Peter & Michelle

Y’all can call me a clown buuut hear me out

Stydia and Shirbert and the P A R A L L E L S

A short, red head girl with a fiery temper who is oblivious of the love of a taller brunette boy with puppy eyes who is hopelessly in love with her but she d e n i e s h e r l o v e f o r h i m. They are also both incredibly smart to the point where it’s beyond their age, they’re both geniuses.

Everyone can see that they love each other except them

At one point the boy thinks that the girl doesn’t reciprocate the feelings and gives up and finds another girl that he likes- Malia and Rose (both of which we DO NOT HATE, in fact we stan, just not with the boy- that’s my opinion on Malia and it will be my opinion with Rose until further notice) and he likes her for a while until he realizes that the girl does in fact reciprocate the feelings.

The girl has a best friend with long brown hair- Diana and Alison- and is constantly trying to make the girl see how much the boy likes her but to no avail- this best friend is in a relationship with a boy who is like a brother to the red- headed girl and we fucking stan them tbh (Scott and Jerry- and yes Lydia and Scott are like siblings and so are Anne and Jerry y’all can fight me)

In the end, yes it took a while, and a lot of our energy and tears, some of us even fell off the ship for a while but eventually we won

So in conclusion Stydia=Shirbert

Thank you for reading my essay <3

Point? Made.

Ships? Sailed.

A clown? Possibly me.

Hotel? Trivago.

#the cutest height difference

Harvey Kinkle cares more about Sabrina than he does about himself. Even though he just experienced something very traumatic and his brother was most likely dead in the mines, he took a moment to make sure Sabrina was warm enough. That’s true love, bitch.

harvey kinkle psd icons + header 1x01

Bitchin’.

WALLPAPERS KIMI NO NA WA (YOUR NAME) | DÊ LIKE!

Kimi No Na Wa (Your Name) - A Quiet Rural Japanese Town (2016)

The Art Of Your Name - Kimi No Na Wa 君の名は。Part One - Dir. Makoto Shinkai (2016)

The Weeknd - After Hours [Album Review]

1 - Alone Again: Swimming in a deep red sea of yearning and heartache, this song is the perfect way to kick off the album. It plays like a mood, a feeling; it’s a confirmation that in the time since My Dear Melancholy, whatever hope was found, whatever lessons were learned, they’ve been lost in that ocean of new mistakes. The second half intensifies and darkens and leads the listener down the dark corridor the rest of the album will follow. Favorite Lyric: “Take off my disguise, I’m living someone else’s life, suppressing who I was inside…” 9/10, Excellent

2 - Too Late: So yeah, the production in this album is god-tier, and this track goes hard in that vein. I love the distortion on Abel’s voice in the chorus, the tempo, the vibe. There are so many segments and details that could fly over your head the first time – this song is fucking layered. The more you listen, the more it slaps. Like every other track on the album, it’s about mistakes made that push the person you love away, but it’s not some whiny self-pity party, it’s a grim acknowledgment of how you feel and how it’s all your fault. Favorite Lyric: “When the darkness comes, you’re my light.” 10/10, Outstanding

3 - Hardest to Love: There’s a fragility to this track that’s rare in Abel’s music, and I admire that so much. It’s about admitting how difficult you’ve been and wondering why the person you love still wants you after all you’ve done. It strikes at that struggle inside where you want them to let you go because it’s best for them, but the reality of that makes you miserable and you don’t want them to forget you. I could say this about almost any track on the album, but I fucking love the 80s-style production here. Such glorious music for the soul. Favorite Lyric: “I can’t believe you want me, after all the heartbreaks, after all I’ve done, no I can’t believe you trust me, after all the rough days, you still call me up…” 9/10, Excellent

4 - Scared to Live: I gotta be honest, this song doesn’t do it for me like it does for most people. I still like it, and I love the lyrics, but stylistically it’s just a little too sappy for my tastes. I feel like this style (minus the fantastic production) is something I could hear a lot of other places, and that’s something I can’t say about most of Abel’s music. The lyrics, though! They send a lovely message of accepting your partner’s choice to leave you, gently telling them it’s okay to go on in life without you. It’s a truly gracious and grown-up thing to express. Favorite Lyric: “And if I held you back, at least I held you close” or maybe “You always miss the chance to fall for someone else, ‘cause your heart only knows me.” 8.5/10, Great

5 - Snowchild: Ooh yeah, here we go. In this song Abel reflects on his journey through the past decade. It’s a lowkey, moody, heart-in-your-throat track. It’s like walking through an empty city late at night, hands in your pockets, with an ache in your chest. It’s like leaving everything you had behind because it doesn’t matter anymore. You just want out. You just want something new. I can relate. Favorite Lyric: “She never need a man, she what a man need, so I keep falling for her daily…” 10/10, Outstanding

