Avatar

byzantienne.

@byzantienne / byzantienne.tumblr.com

historian. SFF writer. peripatetic scholar-poet. climate & energy policy. Arkady Martine, most of the time.

On an intellectual level i know that early 20th century megacity concepts are deeply impractical and would cause triple the harm they purported to solve, but damn if the art doesn’t make me yearn to visit.

Hugh Harriss made some of my favorites.

Image

It’s Hugh Ferriss, check out The Metropolis of Tomorrow (1929). Some of his work is speculative, some of it is just artistic renderings of existing (or proposed) buildings for advertising purposes, some of it is educational, and a lot of it is New York. All of it is dope.

1920 Art Deco Sunburst design by George Barbier. 

A sunburst is a design or figure commonly used in architectural ornaments and design patterns and possibly pattern books. It consists of rays or “beams” radiating out from a central disk in the manner of sunbeams. Sometimes part of a sunburst, a semicircular or semi-elliptical shape, is used. Traditional sunburst motifs usually show the rays narrowing as they get further from the centre; from the later 19th century they often get wider, as in the Japanese Rising Sun Flag, which is more appropriate in optical terms. (x

1920 Cartier brooch, comprising an open-work rectangular plaque with two central coral bars with rock crystal sides, with a fan-shaped diamond and onyx terminations, all set to a platinum mount with gold brooch fitting. From Art Deco, FB.

I am annoyed at how much I want all my clothing to look like this Cartier brooch.

All of this. #WGAStrong

Avatar

I’m not on Twitter anymore, but I see John Rogers is still there bringing the fire. As I think I mentioned here a while back, I’m not in the WGA yet -- applied, after writing the script for the Fifth Season film, but obviously everything’s on hold given this. (The script was being revised, but since the strike’s been called it’s “pencils down.”)

And the stakes are exactly as high as what John lays out here. I’ve already seen any number of absolute garbage takes on this -- dismissing screenwriters as rich hacks who just want to get richer, stupidly suggesting that only some workers should matter (as if that won’t get weaponized against all of us), and worse. But whether y’all want to believe it or not, creative workers are workers, and the WGA is fighting for all of us right now.

#WGAStrong

Avatar

writing prompt: the political climate of [your choice of historical period] expressed in the form of office drama

Avatar

[Interior - an anachronistic office building, equal parts The Name of The Rose and Parks and Rec. Holy Roman Emperor MAXIMILIAN I is in the background, listening to a PETITIONER. Court musicians nearby are playing something soothing as MAXIMILIAN I visibly tries not to lose his shit.

In the foreground, several people are seated around a table. The table is piled high with semi-organized stacks of papers, labeled “Habsburgs,” “Denmark,” and “???” There is a tired-looking COURT LAWYER who is skimming through a document, seated across from a Fancy-Lad DUCAL ENVOY and an old, gray-bearded, Prussian-looking MARGRAVE, who is half-asleep. The COURT LAWYER skims over a few pages in tense, frustrated silence before finally speaking.]

COURT LAWYER: So King Christian I is his own vassal?

[Cut to the COURT LAWYER doing that talking-to-the-camera-like-The-Office thing, because I have never written a TV script before and am fuzzy on the terminology.]

COURT LAWYER: The Holstien case… is hell. The cadet branches just pop up like… like pimples! One minute it’s Schleswig-Holstein-Sonderburg-Beck, then it’s Schleswig-Holstein-Sonderburg-Glücksburg, then—

[Snap cut back to the table, making it clear the COURT LAWYER could have gone on for hours. The DUCAL ENVOY gestures to a document and starts to explain.]

DUCAL ENVOY: That, ah, that’s from a different case. You see, our illustrious house was rewarded for our service against the Ottomans during the Siege of Thessalonica.

[The MARGRAVE snaps awake.]

MARGRAVE: The Ottomans? Where? Drive back the Turk! Get me the garrison commander! Murm, and a stuffed pastry or two…

[Everyone ignores the MARGRAVE, who falls back asleep after a few more rambles.]

COURT LAWYER: Wasn’t the Siege of Thessalonica a total failure and humiliating defeat on our end?

