I painted these color keys for the climactic chase scene in Across the Spiderverse!
While working on Across the Spiderverse, I painted this concept art of what Manhattan might look like in Gwen's watercolor style!
I painted these color keys for this scene in Across the Spiderverse between Gwen and her dad!
The idea for the initial color palette was that because Gwen's world is colored by her emotions, she's cool blue despite the warm light of her surroundings - to symbolize her internal isolation from the rest of the world and her father.
Upon entering Gwen's room, we see an inverse of the color relationship that was set up previously. Gwen and her environment are in harmony, contrasting against her dad's warm colors. When they embrace, their colors mix together to create something new.
I designed the outfit that Gwen wears to prom in Across the Spiderverse!
For her outfit I was asked to bring in some 90s/grunge influence- the idea was that Gwen wouldn't buy a dress off the rack for prom, she would probably throw together her own outfit and customize it herself. Numbers 4 and 6 are closest to the version that ended up in the movie!
My concept art for the Spider Therapist Office!
(I have a degree in psychology and working on this was the only time I’ve thought about it at all since graduating lmao)
Color & mood exploration paintings I did for Spider HQ!
I only did paint and color for these - design and layout of this space is the vision of the incredible Patrick O'Keefe and all the spiders are character designs by the amazing Kris Anka!
how it started....... how it's going!!!!!!
Spider-Man: Across the Spiderverse comes out later today so I wanted to write a post reflecting on my journey and experience working on this movie. So many people have supported me through this and I am so thankful to each and every one of you!
Text version of this post under the cut:
As Spiderverse wraps up I'm very happy to share what's next for me- I'm now working as a visdev artist on K-Pop Demon Hunters!
New Spiderverse trailer is out! An Olympic sized swimming pool of blood sweat and tears went into this movie... I'm so proud to be a part of this crew and I really hope you guys enjoy it!! See you in June! 🕷️
how I paint lilypads without manually drawing every single one!
house in the woods (BGs I painted for We Lost Our Human)
thanks to layout artists Robin Thompson & Hena Hong for designing the beautiful BGs in this show! AD: Chris Garbutt & Elaine Wu
empty city and abandoned mall (BGs I painted for We Lost Our Human)
thanks to layout artists Robin Thompson & Hena Hong for designing these! AD: Chris Garbutt & Elaine Wu
home (we lost our human)
these are for a new interactive Netflix special called We Lost Our Human- it’s out now if you want to check it out! thank you so much to Robin Thompson and Hena Hong for letting me paint their incredible BG designs, and to Chris Garbutt and Elaine Wu for their art direction!
painting a room from day to night
I drew these burst card frames of 2099 for the new Spiderverse trailer - (they’re only on screen for a fraction of a second!)
The class is BACK!! This time with two sessions next year in Spring and Fall, by popular demand! Registration opens on December 1, 10 AM PST!