Avatar

I'm ButWhyDoILikeThis!

@butwhydoilikethis

I made this account because of ao3, but i reblog writing tips and tricks!

I cannot emphasize enough how much you need to read thoroughly through the terms of any publication before you send your writing to them. It is mandatory that you know and understand what rights you’re giving away when you’re trying to get published.

Just the other day I was emailed by a relatively new indie journal looking for writers. They made it very clear that they did not pay writers for their work, so I figured I’d probably be passing, but I took a look at their Copyright policy out of curiosity and it was a nightmare. They wanted “non-exclusive, irrevocable, royalty-free, perpetual, worldwide license and right to use, display, reproduce, distribute, and publish the Work on the internet and on or in any medium” (that’s copy and pasted btw) and that was the first of 10 sections on their Copyright agreement page. Yikes. That’s exactly the type of publishing nightmare you don’t want to be trapped in. 

Most journals will ask for “First North American Rights” or a variation on “First Rights” which operate under the assumption that all right revert back to you and they only have the right to be the first publishers of the work. That is what you need to be looking for because you do want to retain all the rights to your work. 

You want all rights to revert back to you upon publication in case you, say, want to publish it again in the future or use it for a bookmark or post it on your blog, or anything else you might want to do with the writing you worked hard on. Any time a publisher wants more than that, be very suspicious. Anyone who wants to own your work forever and be able to do whatever they want with it without your permission is not to be trusted. Anyone who wants all that and wants you to sign away your right to ever be paid for your work is running a scam.

Protect your writing. It’s not just your intellectual property, it’s also your baby. You worked hard on it. You need to do the extra research to protect yourself so that a scammer (or even a well meaning start up) doesn’t steal you work right from under you nose and make money off of it.

Exclusive publishing rights have to have a set time frame! Do not agree to anything that doesn’t clearly state “up to five years from signature” or something like that. 

What if the publisher goes defunct? What if they get bought by another publisher who doesn’t care to promote or publish your work? You still can’t to anything with it, you don’t own it anymore!

For a thorough overview of what you should be aware of regarding your intellectual property and publishing rights, please read through this collection of post [https://kriswrites.com/business-musings/contracts-and-dealbreakers/] by Kristine Kathryn Rusch

Protect your IP. Do not give away your stories.

Are you really…. not supposed to…. describe what your characters are wearing….

I think there’s a great deal of misinformation on this topic.

I believe it’s fine to describe what your characters are wearing. However, like all things, it should serve some kind of purpose.

For instance, describing winter clothes helps impart to the reader a sense of how cold it is. Describing summer clothes helps explain how warm it is.

Describing an outfit before a social event gives a window onto the character’s sense of fashion, or explains their reverence (or lack) for the event; for example a character can wear a black suit to a funeral, or watch from a distance while wearing a t-shirt and jeans. These impart a different attitude.

An outfit may be described purely to give a little more interest to a character; to give the reader a bit more insight into who they are, through the way they present themselves. It may have no greater significance to the wider story but this is still a reason to do it.

So the “purpose” doesn’t need to be super-vital to the story. It can be just because “describing this to the reader helps them appreciate the character or scene”, but that’s still a purpose.

I like that last comment because I think it can apply to a lot of things in storytelling! Anything that shows some element of your character has a purpose to the story even if it doesn’t exactly advance the plot.

Advice on writing stays in psych hospitals

First off I’ll do a disclaimer, I have been admitted to a psychiatric hospital twice, but obviously different places have different ways of doing things. I think the labelling of all psychiatric hospitals as being bad, or creepy, is very harmful to people who are considering if they need to go to one. So just be careful with how you’re writing a story dealing with a character in a psych ward. And thank you to @furryarbiterangel for helping me out with this list! Go check her out!

