GET BEHIND ME MISTER FIELDS I WILL PROTECT YOU
Except for you, am I right
SHNNNHIFFFEHEHH AAUGHHGAAA I LOVE HIMM WAAAAAUHH
TBH has an important message for you all
Not sure what you people want me to do in this situation
Aziraphale shielding Crowley from water
and Crowley shielding Aziraphale from fire
i dont think this is as funny without the tiktok audio but i love mr martin k(nife) blackwood with all my heart so im posting this here anyways. look at him.
Gonna be honest I think some of you are putting WAY too much stress on the importance of tma characters/tma entities in your tmp theories.
Jonny has stated that not only will the story be completely understandable to ppl who haven’t listened to tma, but having knowledge of tma might actually make it harder to realise the truth than if you didn’t. To me, that implies that despite the mentions of ‘returning enemies and friends’ (including Jonny and Alex being VAs, implying jmart being involved) the world will be very different to the world of tma.
Jonny and Alex specifically said they’re excited to do new things with the worldbuilding. I highly doubt the entities will manifest/be grouped in the way we’re used to (the Smirke system) and I don’t think the characters we know will show up in the way we expect - I especially don’t think Jonah Magnus will possess anyone as a twist and then be the villain, or that Gwendolyn Bouchard will be a bad guy, that would be way too predictable considering what we’ve been told about tmp.
Point is, it’s still a sequel podcast and I’m sure aspects of tma - characters, entities, other worldbuilding - will be used throughout it, especially considering Celia and Gwendolyn Bouchard and the implications of various other characters appearing, but if you guys are this ready to assume tmp will be exactly like tma, I don’t think your theories will end up coming true. Think outside the box a little.
personally I like to imagine that crowley started spiraling about what he'd do if aziraphale asked him to move in, then started spiraling about what he'd do if aziraphale DIDN'T ask him to move in, and then he just laid face down on the front seat of the bentley for twenty-four hours straight and at the end of that he was like "yeah I could just live here actually"
Remember that this is not the proof that they love each other
That was a last-ditch attempt from Crowley to get Aziraphale to stay
This is the proof that they love each other
Their love wasn't just made real because they kissed
It always existed
Today I had a dream that went something like this
John: He doesn’t hear me, Arthur! Hey Kellin, your mother was a whore!
Kellin: Tell that voice in your head my mother was not a whore!
Kellin: But you know who is?
Kellin: * wink wink *
Are you alright, honey? You've barely put your blorbo in situations
Finally listened to “The Butcher” and I love the change in perspective! Without John being a narrator for us we get to see Arthur and John from an outsider’s POV – Collins’s and mr. Privett’s, who tried to help them (I love him! Their talk must have been short but still Arthur knew his name. And even though Butcher tricked him, and it ultimately went nowhere. Still! Somebody tried to help!).
The contrast is so good here: the neighbour “saw a man in pain” and Collins spins it into “when you looked into his eye, tell me you didn’t see something. Something shifty about him”. Collins keeps noticing that there's something weird going on with Arthur. “What’s wrong with your eyes?” – I get shivers every time he mentions that, like on the train (Why aren’t you looking at me?). Also him “noticing” John this time: “…you do that a lot. Pausing at strange times, changing the subject, like you’re deciding in your mind what to say next”.
Butcher hunting for Artur through apartments with a shotgun while humming to the imaginary music will forever look like that to me:
Do you like Beethoven?
Yay for the return of “the other right!” gag now from Butcher’s perspective who is guiding Arthur around. That and other instances of Butcher being “helpful” (“To the chair, lad. In the center of the room”) is a very nice trick to let us know what’s going on without John’s narration. From a character’s point of view it also let us see a side of Butcher that is affably evil, and perhaps he also delights in “knowing” what the Artur’s deal is – that he is somehow blind.
I missed John’s voice so much, but I really enjoyed how we get glimpses of him and always aware of his unseen presence: little pauses in Arthur’s speech, people noticing that there’s something weird with Arthur’s eyes, a quiet “I know, I know” from Arthur’s one-sided conversation when Collins went to answer the phone. (And Arthur is SO weird if you look at him like that, without knowing everything. He’s weird even from Butcher’s perspective, who is a killer, mind you. This episode made me think a lot about one of my favorite bits from "The Mine": “I died for you. For a fucking voice in my head that stole my eyesight. …Do you – do you know how mad that sounds? Do you have any idea what the average person on the street would think about me, about that?”. *you call it madness but i call it love plays in the background* God, I adore this podcast with all my heart).
The horrors keep finding Arthur because they use the clap of his expodoncious ass cheeks to echolocate him like bats
This fandom is a fucking nightmare. Keep going.
can you call someone a dilf if they were responsible for their child’s death
