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@bronzebookwyrm

Hello, I like dragons
Lil’ Tip

I see two common formulas when a character is severely hurt

injured >> panic >> faint

or

injured >> hide it >> faint

While these two formulas are great, I am here to propose other things people do when they are in severe physical pain. pain to this degree throws a persons entire body out of wack, show it!

here are some other less commonly found things people do when they’re in severe pain:

  • firstly, repeat it after me, kids! not everyone faints when they’re in a ton of pain! some people wish they could faint
  • but they do tremble, convulse, or thrash uncontrollably (keep in mind, trembling and convulsing are something the body does of it’s own accord, thrashing is an action taken by the person)
  • hyper/hypoventilate
  • become nauseous
  • vomit (in severe cases)
  • hallucinate
  • lose sight (temporarily)
  • lose hearing (temporarily)
  • run a low-grade fever
  • run a high-grade fever (in severe cases)
  • become unaware of surroundings
  • develop a nosebleed
  • develop a migraine
  • sweat absolute bullets

feel free to add more in comments/reblogs!

Five stages of aromanticism

  1. Denial: I'm just a late bloomer. Oh I just haven't met the right person. I'm not ready for a romantic relationship.
  2. Anger: why is everyone obsessed with romance and why am I not in love yet
  3. Bargaining: I'm going to pick someone to have a crush on. You know, like a normal person
  4. Depression: oh god oh fuck i'm gonna die alone I'm fundamentally broken
  5. Acceptance: WOAH being aro actually rocks #loveloses my favorite color is green now

Humans aren’t actually space Orcs, they’re space Orcas. For most, they’re a social, playful species. For their prey, however, the evil shit Humans can conjure up to hurt and destroy them is terrifying.

this seems incredibly accurate to the human race.

high pain tolerance starters

  • “[Name], you’re bleeding.”
  • “How long has it been like that?”
  • “Did you dislocate a finger?”
  • “You’re slurring.”
  • “They say you almost died. You left it that late.”
  • “You’re snapping. Headache again?”
  • “You’re in a bad mood. Are you in pain?”
  • “Why didn’t you say anything?”
  • “Hey, why are you walking like that?”
  • “That’s a lot of swelling.”
  • “Where did you get that bruise?”
  • “Whose blood is that?”
  • “When you say your pain’s ‘4 out of 10′, that’s a normal person’s ‘8 out of 10′. We’re going to the hospital.”
  • How did you not notice?!”
  • “If it hurts, it hurts.”
  • “I know you can manage it, you just don’t *have* to.”
  • “Holy shit, how long have you had this?!”
  • “[Name]? [Name]! Hey!”
  • “We’re a team. You need to tell me about this sort of thing.”
  • “That’s … a lot of blood, is that - oh, fuck.”
  • “Hey! Hey! Stay awake, okay? Stay awake.”
  • “It would have been a lot easier to treat if you’d mentioned it sooner.”
  • “You can’t keep hiding this stuff.”
  • “I need to be able to trust you to tell me when you’re hurt.”
Introduction
Creating emotionally complex characters is a crucial element of writing engaging and compelling fiction. Readers want to connect with characters who feel like real people with complicated emotional lives. Emotionally complex characters are not one-dimensional; they have nuanced emotional responses and are capable of experiencing a range of emotions. In this blog post, we'll explore some tips for writing emotionally complex characters.
Understand Your Characters' Backstories
To write emotionally complex characters, you need to understand their backstories. The past experiences and relationships of your characters shape their emotional responses to events in the present. Ask yourself, what has your character experienced in their life that has affected their emotional state? What relationships have they had that have left a lasting impact on them? By understanding your characters' past, you can create emotional depth in their present actions.
Give Your Characters Conflicting Emotions
One way to create emotionally complex characters is to give them conflicting emotions. For example, a character may feel guilt and anger simultaneously, or love and hatred. Conflicting emotions create tension and complexity, and make your characters feel more human. As humans, we often experience a range of emotions that conflict with one another, and fictional characters should be no different.
Show, Don't Tell
When it comes to emotions, it's important to show, not tell. Instead of telling the reader that a character is feeling sad, show their physical responses, their facial expressions, and their behavior. This allows readers to connect with the character on a deeper level and experience the emotions along with them. By showing emotions in action, you create a more immersive reading experience.
Create Characters with Flaws
Flaws are essential to creating emotionally complex characters. Characters who are perfect or always make the right decisions are often less relatable and less interesting to readers. By giving your characters flaws, you create room for emotional growth and development. Characters who struggle with their flaws are more compelling and relatable.
Use Dialogue to Reveal Emotions
Dialogue is an excellent tool for revealing the emotions of your characters. Through dialogue, you can reveal characters' internal struggles, fears, and desires. By giving your characters distinct voices, you can create a sense of emotional depth and complexity. Dialogue can also create conflict and tension, which can reveal emotions that characters might not otherwise express.
Conclusion
In conclusion, emotionally complex characters are crucial to writing engaging and compelling fiction. By understanding your characters' backstories, giving them conflicting emotions, showing emotions instead of telling, creating characters with flaws, and using dialogue to reveal emotions, you can create characters that feel like real people with complicated emotional lives. Remember, emotional complexity adds depth to your characters and makes them more relatable to readers.

