*emerges from the other room covered in blood* you should see the word document

does it look like this

i was picturing this as after a successful writing jaunt but this is so much darker

They love each other so much I'm sick

This Barbie is Ace

A moodboard heavily inspired by this Margot Robbie quote:

barbie and ken being an ace power couple is not something I had on my 2023 bingo card but damn it if it’s not the best thing to happen to me this year

BARBIE (2023) via @wbpictures_br

“Wait, there are people blaming the writers?”

Are you surprised? Fandoms have become notorious anti-writer spaces. Studios love you guys. They can cut the budgets, cut the number of writers, cut the wages of the writers, and you guys always blame the writers. “The writers ruined the show!” It’s never “the studios ruined the show.”

I hate to break it to you: more than half the shows you complain were “ruined by the writers”, were ruined by the studios. Studios cut the scenes and arcs you were excited for. Studios cut the budget of the show, or even raise the budget of the show and force a “bigger, louder, bolder” tone on shows that were unexpected hits (this is where we get “the Netflix look” on every show post-Stranger Things and Queen’s Gambit).

You guys do not do your research. Half your fanfics are tagged with bad faith digs at the writers, when a few searches would reveal how strapped that show was and how poorly the writers were treated. Writers are being given a 10 weeks to write 10 episodes. How are good arcs and scenes supposed to happen under that time limit, with a max of only four writers?

Tumblr, the self-proclaimed “pro-union, pro-worker, pro-artist” site is also a major fandom site. You guys rarely practice good faith consumer etiquette for television and film writers, because your fandom salt always turns you against writers. And studios love you for it.

Yeah, individual writers do create bad writing from time to time. But so do painters, chefs, and musicians. Directors and actors sometimes refuse to film certain scenes or follow a show’s projected style and arc, and the writers always get the crap for a bad performance or a poorly directed episode. This isn’t to blame actors or directors; it’s to point out that you guys have one villain, and it’s always the writers. You guys never give writers the same grace you give animators, designers, directors, actors, composers, and editors.

Studios love you every time you say “the writers ruined the show.” Every single popular fandom is guilty of this. View any of the “why did the writers cut this scene, they hate my characters” talk when leaked scenes hit the internet. Writers barely get paid for what they do write. You think they’re writing scenes and then happily throwing them in the shredder? You guys just eat the talk that studios put out. Always have.

Crow dad Kaz and knife wife Inej ftw🖤 they are too fun to draw

What she says: im fine

What she means: the average age of conception over the past 250k years is apparently 26.9. Let's round it down to 25. Think of your birth mother. Hold her hand. Imagine her holding hands with her mother. Within 4 people, you're back in time 100 years, and it's an intimate family dinner. Just after WWI. Add another 16 people, a small party of 20, and you're in the 1500s. Double it, twice, and you're at 80 people. Your family would fill a restaurant, and you're at the height of the Roman empire. At 100 people, Confucius is alive but Socrates has not yet been born. 100 people. That's a medium sized wedding. A small lecture theatre or concert. 200 people, probably the biggest party i could ever hope to host, takes you back 5000 years. The guests at your soirée of parents would be contemporaries of the Egyptian and Indus Valley civilisations, although you'd probably be too busy fixing drinks and nibbles to talk to all of them. Just imagine it. 200 of you. That's all it takes to get back 5,000 years. And we could go further. 1000 people, a decent sized concert, a large high school, and we're at the end of the last ice age. Your ancestors are comparing their pink floyd vinyl with music played on instruments carved from wood or bones of long vanished species. Wander through the crowd. See your own features and phrases and gestures refract out like a kaleidoscope. What would they make of you? What do you make of them? Why does it feel so unfair that even that first 100 years --that small family dinner of four--is out of your grasp? Maybe it's because questions of spatial distance have become negligible to us now. why, oh why, does time hold out against us so stubbornly

Recent commission I had a lot of fun with cuz y’all know how much I love ouat 🥰

our little life (rounded with a sleep) originally posted and then re-posted for the 2020 captain swan rewrite-a-thon.

watch this space...working on a new project incorporating @camii-artt's amazing work

Gorgeous work!

Even the kids know this is fucked up.

Compare to the photo of a dem governor signing a bill to provide school lunches for kids.

This comes after a company in Arkansas was convicted of child labor violations after they learned that they employed over 100 children from 13 to 17 cleaning saws with caustic chemicals, a job that saw three of them injured. The company defended themselves by saying that the children lied about their age to get jobs.

This bill not only removes the responsibility of companies to prove that their employees are the age they say they are, but also ensures they don’t need to check at all. All you need is a parental permission slip. So if your parents decide they want you working in the coal mine at 12, hey, they’re your parents, that’s fine. We shouldn’t let “unnecessary burdens” like PROVING YOU ARE NOT EMPLOYING ACTUAL CHILDREN get in the way of children being used as sweatshop workers because adults might unionize.

