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Support your local insane asylum escapee

@charrcoai

⠀⠀ ☆☆☆Sio/Char☆He/Him☆☆☆⠀⠀⠀⠀ ⠀☆☆☆MP100, KNY, UT/DR, ETC.☆☆☆ ⠀⠀ ⠀art tag: #char art⠀⠀
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alright i am sick of yt to mp4 sites being shady and full of viruses and finding websites that seem to be working and then don't work (looking at you y232 (no hate, just frustrated))

so HERE'S HOW YOU DOWNLOAD YOUTUBE VIDEOS WITH VLC!! VLC FREAKIN RULES!!

  1. get your youtube link
  2. open vlc, go to media > open network stream
  3. paste your url in the box and PRESS PLAY!
  4. wait for the video to open then go to tools > codec information
  5. copy the entire file location (click the box, then ctrl-a to select all, then ctrl-c to copy)
  6. paste into your browser of choice (i use firefox)
  7. right click video and press "save video as", choose your file format if you want
  8. DONE! NO VIRUSES OR SKETCHY STUFF!

the quality might be a little crummy but if you don't mind that, then shabam! video on your computer! then you can email it to yourself and have it on your phone too if you want! if you need a guide with pictures wikihow has you covered my friends

happy downloading and stay safe on the internet :D

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reblogged

WOOMY

-She/Her/He/Him/They/Them

Pedos, Proshipper, Zoos, NSFW. DNI!!

Currently Interested in Madcom, The Amazing Digital Circus, Phighting, Mob psycho 100 and SP.

Basically does art enjoy ig

follow him

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charrcoai

what the hell

Anyway follow this thing

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bleucalire

Little gif i did for the end of mp100 s3 ! It’s been almost a year… this series has such a special place in my heart, i was so happy to animate a little bit on s3 !

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why dont they teach our kids somethibg useful in schools like how to make youtube poops or speedrunning dark souls

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rosalarian

I spent ten years building up a following on Tumblr. I had 30k+ followers, great engagement, it helped my career thrive like nothing else. I could quit my day job and live off the fan base I’d accrued.

Then, their policies changed. Half my work was no longer allowed. People left the site in droves. I left too, for awhile. I came back to a ghost town. I still have 25k followers, but I don’t think more than 10% are active anymore. I’m followed by ghosts. Same with DeviantArt, although I was never quite as big there, and I’ve been gone so much longer.

This disallowed half of my work was never allowed on Facebook in the first place, or Instagram, but their algorithms are such that my stuff rarely makes it to anyone’s feeds, and if I post a link to where people could actually pay me for my content, it’s hidden unless I pay for it. Patreon swept my work away to a dark corner where no one could see it unless I personally guided them there. Twitch is so strict you can’t even show bare feet. The death of Google Reader means nobody follows RSS feeds anymore, so I can’t direct people to my own site.

So there’s Twitter I guess, where I can post whatever I want, but again, algorithms. But more than that, I don’t have the energy to build up a following once again on a site I don’t own that can delete my career on a whim. The thought of spending time jumping around through hoops for attention just to have it taken away again has stripped any motivation I had to try.

The internet has been gentrified. All the small cute houses and mom & pop shops have been shut down and replaced by big corporations that control everything. I’ve been making webcomics for twenty years, and at the start, the internet was a beautiful wild place. Everyone had a home page. It was like having a house and people came to visit you and you would visit other people in their houses. Now, we don’t visit each other in personal spaces anymore. It’s like we have to visit each other in the aisles of a megamart. Everything is clean and sanitized and the weirdos who made the internet what it was are no longer welcome. No space for freaks anymore.

People still ask me for advice on how to break into comics, and I don’t have any wisdom because I don’t recognize the internet anymore. I don’t feel comfortable working within its boundaries which seems to be getting smaller and smaller and smaller. None of the tools I used when I started exist anymore. They’ve been replaced by things I don’t know how to use. I don’t think I could break into comics today. 2002 had so few barriers compared to now. You might have started on Keenspace, but you could reach a point where you could break away to your own site and people would go to it. Now, you start on Webtoon or Patreon and I guess you just stay there? It feels so much like owning a hardware store for years and then having to go work as a cashier at the Home Depot that put you out of business. I’m looking at my career trajectory and it all points to being a Wal-Mart greeter with uncontrolled arthritis.

I don’t want to make “content,” I want to make comics, I want to make art, and I want to do it in a space that is mine. I’m not sure there’s a place for that anymore.

As Twitter empties out, I am once again a digital nomad, trying to rebuild a following on yet another site I don’t own (Bluesky, which is nice and you should follow me but also I am just so tired.) Every single time I move to a new site, maybe only 10% of old followers keep following me to the new place. Having done this several times, I barely have anything anymore.

YU+ME, at its peak in 2007, had 250,000 regular readers that came to my own personal website. Today, I have 450 followers on Bluesky. To say that I feel absolute existential despair is an understatement. I am making the best work of my life and nobody is seeing it.

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katyatalks

Mob Psycho 100 NEW Omake⑦ - ENG

The new omake posted by ONE (aka ‘Perseverance > psychic powers’) on 2022/11/16 is now translated and typeset - the latter done by @justheretoretw4 over on Twitter.