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“Yeet Haw”

@cmdrquackquack

as the cowgirls say it.

Since y’all are sleeping on the fact that Dani Clayton was a mentally ill protagonist, I’m gonna hype THAT up: 

We literally have a herione with PTSD, chronic anxiety, AND severe claustrophobia. Like, seriously, do I need to go back and watch the show again and count the number of times Dani has to leave a room because she started having a panic attack? Because I will. But in spite of them, in spite of her fear and trauma, Dani not only manages to save those two little kids with her completely selfless sacrifice, but she manages to find love. She finds the kind of love that even when things are hard, when she thinks she’s not worth loving anymore, Jamie more or less tells her to shut the hell up, because she’s her moon flower; a lot of effort, but completely beautiful, and completely worth it. And she has the strength to keep getting out of bed, to keep living her life, to take it one day at a time. I think that’s absolutely beautiful.

Do people not realize that having a Lesbian Gothic Romance is HUGE?

Like besides the first anthology I really can’t think of any other story that has main characters that are lesbians, with their own hauntingly, tragic, beautiful, story

It’s a GAME changer to me 

what if we lived in a haunted manor together in the 80s and fell in love and then moved away and opened a flower shop together and got married and then i sacrificed myself to a 500-year old ghost in a lake to keep you safe? haha just kidding. unless???

does mike flanagan know that now he absolutely cannot make another season of the haunting and not include lesbians?? lesbians are canon now. it’s about the ghosts and the lesbians. you can’t take any of them away mr flanagan

The juxtaposition of Jamie and Peter in Bly Manor is such good and subtle writing. These characters are different sides of the same coin. Both characters come from backgrounds of extreme abuse, poverty, and abandonment. Jamie works hard and tries harder to be a better "boring" person and not carry the toxicity of her childhood with her or infect the world with it. Peter, on the flip side, let's the toxicity consume him and infect the world around him.

They both are involved in a relationship with the au pair who works at Bly, Jamie with Dani and Peter with Rebecca, and these two relationships couldn't be more unlike even if they tried. Jamie is patient, honest, kind, and gentle with Dani. Peter is obsessive, manipulative, possessive, and cruel to Rebecca (he gaslights the fuck out of her).

Jamie is a huge part/reason Dani didn't succumb to her "beast" for a longer than expected period of time. Peter killed Rebecca because even in his own death he was still possessive over her life.

Jamie is a gardener with plants but also to the woman she loves.

Peter is a manipulator, murder, and kills the woman he claims to love.

“We’re always watching this Avengers shit and there is only men in there.”

Welcome everybody to another episode of Adèle Haenel cannot stand men.

“I wanted to challenge politically the kissing scene, which traditionally either has the surprise kiss scene thanks to a rain shower for instance, or the obvious kiss scene thanks to mustard on the corner of the lips, for instance, and it is generally carefully scripted as ‘They kiss.’ Or ‘They passionately kiss.’ And then it’s on the actors’ shoulders. It seems to rely a lot on them because it’s their bodies and fluids and interaction, but it shouldn’t be. It’s fake. It’s not about finding the magic. Actors should always be part of the elaboration of an idea, especially with intimate scenes. So I wanted to craft a scene that would embody the sexiness of consent. People who are questioning the idea of asking for consent in France, they do exist. They are brave fighters for the culture of French gallantry who say that asking for consent would not be sexy, it will break the mood. Some of the French critics thought the film lacked flesh, precisely because to them eroticism is about conflict. […] At some point I came up with the idea of them having to unveil their mouths like they would undress themselves. So I put a scarf, justified by a strong wind, pressed on their lips and thinking you would see their heavy breathing through the moving cloth.

Céline Sciamma on creating a new first kiss

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The Last Of Us Part II

I played and finished The Last Of Us Part II last week and it has been on my mind ever since. I obviously understand that a lot of people have problems with this game, and that’s okay. I’m not here to change anyone’s views on the game or anything, I just want to kind of write down my opinions and takeaways as, again, it’s been on my mind since finishing it lol. Nobody may see this and this will mean nothing, that’s fine. 

Anyway, this post will contain SPOILERS

My Overall Thoughts

I’m not entirely sure how to structure this so I guess I’ll just start with a broad statement lol; I loved The Last Of Us Part II. In my opinion, it’s a beautiful and well-crafted story about loss, grief and consequences, with how each of these things affect different people. 