This is also why they’re weakening public school. Because public school is an equalizer and it’s long been a conservative talking point that only some people should be schooled. The rest should be sent to the factories.

A chronological analysis on Twilight and Yor - Introduction and Part 1

Introduction:

After months in the making, I'm finally ready to share my first major Spy x Family writing project: an in-depth analysis on Twilight and Yor. This will be a continuing post series where I'll examine each chapter/episode in chronological order and analyze anything that contributes to their character arcs and growth as individuals, their relationship with each other, and their relationship with Anya.

Before we dive in, some notes:

I guess that's it for the introduction – let's begin our Twiyor analyzing journey!

----------

I didn't know anything about Spy x Family going in other than the fact that it's about a spy who has to adopt a kid in order to succeed with his mission. Having watched many anime series in my time, I suspected it would have the standard premise of a protagonist who's a bit of a jerk early on, but eventually becomes changed for the better as his relationships with other characters deepen. While this is the case for Spy x Family, Twilight never once came off as a jerk to me. Sure, he does act cold and manipulative, but we learn right away that he's working towards the noble goal of making the world a better place.

It's a spy's job to deceive and use others to achieve such a goal – a goal that hinges on a utilitarian view that justifies manipulation and even killing of some if it leads to the eventual happiness of many. With that in mind, we need to look beyond the typical moral compass when judging a character like Twilight (as well as Yor and many of the other characters). But even in the first episode, we can see that he's a decent guy underneath that spy exterior. While he's not as gentle with Anya in the beginning as he could have been, I never thought he was mean to her either. He likely never had any experience taking care of children, so it's understandable that he'd be frustrated, especially for someone with such a delicate line of work. He's so used to relying on logic and structured plans to get out of troubling situations, but such tactics don't work on children like Anya who are still mostly governed by their raw emotions. He says cold things like how he's going to give her back to the orphanage when the mission is over or how he could just get another child after she gets kidnapped, but we see soon enough that what he says he should do isn't always what he's willing to do.

The first pivotal moment where we see that he's more than just the calculating, callous spy he pretends to be is when he chooses to risk his life by sneaking into enemy territory to rescue Anya, even after he just said he could get another child. Then, after he goes through all that trouble, he decides to send her away because he realizes it's wrong to put a child in danger for his mission. We know that "for the mission" is practically Twilight's middle name, and yet early on it's very clear that even this top spy is willing to forgo a mission if it's too immoral for his standards. It's only after Anya shows genuine affection for him (something he's likely not used to receiving from those he "uses") that he decides to continue with Operation Strix as planned.

Fast forward a few days later, he expresses sincere, unfiltered happiness when Anya passes the Eden entrance exam. In fact, he let down his spy persona so much in that moment that he ends up collapsing from the sudden rush of relaxation!

Obviously it's been a very long time since he ever felt comfortable enough to do that, especially in front of someone else. The fact that Anya was able to bring that out in him was only the beginning of what's to come (not too long after, he even starts displaying minor affection by giving Anya a reassuring head pat when she thinks she may be hindering his chances of finding a wife).

Unlike Twilight, who has a set goal in life and knows exactly what he needs to do to achieve it, our initial impression of Yor is the opposite. The first sign that she probably did not have the most favorable upbringing is her unusual response to her coworkers when they joke about putting snot in the boss's coffee. Learning a bit of Yor's backstory later on, it's understandable that she'd have no notion of pranks and would take everything literally.

Being orphaned at a young age, having to take care of a younger sibling, and somehow getting roped into a very harsh line of work, would skew anyone's perception of normalcy (not to mention that she probably had to forgo a proper education in order to be the sole provider for her family). And, as is typical of people to hate what they don't understand, Yor's coworkers, especially Camilla, feel no remorse about saying cruel things to her at the party. She obviously doesn't act like other women, and being different breeds fear, especially in the cold war times that the series takes place in.

Rather than defend herself, Yor simply wonders if Camilla is gaining anything by humiliating her. Once again, due to her warped upbringing, she doesn't understand things like blatant jealously and ignorance. Yor wants to be normal so Yuri doesn't have to worry about her. She even goes so far as to thinking that if everyone at the party would die (by her) then Yuri wouldn't have to hear about how her supposed boyfriend never showed up, but she quickly realizes she can't do that. After sitting awkwardly by herself for a while, she concludes that this concept of "normal" is beyond her grasp. But just as she's ready to give up, enter Twilight.

