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art and such

@claradeghati

noor | 17 | she/they | 🏳️‍🌈

Of all the redemption arcs in popular fantasy media, I feel like Theoden's in The Lord of the Rings is the most overlooked.

The movies emphasize the magical control that the evil powers exercise over Theoden, but in the books, it's more obviously a depiction of bad kingship, in the British medieval sense. Theoden takes bad advice; he neglects his family; he fails to reward his knights; and he leaves his people vulnerable to attack. He also does not honor his kingdom's promises to help nearby kingdoms, as we can tell from Boromir's account of what Gondor has been going through.

Gandalf doesn't just cast out the curse and magically fix everything. He encourages Theoden to free himself from his bad advisor, but Theoden has to take all the subsequent steps. And those choices are not easy; after so much neglect, his knights are scattered, and his only option for defending his people is to gather them at Helm's Deep. The siege does not go well. His people are afraid and despairing. But nevertheless, he holds firm and charges out to meet the enemy -- and Gandalf literally meets him halfway, bringing with him the lost knights, whom Theoden welcomes and rewards after the battle.

Theoden could have just gone home after that. But when Gondor calls for aid, Theoden proves his worth by honoring his promises. He keeps his oaths not only to his people but to his allies.

And the climax of his redemption in the book is not his death, but his leadership. The ride of the Rohirrim against Sauron's armies is described in lavish detail, with an uncharacteristically heated pace: Theoden leads the entire line of Rohan, his banner streaming behind him in the wind as they race toward their foe. And that's the end of the chapter.

I love Theoden's arc so much, and especially that moment so much, because the message is not that he has to win battles or seek power. He just has to keep fighting. Theoden's greatest enemy isn't really Sauron: it's despair. And over the course of the book, he keeps choosing hope and action over despair and hesitation, until finally he can lead his people with courage.

As someone who struggles a lot with despair, I really needed to hear that story.

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and it’s contrasted against Denethor’s arc; who also struggles against despair, and doesn’t overcome it.

yooooo. so I literally wrote a 20 page english paper about the Hope/Despair theme in Tolkien’s work once. It was like ten years ago and I don’t think I have it anymore, but oh boy do I have feeeeeeelings about this topic. And I have drunk a little bit of wine tonight! So here are my unasked for thoughts:

Yes, Theoden’s greatest enemy is despair! Everyone’s greatest enemy is despair. It’s the biggest fucking theme of the series IMO and it makes me crazy how often it gets overlooked.

lord of the rings is a story written by a man whose experience of war was crouching in the bottom of a trench. People like to make a lot of hay about the charge of the light brigade and it’s similarity to the ride of the rohirrim, but no. Tolkien’s experience of war was getting fucking trench fever, not watching cavalry charges. Tolkien’s experience of war was listening to the shells fall around him, knowing that death could come at any moment. He experienced war in a way where the soldiers on the other side of the line were a faceless threat, and the closest and most present enemy was his own fear.

this is the hill I will die on. This is why I hate it when people talk about LotR as a morally cowardly story about fighting mindless orcs that exist to be cannon fodder. No. Lord of the Rings is about seeing the dark coming on the horizon, and fighting yourself. Fighting the fear and despair that rise up inside you. Struggling with your own terror and powerlessness, knowing that you are small, and nothing you do will matter in the face of this massive conflict—  you’re just here, one more meaningless soul to feed into the machine guns. Lord of the Rings is about taking a deep breath, and bracing yourself, and deciding that if nothing you do matters, all that matters is how you do it. The ring can’t possibly be destroyed— we choose to form a fellowship anyway. Helms deep will surely fall by morning— we still choose to fight. The quest can’t possibly succeed— and yet we choose to march into the teeth of mordor to distract the enemy. It’s not hope, exactly? But’s it’s not not hope.

