
Lequizamo also articulates that if “To Wong Foo” were cast today, a trans actor should be cast in his role. (And that just may happen, since Beane is developing a musical for Broadway.) “Anybody can play anything, but the playing field is not fair that way,” he said. “Not everybody is allowed to play everything. So until we get to that place, it is important for trans actors to get a chance to act which they don’t. In the project I’m doing, I’m making sure that the person playing trans is a trans person so we can make it legit, make it real. That just needs to be done right now.”
a monumental film in the library of queer history.
it was formative for modern society, too.
there are a lot of action fans out there who learned from their idols that respect doesn’t cost a damn thing to give. i know plenty of people who aren’t queer saw trans women and drag queens presented as people to them for the first time in wong fu. suddenly, strange and foreign queer identities that had only been presented to them as jokes if they’d even heard of them, seemed a little more relatable, and very human.
we’re all just people.
snipes, swayze, and leguizamo were willing to play people a lot of their fans didn’t respect yet or didn’t even know how to respect and demand they figure it the fuck out.