  • There’s a process to getting admitted into a psych hospital, and if you guys want me to I could make a post on that as well, but for now I’ll just tell you that it’s very nerve wracking and anxiety provoking. People tend to be pretty scared the first day or so on the ward.
  • Being on a psych ward is pretty chill most of the time. It can get kinda boring.
  • Remember that people are generally there to recover. Not everyone is trying to get your character to break the rules or relapse.
  • There are some people that are there involuntarily that will try to stir things up. especially during group, but generally people come to get help.
  • There is a set schedule to the day. There are times for medications. Where I was, I had no specific time to wake up by, but breakfast ended at 9. Lunch, group, visiting hours, supper and lights out are all scheduled.
  • Group sessions happen a couple times a day, and aren’t all intensive therapy, there can be fun activities held in group too!
  • The rest of the day is trying to entertain yourself, whether that be talking with the other patients, watching tv in the common area (daytime tv sucks though), reading, colouring, etc.
  • Once a day, or more, depending on how the day is going, people will meet with a doctor to see how they’re doing etc.
  • I’ve found that fellow patients are very open about what their struggling with and this can bring about great conversations.
  • Patients can really bond together and form strong friendships.
  • In a psych ward, everyone there is well aware that they’re considered ‘crazy’ by people on the outside. And while its extremely rude to call someone you just met crazy, I found that it’s something of a joke with other people who are also ‘crazy’. ‘We’re all mad here’ was a popular catchphrase during one of my stays.
  • If your character is a teenager, they will obviously be in a youth psych ward.
  • In an adult ward, there will be people from all sorts of walks of life. There will be university students, people who are considered successful in their jobs, and possibly older adults, unless there is an older adult ward that is separate from the adult ward. Mental health issues can strike anyone.
  • There can be a youth ward, adult ward and an older adult ward.
  • Mood disorder patients and substance abuse patients are kept in separate wards.
  • Generally, stays in a psych ward aren’t longer than three weeks max. Average stays are around 3-7 days. Any longer than three weeks and the patient will be referred to longer term care.
  • There are strict rules, and they’re there for a reason, to keep you safe.
  • Not all rules are perfect though, some might be ridiculous, like patients not being able to have water in group rooms. Staff will most likely be fighting against the ridiculous rules, and will definitely be upholding the ones that are there to keep you safe.
  • Staff do checks about every 15 minutes to make sure that everyone is doing okay. The higher the risk for self harm and suicide, the closer the observation.
  • It can feel as though there is some pressure from the staff to get out before you feel ready to go, but I realized that it was mostly because I was feeling very reluctant to leave, not all because I thought I was a danger to myself, but also because this was someplace that I felt safe, and leaving it was a scary thought. The staff will work with patients to overcome this.
  • The staff really do care for the patients and are there to help the patients. 
  • Basically a psych ward is where you go if you need a breather. It takes the responsibility of trying to stay alive and function at the same time away from you so that you can have time to heal. It’s like if someone had an open wound that kept bleeding and bleeding, eventually putting that person’s life on the line, and then going somewhere to get the bleeding stopped and stitched up.
  • A good documentary detailing life in a psych ward is: Don’t Call Me Crazy, which is in three parts on youtube. I definitely suggest giving it a watch.  

Hey, I’ve been in one! Ever need personal advice on one I’m here!

Anonymous asked:

Is it actually useful to dig bullets out of your own arm in a public restroom in an emergency situation, or is that something that just happens in movies?

About self-surgery in the bathroom of the local Exxon Station… Psychologically we all feel that getting the bullet out will help the problem but generally speaking it is best to let sleeping dogs lie and to bastardize Hamlet, “Get thee to a surgery.” The greatest concerns immediately post gunshot are circulation and airway. You are probably not going to have a breathing problem other than hyperventilation from fear, if you are shot in the arm. Your big concerns are bleeding and nerve damage. Have your character dorsiflex (hyper extend) his wrist, make an “O” with his thumb and index finger, spread his fingers apart, and then smile when he realizes everything is still hooked up. He flexes his arm a few times to see if blood is spurting or just oozing. If its just oozing, cover with a wad of moist paper towels, tear of a shirt sleeve and wrap tight enough to apply pressure to the wad of paper towel, but not tight enough to constrict. Have the character check the pulse at his wrist and note the color and temperature of his arm. If the arm is cold, pale white, numb or the nerve check is bad, your character has problems and needs to find his/her buddy who is an EMT.

The only indication for digging out the bullet would be if the bleeding is uncontrollable, otherwise, the bullet may actually be tamponading the tissue and slowing the bleeding at this point. Infection is later concern. The wound will ultimately need attention and the character will need antibiotics, but he has a few hours to worry about that.

If the bullet does need to come out, no probing with a pocket knife. Consider having him pour rubbing alcohol over a pair of “needle nose” pliers (from the nearest convenience store,) and then gently probe the wound path until he feels the metallic click of the plier’s tip on the bullet. He can then try to open the pliers, grasp the bullet and retrieve it. Apply firm pressure for 5 minutes and observe. If no bleeding he can do the towel and shirtsleeve thing. If significant bleeding, have him apply as much direct pressure as necessary to stanch the bleeding.

If your character is in the habit of being shot, he may carry a “Bloodstopper” product. They are small, useful, and I have them nearby all the time. The powder can be sprinkled on and will help with clotting. There is a product that you can insert directly into the wound track, “ouch,” that has the same chemical. They can buy your character some time.

Avatar

Writers, here’s a fun resource: a real life doctor helping writers with medical details in their novels-in-progress.

Out of Context Tag

Thanks for the tag @gottaenjoythelittlethingzz

Rules: Find the best lines out of context from your WIP. Best in terms of humor, randomness, or lines that you are particularly proud of having written!

Here we go:

He waited, and waited, and waited, until he opened his eyes and realized he had fallen rather ungracefully into the arms of Mr. Sexy McFreak.