I did at one point have twenty pages written about this. Tolkien was a deeply christian man— he believed in eucatastrophe. Salvation. A better world to come, after suffering, if you bore your suffering well. But he was also a world-class Beowulf scholar with a kinda viking-warrior-type view of the world. And do you know what the vikings believed? (Pls don’t anybody @ me for saying viking, I know it’s a verb and not a culture). The vikings believed that the time of your death was preordained, and that all you had control over was how you met it.

And that is some seriously Rohirric shit!! Like, we’re all mortals doomed to die, Ragnarok is coming, and this whole world is an inevitable grind down into oblivion… but if we’re fighting a long defeat, all the more reason to fight it gloriously!! That’s epic. Eomer approves the hell out of that message.

I’m gonna be a real nerd now, and quote from a poem called the Battle of Maldon.

Courage shall grow keener, clearer our will,
More valiant our spirits, as our strength grows less.
Here lies our good lord, all leveled in dust
The man all marred. True kinsman will mourn
Who thinks to wend off from battle play now?
Though whitened by winters I will not away,
But lodge by my liege lord that favorite of men;
By my dear one and ring giver intend I to lie.”

That’s a translation from an Old English poem that’s literally a thousand years old, but it always gets me how much it sounds like something Tolkien would write. Theoden and Eowyn are practically leaping out of that poem: We’re all going to die, I choose to meet my end fiercely. We’re all going to die, so I want to die beside my king.

It’s an acceptance of death, and even of failure, but not of defeat. Because— to get back to what I was talking about earlier— Lord of the Rings isn’t actually a story about battlefields. It’s a story about being at war with your own heart. Despair or faith? Hope or defeat? Tolkien wants you to know that even if your city is overrun by orcs, or you’re killed in a meaningless push for another 50 feet of french mud, you can still hold on to your courage with both hands and not cede up your soul to despair-- and that’s the battle Tolkien thinks is really worth writing about.

It’s a battle that every major character in the story fights. Frodo, Sam, Gandalf, Theoden, Denethor, Merry, Pippin, Boromir, Galadriel, Eowyn, Faramir, Eomer, Saruman, Gollum, Aragorn. Some of them hold onto hope through everything. Some of them break utterly. Some of them are defeated, and then with help find their footing again, and make a redeeming last stand.  

But the point that Tolkien hammers home again and again is: Death and failure are natural parts of life, and should be accepted. Despair shouldn’t be.

Tolkien says: hope is hard, actually. Fuck that Game of Thrones grimdark bullshit. Hope is hard fucking work. And even if you don’t have hope? Fight like you do. Because the world needs people working to make it better. Do the best you can with what you have, and whether you can see the mark you’re making on the world or not, the simple fact that you’re trying means the world is a better place.

Anyway, I fucking love these books. I am going to stop drinking wine, and go to bed now. :)

A hearty support to all of the above. And this is a wonderful reminder to humanity—-this is WHY we tell stories. Why fantasy is important. Why heroes and heroines greater than ourselves are needed. Because we can read and remember that in the horror of the trenches, Tolkien created something stunning and lovely and, to quote Sam, ‘worth fighting for’.

Theoden was a king and a knight. But he battled his despair and won. I’m a civilian and a teacher. I can do the same. I believe with all my heart therefore, that teaching literature and history are crucial for the health of humanity. Courage can be found in fiction and in reality. And I like writing about it as well as reading it.

Thanks to the people in this thread for discussing something so foundational. I hope folks are encouraged.

All of the above, but also:

The crisis facing us all right now is, at bottom, meaningless lives. Tumblr is full of laments over the ways industrialization and globalization have made people nothing but interchangeable cogs. That corporations treat employees as expendable resources. That community has broken down, leaving everyone isolated and relationships fractured. And these points are all valid.

Outraged, angry people of all stripes want to fix everything that is wrong in society and rage at those they believe are standing in the way of their efforts. And I completely understand that desire to build utopia. The world is deeply broken and it hurts to see that brokenness. Worse, to have to live in it.

