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fictionwritingtips

How to Outline: For Beginners to Writing Veterans

Let me start out by defining a few things:

Pantsers

These types of writers generally plan out very little before diving into their novels. They might have some ideas, maybe a small outline, but they feel free to take their story in any direction they please. The lack of outlining and planning lends itself to untethered creativity.

Plotters

These types of writers usually have some sort of outline that they follow while writing their novel. They spend some time planning and rewriting their outlines and know what’s going to happen (to an extent). Usually the novel is planned out before they begin writing it, which cuts out the element of surprise for the writer and tends to reduce writer’s block.

There’s no right way to be, but personally I’m a plotter. I probably plot too much. If you’re a pantser and it’s working for you, keep doing it! More power to ya!

However, if you’re looking to experiment with plotting or you just want to learn how to do it, check out these tips below:

Where to Begin:

Skeleton Outline

If you’re looking for a little bit of direction, but don’t feel like/find it necessary to build a huge outline, this is probably what you’re going for. Create an outline that focuses around the main points of your story.

Detailed Outline

A detailed outline usually builds on what you did for the skeleton outline. This adds more detail to the structure of your story and helps focus on fleshing out what’s going to happen throughout the novel. I usually add in some sections about my characters and any sort of world building I might do.

Chapter-by-Chapter Outline

This is literally when you plan out each chapter of your novel. Some might find it unnecessary to get that detailed, but if you have pacing problems or want to cut down on extensive editing, this might work best for you.

How to:

Skeleton Outline

This is essentially the “road map” of your story. Figure out what the conflict is and focus on the beginning, middle, and sometimes the end (a lot of writers aren’t completely sure what their ending will be, but sometimes it helps to have to planned out so you can effectively lead up to it in the story. It could also help with tone issues. Example—if you ending is dark, you might want to set up the audience for that).

For a skeleton outline it helps to focus on story arcs. For example,

·         Stasis

·         Trigger

·         The Quest

·         Surprise

·         Critical Choice

·         Climax

·         Reversal

·         Resolution

Filling out those story points will help you build a more detailed outline if you choose to do so and will help you focus your story, so it’s not all over the place. If you want to have a clear idea where you’re headed, but don’t want to bog yourself down with the details, a skeleton outline might be best for you.

Detailed Outline

For a detailed outline, you basically just take your skeleton outline and flesh it out. Add to each section of the story arc and drop in more detail. Focus on what scenes will help you get across each main story point.

For example:

Stasis – Amy lives with her mother and her sister in a house that’s nearly falling apart. She’s unhappy with her life and her family doesn’t treat her well.

This is Amy’s everyday life, but you can do more to plan it out before jumping into writing. What’s Amy’s home life like? What does her family do to treat her poorly? What scenes will you explore to show the audience what’s going on.

Maybe Amy’s sister teases her or makes her do all the chores. Maybe Amy’s mom often doesn’t come home or doesn’t take care of her children. Explore these ideas and use them to flesh out your outline. Then, you’ll have some idea what to write when the time comes, instead of just something vague. This could also help you cut down on telling instead of showing.

Chapter-by-Chapter Outline

This takes a lot of time, but from experience, it does help cut down on the editing process, AND it helps you write a synopsis and query letter when or if the time comes. I spent around a month writing my last chapter-by-chapter outline, so I know exactly what I’m going to do when I start writing. I prefer this because I know I won’t get stuck and I’ll be able to get through the draft quickly. If you like to write fast, which I do because I like to keep my excitement for my project up when I’m writing, a chapter-by-chapter outline might work for you.

A chapter-by-chapter outline might be difficult for your first time writing a novel because you might not know how long it should be or what your strengths and weaknesses are as a writer. There’s no right answer for how long a chapter-by-chapter outline should be because only you know how long your chapters usually are or if you have any problems with word count (Is your novel usually too long? Too short?).

Anyway, if you feel like you want to do a chapter-by-chapter outline, I usually do something like this for each chapter:

Chapter 1:

Paragraph or more about what’s happening in the chapter. Think about each chapter as its own tiny story. Each chapter should have a beginning, middle, and end, and should lend itself to the overall story. Think about what the purpose is for each chapter and what information you want to convey to the reader.