A Bare Bones Guide to Outlining a Fantasy Novel in Three Acts

If you're trying to write a fantasy novel and you're feeling overwhelmed by the process, try to break down your story into three acts as follows...

Act 1

  • Introduce the status quo - setting, main character, and any struggles they currently face
  • Create an inciting incident
  • Show your character's hesitancy to welcome change
  • Have your character take a chance and start their journey

Act 2

  • Introduce friends and mentors
  • Include trials and obstacles
  • Let your character have a mini success
  • Have your character doubt themselves regardless of their success

Act 3

  • Increase tension with more obstacles and rising action
  • The climactic high point - a.k.a. the final showdown
  • Show the aftermath and what your character has overcome/sacrificed in order to succeed

This is here for anyone that needs it.

I'M DOING AN EXPERIMENT

To prove something to a friend, please

REBLOG IF YOU THINK ASEXUALS BELONG IN LGBTQ+ SPACES

LIKE IF YOU THINK ASEXUALS DON’T BELONG IN LGBTQ+ SPACES

:)

REBLOGGING SO HARD.

YOU BETTER FUCKING BELIEVE IM REBLOGGING WTF

GET 👏🏼 RID 👏🏼 OF 👏🏼 ACE/AROPHOBIA 👏🏼

im gonna reblog this everytime i see it ,,

REBLOG THIS ALREADY!

I almost liked before I finished reading-

I SHALL BREAK THE REBLOG BUTTON!

+  +  +

I might be a lil biased, BUT HELL YES ARE ACES/AROS QUEER!!

Reblog! >:3

r e b l o g t h i s m o t h e r f * c k e r

REBLOG THIS

Image

❤️

reblogging for the 30,000th time

Reblogging because I’m not a pos

anyone who believes otherwise needs a reality check asexuals are just as valid

I am aroace, I sure hope I’m valid :’)

t-they are valid as the p-person reading this!

yes! valid!

WOOO ace valid!!

<º)) ))>< Aro/Ace people are all valid!! <º)) ))>< My trainer says he thinks yall are really cool, everyone is!

Grrrr… Ace people are good.

GRRRR… BUT ANYBODY WHO’S ACEPHOBIC IS GETTING HEADBUTTED STRAIGHT INTO A TREE!

yes! we love the ace friends!

The Ace’s will run the world! *covers mouth.* I mean yes they’re valid.

Avatar

OK!!!

I’M ASEXUAL MYSELF

Asexuals are just people who aren’t attracted sexually, of course, they exist in LGBTQIA+.

ASEXUALS FRIENDS DESERVE TO BE SEEN AND HEARD

y3s!!!!(yes!!)

0fc!!!

Ofc X3

Reblogged for the awesomeness that is the queerness of Ace Aro spectrum people!

Okay seriously. Reblog if you're OLDER than 11.

why is it that not more than 1/20 of Tumblr haven’t reblogged this

What the fuck.

Like, okay, I’m not your mom. You can do whatever you want.

But I do silently judge you if you’re here and younger than 11.

How to Write: Villains

The word “villain” is a very general term, as there are many types of character that we would consider a villain in any given story. What are the types of bad guys, and what makes them interesting? How do we make the reader hate our villain, or sympathize with them? Let’s find out!

As far as I know, there are not any technical names for the types of villains I’ll be talking about today, so I’ll make some up! Let’s talk about types of villains, and how we can write them. (Side note: This is my personal opinion! There are no rules to imagination, these are just some suggestions for those struggling with coming up with a bad guy.)