6 - Escape from LA: Maintaining the mood from Snowchild, this is a deep dark dive to the mind. It’s about being dead inside. It’s about being in love with someone you still have but will never have, you know what I mean? They’re in your life, but they’re not yours. And you have everything you could possibly ask for, but it’s still not enough. You’ve done everything you could possibly think of, but it doesn’t fill you up. You’re still running empty. It’s cold and it’s lonely and all that’s left is the voice inside, telling you it’s time to go. But you stay because you’re waiting. So you can be there if they come back. Favorite Lyric: “We’ll figure out our shit and find a way; when you say that you need space, I give you space.” 9.5/10, Amazing

7 - Heartless: I thought it was so funny when this song came out last year and everyone took it literally. This song isn’t about being some badass heartless jerk with no feelings, it’s about pretending to be that to cope with how broken you really are inside. It’s about embracing hedonism to hide the pain. The bridge really drives that home, where Abel sings about being lost and depressed and wondering why the fuck the person you’ve hurt and betrayed still cares enough to come back in your life. Despite all the boasting and bragging and the fast pace and tempo, this song is really the most miserable one on the album. Favorite Lyric: “I thought I lost you this time, you just came back in my life; you never gave up on me, I’ll never know what you see…” 9/10, Excellent 

8 - Faith: God, I love this song. There’s something transcendent about it. It takes you to the sky and leaves you standing in a storm. The pace it takes, the production around it, the lightning-quick smooth transitions from piece to piece, it knows exactly what it’s doing and it revels in it. It also has the unenviable task of connecting the tracks before it and after it, and dear lord does it ever. There aren’t many songs these days that truly tell a story, but this one does. Beginning to end, it takes you on a journey. Favorite Lyric: “Well, I feel everything, when I’m coming down is the most I feel alone…” 10/10, Outstanding

9 - Blinding Lights: I love this song to death, too. The synths, the words, the faint touch of hope. It’s uplifting in a way nothing else on the album is – it’s about driving fast as you can in the middle of the night just to get to the person you love, praying you’ll get there in time. Ever since it came out last year, it’s helped me through a lot. When I’m sad, it helps me up. When I’m happy, it makes me smile. It might be the most perfect pop song Abel’s ever made. Favorite Lyric: “When I’m like this, you’re the one I trust.” 10/10, Outstanding

10 - In Your Eyes: This one knocked me flat. I wasn’t expecting another retro pop banger on the album, but uh, here it is. This one means a lot to me personally. It reflects a lot of feelings I’ve had over the years. There’s an acceptance in it, a sense of letting go and moving on while still being real about what stays, what matters. And it has a sax solo. Yeah. Favorite Lyric: “In your eyes you lie, but I don’t let it define you.” 10/10, Outstanding

11 - Save Your Tears: There’s something so…peaceful about this song. It reminds me of my dad and some of the 80s music he played when I was a kid. It has that nostalgic feel to it, you know? It’s different for Abel and I like it. At first I wasn’t sure what to think of it, but the more I listen the more I like it. Favorite Lyric: “You could’ve asked me why I broke your heart, you could’ve told me that you fell apart, but you walked past me like I wasn’t there, and just pretended like you didn’t care.” 9/10, Excellent

12 - Repeat After Me (Interlude): The vibe, the mood, the feel. This song goes deep and stays there. Like Alone Again, it’s like dipping into dark water and swimming a while, floating on a memory. Looking at old photos you probably should’ve deleted. Reading old messages from someone you should’ve blocked. It hurts, but it heals. Favorite Lyric: “You don’t love him if you’re thinking of me, you’re just fucking, it means nothing to me.” 9.5/10, Amazing

13 - After Hours: This one took us all by surprise, didn’t it? A six-minute track with a beat switch and enough atmosphere to make your jaw hit the floor. When it dropped it tipped everyone off that this album was going to be special. The song itself is so fluid, so smooth, displaying everything Abel’s learned since he began. It’s a masterpiece that perfectly sums up every theme on the album and then some. Favorite Lyric: All of it, but especially the chorus and the bridge. 10/10, Outstanding

14 - Until I Bleed Out: If Snowchild is like walking an empty city at night, this song is like stumbling out an alley as dawn hits the streets, blood running down your side. Bathed in that red light, begging to be let go. It’s the fitting book-end to where this album started, closing the chapter with nowhere left to go. It doesn’t leave with easy answers, it doesn’t tell you everything is fine. But it acknowledges a change. Favorite Lyric: “Well I don’t wanna touch the sky no more, I just wanna feel the ground when I’m coming down…And I don’t even wanna get high no more, I just want it out of my life…” 9/10, Excellent

Final Rating for the Album: 9.5/10, Amazing