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@chicofinura-blog

Shae
Music&Girls
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i think my biggest issue with this narrative that the q slur has been universally reclaimed is that it makes cishets feel as though they can use it to refer to us, and are in fact better, more progressive allies for doing so

like it makes me uncomfortable when other lgbt people use that word to refer to me, but that’s nothing compared to hearing it from well-meaning cishets who have been exposed to this idea that it’s like fully reclaimed and more correct and inclusive now, actually, because for me that experience is just being called a slur by my oppressor lol

that’s why things like Queer People and Queer Organizations and Queer Studies and Queer Literature make me uncomfortable! because it’s NOT fully-reclaimed and it’s giving cishets permission to call me a slur that i don’t even feel comfortable with being called by other lgbt people lol

save for yourself and for future generations

reblog to save a life

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For any lovelies with graduations coming up 💕

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there was a girl in front of me who did this she looked great

In case you missed it, here’s the moment when three trans women, played by three out trans actresses, casually chatting over lunch, appeared on a prime-time drama on the single biggest television network in the U.S.

Doubt (CBS) was revolutionary in having a trans lead, played by Laverne Cox, but they also had a trans woman in the writer’s room (Imogen Binnie), and trans actors, like myself and Angelica Ross in the scene above, and Alexandra Grey in the following episode (who gives a devastating and powerful must-see performance).

This level of attentiveness was largely due to the creators/showrunners, Joan Rater & Tony Phelan, having a trans son, the actor Tom Phelan. For Joan & Tony, trans people weren’t “other”, they weren’t punchlines, they didn’t exist just as metaphors, or props to trigger male anxieties. They’re real people, whole and complicated people with rich lives that can’t be reduced to the single facet “trans”.

Three friends having lunch and talking over boy trouble, in public, in daylight. This is how we come out of the shadows.

RIP Doubt; long live the team behind it.

cis straights cancelled it after only TWO EPISODES… never forget it

Artist Daan Roosegaarde has created an incredibly beautiful tribute to Vincent van Gogh, an illuminated bike path that glows in the dark. Located in the Netherlands, the path is illuminated by thousands of twinkling stones that feature glow-in-the-dark technology and solar-powered LED lights. (Source)

Another reason to visit the Netherlands

Temples are built for gods. Knowing this a farmer builds a small temple to see what kind of god turns up.

Arepo built a temple in his field, a humble thing, some stones stacked up to make a cairn, and two days later a god moved in.

“Hope you’re a harvest god,” Arepo said, and set up an altar and burnt two stalks of wheat. “It’d be nice, you know.” He looked down at the ash smeared on the stone, the rocks all laid askew, and coughed and scratched his head. “I know it’s not much,” he said, his straw hat in his hands. “But - I’ll do what I can. It’d be nice to think there’s a god looking after me.”

The next day he left a pair of figs, the day after that he spent ten minutes of his morning seated by the temple in prayer. On the third day, the god spoke up.

“You should go to a temple in the city,” the god said. Its voice was like the rustling of the wheat, like the squeaks of fieldmice running through the grass. “A real temple. A good one. Get some real gods to bless you. I’m no one much myself, but I might be able to put in a good word?” It plucked a leaf from a tree and sighed. “I mean, not to be rude. I like this temple. It’s cozy enough. The worship’s been nice. But you can’t honestly believe that any of this is going to bring you anything.”

“This is more than I was expecting when I built it,” Arepo said, laying down his scythe and lowering himself to the ground. “Tell me, what sort of god are you anyway?”

“I’m of the fallen leaves,” it said. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth. I’m a god of a dozen different nothings, scraps that lead to rot, momentary glimpses. A change in the air, and then it’s gone.”

The god heaved another sigh. “There’s no point in worship in that, not like War, or the Harvest, or the Storm. Save your prayers for the things beyond your control, good farmer. You’re so tiny in the world. So vulnerable. Best to pray to a greater thing than me.”

Arepo plucked a stalk of wheat and flattened it between his teeth. “I like this sort of worship fine,” he said. “So if you don’t mind, I think I’ll continue.”

“Do what you will,” said the god, and withdrew deeper into the stones. “But don’t say I never warned you otherwise.”

Arepo would say a prayer before the morning’s work, and he and the god contemplated the trees in silence. Days passed like that, and weeks, and then the Storm rolled in, black and bold and blustering. It flooded Arepo’s fields, shook the tiles from his roof, smote his olive tree and set it to cinder. The next day, Arepo and his sons walked among the wheat, salvaging what they could. The little temple had been strewn across the field, and so when the work was done for the day, Arepo gathered the stones and pieced them back together.

“Useless work,” the god whispered, but came creeping back inside the temple regardless. “There wasn’t a thing I could do to spare you this.”