Conflict (I tend to write a sentence about what the conflict is in each chapter. If I can’t find any, I know that’s a sign I need to rewrite that section of the outline. There should always be conflict! There should always be something driving the plot forward!)

I also suggest letting your chapter-by-chapter outline sit for a week or so and editing it. I know that sounds like a lot of work, but that will help your catch any plotting, pacing, or conflict problems BEFORE you start writing. If you’re a planner, this will help tremendously.

Additional Notes:

Obviously, some people like editing. They feel that’s when their story really comes together and they love that aspect of it. They like tearing their story apart, starting over, and building something new. That’s perfectly okay! You don’t need to have a detailed outline if that doesn’t work for you.

The reason I focus on planning is because I can look at the bigger picture before I start the draft. I have a clear focus and I know what’s coming next.

Also, there are plenty of ways to write an outline. How I do it isn’t necessarily right, it just works for me. Experiment with it until you find something that makes you feel comfortable.

What I’m really saying is:

There are no rules for writing. Whatever feels right or whatever makes you happy is what you should focus on. If you don’t want an outline, don’t write one. If you’ve been having trouble with writer’s block or the editing process, maybe try it out! Figure out what’s right for you!

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thesteadyflame-remaking-deactiv

A Somewhat Useful Masterpost for Writers

Websites for Critique:

  • Authonomy It’s been a while since I used this website in particular, but it’s useful for helpful critique and to get your original works out there. If your book get on the top five list at the end of the month Harper Collins will read it for possible publication.
  • Teen Ink
  • Figment
  • Fiction Press
  • ReviewFuse
  • and of course… Tumblr

Other Websites:

Characters

Characters (part 2)

Naming Characters

Medical/Crime/Legal

Other Helpful Stuff

Dress Up Games  I personally like to find games that I can make my OCs with.

Free Writing Software

  • Google Docs (automatically saves as you write. 100% recommend)
  • EverNote
  • OpenOffice (a free version of Microsoft Office)

Articles

Books:

Inspirational Quotes: x x 

And I couldn’t find the original post for these so (pictures under the cut)

Writing 101

I get asks every now and then about how to write smut or for writing tips in general. While I certainly do not consider myself an expert, I am happy to share my secrets. 

This got a little long, so I’m putting the rest under the cut. Happy writing!

Word Counter - Not only does it count the number of words you’ve written, it tells you which words are used most often and how many times they appear.

Tip Of My Tongue - Have you ever had a word on the tip of your tongue, but you just can’t figure out what it is? This site searches words by letters, length, definition, and more to alleviate that.

Readability Score - This calculates a multitude of text statistics, including character, syllable, word, and sentence count, characters and syllables per word, words per sentence, and average grade level.

Writer’s Block (Desktop Application) - This free application for your computer will block out everything on your computer until you meet a certain word count or spend a certain amount of time writing.

Cliche Finder - It does what the name says.

Write Rhymes - It’ll find rhymes for words as you write.

Verbix - This site conjugates verbs, because English is a weird language.

Graviax - This grammar checker is much more comprehensive than Microsoft Word, again, because English is a weird language.

Sorry for how short this is! I wanted to only include things I genuinely find useful.

How to make a character's death sadder

  1.  Don’t have them die of old age after a long, fulfilling life. Many people don’t even think of this as sad (note that this can still work if you have enough of the other factors).
  2.  Leave one of their major goals unfinished. The more enthusiastic they are about completing the goal, the sadder.
  3.  Give them strong relationships with other characters.
  4.  Make them fight against whatever is causing their death. Their ultimate loss is sadder if they struggle.
  5.  Kill them in the middle of their character arc.
  6.  Don’t describe their funeral in detail. Maybe it’s just me, but I find that long descriptions of funerals kill the sadness.
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stevraybro

That’s enough Satan’s publisher…

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shuttle-fly-blogs

7. If possible, try to kill them off in the middle of the story, so we had time to like them and we will have time to let the loss settle in.

8. Also, place surviving characters in a situation where having the deceased person there would help them get out. You can choose whether you will point this fact out or if you want the audience to make the connection themselves.