Here Tadashi was, stumbling into a room with a deranged killer, extraterrestrial, Electrical Dude, LSD-personified, and his walking sexual desires.

He wondered how differently they would react if one of their own was missing. He assumed there would be hell to pay.

There, in the room, was a man lying on the table with wings and a cross carved into his naked chest. The deep red blood was oozing out of the man’s chest, distinct in the bright lights of the glaringly white room. 

Wow, moving to 20th base on the first day. They hadn’t even kissed yet. 

Angel seemed to have gone, dare he say it, insane

“On second thought, you won’t be needing those clothes. I rather liked the way you looked before you shifted, even if you have a shit personality.”

Thank God for magnetic bracelets, specifically designed to always bring his gaming devices back to Kozume, so he could never lose them.

I chose one line from each chapter that I found the most interesting. 

21 questions tag

@focusdumbass tagged me, Thanks!!!

Rules: Answer 21 questions and then tag 21 people who you want to get to know better.

Nickname: Toxic

Zodiac: Aries

Height: 4′11″

Last movie I saw: Tomb Raider (new one)

Last thing I googled: Can a psychopath feel empathy (writer’s search history amirite)

Favorite musician: I don’t really have one, but I have favorite songs!

Song stuck in my head: Gangsta Sexy

Other blogs: i used to have another one...*shudders*

Do I get asks: not really, but the one I’ve gotten was hate! lol

Following: A LOT

Amount of sleep: maybe 5 hours?

Lucky number: 2

What I’m Wearing: olive green sweatshirt, silver adidas sweats 

Dream job: author or psychological horror professor

Dream trip: Dubai or Singapore

Favorite food: freshwater sand eel and yellow curry 

Languages: English, very bad but know some Spanish (I’m in Spanish 2 ouch)

Random fact: I am currently at home today due to cramps

Describe yourself as aesthetic things: leather jackets, combat boots, abandoned mental hospital, red rose, dark jokes reddit thread

Tagging: (sorry if you’ve already done this)

@exbrodokills @gottaenjoythelittlethingzz @lillayalightfoot @gnatninja @izzuniiwrites if you wanna be tagged in the future, just shoot me an ask!

How to write multiple character(s and) viewpoints in your novel

Writing with multiple persons isn’t the easiest task to do. As I’m writing my novel in first person view, it’s important to make my characters distinguishable from one another.

Tip 1: Whenever you change a character put in a little marker. This helps your reader to see who it speaking in that particular part.

Tip 2: Give them a unique voice. Don’t make them all sound the same.

Tip 3: Don’t always let them call each other by their name. We don’t do this irl, so why should we in a book?

Tip 4: Don’t! I stress it: don’t change persons mid scene! Your readers won’t be able to tell. Put in a little break between scenes, switch characters and mark them. It’s easier that way for your and your future reader.

Tip 5: if you introduce a new character put in their full name in the descriptor. Just once. So you can keep track of who has which last name. Too often i find myself lost in the chapters not knowing the last name of a certain character. That way I can look them up fairly easily, without needing to think too much about it.

This is my personal experience. It might or might not work for you. Just try it out.
Avatar

For those of you who write military fics

If you have never been in, or aren’t around people who’ve been in, I would dearly love to give you a few pointers.

Let me preface this: I love it when people write military fics (be they AU or canon-fic). I love the characterizations, the story arcs you create, and the love with which you create the stories.

But I’d like to help you make the actions of military personnel as accurate as possible, so someone who’s actually in doesn’t start to read your fic and roll their eyes at some of the things you unknowingly write.

-First off, you do not salute in civilian clothes. It’s actually unauthorized. There are only two exceptions to this rule: the President is allowed to salute in civvies, and if the national anthem is playing outdoors, combat veterans are now allowed to salute. (That came about in 2010, for accurate reference.)

-Do not salute indoors, unless during a formation (but I doubt people who don’t have intimate knowledge of drill and ceremony would bother writing about a formation, so that point is mostly just thrown in for shits and giggles). 

-The army and air force do not say, “sir, yes sir”. That’s a marine thing (I’m not sure about the navy, since I’m not in the navy, but I’m sure someone else could help out if there’s a question about it).

-Saying “black ops” isn’t really something we do. For the army, you’ve got SF (which is how we refer to special forces–the guys you’re probably thinking about (”green beret” is an old term for them that’s not really used anymore)) and Rangers for the two big special operations forces. SEALS are the navy force, and I apologize, but I don’t know the other branches’ special forces. Again, ask someone who’s served in that branch.

-People don’t usually refer to themselves (or others) by their ranks. Exceptions are usually made if hanging out with people from your unit speaking about a superior, such as “Yeah, LT and I were talking the other day and …”. 

-Sergeants are not referred to as “sarge”. You have no idea how many people got the shit smoked out of them in basic for that error.