@p3chris makes a great observation that Twilight decided to show up late to the party even though it may have been more convenient for him to find another woman by then. I lean towards that idea, since he didn't know Yor that well yet, so it would have been reasonable for him to assume she would be angry for supposedly being stood up. Instead of having to make an effort to mend her trust in him, wouldn't it be easier to just find another woman for the role? And yet, despite being insultingly late and having sustained injuries from the mission he just completed, he showed up nonetheless. Is he really that conscientious, or was he just that intrigued by Yor when they first met at the tailors? Probably some of both. As I mentioned before, Twilight is a decent guy who acts on his morals even if it's not always convenient for his missions. Even though he only talked to Yor briefly, and even though he had some misgiving about how intuitive she was, he couldn't help but notice positive things about her that he probably never had in other women he's manipulated – she wasn't flirtatious, dishonest, or pushy when trying to get something from him; she simply wanted a favor for someone else's sake (put Yuri's mind at ease).

Despite his blunder at posing as her husband instead of her boyfriend, Twilight is quick to recover and deflect Camilla's jabs at Yor (being a spy, he excels at maneuvering around people's doubts) . In this scene there's one of many moments where, during his Loid Forger performance, Twilight says something that could definitely be interpreted as his true feelings. After he's all fake smiles while complimenting Yor for raising her brother on her own (his Loid Forger persona), his eyes suddenly darken in thought (dropping the persona) as he likens her sacrifice to his own decision to be a spy, saying that he admires someone who's willing to endure hardships for a greater purpose.

It's moments like this that make Twilight an interesting, complex, but also slightly infuriating character. Whenever he says something like this, it's ambiguous as to whether it's because he truly feels that way, or because it will somehow benefit the mission (in this case, make Yor like him). But usually Endo will throw in a subtle hint to help us distinguish between his "for the mission" talk and his "true feelings" talk, like in this case, where he at first has his fake Loid Forger smile before his expression turns serious as he relates Yor's situation to his own. Often times, Twilight says things to uplift others because it will benefit his mission, but it also happens to align with what he personally feels. And this will only become more frequent as he continues to live as Loid Forger.

Yor is obviously in shock at his words. This is probably the first compliment she's ever gotten from someone besides her family. And it's not the superficial compliment she would expect a man to give a woman whom he just met, like complimenting her appearance (which is exactly what Yor wanted from him when they met at the tailors – because she thought that's what "normal" is) but a compliment about her on a personal level. And later on, when she inadvertently shows Twilight her insane physical strength, he's impressed by it rather than turned off. All of this is what urges her to ask him if he'd extend their contract by actually getting married. After giving her such a genuine compliment, and not being put off by her crazy strength, she thought that he may be the only man who could accept her for who she is (her cluelessness about the meaning of "normal" is further emphasized by the fact that she immediately bought his lie about his patients' "concussive therapy"). Keep in mind that at this point, her only reason for going through with the fake marriage was so Yuri wouldn't worry about her and she could keep an acceptable identity for herself while she secretly continued her assassin work (again, for Yuri's sake).

As for why Twilight didn't immediately seem suspicious of Yor's strength, I simply thought he took her remark about learning self-defense to heart. He already knew her background of having to raise her brother on her own, so he didn't think it was too strange that she learned adequate self-defense skills, especially being an unmarried woman in those times. As for the fact that she was able to send the guy flying with one kick…well, she just happens to also be physically strong. Being in his profession and acquainted with women like Sylvia and Fiona, Twilight knows that women can become physically strong if they have a need to be in their life. And, as he'll come to know, Yor's strength, both in body and soul, is leagues above others.

Continue to Part 2 ->

PATRICK “You do not disrespect Teresa Lisbon in front of me” JANE. ↪ requested by @wikipedie​

+ bonus

i’m at the stage of season 2 pining where I’ve stared so long as the two kanej glimpses we’ve had that I had to turn them into a mini comic (nevermind they’re from different scenes, shhh)

TOMORROW

You want to know why Inigo Montoya remains such an iconic and beloved character even 35 years after the Princess Bride came out?

It's because he's one of the few characters in fiction who has a story where he has dedicated his life to revenge, his whole motivation is about getting revenge....and he gets it! and then he isn't empty or despairing! he doesn't regret it! he's totally satisfied!

because so many stories about revenge or rage are about characters "seeing the futility of their actions" or learning "their desire for revenge has only made them the monsters they hated" FUCK THAT.

Inigo Montoya kills the man who kills his father, is allowed to live in the narrative after and be happy about it and it is so satisfying. it's fantastic. it's iconic.

let more characters rage against the world, bring it down with bloodied hands, and let them be FUCKING RIGHT about it. Let them celebrate their success with sharp grins, and let them live happy, full lives where they always remain proud/fulfilled for what they've done

book quotes that i will never recover from