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thehellspawnhero

9. Make them die by sacrificing themselves to save someone they love from a danger created by the antagonist.

based on a few deaths that made me blub like a baby…

10. have their loved one, broken hearted, tell the team to stop fighting because “its over.” 

11. have their pet come looking for them. 

12. have their loved one perform a popular song at their funeral so it makes the fans cry whenever it’s played.

13. family witnessing the death and/or blaming themselves.

~ Mulan

so… let’s add some frustration to your dear readers’ sadness, shall we?

14. kill the character in the middle of making a joke, smiling, or expressing/experiencing joy/happiness.

15. make the character’s death slow and painful, but make them unable to call out for help even though they can literally see the other characters nearby.

16. after killing the character, have others think the character had betrayed them so they’d always hate them and remember them as traitors and never say nice things about them… Give your readers no chance to have group-therapy with other characters by making them the only ones who know the truth.

17. right before their death, show a side of them nobody has seen. (someone who is always tough and brave being genuinely scared of dying alone; someone who is always laughing being in tears before dying, etc.)

18. make them the only person who knows a big important secret that would help other characters in the story.

19. have them being lied to before dying. (thinking they’ve been betrayed; thinking they weren’t loved; thinking they’ve lost their loved ones, etc)

20. make the character very enthusiastic/passionate about a certain goal, constantly put stress on their goal, have them die unexpectedly before they can reach their goal. 

and the best one…

21. have another beloved character kill them–better be a close friend to your character, one that absolutely nobody suspects, one that everyone can’t help but love, one who is always enthusiastic about things and encourages your character. THEN

  • reveal the truth only later when it’s too late and the a-hole character has already escaped.
  • have a cowardly character know the truth and never tell anyone else
  • have another character find out the truth and have them die before revealing it to others. 
  • have the said character ^ not actually die, but go through something so they’d forget the friend of the deceased character is actually an asshole. 

This way only your readers will know the truth, thus the frustration would be… most enjoyable for you.

Satan out.

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sundownwinter

22. Don’t kill their body.  Kill their mind.

Leave the physical shell walking and talking, but strip out everything that made that person who they were.  Make them forget all about their loved ones, themselves, their experiences and past, their skills, and have them have to start over completely from scratch.  Physical and mental disabilities bonus points.

And keep them in a place where their loved ones will be taunted every day by a living ghost.

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hanbindoors
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ask-the-gems-anything

23. Addition to the presaid thing about sacrificing themselves, have it not work, and show that that character would have otherwise lived.

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mikleos-deactivated20160315

making HONEST ANTAGONISTS who believe they’re in the right and firmly believe in what they’re doing is SO MUCH MORE INTERESTING than making them “crazy” because of some outside influence. make villains who believe they are the protagonists

THIS. THIS FOREVER.

Most likely if you have this problem, it’s because of the reasons stated above. However, if you genuinely think your story is boring and predictable, have someone read it who you know will be brutally honest.

“If I gave you the impression that I know what I’m doing, then just rest assured that I have no idea.”

So you know that one soul mate au?

Y'know, where you see the world in black and white until you meet your soul mate and suddenly there’s color?

What if someone were robbing a bank, and they make eye contact with one of the hostages, and suddenly the world is in color?

Or what if for whatever reason you were deemed “armed and dangerous” and while you’re running, you lock eyes with a police officer, and color explodes in the world… just before they shoot you through the heart.

Imagine being some rich kid and you’re engaged to someone just for the sake of getting married and keeping the family going, and you get kidnapped for ransom. You never see the kidnapper’s face until they slip up or something. Like you got untied and sneak up behind them, ready to hit them over the head with a chair but they turn around and you look them in the eyes, and you both freeze. You’re holding the chair up thinking “oh my god what beautiful eyes” and they’re just standing there like “what the shit”.

“Why do you protect her? She’s just another mouth to feed.”

“Because she believes in another day. She believes that things can get better. Don’t you think we need more people like that in the world? She needs someone to protect her, even if that someone was me.

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bassiter

some REAL writing advice

i posted this list a few years ago but i thought i’d repost it with a couple edits, since it’s all still perfectly good and plenty of people could do to see it. it works no differently for fanfic and original works.

