The thing that stands out to me about Game Changer is that the cast is on to Sam by now. It's been six seasons and these are intelligent people. They know there's a twist. They expect something's going to happen. They're going in shields-up and ready for anything.

And Sam STILL gets them every single time.

when u scratch a cat’s chin and they lift their head up reblog if u agree

when u scratch a cat’s cheek and they lean their head into ur hand reblog if u agree

when u put your hand in front of your cat’s face and they gently headbut u reblog if u agree

when ur cat runs just a lil bit faster to get to u reblog if u agree

cats reblog if u agree

when u scratch a cat’s chin and they lift their head up reblog if u agree

when u scratch a cat’s cheek and they lean their head into ur hand reblog if u agree

when u put your hand in front of your cat’s face and they gently headbut u reblog if u agree

when ur cat runs just a lil bit faster to get to u reblog if u agree

cats reblog if u agree

hmm today i think i will build the tallest tower possible

good news everyone it’s going well

ah mais diantre… que se passe-t-il ?! je comprends plus rien… est-ce que quelqu’un pourrait m’aider 

ああしまった。。。痛いどうした？！何がわからない。。。誰か助けてくれ

ठीकम् सा अन्तिमटिप्पणी चिन्ताजनकः अस्ति

どうして？読めないの？問題でしょう

Literally any other colour would’ve been a better choice guys.

I’d like to point out that the colour red has more positive than negative meanings.

im sorry but this reply absolutely killed me

red can mean whatever the heck you want it to mean, that is never going to change that this straight up looks like they DRAGGED A BLOODY BODY ACROSS THE FUCKING FLOOR 😂

Hi fun fact, colors do have meaning and there is a legit thing called color theory. Red does has more positive connotations than negative like the @mintymaiden said. Red is associated with more love, lust, passion than blood and death just like the chart shows you but If you want, here’s a link for you to check it out yourself. Also, check out “The Designer’s Dictionary of Color” by Sean Adams. Have fun learning something

Xoxo

-Designer

I think y’all are missing the point here.

You can theorize to Nebraska and back but that doesn’t change my immediate reaction which is that someone is literally dragging a corpse around

I like that the presumption here is that “No One On Tumblr Has Heard of Color Theory, Let Me Explain in Depth” rather than simply acknowledging that the VISUAL EFFECTS of this particular color choice, applied in the manner it was, can still amount to “this is a hospital and that looks like blood”

like, color theory doesn’t exist in a vacuum. If your design of choice for Blood Red Paint is asymmetric splatters and sploches against the wall, or in this case, a snail trail on the hallway’s floor, an infographic won’t override the viewers’ instinct.

this post is the perfect summation of tumblr’s reading comprehension and critical thought abilities

Reblogging because there’s a lot of new people on here and you need some context for the jokes.

[Image ID: The first image is a photo with text above it reading “So our local children’s hospital recently redecorated, but I’m not too sure they really thought things out.” The photo shows a white hallway with winding, deep red snail trails on the floor leading through and around doors.

The second image is a red circle, divided in half vertically, with “positive meanings” labeled on the left half of the circle in white text and words written in varying shades of red floating on that side, matched by “negative meanings” on the right. Positive meanings include “willpower,” “warmth,” “energy,” “power,” “enthusiasm,” “leadership,” “love,” “strength,” “determination,” and “passion”. Negative meanings include “danger,” “alert,” “war,” “lust,” “anger,” “stress,” and “violence.”

This discussion of color theory completely ignores the fact that, in the context of wavy trails of red on a white children’s hospital floor, the red in question looks like blood trails, like you’d get if you were dragging a body around. End ID]

Everybody acts like each new Game Changer is a new level of betrayal and psychological torture from Sam towards his friends. Did we forget that the very first game changer was "Sam wheels out a strange machine and asks the contestants embarrassing personal questions, the veracity of their responses is judged by the Machine. The machine is actually controlled by the contestant's significant others who have been made accomplices. Forcing their loved ones into revealing shameful truths for internet broadcast." And sure, he's gotten a bit more personalized with these, constructing a variety of torture chambers for Brennan Lee Mulligan specifically, putting Grant O'Brien in various situations and then bringing his mother onto the set. But deception and betrayal were part of Game Changer from the beginning. So, when I hear people say "I can't believe Sam WENT THERE" about something all I can do is think to myself He went nowhere He's been there the whole time

anne: what do you get if you cross a sheep with a kangaroo?

marcy, without hesitation: ovis aries macropidae.

