ali
she★her
21
twt: HQC0CK
note: this account is more of an archive than anything, just whatever catches my attention
thanks for dropping by <3
"Cities are an immense laboratory of trial and error, failure and success, in city building and city design. This is the laboratory in which city planning should have been learning and forming and testing its theories. Instead the practitioners and teachers of this discipline (if such it can be called) have ignored the study of success and failure in real life, have been incurious about the reasons for unexpected success, and are guided instead by principles derived from the behavior and appearance of towns, suburbs, tuberculosis sanatoria, fairs, and imaginary dream cities—from anything but cities themselves.
If it appears that the rebuilt portions of cities and the endless new developments spreading beyond the cities are reducing city and countryside alike to a monotonous, nourishing gruel, this is not strange. It all comes, first-, second-, third-, or fourth-hand, out of the same intellectual dish of mush, a mush in which the qualities, necessities, advantages, and behavior of great cities have been utterly confused with the qualities, necessities, advantages, and behavior of other and more inert types of settlements."
—Jane Jacobs, The Death and Life of Great American Cities
power lines are crushed with the weight of four days of accumulated freezing rain in boucherville near montreal, canada, january 9, 1998
photo by robert laberge, via bbc archives
Please read this man’s description of his dachshund and its most annoying habit
“I have a ridiculous dog named Walnut. He is as domesticated as a beast can be: a purebred longhaired miniature dachshund with fur so thick it feels rich and creamy, like pudding. His tail is a huge spreading golden fan, a clutch of sunbeams. He looks less like a dog than like a tropical fish. People see him and gasp. Sometimes I tell Walnut right out loud that he is my precious little teddy bear pudding cup sweet boy snuggle-stinker.
In my daily life, Walnut is omnipresent. He shadows me all over the house. When I sit, he gallops up into my lap. When I go to bed, he stretches out his long warm body against my body or he tucks himself under my chin like a soft violin. Walnut is so relentlessly present that sometimes, paradoxically, he disappears. If I am stressed or tired, I can go a whole day without noticing him. I will pet him idly; I will yell at him absent-mindedly for barking at the mailman; I will nuzzle him with my foot. But I will not really see him. He will ask for my attention, but I will have no attention to give. Humans are notorious for this: for our ability to become blind to our surroundings — even a fluffy little jewel of a mammal like Walnut.
…
When I come home from a trip, Walnut gets very excited. He prances and hops and barks and sniffs me at the door. And the consciousnesses of all the wild creatures I’ve seen — the puffins, rhinos, manatees, ferrets, the weird hairy wet horses — come to life for me inside of my domestic dog. He is, suddenly, one of these unfamiliar animals. I can pet him with my full attention, with a full union of our two attentions. He is new to me and I am new to him. We are new again together.
Even when he is horrible. The most annoying thing Walnut does, even worse than barking at the mailman, is the ritual of his “evening drink.” Every night, when I am settled in bed, when I am on the brink of sleep, Walnut will suddenly get very thirsty. If I go to bed at 10:30, Walnut will get thirsty at 11. If I go to bed at midnight, he’ll wake me up at 1. I’ve found that the only way I cannot be mad about this is to treat this ritual as its own special kind of voyage — to try to experience it as if for the first time. If I am open to it, my upstairs hallway contains an astonishing amount of life.
The evening drink goes something like this: First, Walnut will stand on the edge of the bed, in a muscular, stout little stance, and he will wave his big ridiculous fan tail in my face, creating enough of a breeze that I can’t ignore it. I will roll over and try to go back to sleep, but he won’t let me: He’ll stamp his hairy front paws and wag harder, then add expressive noises from his snout — half-whine, half-breath, hardly audible except to me. And so I give up. I sit up and pivot and plant my feet on the floor — I am hardly even awake yet — and I make a little basket of my arms, like a running back preparing to take a handoff, and Walnut pops his body right into that pocket, entrusting the long length of his vulnerable spine (a hazard of the dachshund breed) to the stretch of my right arm, and then he hangs his furry front legs over my left. From this point on we function as a unit, a fusion of man and dog. As I lift my weight from the bed Walnut does a little hop, just to help me with gravity, and we set off down the narrow hall. We are Odysseus on the wine-dark sea. (Walnut is Odysseus; I am the ship.)