  • For the most part, just don’t listen to anything your English teachers say unless they’re like, a published author. You know that shit about how “you shouldn’t use the same word to start a sentence more than once in 4 consecutive sentences” - yeah, that’s bullshit. As long as you don’t REALLY over-use something, you’re fine. Good flow in a story isn’t even necessarily consistent with proper grammar.
  • That being said, be well-versed in proper grammar. Yeah, there’s always artistic liberty, but there are times when you do absolutely need to structure a sentence a certain way. Such as “would have” (correct) vs. “would of” (you’ll look like an idiot if you write that). Know participles and all the different tenses and how to use them correctly, know passive and active voice, etc.
  • Keep expanding your vocabulary. Contrary to what your English teachers say, using “said” a lot isn’t that bad, but using other words sometimes keeps it from getting monotonous. Keep learning new idioms and phrases. Know when to use the words and how to use them. Example: “for all intensive purposes” isn’t a thing - it’s for all intents and purposes. Know the connotations that certain words have.
  • Know your voice. Even if you’re writing in 3rd person, you’re probably still writing from the POV of a particular character - write as though you’re in that character’s head! Keep to a vocabulary level that that character likely has. Vaguely switch over to first person occasionally. Teachers often say not to write how you speak, but if you’re writing limited from a person who wouldn’t speak like a scholar all the time, write how they would speak. If you’re writing omniscient, you’re hopping from person to person and you can still do that.
  • Know how people work. Observe people, keep track of your own emotions, actually think about how different people would react in a certain situation. Make people stutter a little bit in their dialogue or not say precisely what they mean - most people don’t talk like a textbook. Put in thought processes and body movements in between dialogue. A sentence like “He blinked.” is perfectly acceptable in some contexts and could mean a lot.
  • Know how the world works. If you’ve never had a job before, research what getting a job is like before you write about it. If you’ve never had anal sex before, dear god please fucking research it. Make your story realistic and keep the “altering real-life events for the sake of a more entertaining story” to a minimum. And if you’re writing fantasy, do some worldbuilding.
  • And that being said, know what’s entertaining. Know what keeps your readers hooked. You don’t have to write out every single class a character goes to and all their homework and whatnot if it’s not relevant to the plot or characterization. You can just mention that they had a long day at school. Do time lapses, it’s okay. You don’t even have to give a summary of the things that happened during the time lapse because that makes it seem like you think your readers are stupid. Give them credit and don’t explicitly state everything.
  • Really just a follow-up, but DON’T write day-to-day. Unless it’s specifically a day-to-day fic or something that takes place in a very short amount of time. Chances are not every day has something interesting or relevant to the plot going on.
  • Write more about thoughts and actions than dialogue. Knowing how a character is feeling about something and how they express it is can be much more telling than what they’re saying. But it’s also good to have a healthy mix of thoughts, direct dialogue, and hearsay.
  • Know how to structure your writing, mainly for accessibility. Don’t make paragraphs that are too long and don’t only make one-sentence paragraphs. Start a new paragraph when someone starts talking. Don’t confuse your readers.
  • Read. Read a lot. Get a good grip on how the most successful writers of our age write. Read unpublished writers, too. That isn’t to say that you should copy them - just take some pointers from them. No one writes well without ever reading a fuckload. Develop a writing style that you’re comfortable with. Some people are more descriptive than others, and that’s okay. Some people rely more on dialogue to tell a story, and that’s also okay.
  • Write. Just keep writing. Like anything else, the more you do it, the better you get. Write things you like to write about and get feedback. Even Shakespeare probably started out with some pretty shitty stuff, so it’s okay if you’re a little rusty right now. You will get better with practice.
reader reading smut: omg, good stuff, this is good stuff right here, hell yeah...
writer writing smut: ...did I make them take off their shoes?
She ripped my heart in two; I had a hard time holding myself together. I became colder after that. When I saw you, though, you gave me this feeling I thought I would never feel again. It was something I had only dreamed of, something I wanted so badly…something I missed.

Things he says @ 1am (via romanovoff)

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ilikemahmilk-deactivated2016121

AU where you’re expected to have a soulmate and someone to kill

every time you are near your soulmate you feel a burning sensation in your chest

Every time you are near the person you are destined to kill you feel your chest freezing

And then one day your chest is both burning and freezing