Discussion 

From what I’ve seen, I see a lot of people hating on this game for its handling of Joel and the decision to have the player play as Joel’s murderer, Abby. I’ve also seen a lot of people say that the message is as simple and plain as “viOleNcE iS bAd”, but I personally think it’s so much more than that.

The Last Of Us Part II doesn’t just tell you that violence is bad, but it shows you the ramifications of it by dealing with the emotional toll as well as the consequences on not just the main person involved, but their loved ones too.

As we all know, at the start of the game, Joel is brutally killed by Abby and we go with Ellie on a mission to avenge him by killing everybody involved. We see it all from Ellie’s point of view, hardheartedly seeing Abby as the villain as she just killed the character that we know and love as we have an emotional connection to him after the first game. His death is supposed to make you feel angered. It’s not like you’re supposed to be joyed by it. His death scene left me feeling empty and sick, wanting revenge alongside Ellie. 

However, as the game goes on, we start to see the story from Abby’s point of view. We learn that the doctor that you, the player, had to murder at the end of The Last of Us is actually the father of Abby. This is brilliant. Now we see one of the main themes of the story, consequences, and I was immediately on board. Joel is not a good person, at all. He murdered hundreds of Fireflies and took away the possible cure for humanity for his own personal reasons. This is incredibly selfish, even going to the lengths of lying to Ellie about the events as he knows that it isn’t what she would want. Technically, Joel is the villain.

Joel had been through so much, so you may think it’s justified. But the point is, Joel isn’t the only person in the world of The Last of Us. Everybody he murders aren’t just mindless NPCs, they are people. People with their own problems who have gone through their own share of pain and loss, people with their own loved ones. Such as the doctor, who had Abby, whom he loved very much and Abby the same. So, understandably, she would feel incredibly angry and feel the need for revenge, just the same as Ellie and the player after Joel’s death.

There is now a cycle of revenge. Ellie goes on to kill Abby’s friends, and so Abby tries to kill Ellie and her friends. It’s not until Lev talks Abby out of it that the cycle seems to have been “broken”. Abby and Lev put it behind them, however, Ellie cannot and nor can Tommy, which means that the cycle is not broken. Ellie continues her hunt for revenge, thinking it’s still what she needs. Just as she’s about to murder Abby, she sees it’s completely useless.

Here I’m going to talk about another core theme of the story: loss. As Ellie is about to kill Abby, she realises that Joel is gone. Completely gone, and killing Abby is not going to change that. She now has Lev, and if Ellie was to kill Abby, Lev would only lose Abby, leaving him in the same situation Ellie was in at the start of the game, which in turn means Ellie is becoming what she set out to kill. It’s no use. Revenge only causes more pain and loss. This cycle is so vicious and nobody wins, and Abby realised this once she found Lev, and found that revenge is a futile thing that does not achieve anything, especially not bringing back her dead friends. She managed to break the cycle herself, and in turn, she found a life worth living, a live with Lev. However, Ellie could not manage this, choosing to still seek revenge.

Because of this, she faces the consequences. She loses all of her loved ones. She loses Dina, she loses Jesse and she loses her baby son, JJ. Tommy is the same too. Tommy couldn’t break the cycle, and he loses his wife, Maria. And guess what, Joel is still gone. All of that loss, yet Joel is still dead. It’s all been for nothing. Ellie is now completely alone, which is what she said she was scared of in the first game, all because of revenge. The way forward is not anger, rage or revenge, but acceptance and love. That’s my takeaway.

You may think this treatment of Joel and Ellie is “disrespectful”, but I disagree. In the first game, you do a lot of bad things as these characters. Yeah, you go through a lot of pain, but so has everybody else, yet they still face the unfavorable consequences. It only makes sense that Joel and Ellie would too. In my opinion, this only helps to build the world of The Last of Us and show that just because Joel and Ellie are the main characters, they aren’t invincible, and the world doesn’t revolve around them. They just happen to be two people who live in the world amongst so many others, which for me, makes it so much more realistic. This is emphasised in the incredible detail in the gameplay of each enemy having names, with other enemies interacting with eachother as you stalk them. It makes them feel so much more real and only increased my enjoyability.