-Army goes through Basic Training (or Basic Combat Training now; BCT for short), and marines go through Boot Camp. Yes, there is definitely a difference in terms. Army people tend to refer to their initial training as simply “basic”. I don’t know about marines or other branches.

-Calling someone “Soldier” is really something only done on TV/film. It’s usually mocked by people who are in.

-In the army, it is against regulation to just stick your hands in your pockets. We mockingly call them “Air Force gloves”, though I don’t know if they typically put their hands in their pockets. There is also a big stigma against wearing “snivel gear”: the poly pro cold-weather protection gear worn underneath your uniform.

-The everyday Army uniforms are called ACUs (Army Combat Uniform). They are never called anything else, but especially not fatigues. If you’re going back to 2003 or earlier, the uniform was BDUs, or the Battle Dress Uniform. The tan uniforms worn during the Gulf War and first few years of Operation Iraqi Freedom (OIF) and Operation Enduring Freedom (OEF; Afghanistan) were called first chocolate chips (gulf war-era) and then DCUs (Desert Combat Uniform). 

-The dress uniform is called something different depending on what time period you’re going for. Saying “dress uniform” is usually a good bet, because you’ve also got Class A’s, Class B’s, ASUs, Dress Blues, Khakis, etc. 

-Typically when meeting someone else who’s in, the first things you ask are, “What’s your MOS (military occupational specialty–your job)? Where were you stationed?” Giving out rank and deployment backgrounds out of the blue don’t usually happen. 

-Time spent in the military is usually referred to as simply being “in”. “How long were you in for?” is heard way more often than “how long did you serve for?” That question is usually asked by civilians. 

-There are enlisted, and there are officers. Enlisted are those who start out as privates, work their way up through the NCO, or non-commissioned officer ranks: sergeant (called “buck sergeant” in a derogatory term for someone who has been freshly promoted), staff sergeant, sergeant first class, and eventually get to first sergeants and sergeants major after fifteen to thirty years in. Officers also usually start out as privates and specialists, then graduate from college and commission as second lieutenants (the derogatory term is “butter bar” and is usually used in reference to said officer’s lack of experience and knowledge) before working up to first lieutenant, captain, major, lieutenant colonel (”light colonel”), and colonel (”full bird”). The general timeline is making captain (”getting your railroad tracks”) after about 5-8 years for competent officers, and spending 5-10 years as a captain. 

-We do not stand at parade rest unless forced. Ever.

-Or at attention.

-When talking to an NCO, a lower enlisted will stand at parade rest. When talking to an officer, an enlisted will stand at attention.

-The highest ranking NCO is lower ranking than the lowest ranking officer. 

-If you want to throw in some humor, if there is a lower enlisted (E-4 (specialist) or below) joking with an NCO, and the lower enlisted says something, the NCO can snark back with, “I’m sorry, I didn’t hear you because you weren’t standing at the position of parade rest.” It’s a dick move usually to call people out for that, but it happens often enough that if you put that in a fic, someone who’s in will likely laugh at that for a few minutes.

-There is a term for a slacker in the army called POG (pronounced “pohg” with a long o). It stands for Personnel Other than Grunt, meaning everyone who’s not infantry. The term has transformed to mean anyone who shirks their duty or is kind of a shitbag and should be kicked out. 

 -There’s also a bit of a stereotype that infantry are made up of dumb guys, because you don’t need a high GT score to get that MOS. Their nomenclature for their MOS is 11B (eleven bravo), which is often referred to as an “eleven bang-bang” when trying to insult them. 

-If someone is making someone else do push-ups, they do not say “drop and give me x number”. They’ll tell them either to push, or tell them to get in the front-leaning rest. The front-leaning rest position is the starting position for the push-up. 

-Usually referring to basic training and AIT (advanced individual training, where you learn your military occupational specialty), you get “smoked” on a regular basis. This refers to PT (physical training), usually in the form of push-ups, flutter kicks, and sprints. It’s not fun. One of the least favorite phrases to hear in basic is, “Platoon, attention! Half-left face! Front leaning rest position, move. In cadence! Exercise!” Because that is the full command for getting people to do push-ups. There is literally no other reason for the half-left face movement. It honestly exists only for push-ups.

-It is awkward as fuck to be told “thank you for your service”. It’s wonderful that people want to show their support, but it is very difficult to respond to that without sounding like a douche.

I know I said a lot about basic training in there, but that’s because I tend to read a lot of fics that are either about basic or about deployments. I can give some pretty firm answers on basic, but everyone’s deployment is different, and I also could be violating a shit-ton of OPSEC (operation security) by telling you guys specific details about deployments. Everything I’ve told you is information you can look up on your own on the internet, but this is a bit more insider’s culture for you to help make your stuff more accurate.