The Classic Villain

There’s nothing wrong with a good ol’ cliché villain! Traditional villains like Darth Sidious, the Evil Queen, and Lady Tremaine are all evil for seemingly no reason. They might be jealous, pretentious, or simply cruel. These villains truly just want to see the world burn. They are perfect for plots that revolve around good vs evil, or when you don’t want the reader to sympathize with the villain at all. These villains are usually the main obstacle in the hero’s/protagonists’ way, and are good for action/adventure novels. 

The Hurt

More common for writers who want the reader to connect with the bad guy, this type of villain has had something horrible done to them to make them act the way they do. They probably aren’t trying to be villains, but are clouded by their hurt and anger. To develop them, you should give them a backstory that explains how they were betrayed. (Bonus points if your good guys were the ones who hurt them! Extra drama…(¬‿¬)) From there, you can decide if the goal is to make them good again, fight them, or something else. There are lots of options for angst and drama here! A little harder to write, as you should be good at conveying emotion and betrayal. 

The Supervillain 

Supervillains can be super fun to write! They’re the ones who are power hungry, with lots of weapons at their disposal. As for a backstory, it could be many different things that shaped them into who they are. Usually, these villains have a strong motive to do whatever it is that they do, so take some time to hash that out. they are popular in action/adventure novels, maybe even mystery ones too. They might have been hurt in the past, or maybe just don’t care at all. One thing’s for sure: They know that they’re “the bad guy”. They might have a large group of people working for them, maybe a secret lair or two, and are very organized. They’re a powerful threat to your protagonist, and gives you story a sense of urgency. 

The Insane

Please, please, please be careful with this one! While crazy villains are very interesting and may intrigue your readers, please make sure you understand what illness you are using/basing your villain on. Remember that there are people out there who might have the illness your using, and there’s nothing worse than seeing media portray you as a villain. It can really hurt! The best way to write a villain like this is to stay away from naming real illnesses, or doing a lot of research beforehand. 

Aside from that, these villains might be violent or cruel just because, and can really add a sense of dread or fear to your story. They are commonly used in darker themed books, even horror stories. They probably have some interesting backstory, like show they were raised or something traumatic that happened to them. Writing them is going to be a little tricky, but when done right, the really make your story interesting! 

The Confused, but Spirited

A perfect example of this type of villain is Karli Morgenthau from The Falcon and the Winter Soldier. These villains have good intentions, but often display them incorrectly. They end up being a threat or danger, instead of what they intended to do. There’s a lot of different ways you could go about writing a villain like this. For example, you could have your protagonist turn them into a valuable ally, or have the protagonist join them. It’s really up to you! They’re also pretty popular in good guy X bad guy stories, as it paves the way for some interesting relationship dynamics. It’s also good for very political or worldbuilding rich stories. What separates this villain from The Hurt villain is that they are not aware they are hurting people, whereas The Hurt villains are. 

There are a lot more types of villains that fit in between these categories, but I figured this is a good place to start if you don’t know where to go! There should always be some sort of antagonistic force in your stories, so make one that fits. Have fun, and happy writing! <3

To help anyone like me who can't figure out villians.

CREATING CONFLICT

(how to plot good)

so you want to write a story. you have plenty of ideas about the characters, the setting, the way it all changes over time… but you’re at a standstill with the plot. it’s not interesting enough, not enough tension in there, not enough goes wrong.

if you’re anything like me, you’ve run into this problem countless times.

so here’s some tips on how to make an engaging, character-driven plot:

I hope this helps other people as it helped me.

Words to use instead of ‘said’

**Using the word ‘said’ is absolutely not a bad choice, and in fact, you will want to use it for at least 40% of all your dialogue tags. Using other words can be great, especially for description and showing emotion, but used in excess can take away or distract from the story.