“We’ll be fine,” Arepo said. “The storm’s blown over. We’ll rebuild. Don’t have much of an offering for today,” he said, and laid down some ruined wheat, “but I think I’ll shore up this thing’s foundations tomorrow, how about that?” 

The god rattled around in the temple and sighed.

A year passed, and then another. The temple had layered walls of stones, a roof of woven twigs. Arepo’s neighbors chuckled as they passed it. Some of their children left fruit and flowers. And then the Harvest failed, the gods withdrew their bounty. In Arepo’s field the wheat sprouted thin and brittle. People wailed and tore their robes, slaughtered lambs and spilled their blood, looked upon the ground with haunted eyes and went to bed hungry. Arepo came and sat by the temple, the flowers wilted now, the fruit shriveled nubs, Arepo’s ribs showing through his chest, his hands still shaking, and murmured out a prayer. 

“There is nothing here for you,” said the god, hudding in the dark. “There is nothing I can do. There is nothing to be done.” It shivered, and spat out its words. “What is this temple but another burden to you?”

“We -” Arepo said, and his voice wavered. “So it’s a lean year,” he said. “We’ve gone through this before, we’ll get through this again. So we’re hungry,” he said. “We’ve still got each other, don’t we? And a lot of people prayed to other gods, but it didn’t protect them from this. No,” he said, and shook his head, and laid down some shriveled weeds on the altar. “No, I think I like our arrangement fine.”

“There will come worse,” said the god, from the hollows of the stone. “And there will be nothing I can do to save you.”

The years passed. Arepo rested a wrinkled hand upon the temple of stone and some days spent an hour there, lost in contemplation with the god.

And one fateful day, from across the wine-dark seas, came War.

Arepo came stumbling to his temple now, his hand pressed against his gut, anointing the holy site with his blood. Behind him, his wheat fields burned, and the bones burned black in them. He came crawling on his knees to a temple of hewed stone, and the god rushed out to meet him.

“I could not save them,” said the god, its voice a low wail. “I am sorry. I am sorry. I am so so sorry.” The leaves fell burning from the trees, a soft slow rain of ash. “I have done nothing! All these years, and I have done nothing for you!”

“Shush,” Arepo said, tasting his own blood, his vision blurring. He propped himself up against the temple, forehead pressed against the stone in prayer. “Tell me,” he mumbled. “Tell me again. What sort of god are you?”

“I -” said the god, and reached out, cradling Arepo’s head, and closed its eyes and spoke.

“I’m of the fallen leaves,” it said, and conjured up the image of them. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth.” Arepo’s lips parted in a smile.

“I am the god of a dozen different nothings,” it said. “The petals in bloom that lead to rot, the momentary glimpses. A change in the air -” Its voice broke, and it wept. “Before it’s gone.”

“Beautiful,” Arepo said, his blood staining the stones, seeping into the earth. “All of them. They were all so beautiful.”

And as the fields burned and the smoke blotted out the sun, as men were trodden in the press and bloody War raged on, as the heavens let loose their wrath upon the earth, Arepo the sower lay down in his humble temple, his head sheltered by the stones, and returned home to his god.

Oh that is just stunningly nice. Very very good.

Knowing that trans women of color started the movement in the united states and were literally immediately erased and excluded from what they started is the most deeply jading knowledge.

It is the original sin of the so-called queer community and it damns it from the cradle.

i wonder if magic is real, but only in a really mundane way.

when i was little i could almost inerringly switch back to disney channel right as the ads ended when i was channel surfing.

maybe youve never accidentally crushed a ladybug underfoot. maybe your microwave popcorn never burns. maybe you can spin around lots and lots of times before you get dizzy.

is that magic??

honestly im not sure if these are magic or just small, invisible skills. im not sure which i like better.

My ankles never twist.  I’ve always been rather active, I did track for five years (all the running events), and one time while running I stepped in a hole, lost my shoe, and landed sprawling about five feet away.  I pulled my shoe on and kept running.

I have a coworker who somehow makes better coffee than everyone else even though the grounds come pre-measured and all you have to do is load them up and push a button.  I have a friend who has inch long nails that never break.  My brother can copy origami just by looking at the finished product and my mother can do the same with knots.  I knew a guy who never made an error when typing.

Maybe we all have little magics, the kind that you don’t realize you have.  Just tiny things that make your life slightly better but are completely unnoticed on the outside.

this is the cutest post i have ever read…

you know that bit in the greatest showman where zac efron sees zendaya for the first time and his whole world stills into slow motion and he is rendered speechless and can only blink in awe??? yeah that’s the biggest example of art imitating life ive ever seen because me too zac, me too