“It’s hard to explain, but I feel like the kids are only playing the part of kids,” Matsumoto says of most manga he has read. “I consciously make an effort to render the characters as realistically as possible. I try to let the child naturally shine through.”
According to Matsumoto, the children (and adults) in “Sunny” are “about 70 percent based on reality.”
“The names have been changed, but it’s the first work I’ve done that’s based on my experiences. It was fun to write, but I was also worried that the characters were too much like the real people. I worried about offending my parents — although I did ask their permission,” he says. “My dad told me to go ahead but, in his heart, I’m sure he had some reservations.”
Matsumoto had been mulling over whether or not to write “Sunny” for more than two decades.
“Each time I finished a work, I’d think about writing ‘Sunny’ and then always give up.”
“At first, I thought it might be a rather dark story. It turned out to be pretty upbeat,” says Matsumoto, pausing as he thinks.
“Maybe the message I tried to get across is deceptively simple: it’s not all bad, life’s never all bad.”