anne:

anne: a woolly jumper

go ahead!

gideon nav who has been abused all her life for simply existing. gideon nav who was so lonely and ignored that harrowhark hating her meant more than anything. gideon nav who thinks that harrowhark doesn't love her. and that's okay, she still wants to be her cavalier, still wants to give her everything to the reverend daughter, it's okay if she doesn't love gideon. gideon loves her regardless. gideon nav who gives harrowhark everything without expecting anything in return because serving harrow is the reward she needs. gideon nav who wants to be torn apart and used and consumed by her beloved. gideon nav who has golden eyes. gideon nav thinking that harrow's desperate attempt to save her was a rejection. gideon nav who thinks that harrowhark wasted her when harrowhark wanted to preserve her. gideon nav who was brought back by god, made invincible by god, renamed by god, claimed by god. gideon nav who doesn't quite remember that when people say kiriona they're referring to her. gidon nav—prince kiriona gaia, who realized her dream of being in the cohort, and yet she is sad, so sad, the saddest girl in the whole universe. gideon nav who simply looks like she wants to be kissed. gideon–kiriona who lives in her corpse that doesn't bruise, doesn't bleed, doesn't feel like a body anymore. gideon nav

OUUUUGH

Humans are unstoppable...Until they aren’t.

I’m not the most eloquent writer, but I’ve had this idea kicking around for a while and figured I’d put it out into the universe.

A lot of the basis for the “humans are space orcs” stuff is the idea that we’re pretty durable compared to many species, yeah? When it comes to physical trauma, we can bounce back from most things that don’t kill us outright, especially given the benefit of hypothetical space-age technology, and adrenaline is one heck of a drug when it comes to functioning under stress. 

But that doesn’t make us unkillable, and even though we can survive debilitating injuries and not die from shock, it doesn’t mean it’s fun. Dying of shock sucks, but at least it’s probably quick.

So - Imagine a ship, adrift in space, slowly being drawn into a star or something. In order to save the ship, someone has to repair the hyper-quantum-relay-majig on the hull or in the engine or whatever. Bit of a problem though- there’s a ton of deadly, deadly radiation (Wrath of Khan style) or poisonous fumes or, I dunno, electrical current, between the crew and the repair. Like, enough to kill most species instantly, so the crew is just like, ‘welp, guess we’ll die then’. But then.

BUT THEN

They ask the human. Because everyone’s heard the stories - you’re basically unkillable, right? Could you survive long enough in there to fix it? And their human goes real quiet for a second, but still says ‘Yeah, I could fix it’. And the rest of the crew is like, ‘Whaaaaaa, it won’t kill you?’ and the human repeats “I can fix it” (which isn’t an answer, but no one catches that, not yet at least), so they send ‘em in. And the human fixes it, they come back, the ship flies to safety, and the crew is thrilled to survive. If the human is a little quiet, well, they’re entitled after pulling off a miracle. Everyone else is just excited to get to the nearest station’s bar to tell their very own human story, cuz, ‘those crazy humans, amiright?’.

The good mood keeps up until the human is late for their next shift. At first it’s just faint unease, but- but they earned a bit of a lie-in, right? No reason to begrudge them some extra rest, even if it is a little weird for them to oversleep. They’ll be fine. Humans are always fine. 

(Right?)

(…Wrong.)

- What is… help. Help!-

- ake up! You have t-

- been days. You need sleep, you-

- nother transfusion. We could-

- out of sedatives!-

A week later, the crew finally reaches the station. They stumble into the bar, haggard and haunted. And over the next months and years a new rumor about humans starts to make its way through space. A rumor unlike any before.

‘Be careful with your humans’ it whispers. ‘Their strength is not always a blessing. Be sure they don’t do something they can’t come back from, because when a human dies… they die slowly.’

The thing is, humans can be tricky. And if they’re sufficiently pack-bonded with a ship’s crew? And that crew is in danger? They’ll willingly offer themselves up to make sure the crew survives.

They won’t tell their crewmates that whatever danger it is will just kill them slowly, that they can endure the exposure but not the long-term effects.

But the idea that humans can be fragile? Can die later from exposure to radiation or toxins or electricity or even smoke inhalation?

It seems preposterous!

There are too many stories about humans surviving all sorts of conditions that would kill their other crewmates. A human dying slowly, later, lingering and in agony? It’s a creepy story but of course it’s not true.