And if you ever find yourself writing a military fic and have questions, by all means, inbox me. I’ve been in for almost nine years and I do have one deployment under my belt, so I can give you accurate army info. I’ve never served in any other branch, though, but I can probably give you a little bit more accurate info than what the movies do if you’ve got general questions.

Also, if you’ve got questions about PTSD, I can help with that. It’s not the cake walk that a good deal of fics portray it as, and it doesn’t always involve nightmares and aversion to touch. It can present as depression, intense anger issues, pulling away from loved ones, driving in the middle of the road, freaking out over pops, bangs, crashes and other unexpected noises, being easily startled by things other than noises, hypervigilance, the inability to sit with one’s back to the room, sudden bouts of anger, depression, tears, silence, or mood swings, among many others.

-Also, please, please, if you’re going to write about someone with a disability, or something that gave them a medical discharge, talk to me about the VA first, unless you’ve got a lot of knowledge about them. Not only am I in, but I’ve also worked professionally for the VA, some of that time in enrollment and eligibility, so I know a lot about disability pensions, who would qualify, what type of benefits they would qualify for, etc. I also know the ways that people can accidentally get screwed over from the VA. (It’s actually one of my long-term professional goals to change some of those things, so I am very passionate and very knowledgeable about it.)

TL;DR: I know shit about the military and the VA. Ask me if you have accuracy questions.

Worldbuilding: Creating a religion

In speculative fiction, a good fictional religion can be a great source of conflict/magic. It also plays a big role in creating a realistic and interesting world. Here are some tips:

1. Monotheistic/Polytheistic?

  • Monotheistic religions have a single deity e.g. Christianity/Islam
  • Polytheistic religions have various deities e.g. Hinduism/Greek mythology
  • This should be your first step, since this will influence all other aspects of creating a religion.
  • If you’re looking for something a little more strict/conservative you might want to consider monotheism. If you’re going for something more mythological/fantastical I’d lean toward polytheism. (This is a tentative suggestion and definitely not a rule.)

2. Rituals/culture etc.

  • This is probably the most intriguing part of any fictional religion.
  • Think about how your characters express their religion. Are there worship gatherings, specific prayers, offerings, songs/dances, special food, offerings, sacrifices etc.
  • Do some research on real religions and mythology to get some ideas. This is where you can really get your creative juices flowing.
  • You can also think about supernatural elements like demons/possessions, witches etc. since these usually have links to religion (or sacreligion).
  • Are there certain types of people damned by the religion. Are there weird rules? What are the core values? Roll with these types of questions until you come up with some unique ideas.

3. Afterlife

  • One of the primary aspects of nearly every religion is its explanation of what happens after death.
  • This will be less important in immortal societies.
  • Is there something similar to heaven? And what does it look like? Are there angels? How do you get there?
  • Is there a Hell? How does it work?

4. Diversity

  • An entire fantasy world will very rarely have a single religion. Different groups will have different beliefs.
  • There are also different factions within one religion, who will celebrate their religion differently.
  • Tension can also arise between members of the different factions/religions, especially if the members are related/in the same community.
  • Another aspect of religious diversity is the intensity of individuals’ religious conviction. Some people are devoutly religious, whilst others are only symbolically so.

4. Don’t go down the rabbit hole

  • Religion can be an amazing aspect of spec fic, but you have to consider the role it’ll play in your story and plan accordingly.
  • If it’s something that’s only mentioned/creates context, if it won’t have a significant impact on your central characters and their journey, you shouldn’t take weeks to create it.
  • If you do, you’ll end up with a mountain of information and wasted time. And, oftentimes, when you have the info you feel compelled to share it. So, you run the risk of going off on a religion-tangent that isn’t really relevant.
  • Develop what you need. If you find yourself creating an amazing religion and enjoying the process, save it for another project where it can really shine.

Alright, that’s my advice on creating religions. I hope this can be useful.

Reblog if you like these tips. Comment with your own. Follow me for similar content.

And feel free to request a creative writing post.

Master Post for Writing Deaf Characters: Writing Tips & Resources Compilation

I planned this as just a master post for writing deaf characters, but then I realised there was some aspects of deafness that I needed to comment my opinion or I couldn’t find information about it, so I mostly explained it myself.

This post will be updated with more information. If you see anything that’s missing or incomplete, feel free to help me out! (Tag me so I’ll see it and add it to the original post, thanks!)

Writer’s Tag

1: Pen or pencil?

Pen, I LOVE how it looks. 

2: Have you ever drawn your OCs?

Nope! I suck at drawing.

3: Does your writing ever make you cry?

Not really, I one of those (George R. R. Martin) authors that laughs at their pain. 

4: If your Muse was a person, what would they look like?

Tsukishima Kei as a BAMF. He’s what inspired me to write my fanfic. 

5: Which of your pieces would you choose to be remembered for?

Toxic, but if you ignore the shitty writing.  It’s the only one I’ve actually tried on. 

6: How much have you written or worked on your WIP so far today?