So this is another way that reading literature is so valuable. Because Tolkien reminds us that the world has always been broken. That when one evil is defeated, another will rise in its place (implied in the way Tolkien takes such care (in the chronology in the LOTR appendix) to weave his story into the flow of later history, a history that leads directly to the evils of early and mid-twentieth century). We cannot build a perfect world. And if we focus on that fact, we will despair.

But Tolkien comes alongside us and says, "If nothing you do matters, all that matters is how you do it."

To see intractable problems and imperfect solutions and say, "I know that even if everyone worked together in exactly the same way, we could not create a truly just and whole society, but I will do my small part to stand against the tide of darkness, even within myself, and to build, even a little bit," is to seize meaning for our lives, even when all that surrounds us presses us toward nihilism and despair.

"And even if you don’t have hope? Fight like you do. Because the world needs people working to make it better. Do the best you can with what you have, and whether you can see the mark you’re making on the world or not, the simple fact that you’re trying means the world is a better place."

all RIGHT:

Why You're Writing Medieval (and Medieval-Coded) Women Wrong: A RANT

(Or, For the Love of God, People, Stop Pretending Victorian Style Gender Roles Applied to All of History)

This is a problem I see alllll over the place - I'll be reading a medieval-coded book and the women will be told they aren't allowed to fight or learn or work, that they are only supposed to get married, keep house and have babies, &c &c.

If I point this out ppl will be like "yes but there was misogyny back then! women were treated terribly!" and OK. Stop right there.

By & large, what we as a culture think of as misogyny & patriarchy is the expression prevalent in Victorian times - not medieval. (And NO, this is not me blaming Victorians for their theme park version of "medieval history". This is me blaming 21st century people for being ignorant & refusing to do their homework).

Yes, there was misogyny in medieval times, but 1) in many ways it was actually markedly less severe than Victorian misogyny, tyvm - and 2) it was of a quite different type. (Disclaimer: I am speaking specifically of Frankish, Western European medieval women rather than those in other parts of the world. This applies to a lesser extent in Byzantium and I am still learning about women in the medieval Islamic world.)

So, here are the 2 vital things to remember about women when writing medieval or medieval-coded societies

FIRST. Where in Victorian times the primary axes of prejudice were gender and race - so that a male labourer had more rights than a female of the higher classes, and a middle class white man would be treated with more respect than an African or Indian dignitary - In medieval times, the primary axis of prejudice was, overwhelmingly, class. Thus, Frankish crusader knights arguably felt more solidarity with their Muslim opponents of knightly status, than they did their own peasants. Faith and age were also medieval axes of prejudice - children and young people were exploited ruthlessly, sent into war or marriage at 15 (boys) or 12 (girls). Gender was less important.

What this meant was that a medieval woman could expect - indeed demand - to be treated more or less the same way the men of her class were. Where no ancient legal obstacle existed, such as Salic law, a king's daughter could and did expect to rule, even after marriage.

Women of the knightly class could & did arm & fight - something that required a MASSIVE outlay of money, which was obviously at their discretion & disposal. See: Sichelgaita, Isabel de Conches, the unnamed women fighting in armour as knights during the Third Crusade, as recorded by Muslim chroniclers.

Tolkien's Eowyn is a great example of this medieval attitude to class trumping race: complaining that she's being told not to fight, she stresses her class: "I am of the house of Eorl & not a serving woman". She claims her rights, not as a woman, but as a member of the warrior class and the ruling family. Similarly in Renaissance Venice a doge protested the practice which saw 80% of noble women locked into convents for life: if these had been men they would have been "born to command & govern the world". Their class ought to have exempted them from discrimination on the basis of sex.

So, tip #1 for writing medieval women: remember that their class always outweighed their gender. They might be subordinate to the men within their own class, but not to those below.

