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JOSE RAMON

@crazylittlemoncho

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crazylittlemoncho
waltcessna
waltcessna

Walt Cessna

You may think you know or understand me from the suggested and often misunderstood visceral & visual tone of my posted work. You MAY, but you will never ever actually come to any sort of conclusion unless you choose and succeed at looking deep into the self polarizing pathos and DIY till I die determination that informs every facet of my creative & hopefully thought provoking artistic, political and personal stance. If your spending an overwhelming period of better utilized time questioning the purpose, passion and correct point of view of those you deem .not on your side and couldn’t actually care less about their indifference and non inclusion of your world anyway, it is perhaps time for you to social media disconnect and redirect the inspirational sparks and shared creative synergy that your on-line presence not only inspires, but informs anyone seeking some deeper meaning and lasting purpose regarding the manner and socially awkward mayhem of your experiences and the at times long hesitation of wait and see the final destination of our daily life experiences that we over emphasize through bullet point rifled personally potent postings promoting our self delusional appreciation and understanding of the self stating shared synergy that fuels our current creative desires and the never ending search for a perfect new medium in which to showcase them. Picture frames ans pretty much any type of visual not displaying itself correctly on some sort of screen set at a 3 second shift of images that leaves the pictures haphazardly etched into our conscious. It;s been slightly amusing seeing the often incorrect re-appropriation of my past works that when originally presented labeled me a pornographer of dubious and damaged integrity blithely showing off my ex-hooker, forever a junkie, AIDS relate-able personal drama and self persecution laced presentation of what polite people refer to as my artistic work. Autistic twerk is more like it. It all starts to make sense suddenly and my personally motivated switch of creative mediums comes across casually and gives no hint at others poorly perceived notions of how to maintain, manage and virtually manifest the clearest and most accurate version exactly how, where, when, what & why I am initiating a long awaited and previously posed with move from digital photography to digital film. It’s not that photographs or random still images no longer incite inspiration within me, but i have a renewed creative hunger to tell my visually rich, moment caught in time pictorial perceptions of the world as I continue to come upon it in personally nuanced and arresting pictures that often wear their intensity like a much maligned and majorly misconstrued social handicap of frankly preposterous and selfishly painful decrees decrying ,owns own carefully and life long curated correctness. I’m 52 and I’ve been pretty much taking photographs since I was just dropped out of high school and living part time in the Chelsea Hotel as anti- fashion terrorist and 7th Ave knock off re-designer self publishing the first of 5 indie publication The Key. Al it took was an unsolicited paragraph of self reverential praise to take it from a Xeroxed & hand stapled $1 a copy fast food fashion inspired teen dream novelty to fashion designer approved & super supported legends in their own lifetimes hyper surreal 80s shooting style stars like Norma Kamali & Way bandy introduced Stephen Sprouse to secure is a publishing deal literally on my 18th birthday in what would come to be the best realized and inspired 1984 year of my life. I got to work with the essentially inspired likes of Teri Toye, truly the first notable and visually inescapable Transgender fashion cult level model courtesy of the two other points of a supremely inspired and inspiring collaboration between the three of them as downtown designer, muse & Nico - model, aspired, casually confrontational It girl 80s hybrid that paid due homage to Warjol;s Edie now known as Sprouse & Meisel’s fashion franken-weenie of perfect for rthe times sculpted androgyny that wore its scandalous reputation like a badge of maybe it just might be true dis-honor. The late 80s defining Avedon Vogue covers just as world famous make-up artist as his oft times super model before it was deemed hashtag worthy Brooke Sheilds. Way was very approachable, much like most of the pop art world of culturally correct pre-internet celebrities that never had to fear with cell phones and social media to further distract from whatever way out wild and personally soiled to random extinction proclivities of all too often misunderstood or simply ignored, looked on as unnecessary critiques on those who call their arts performing. The 70s / 80s gold plated period of utter pop(t) culture