Neutral: acknowledged, added, affirmed, agreed, announced, answered, appealed, articulated, attested, began, bemused, boasted, called, chimed in, claimed, clarified, commented, conceded, confided, confirmed, contended, continued, corrected, decided, declared, deflected, demurred, disclosed, disputed, emphasized, explained, expressed, finished, gloated, greeted, hinted, imitated, imparted, implied, informed, interjected, insinuated, insisted, instructed, lectured, maintained, mouthed, mused, noted, observed, offered, put forth, reassured, recited, remarked, repeated, requested, replied, revealed, shared, spoke up, stated, suggested, uttered, voiced, volunteered, vowed, went on

Persuasive: advised, appealed, asserted, assured, begged, cajoled, claimed, convinced, directed, encouraged, implored, insisted, pleaded, pressed, probed, prodded, prompted, stressed, suggested, urged

Continuously: babbled, chattered, jabbered, rambled, rattled on

Quietly: admitted, breathed, confessed, croaked, crooned, grumbled, hissed, mumbled, murmured, muttered, purred, sighed, whispered

Loudly: bellowed, blurted, boomed, cried, hollered, howled, piped, roared, screamed, screeched, shouted, shrieked, squawked, thundered, wailed, yelled, yelped

Happily/Lovingly: admired, beamed, cackled, cheered, chirped, comforted, consoled, cooed, empathized, flirted, gushed, hummed, invited, praised, proclaimed, professed, reassured, soothed, squealed, whooped

Humour: bantered, chuckled, giggled, guffawed, jested, joked, joshed

Sad: bawled, begged, bemoaned, blubbered, grieved, lamented, mewled, mourned, pleaded, sniffled, sniveled, sobbed, wailed, wept, whimpered

Frustrated: argued, bickered, chastised, complained, exasperated, groaned, huffed, protested, whinged

Anger: accused, bristled, criticized, condemned, cursed, demanded, denounced, erupted, fumed, growled, lied, nagged, ordered, provoked, raged, ranted remonstrated, retorted, scoffed, scolded, scowled, seethed, shot, snapped, snarled, sneered, spat, stormed, swore, taunted, threatened, warned

Disgust: cringed, gagged, groused, griped, grunted, mocked, rasped, sniffed, snorted

Fear: cautioned, faltered, fretted, gasped, quaked, quavered, shuddered, stammered, stuttered, trembled, warned, whimpered, whined

Excited: beamed, cheered, cried out, crowed, exclaimed, gushed, rejoiced, sang, trumpeted

Surprised: blurted, exclaimed, gasped, marveled, sputtered, yelped

Provoked: bragged, dared, gibed, goaded, insulted, jeered, lied, mimicked, nagged, pestered, provoked, quipped, ribbed, ridiculed, sassed, teased

Uncertainty/Questionned: asked, challenged, coaxed, concluded, countered, debated, doubted, entreated, guessed, hesitated, hinted, implored, inquired, objected, persuaded, petitioned, pleaded, pondered, pressed, probed, proposed, queried, questioned, quizzed, reasoned, reiterated, reported, requested, speculated, supposed, surmised, testified, theorized, verified, wondered

This is by no means a full list, but should be more than enough to get you started!

Any more words you favor? Add them in the comments!

Happy Writing :)

To help

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A recipe for finding your story's plot:

Ingredients:

  • 2 cups of Things that must be in the story (this can be characters, specific scenes, settings, subplots etc.)
  • 1 cup of Vague plot ideas I may not use
  • 1 tbsp of Central Themes
  • 1 tsp of Ending (either happy, tragic, or bitter-sweet)
  • 1 tsp of Protagonist's Primary Motivation
  • 2 lbs of Brick Wall
  • Time, as needed

Instructions:

  1. In a large bowl, mix Things that must be in the story. Set aside.
  2. In a separate bowl, sift together Vague plot ideas I may not use. Discard the excess and set aside.
  3. Add Themes, Ending, and Motivation to a small jar. Screw lid on tight and shake until mixture becomes Conflict.
  4. Pour Conflict and Vague plot ideas into Things that must be in the story. Blend on medium until Plot Points form.
  5. Taste.
  6. If it is still missing something, smash head against 1 lbs of Brick Wall for one to six hours.
  7. Let marinate for one to 365 days. Add more Things and Vague plot ideas as desired.
  8. Smash head against the rest of the Brick Wall for one to six hours.
  9. Scream.
  10. Repeat steps 5 through 9 as needed.
  11. After sufficient marination, the mixture will form an idea. This will tell you what specific action must happen in order to resolve your story's conflict. Write this down and make appropriate sacrifices to thank whichever deity took pity on you.
  12. Now you have your conflict, climax, and resolution. You just have to figure out how to get there. Good luck with the damn middle section dork!!

People need this. I need this