SECOND. Whereas Victorians saw women's highest calling as marriage & children - the "angel in the house" ennobling & improving their men on a spiritual but rarely practical level - Medievals by contrast prized virginity/celibacy above marriage, seeing it as a way for women to transcend their sex. Often as nuns, saints, mystics; sometimes as warriors, queens, & ladies; always as businesswomen & merchants, women could & did forge their own paths in life

When Elizabeth I claimed to have "the heart & stomach of a king" & adopted the persona of the virgin queen, this was the norm she appealed to. Women could do things; they just had to prove they were Not Like Other Girls. By Elizabeth's time things were already changing: it was the Reformation that switched the ideal to marriage, & the Enlightenment that divorced femininity from reason, aggression & public life.

For more on this topic, read Katherine Hager's article "Endowed With Manly Courage: Medieval Perceptions of Women in Combat" on women who transcended gender to occupy a liminal space as warrior/virgin/saint.

So, tip #2: remember that for medieval women, wife and mother wasn't the ideal, virgin saint was the ideal. By proving yourself "not like other girls" you could gain significant autonomy & freedom.

Finally a bonus tip: if writing about medieval women, be sure to read writing on women's issues from the time so as to understand the terms in which these women spoke about & defended their ambitions. Start with Christine de Pisan.

I learned all this doing the reading for WATCHERS OF OUTREMER, my series of historical fantasy novels set in the medieval crusader states, which were dominated by strong medieval women! Book 5, THE HOUSE OF MOURNING (forthcoming 2023) will focus, to a greater extent than any other novel I've ever yet read or written, on the experience of women during the crusades - as warriors, captives, and political leaders. I can't wait to share it with you all!

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Seconding Katherine Hagar's article, Endowed with Manly Courage

Pensioner sets off on 600-mile pony trek with pet dog in saddlebag

Jane Dotchin, 80, has been making the unusual journey from Northumberland to the Highlands since 1972. (Story from STV News)

An 80-year-old woman who wears an eyepatch is on an annual trek with her pony from England to the Highlands – on a seven-week adventure which began in 1972.

Jane Dotchin packs her saddlebags onto her trusty pony’s back every year, and heads to the hills from her home near Hexham, Northumberland, on an epic 600-mile trek to Inverness, covering between 15 and 20 miles a day.

She set off on August 31 with her steed, Diamond, aged 13, and her disabled Jack Russell named Dinky for company, from the off-grid smallholding where she lives.

She carries everything she needs including her tent, food and just a few belongings – and despite wearing an eyepatch is determined to continue as long as she can.

Ms Dotchin said: “My mother would look after my other ponies but she wasn’t that keen on looking after my Halfinger stallion, so I rode him down to Somerset to see a friend, which is about 300 miles.

“It was a bit of a hard slog, but it was good.”

After that initial journey, she caught the taste for the open road and travelled to visit friends near Fort Augustus, near Loch Ness, every autumn since.

The journey takes around seven weeks depending on weather and Ms Dotchin tries to stop off to see people she has met over the years.

She said: “I refuse to go slogging on through pouring wet rain.

“There are a few different routes I can take depending on the weather.

“I don’t want to go over hilltops in foul weather, but I work it out on the way.

“I don’t bother with maps, I just keep to the routes I know.

“It is nice to go and see [people] again – I ring them up in the morning to say I’m going to be there in the evening.

“I don’t warn them too far in advance, because if the weather suddenly changes or I decide to stop early then they can be left wondering where I’ve got to.”

Disabled Jack Russell Dinky, who has deformed front legs, travels in a saddle bag.

Ms Dotchin said: “She manages fine, when there is a nice grassy track she gets out and has a run, but she doesn’t like stoney ground but she is a nice hot water bottle for me in the tent.”

She said: “I asked for something good and solid in my old age and he got me a cob from Ireland. I struggle to get on her half the time, but otherwise I manage fine.”

Her diet consists of porridge oats, oatcakes and cheese which is bought at local shops.

She prefers to make porridge with milk, but water will suffice.

Ms Dotchin added: “You can always boil it from a stream.”

Her bathroom habits are equally DIY, and she said: “I dig a hole.”