I wrote a sentence #goals 

7: Have you ever based a piece (or a portion of a piece) on a dream ?

No, I get my ideas when I’m lying in bed then pace around to develop them. 

8: Do you prefer silence, a little noise (music, ambient noise, fan etc) or a lot of noise when you’re writing?

I don’t really care. 

9: Do you have any routines before you sit down to write?

I tell myself when I’m gonna write and how much I’ll get done (i.e. 6:30 and a page). 

10: Have you ever participated in NaNoWrimo or a Camp?

Nope! I only became a writblr at the end on NaNo lol. I kinda wanna do CSSSA but I’m beginning to consider other options for summer activities. 

Character Creation Tag

Thanks for tagging me @izzuniiwrites !

Answering for Azazel 

1) What was the first element of your OC that you remember considering (name, appearance, backstory, etc.?)

His appearance. He’s middle eastern and very, very attractive. 

2) Did you design them with any other characters/OCs from their universe in mind?

He was the first character I came up with but I had a vague idea of the others.

3) How did you choose their name?

Azazel because thats the Jewish goat sacrifice demon. 

4) In developing their backstory, what elements of the world they live in played the most influential parts?

Probably his middle eastern background, wanna get it as accurate as possible. 

5) Is there any significance behind their hair colour?

Not really, it’s just black. 

6) Is there any significance behind their eye colour?

Yup, his eyes are a dark blood red.

7) Is there any significance behind their height?

He’s really tall? (6′5″) (yes, I’m one of the authors who adds unrealistic heights but sue me, I know a couple 6′5″ people irl).

8) What (if anything) do you relate to within their character/story?

Being done with the world. 

9) Are they based off of you, in some way?

He’s kind of a jerk, and has dark humor, which same.

10) Did you know what the OC’s sexuality would be at the time of their creation?

Yep, select all (pansexual but he doesn’t go for people for their personality, he goes for whatever they can give him [money, power, etc.]). 

11) What have you found to be most difficult about creating art for your OC (any form of art: Writing, drawing, edits, etc.)?

I can’t draw, and my sister’s great at it but doesn’t want to draw an asshole, so I just kinda avoid it. 

12) How far past the canon events that take place in their world have you extended their story, if at all?

Um, I haven’t even started the story yet. I’m working on a fanfiction. 

13) If you had to narrow it down to 2 things that you MUST keep in mind while working with your OC, what would those things be?

His motivation behind his rise to power (he’s sick of being taken advantage of) and his sadism. 

14) What is something about your OC that can make you laugh?

His dark jokes. 

15) What is something about your OC can make you cry?

Nothing really, I don’t cry a lot. 

16) Is there some element you regret adding to your OC or their story?

Nope! Again, haven’t started the story.  

17) What is the most recent thing you’ve discovered about your OC?

How vaguely uncomfortable but charmed he makes you feel. 

18) What is your favourite fact about your OC?

He engages in cannibalism at times. 

Please tell me if you want me to tag you!

A small tip: if your characters have a traumatic experience, and they have nightmares about it, more often than not, those dreams will not be a play by play of what happened, but will often hold symbolism to the event than the actual event itself

These dreams can often not be genuinely scary but can leave you feel shaken and unrested when you do wake up. It may take your characters hours to let go of the feeling

It is also common to have the same dream roccur often. It might be unsettling enough that your characters will try to avoid sleeping for as long as they can, or will they to self medicate in some way to try to make the dream go away

A common reoccurring dream I had after my mom died was I would be watching her die, similar to how she did, but it was faster, and then we had her cremated. But the next day [in the dream] she would be back on the couch, just like any other day, as if she had not died the day before. But then futher on into the dream she would slowly start to decinigrate into ashes, but it would be ten times slower and it would be like losing her all over again

I would sleep completely through the dream and not wake up in some cold sweat or hyperventilating, tho that’s not to say that’s never happened before , but the next morning I would be shaken when I did wake up and it took me hours to get back to normal. I had that same dream several times over the last few years, and it still makes me shaken, but not to that same extent as the first time. That can happen over time with desensitization

Flashbacks work the same way. They’re not often a perfect play by play of what happened, but can be flashes of what happened. Or it can not be visual at all

You have five senses, and certain tastes or smells or sounds or touch can be just as impactful as visual flashbacks. For the most part, unless you have a disability that prevents otherwise (like being d/Deaf, or blind), all five of those senses are working together at the same time and each can carry their own weight in trauma

Especially when traumatic things are happening, adrenaline is rushing through you, or you are in a high stress situation. Parts of you are processing things faster than other parts of you. Your brain is working to take in everything that is happening and sometimes things are not always remembered correctly

Invaluable writing tips (From Blake Snyder’s “Save the Cat”)

I just finished this book on screenwriting and have highlighted some amazing advice for novelists as well:

1. Save the Cat

  • This refers to a scene at the beginning of yoru manuscript in which the main character does something that makes the reader root for them them i.e. saving a cat.
  • This doesn’t have to be something altruistic - it can include smarts or humour or naivety - just something that will make the reader want to follow this character through the story.
  • Without this scene, you’ll probably end up with a boring character. And no matter how amazing your plot, you need a “followable” character to carry it.