[The DUCAL ENVOY makes a “yeah, but I’m gonna get mine” gesture. The camera tilts to zoom in on MAXIMILIAN I, who pauses to give a you-are-the-first-to-die-in-my-fantasies glare at the DUCAL ENVOY, then puts his normal expression back on and resumes listening to the PETITIONER.]

[The COURT LAWYER sets the document aside and picks up another one, then winces.]

COURT LAWYER: For god’s sake, Schleswig-Holstein-Liga?

DUCAL ENVOY: I think that one’s just a soccer league, actually.

[The PETITIONER leaves. MAXIMILIAN I signals to the court musicians to stop playing. Suddenly, there is a sense silence. MAXIMILIAN I stands up, takes a deep breath, and screams.]

MAXIMILAN I: AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

[He pauses to breathe in again, then starts to storm offscreen, shouting.]

MAXIMILIAN I: *offscreen* If you rat bastards are going to wave forged documents in my face, at least have the goddamn decency to put in a little effort! The Habsburgs wrote the book on forgeries! Don’t TREAT ME LIKE A CHUMP!

RANDOM RETAINER: The, uh, the emperor will not be seeing any more petitioners today.

[The DUCAL ENVOY stands up and, taking his cue to leave, scoots away, opposite the direction the emperor left.]

[Cut to MAXIMILIAN I doing the talking-to-camera thing. Time has clearly passed, and servants are busy cleaning up rage-smashed furniture.]

MAXIMILIAN I: How come everyone who’s on my side sucks? The dukes, the electors, the rich territories, they’re always busy scheming and trying to fuck me over. But an abbey full of old nuns? Oh, we’re on your side, emperor! Anything you want, emperor! Here, here’s a pair of old sandles, that’ll keep the French from conquering Naples!

MAXIMILIAN I: *heavy, wistful sigh* I bet the Sultan doesn’t have to deal with shit like this. I wish I could be like that… with a harem of women, and not having to take any sass from anyone… this is getting edited out, right?

[Snap cut to interior – Topkapi Palace. Ottoman Sultan BAYEZID II is trying not to look guilty as his mother, GÜLBAHAR HATUN, lectures him.]

GÜLBAHAR HATUN: It’s been months, sweetie. Months!

BAYEZID II: *trying not to get snippy* I know, mother, but things have been crazy at work lately, and—

GÜLBAHAR HATUN: That’s what you say every time! I know you’re the head of the House of Osman, but you’re still my little boy too.

BAYEZID II: I’m sorry, it’s just, I’ve been on campaign, mom. I can’t just drop everything and come visit whenever I want. If we don’t control the Peloponnese, how are we going to have enough naval power to compete with the Venetians?

GÜLBAHAR HATUN: *crossing her arms* You care more about those Venetians than your own mother! The woman who gave birth to you!

[In the background, a HAREM LADY scoots by, trying not to be noticed, dressed in expensive but modest clothing. Cut to her doing the talking-to-camera thing.]

HAREM LADY: Look, I don’t know what those horny Austrians told you I did, but I just copy poetry, alright?

----------------------------------------------

Postscripts:

This was delayed because it started with me going “Schleswig-Holstein? That is a funny name, I’m going to use that for this ask, because it is funny” only to find out that it has been involved in insanely complicated legal disputes for basically eight hundred years. I decided to get around the issue by not dealing with it.

Wiki-ing told me that Gülbar Hatun did, in fact, send letters to Bayezid II complaining that he was always too busy emperor-ing to visit her.

I spent too much time and attention at first trying to get the date-overlap right with things but stopped caring after a bit because it was against the spirit of prompts

Avatar

HAPPY BOOKDAY TO ME

THE HELIOS SYNDROME is out today! Practical necromancy & air crash investigation, one-liners, and half-assed reluctant heroics!

It has been such a long damn road to get here and for ages I was convinced this book would never see the light of day – and then last April in a hotel room in Luxembourg I had a phone conversation that changed all of that. Steve Berman of Lethe Press was interested, and his feedback changed the book from something pretty good to something kinda great. I can’t wait for you to sit back, relax, and enjoy this particular flight down a thoroughly unsettling rabbit-hole.