Ms Dotchin is devastated by the littering she has seen over the years and said Cumbernauld, North Lanarkshire, is somewhere she finds “shameful” due to the amount of rubbish.

She said: “It’s appalling, in particular single used barbecues which are left lying all over the place.

“Cumbernauld is the fly-tipping capital of Britain.

“There are some lovely people there who let me camp, but some of it is so disgusting and shameful.”

Campervans on single track roads have also become a more persistent problem.

She said: “Drivers just didn’t seem to know how wide they were, I was forever just about getting swept off the roads by them.”

The right to roam has helped with countryside access, but she said: “There are still some locked gates or little side gates that you can’t get a horse with packs on through.”

For emergencies she carries an old mobile phone as the battery lasts six weeks.

Ms Dotchin said: “I keep it switched off and just ring out to ring up landowners to get gates unlocked or to warn people when I’m coming but sometimes the trouble is getting a signal.”

During the foot and mouth crisis in 2001 she went on bicycle instead.

She said: “I covered many more miles with the dog in a pannier but it was not the same, I missed my horse.”

In recognition of her independent spirit, and many years of long distance trekking, she received The British Horse Society lifetime achievement award last year, which she said was “a bit of a surprise.”

During her travels she witnesses rutting deer and stags fighting in the autumn, and foxes.

She said: “There is always something interesting happening and there is never a dull moment.

“I will probably be stopped one of these days.”

Tolkien Fanfic Masterlist

Welcome to my new and improved list of Tolkien fics! The one-shots are posted to Tumblr as well as AO3. 

Boromir

  • Burn Like Cold Iron (ongoing, 150k+ words) Boromir/OC, modern girl in Middle Earth / tenth walker fic, rated T
  • and a compilation post of Burn Like Cold Iron fanart, memes, and general ramblings 
  • Customer Service (complete, 5,966 words) Boromir/Reader, rated M
  • The Floor is Molasses (complete, 2,644 words) Gen fluff - Boromir & the hobbits, rated G- now with fanart!
  • Sword Master (complete, 1,731 words), Boromir/Reader, rated E, written for the 2023 Fellowship of the Fics Pinup Calendar, with accompanying fanart!

Eomer

Faramir 

Legolas

Other Tolkien fics

  • What Could Possibly Go Wrong? (complete, 7,196 words) Fellowship found family antics, rated T, written for the 2022 Tolkien Reverse Summer Bang, with accompanying fanart!
  • Labor of Love (complete, 2,697 words) Bilbo & Aragorn (and Aragorn/Arwen…sort of?) rated G, written for The Hobbit: An Unexpected Collaboration, with accompanying fanart!

tbh I've read the silmarillion like 3 times but I could never remember who was who so I could never get super into it. I'm following all these silm blogs and you guys are REALLY helping me actually learn who's who and I appreciate that soo much. gonna have to read silm again armed with knowledge

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i think all quiet on the western front and the lord of the rings are in direct conversation with each other, as in theyre the retelling of the same war with one saying here’s what happened, we all died, and it did not matter at all and another going hush little boy, of course we won, of course your friends came back

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someone should remake lord of the rings as a grandfather telling a fantasy story to his grand child with flashbacks to world war one showing the dead boys and men the characters were based on. grandpa why didn’t they just fly. because they didn’t. they didn’t.

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i’m fine

I’ve noticed lately that it’s often Americans who leave tags like “I don’t even care if it’s made up” on posts I make that are not particularly unbelievable, but are pretty specific to my way of life or corner of the world (like the one about the cheese vendor). It reminds me of that tweet that was circulating, that said Americans have a “medieval peasant scale of worldview”—I mean, if you don’t want to be perceived this way by the rest of the world maybe don’t go around social media saying that if a cultural concept or way of life sounds unfamiliar it must be made up?