2. The Pope in the Pool

  • This refers to a scene in which necessary exposition is given whilst the audience is distracted by something more entertaining i.e. having the Pope explain important backstory aspects whilst doing laps in the Vatican Pool.
  • This is the best way to give readers the information they need whilst still keeping them engaged. Something funny/interesting/moving should happen whilst this necessary exposition is provided.

3. Double Mumbo Jumbo

  • This refers to the mistake many writers make in asking readers to believe in more than one type of magic/miracle. This suspends reality too much and causes the reader to lose faith in the realism/probability of your story.
  • So, if you already have magical fairies, don’t throw aliens into the mix as well.
  • ONE magical element is enough.

4. Laying Pipe

  • Another error often made is writing a story that needs too much set-up. This means that so much backstory must be explored in the first part of the novel that your catalyst only occurs at page 100 or so.
  • This will cause readers to lose interest long before they’ve reached the inciting incident. If you don’t get the beginning right and move on the exciting stuff as soon as possible, it doesn’t matter how great your ending is, since few readers will get there.

5. Watch out for that Glacier

  • This is when the danger in your novel takes too long/perhaps the whole book to get to your characters/to threaten them. Therefore, the reader is aware that there is some eventual threat, but the characters aren’t affected by it throughout the story.
  • It’s a glacier coming for them rather than a missile. And it dampens the tension.

6. The Covenant of the Arc

  • Every somewhat important character in the novel should change, except for the bad guy. This is what will ultimately distinguish your good guys from your villain: moral change.
  • So, take a look at the journey of every primary and secondary character in your manuscript and ensure that they grow/experience some for m of change that is brought about by the events in the story.

7. Keep the Press Out

  • This is the tip I think should be used with the most circumspection. It’s for you to decide whether you want to follow this piece of advice or not.
  • This tip calls for leaving media coverage/the press out of your story. If some supernatural/extraterrestrial event occurs in a secluded neighbourhood and remains a family secret, it’s much easier for your reader to believe that it could really have happened than if the whole world is supposedly in on it.
  • Like I said, use with discretion.

These are all Blake Snyder’s tips (not mine) and are explored in greater detail in the book. So, if you would like more information and more great advice, I suggest grabbing a copy.

Reblog if you found this useful. Follow me for similar content.

Anonymous asked:

I don't get the "non-native speaker so won't comment" thing. Like, you just read a fic in that language? You can write a short sentence in that language. Who cares if there are mistakes, even native speakers sometimes suck. English isn't my first language either? and yet i've posted over 100k in english on ao3 over a year. I get being anxious, but not being a native speaker Isn't A Good Reason For Not Commenting. If you can read then you can write.

If you can read then you can write.

I’ve got to disagree with you there, anon. I was an English language instructor both overseas and in Canada for 14 years and lemme tell you? That’s not the case. 

When we read a language, we’re recognizing words and interpreting meaning. When we’re writing, we have to actively choose words and put them together in some sort of grammatical form. They two skills are related, but they aren’t the same. I can read Korean just fine, and I know how to write all of the letters and combine them together, but when I try to form a sentence? Everything is in the wrong order and I’m choosing words that are impolite or incorrect for the context or both. 

I’ve learned a lot of languages in a lot of different ways, from growing up in a bilingual community to studying languages in school to immersing myself in another culture overseas and I 100% understand the nerves of someone not only trying to write in a language they’re not completely comfortable in but trying to do so in a way that doesn’t come across as rude. 

Your level of English language mastery is clearly very very high and the people reading your fics might have a very different level than you do. Native speaking readers don’t comment because of anxiety or worry or any number of other reasons. Non-native speakers just have one more anxiety to add to the rest.

Avatar
Avatar

I agree with @ao3commentoftheday , and just want to add: dear readers, never be anxious of leaving a comment (in whatever language) if you want to tell a writer that you loved their work! Literally - don’t you ever worry about a language or possible mistakes or typos. Never ever a writer may be offended by a comment telling them that someone took their time to read a work (especially in their non-native language!), that a person liked it and was willing to connect with the author and leave a nice comment. I received comments in Spanish on my works on AO3. I don’t speak Spanish at all, so naturally I didn’t understand a word. But I was sooooo excited to receive such feedback! I google-translated it and found out that the commenter loved all my works and was telling me so (I wrote a reply and google-translated it to Spanish). I write in in English, but it’s not my native language either. Imagine how thrilled I was to connect with someone whose native language is not English as well - to connect with them over something we both love. 