From a story like this, which is so dark and gritty, I don’t expect a happy ending. You’re not supposed to like Ellie by the end of this story, as she serves as the example of why the cycle of revenge is horrible. You’re not supposed to feel satisfied by it, you’re supposed to feel empty, hurt and sad. That is literally the point. 

You have to realise that The Last Of Us is a piece of artistic storytelling told and made by artists. It would have been so easy for Neil Druckmann to write a boring and two-dimensional story to appease players and make bank. But he didn’t. He chose to craft an intricate, heavy and creative direction for his material, and I hugely respect that. At the end of the day, he doesn’t owe you anything. This is his story, and these are his characters, he can do what he wants with them. If you don’t like his creative vision, then great! You don’t have to. If you don’t like something, just don’t play/watch/read it. If you loved the first game but hated the second, then just pretend it doesn’t exist and come up with your own fanfiction for these characters, it probably wouldn’t have been as good as this.

A lot of people blame “bad writing” when they don’t like something. There’s a difference between feeling bad about something than it being bad writing, you know. Just because it wasn’t what you wanted, doesn’t mean the writing is bad. By you feeling angry about Joel dying, Neil Druckmann’s writing has accomplished its objective. And I’m not trying to say that everybody who doesn’t like this game didn’t like it because their fanfiction didn’t come true. You cannot like this game solely because you don’t like the direction it took, and that’s fine. Because again, this story is a piece of artistic storytelling, and art is subjective.

This entire post is just my opinion. I personally loved this story and these characters, and it was exactly what I wanted to get out of this game. Everything about the game I just adored. I loved the plot, the writing, the characters, the gameplay, the music, the visuals, the performances - everything. And if you didn’t, then great. That’s your opinion. It just hurts me to see so many people dismissing the incredible things achieved in this game solely because of one plot point. I don’t know. As I said, I’m not trying to change your opinion or anything, I just thought I’d share mine.

I only scratched the surface of my thoughts and opinions on this game. I could talk about it for hours, which only goes to show the extent of its achievements and how incredible it really is. I doubt anybody is reading this and that’s fine, apologies if none of what I said made any sense at all lol, I’m awful at articulating my opinions aha.   

"In this game she is 19 years old, is in this community where she feels relatively safe and can follow her romantic impulses, can be nervous... To see this incredibly strong and badass girl being vulnerbale, being afraid, being intimidated. Ellie is more nervous and intimidated by Dina than any type of Infected." - Halley Gross
The Cranberries “Zombie” is one of those rare protest songs that becomes a big hit. A terrorist bombing drove the irish band to write the song. In March 1993, the Provisional Irish Republican Army set off a bomb in the English town of Warrington that killed two children. The dead were three-year-old Johnathan Ball and 12-year-old Tim Parry. The bombing was part of The Troubles, the struggle between mostly Catholic Irish nationalists and mostly Protestant loyalists over the political fate of Northern Ireland. The United Kingdom rules Northern Ireland, The IRA and other militants would like to see the country united and used violence to accomplish that aim.
The Cranberries lead singer Dolores O'Riordan told Vox: “The IRA are not me. I’m not the IRA. The Cranberries are not the IRA. My family are not. When it says in the song, ‘It’s not me, it’s not my family,’ that’s what I’m saying. It’s not Ireland. It’s some idiots living in the past.”
The Cranberries were on tour when they learned of the Warrington bombing. O'Riordan: “I remember seeing on of the mothers on television, just devastated. I felt so sad for her, that she’d carried him for nine months , been through all the morning sickness, the whole thing and some prick, some air head who thought he was making a point, did that.”
In 1998, the Troubles largely came to an end with the Good Friday agreement.
Source: Spotify - Behind The Lyrics by Genius

reasons i love derry girls:

  • there's no teenage romance. michelle talks about sex a lot and erin has childish crushes but there's no actual romance
  • just. orla mccool
  • after clare comes out they all wear rainbow pins all the time
  • the only people with any brain cells in the whole show are gerry and sister michael
  • the montage in 1×06 where the kids are dancing and having fun and meanwhile the adults are watching the news and the political situation escalates
  • the montage in 2×05 where the kids are fighting at prom and meanwhile the adults are watching the news and there's a ceasefire
  • the conflicts are one episode long. if something isn't resolved in 20 minutes it's never mentioned again
  • it's fucking hilarious okay
  • it's about T H E P O W E R O F F R I E N D S H I P