It’s the imbalance that’s annoying, because like—when I mentioned having no mobile network around here I had people giving me info about Verizon to fix my problem. I post some rural pic and someone says it must be somewhere in the Midwest because the Southwest doesn’t look like this. My post about my postwoman has thousands of Americans assuming it’s about the USPS. On my post about my architect there’s someone saying “it’s because architecture is an impacted major” and other irrelevant stuff about how architecture is taught in the US. This kind of thing happens so so so often and I’m expected to be familiar with the concepts of Verizon and the Midwest and impacted majors and the USPS and meanwhile I make a post about my daily life and Americans in the notes are debating like “dunno if real. it sounds made up”

Going online for the rest of the world means having to keep in mind an insane amount of hyperspecific trivia about American culture while going online for Americans means having to keep in mind that the rest of the world really exists I guess

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after eight years, I finally updated my huge Historical Fashion Reference & Resources Doc! Now in the form of a MUCH more easily updated Google Doc with better organization, refreshed links, and five more pages of books and online resources.

I know tumblr hates links, but it’s worth it for a doc that I can now update with far more regularity going forward! RIP to the original, you did your duty for far longer than you should have. 😔🙏🏼

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It's Memeception in Maya Glyph form!

Young Man
Take the breadsticks
and run
I said
young man
Man door hand hook car
gun

Yeah, I like old memes.

This follows up The Tiger Poem, and The Demon Stoplight Poem. Original is by @plaid-n-converse in 2016.

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Literal translation:

you-take-it the-tamale¹ sir-youth (and) run-you

sir-youth said-I

the-man door hand

sir-youth said-I²

the-folded.over-dart³ canoe⁴ (blow)gun⁵

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Transliteration:

ʔa-ch'am-Ø ʔu-waj ʔu-ch'ok a‧n-eet

ʔaj-ch'ok che‧ʔ-een

ʔu-wi‧nik pa‧sil k'ab

ʔaj-ch'ok che‧ʔ-een

ʔu-pak-jul ju‧kuub pu'w

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Character Transliteration (ALL CAPS are characters that stand for full words, lower case are syllabic):

ʔa-ch'a-CH'AM-ma ʔu-wa-WAJ ʔAJ-ch'o[ko] ʔa-ne-ta

ʔAJ-ch'o-ko che-ʔe-na

ʔu-WINIK-ki pa-si-li K'AB

ʔAJ-ch'o[ko] che-ʔe-na

ʔu-pa-ka-ju-lu ju-ku-bi pu-wa

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Notes:

¹ 'waj' is the term for any food made with maize dough. I've seen it translated as 'tamale' by linguists, but the term seems to refer to a general category similarly to 'bread'

² To allow the translation to match YMCA meter, I added an extra 'I said, "Young man"' (only 2 of the last 6 words are a single syllable in Classical Maya)

³ 'jul' is a dart/spear/any other piercing tool (but not a needle). I felt a 'folded over/bent downwards piercing tool' fit 'hook' okay

⁴ 'jukuub' is 'canoe', and the closest analog for 'car' I could find

⁵ 'pu'w' is the term for 'blowgun', and has extended it's meaning to 'shotgun' in quite a few modern Maya languages

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The Tiger Poem in Classical Maya!

The Tiger He has destroyed his cage Yes Yes The tiger is out By Nael, Age 6

Literal translation:

he-destroyed his-captive-place the-tiger yes-yes he-came.out the-tiger his-writing master-Na'el man[of]-6-years

Transliteration:

ʔu-jomow ʔu-baaknal ʔu-balahm xt xt Joyoy ʔu-balahm ʔu-tz'ibaal Aj-Naʔel Aj-6-habiy

Character Transliteration (ALL CAPS are characters that stand for full words, lower case are syllabic):

ʔu-jo-mo-wa ʔu-ba-ki-NAL ʔu-BALAM-la-ma xa-ta-xa-ta jo-JOY-yi ʔu-BALAM-ma ʔu-tz'i-ba-li AJ-na-ʔe-le AJ-6-HAB-bi-ya