perfection has never been replaced or more relevant. it continues to inform a host of style servers and visual vanguards who set the tone for all we deem fashionable, fierce & transformative. Going back to the good time girl prohibition era flappers and their self professed need / desire to dance their cares away and have the best time of their life till death to the current state of street style inspired rebooted and redefining world of Haute Couture once again inspired and defined by Saint Laurent, Dior and Gucci albeit each famed and style setting house now under radical redefining fashion focus that manages to respectfully pay nu rage homage to the brands history, but seek ways to incorporate the often awkward proportions of urban influenced street style that when seen through the eyes of the Vetements infused mind rewerking the always sublime mod style proportion savvy design mind helming an extremely personal and stylishly over wrought almost radical re-imagining of the deeply respected and ultra icronic experimental & visionary couture house Balenciaga..There were skirts fashion from actual and completely randomly sourced car mats deftly shuffled into a collection that closed with 9 over the top and way over-sized almost to the point of unwearable proportions that instantly achieve Avedon photo moment in fashion history correctness as they unapologetic-ally praise the design notion of ultra future modern vintage retro photograph of culturally current creations that take inspiration from bold silhouettes and a generous, almost overly lavish attention to cut and proportion that in some cases requires the pop kulture class-ism of 60’s Irving Penn influenced and perfectly posed presence of the cult model of Funny Fave infamous-ness Dovima to pull off with a level of panache and a heightened sense of strictly amplified drama punctuated by perfectly arched eyebrows framing equally attentive and slightly rich bitch super vixen fierceness that can’t be faked unless it;s Evita moment Mario Testino in his 90s Vanity Fair primed for all time Madonna. People who talk shit about the should hsve known better bitch i’m Madonna. Looking at the aggressively fearless proponents of radically almost unwearable proportions executed in a modern assimilation of not always unawkward siljouettes that altrhough not as gar out and frankly unbothered by anything other than it;s own correctness Comme des Garcon, rather a redefined riff on the retro notions of business attire and women wearing versions of men’s tailoring, sparked by YSL in his properly Helmut Newton 70s style blip of his Le Smoking tuxedo influenced suits further pushed into androgyny by slicked back short hair cuts that forever set the standard for Bowie pioneered gender bending ensembles that were majorly loathed or deeply loved when first introduced. The insane radical yet pop culturally relevant instantly pop cult classic correctness of Ziggy Stardust seamlessly morphed into YSl man tailored sexually ambiguous models mane even more infamous in their provocative, often sexually charge/d photographs often shot in dark Parisian alleys and dramatically street light lit lending an air of instant style reformation of perfectly potent only werked correctly in the 70;s mix of lady like femininity mixed with an elegantly irreverent masculine tailoring that too easily wrought to mind the gay disco dollies not yet commonly referred to as lesbians, yet unflinchingly setting the style trend that made Helmut Newton dangerously exotic and first introduce the idea of super exclusively expensive made by hand atelier attended Haute Couture that today seems more Ready-to-Couture with it;s street styled leanings and brave style assertions that are elegantly askance. The often classic attention to cut and uber refined measures of stitching that further accented the carefully crafted couture cut that is nothing like your basic, badly cut and boring boxy jacket. The New Look symbolized and introduced Christian Dior’s legendary post war arrival that stirred a full on fashion freak out for bucking war time fabric restrictions with liberated and lavish for the times over indulgences of fabric measured by multiple yards and a retro regal stance when wearing the often sharply pinched and flared waist suit jackets that had a multi gored and just above the ankle length skirt that every designer in time since had offered their own version. Print Vogue is a bore, but vogue.com gives you every single look shown during global fashion week and to the point well worded break downs freshly devoid of attitude and detail driven to blogger extremes. This just finished past season was over loaded with a plethora of just the right dose of retro inspired vintage sportswear taken to wryly ironic or deathly drastic extremes. Which is probably why I love it and have actually been inspired to write fashion inspired posts in over a decade. - Walt Cessna

Balenciaga Fall / Winter 2017