But then… another crew shares their own story. Their human volunteered to go into the danger zone to fix what needed to be fixed. Or maybe she had to retrieve a critical component or resource. And she lingered. Wasted away. Later the human doctors told their medical team there was nothing they could do but make sure she was comfortable, ease her pain before the end.

And yet another crew, whose human plunged through smoke and ash to make sure his crew could escape. He choked and coughed and couldn’t get enough air. Their medical commander performed an autopsy and found his lungs and throat and sinuses all coated in black soot and blackened mucus and red blood.

So the stories spread. Just because they don’t die of shock, just because they don’t die right away doesn’t mean it won’t kill them. They linger in agony or unconscious or waste away slowly.

But what’s most horrifying of all?

When other humans hear the stories from the traumatized crewmembers?

They aren’t surprised or horrified.

They say “Of course”

They say “I would have done the same”

They say “it was the Right Thing to do”

And they’ll smile (what the crew’s human would have called a sad smile) and toast to the dead. For making “The ultimate sacrifice for the folks they loved” and every human listening will say the name and drink a shot of liquor.

;v;

grandma ate my fucking pizza

Still think about this

Harrow actually just being a scared teenager who lost her only friend...

When you start HtN, Harrow's mysterious plan seems so intricate and elaborate - 22 letters, and all those guidelines and rules -the favor of the chain, the sewn tongue.

But then when you get to the end, the whole thing boils down to just...

Step 1. Hit Pause on the Absorption Process

Steps 2a-2v Hide the Remote and kill anyone who approaches the hiding spot so no one can ever accidentally hit play.

And that's fucking it.

There's no Step 3 where she works out a way to remove Gideon and see/free her. And I mean, there's not even an instruction to come up with some kind of step 3 eventually. She knows her life will be myriads, but can't even imagine anything beyond "don't absorb her" should even exist.

Abigail & Magnus are spot on when they say she made herself a Mausoleum.

Because in spite of her aptitude and scholarship and obsessive paranoia, she's actually just a traumatized, grief-stricken teenager. Her plan was impulsive and emotional. She saw the looming threat of Griddle's soul being destroyed, and the pain that would crush her when the shock wore off, so she slammed the brakes and ran off.

Is this anything

Think about Harrow's AU Bubbles

Thinking about Harrow's AU bubbles, not as fanfic references, but as expressions of her subconscious fears and desires, is so fascinating.

The Harrow Nova one is pretty obvious. Harrow's parents were obsessed with her being a necromancer, were willing to kill for it. It's only natural she'd wonder, "What if I hadn't been?"

And the answer Harrow gives herself is: Your parents and everyone would reject you (except, wildly, for Crux). Also they'd be alive cuz you'd never opened the tomb, and you'd be an unpopular orphan they'd abuse (Just Like Gideon). And you'd still be just as devoted to serving the Ninth with a blade. There's a lot there. But the other really telling bit is her relationship with Gideon. Harrow Nova professes to hate the reverend daughter even as she seeks to (re) create the necro-cav bond with her. But that hatred doesn't seem to be mutual. And the bit about the daughter intervening when Harrow was whipped…

That's Harrow's subconscious saying if their roles had been reversed, "Gideon would have treated me better than I treated her. Gideon would have protected me."

The Ball AU also seems like a reasonable extension of Gideon's childhood query: "What if my other parent is the most important guy in the universe?" Answer: Emperor Dad would throw a big party.

But also… it's a bride-finding ball! That's so very telling. It could have been anything, but Harrow invents another scenario where she's fighting, competing to get to Gideon, to be awarded the role of her sworn partner (first cav, now bride), while outwardly claiming not to want it.

Now The BARI Star AU often gets described as a "coffee shop" one, but it's actually set in a cohort cafeteria. And normally I wouldn't split hairs over that, but I think the cohort setting is actually really significant. The Cohort was Gideon's dream, and also Harrow's rival for Gideon's attention. It's what she kept trying to leave Harrow for.

So now Harrow dreams that she's left Drearburh to join the cohort and will meet Gideon there. Not fight or compete for a role where they're bound to each other, but just meet her there. That feels like yielding. Like compromise. It makes me think Harrow's subconscious has matured past trying to keep Gideon with her always and is instead looking for ways that SHE can be with Gideon. Meet Gideon where she is.

(Also this may be a stretch, but I always find it low-key funny that Harrow imagines Gideon in the cafeteria… I like to think her brain is skimming lists of hypothetical military jobs like... what sees the least action... ah, coffee-adept, she'll be perfectly safe there...)

they are so swag fr