All of evolution, all of the births and deaths since caveman times, since wolf times, that produced my ancestors and his — all the firelight and sneak attacks and tenderly offered scraps of meat, the cages and houses, the secret stretchy coils of German DNA — it has all come, finally, to this: a fully grown exhausted human man, a tiny panting goofy harmless dog, walking down the hall together. Even in the dark, Walnut will tilt his snout up at me, throw me a deep happy look from his big black eyes — I can feel this happening even when I can’t see it — and he will snuffle the air until I say nice words to him (OK you fuzzy stinker, let’s go get your evening drink), and then, always, I will lower my face and he will lick my nose, and his breath is so bad, his fetid snout-wind, it smells like a scoop of the primordial soup. It is not good in any way. And yet I love it.
Walnut and I move down the hall together, step by bipedal step, one two three four, tired man and thirsty friend, and together we pass the wildlife of the hallway — a moth, a spider on the ceiling, both of which my children will yell at me later to move outside, and of course each of these creatures could be its own voyage, its own portal to millions of years of history, but we can’t stop to study them now; we are passing my son’s room. We can hear him murmuring words to his friends in a voice that sounds disturbingly like my own voice, deep sound waves rumbling over deep mammalian cords — and now we are passing my daughter’s room, my sweet nearly grown-up girl, who was so tiny when we brought Walnut home, as a golden puppy, but now she is moving off to college. In her room she has a hamster she calls Acorn, another consciousness, another portal to millions of years, to ancient ancestors in China, nighttime scampering over deserts.
But we move on. Behind us, in the hallway, comes a sudden galumphing. It is yet another animal: our other dog, Pistachio, he is getting up to see what’s happening; he was sleeping, too, but now he is following us. Pistachio is the opposite of Walnut, a huge mutt we adopted from a shelter, a gangly scraggly garbage muppet, his body welded together out of old mops and sandpaper, with legs like stilts and an enormous block head and a tail so long that when he whips it in joy, constantly, he beats himself in the face. Pistachio unfolds himself from his sleepy curl, stands, trots, huffs and stares after us with big human eyes. Walnut ignores him, because with every step he is sniffing the dark air ahead of us, like a car probing a night road with headlights, and he knows we are approaching his water dish now, he knows I am about to bend my body in half to set his four paws simultaneously down on the floor, he knows that he will slap the cool water with his tongue for 15 seconds before I pick him up again and we journey back down the hall. And I find myself wondering, although of course it doesn’t matter, if Walnut was even thirsty, or if we are just playing out a mutual script. Or maybe, and who could blame him, he just felt like taking a trip.”
Grand Central, NYC 1929 Its not possible anymore to take such photograph, as the buildings outside block the sun rays.
another random epiphany I had on my drive home from the store was that things that are the most obvious often feel the most profound. I was looking at the sunset through my window. I was like “this is beautiful and it changes all the time so every sunset is a little different and also beautiful.” Which led me to think “if you look at the earth from space, the clouds are never pink or blue or yellow or orange, they are just white and grey all the time. In space perhaps the sunsets are not very different or very beautiful.” Which led me to think “the sunsets are only beautiful because i am so small.” Which led me to think “so many things are only beautiful because i am so small, or if not only then they are at least much more beautiful than they might otherwise be, either because my vantage point of smallness allows me to see details that big things wouldn’t see, like when I see the flash of the sun at sunset with my little eyes on this big planet, or because my briefness finds vastness so incredible cuz it’s so much bigger than me, like when I sit under a very very old and very very tall tree.” And this was all somewhat obvious but it didn’t make the feeling of epiphany go away or diminish at all
she’s just so beautiful (my libby app)
we need to romanticize the libby app. sexualize it, even
me when the emotionally repressed character is revealed to have had something happen in their childhood that was completely out of their control but changed them in a way they can never come back from
"wanting something" wins Most Embarrassing Thing You Can Do award for 23rd year in a row
Anonymous asked:
Can u recommand some good books pls?
I DEFINITELY CAN!
(I’ve divided them up into categories, and included a short summary of each, so that you can choose more easily, and put the list under a cut, since it’s fairly long.)
Li Songsong, known for using thick layers of paint to craft scenes that appear similar to fragmented memories, brings his historical look at China to Pace Gallery with the show “One of My Ancestors.” See more here.