So I repeat:

Never ever a writer may be offended by a comment telling them that someone took their time to read a work (especially in their non-native language!), that a person liked it and was willing to connect with the author and leave a nice comment.

If you want to comment - just do it.

Im posting a lot of dtuff about ffs today but thats whats showing up on my dash

Anonymous asked:

I have a question that maybe u can answer. I love reading my fav ongoing fics, but there‘s times when I feel it has failed to address something, or maybe there’s something a character or two does that feels OOC. Thing is, it’s these details that end up triggering a catalyst for the whole story. My question is, is it fair to point out these flaws in story that would have been better off omitted or changed, even after a chapter has been published? Or is it, for a lack of a better word, pointless?

It really depends. Does the author state in a note on the fic that they’re open to concrit? Okay. If they don’t, I wouldn’t.

If you know the author outside of the fic, maybe have a chat with them and see if they’d like to hear your thoughts. Again, it’s up to them whether they want to hear it or not. 

If the chapter is already published, odds are more than decent that the author is satisfied with it as it is. Pointing something out to them might make them change it, but it probably won’t. 

On the up side, you could always write a fic inspired by theirs? (meaning, you link the two fics together) and go in that other direction you’d prefer?

Avatar

DO NOT DO THAT

It’s your opinion. The author might have different goals for the story or not headcanon the characters the same way you do. 

To tell someone their story “would have been better if you wrote it how I wanted” is rude and presumptuous and you’re going to make an enemy. 

If you don’t like how something is written, hit the back button and go and write what you want to see yourself. No author EVER has the responsibility to cater to an individual reader’s whims.  

SECONDING. DO NOT EVER DO THIS.

If you don’t like the way the fic is going, just exit out. It costs you 0 dollars and effort to move on and not ruin the author’s day.

Avatar

I’m not saying there’s never room to engage respectfully with an author to gain insight into their writing. I’m not saying you have to enjoy every aspect of every story. I’m saying dropping in unsolicited to tell an author what *you think* the *flaws* of their story are is a dick move. None of us are here, giving up our time and energy to provide readers with free entertainment, just so we can hear how and why people dislike it.

Oh, don’t even get me started on this… Especially if someone is a lurking reader and comes in for the first time after several chapters to say - I liked the rest, but this is ooc, I wouldn’t have done here, ok, but your HC is not the same as everyone else’s, etc., etc. That is like super-rude. 

If someone comments on most chapters, however, and is generally engaged with the fic in a positive and constructive way, I don’t mind some level of criticism, but it has to be done right.

For example, I’m totally not mad if someone says something along the lines of: 

I liked this and this in your new chapter. I was very surprised by your choice of making character X do Y - I’ve never thought of it that way personally (you see? It’s way better than saying - Character X is OOC!!! - and it give opportunity to the writer to explain their thinking and some back and forth about HC)

If you think there is something that requires further exploration, there are nice ways of saying that too:

I found plot point X really intriguing, I’m really hoping this will come back in more detail in the next chapters. 

For a WIP, remember it’s hard work to chug through a multichapter story and try to keep the plot consistent and the pacing right and juggle all the characters. Much harder than an inspired one-shot. So positive dialogue is a very important feedback to the writers - saying which aspects you like and why. But having a very direct concrit can be incredibly frustrating and discouraging and may ruin the writer’s day, or it may make them not want to update for a while or even drop the WIP entirely. 

Avatar

What all the comments here collectively display really well is that constructive criticism has to be in good time and in good context to be constructive.

Con crit on language, writing style, prose, cadence, pacing can be useful to a writer long term. Writers who invite con crit may find all sorts of feedback in these veins valuable.

Criticisms about plot, story arc, character choices toward a story that has already been written are moot. The choices have been made by the author for that story. These types of choices are subjective and thus negative opinion on them are rarely useful.

Quick bit of advice to writers who like reading: lately when I read a book I don’t like, I’ve taken to scribbling in the margins. Not only do I pick out the bits that don’t work and say why they don’t work, but I’ll also look for the things that were done well (because there are always those) which gives me hope that everything can be improved, including my own writing. Learn what you can from other’s successes and their mistakes in order to hone your craft

  • it’s ok to start your novel if you don’t have every single plot detail already worked out. 
  • It’s ok to start if your world building still consists of vagueness like “fantasy realm based of ancient Slavic mythology”.
  • it’s ok to start if you don’t know what brand of marmelade your ocs like the most.

it’s ok to let these things come to you as you write. put words on paper, put in placeholders instead of names, write “and then they fought” instead of detailed fight choreography. yes, do your research, make mood boards and playlists, come up with lore and convoluted histories, but don’t obsess over the details and lock your novel inside your mind forever. especially if you’re a young writer on your first project.  immerse yourself in the story, discover it as you write. let yourself make mistakes, because you can fix them, but you can’t fix an empty page.