Surprise!! 1989 (Taylor’s Version) is on its way to you 🔜! The 1989 album changed my life in countless ways, and it fills me with such excitement to announce that my version of it will be out October 27th. To be perfectly honest, this is my most FAVORITE re-record I’ve ever done because the 5 From The Vault tracks are so insane. I can’t believe they were ever left behind. But not for long! Pre order 1989 (Taylor’s Version) on my site 😎
It fills me with such pride and joy to announce that my version of Speak Now will be out July 7 (just in time for July 9th, iykyk 😆) I first made Speak Now, completely self-written, between the ages of 18 and 20. The songs that came from this time in my life were marked by their brutal honesty, unfiltered diaristic confessions and wild wistfulness. I love this album because it tells a tale of growing up, flailing, flying and crashing… and living to speak about it. With six extra songs I’ve sprung loose from the vault, I absolutely cannot wait to celebrate Speak Now (Taylor’s Version) with you on July 7th. Pre-order now at http://taylor.lnk.to/SpeakNowTaylorsVersion 💜💜💜
i made a couple of taylor swift collage headers for some of my favorite ts albums :p will probably do the rest when im not feeling laaaazy. like or reblog if you like or use any d;
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’Cause we survived the Great War...
Taylor Swift - The Great War (2022)
When I tell you I’ve lived 7 lifetimes in the last 72 hours.
apologizing to my new followers in advance. please do not scroll through my profile and see all my cringey ass posts from 2014-2020ish. that’s what tumblr was like back then.
back when we were living for the hope of it all (Tuesday 10am)
There are no rules when you show up here. Bass beat rattling the chandelier. Feeling so Gatsby for that whole year ✨✨
I can’t begin to express my gratitude to Sadie and Dylan for giving us everything they had in order to tell this story. All Too Well The Short Film is out on YouTube, and showing all week at the AMC 13 theater in NYC. For you, from us.
Just a friendly reminder that I would never have thought it was possible to go back and remake my previous work, uncovering lost art and forgotten gems along the way, if you hadn’t emboldened me. Red is about to be mine again, but it has always been ours. Tonight we begin again. Red (my version) is out now.
📷: Beth Garrabrant
I’ve always said that the world is a different place for the heartbroken. It moves on a different axis, at a different speed. Time skips backwards and forwards fleetingly. The heartbroken might go through thousands of micro-emotions a day trying to figure out how to get through it without picking up the phone to hear that old familiar voice. In the land of heartbreak, moments of strength, independence, and devil-may-care rebellion are intricately woven together with grief, paralyzing vulnerability and hopelessness. Imagining your future might always take you on a detour back to the past. And this is all to say, that the next album I’ll be releasing is my version of Red.
Musically and lyrically, Red resembled a heartbroken person. It was all over the place, a fractured mosaic of feelings that somehow all fit together in the end. Happy, free, confused, lonely, devastated, euphoric, wild, and tortured by memories past. Like trying on pieces of a new life, I went into the studio and experimented with different sounds and collaborators. And I’m not sure if it was pouring my thoughts into this album, hearing thousands of your voices sing the lyrics back to me in passionate solidarity, or if it was simply time, but something was healed along the way.
Sometimes you need to talk it over (over and over and over) for it to ever really be… over. Like your friend who calls you in the middle of the night going on and on about their ex, I just couldn’t stop writing. This will be the first time you hear all 30 songs that were meant to go on Red. And hey, one of them is even ten minutes long.
Red (Taylor’s Version) will be out November 19.
We meet up every Tuesday night for dinner and a glass of wine 🍷
swiftdanvers-deactivated2021040
Fifteen (2008) | invisible string (2020)