Dance Dance Fantasia - photography by Weishan Hu (wwei33) 

For Bobosnap Magazine (Spring 2022 issue)

Creative Direction: Yuhao Styling: @qiugeww CGI Design: @pppp.devidevi Makeup: @linerduoduoduo Hair: @nate_peng Talents: @molamolangela , @itscoke 李祥玉, 戚晨吟, 小明 Production: 帅又琦@YYYouki_ Photography Assistance: 赵看 Styling Assistance: Anthony Chen/ 泽林Ricky Production Assistance: Lemon

Thanks to girIsonfiIm on Twitter & RosamundBea on Discord for posting these initially! 

BOON the shop - Seoul, Korea (2000)

Designed by LOT-EK Architects 

“Ribbons of translucent fiberglass are designed to transform the raw concrete space of a designer retail store. Supported by steel pipe frames, the ribbons appear to float between floor and ceiling – providing aesthetically pleasing light while also providing functional purposes for the commercial renovation. The ribbon panels are contoured to create two indentations. As the panels are repeated to generate the ribbon, these indentations generate two continuous grooves; a lower one for shoes and a larger upper one for boots, bags and other accessories. Rolling walls made out of the same panels are plugged into such grooves (like tracks). The rolling walls are used to break up the space on both floors, to create individual bags for each designer on the lower floor and two distinct exhibition areas on the ground floor. The ribbon glows with fluorescent flight produced by fluorescent tubes attached to the rear of each fiberglass panel. Different color gels can be installed around the fluorescent tubes to change the color of part or of the whole environment.”

'Germ War Wear' fashion photoshoot - Sportswear International (Mar./Apr. 1997)

Scanned from Magazine Editorial Graphics by P.I.E. Books (1997)

Cafe Kapa Daikanyama - Ebisu-nishi, Tokyo 

Designed by Masamichi Katayama

Scanned from Cafes & Restaurants-4 (2002)

‘Be-She’ campaign - Japan (2002)

Posters and a trading-card invitation packet from the campaign for 'Be-She', a “marketing study and lecture series examining modern trends among Japanese women.” 

Mainly falls into the Vectorheart style 

Creative director/art director: Marcus Woolcott, illustrator: Kikita Katsue

Natural Ellipse House - Masaki Endoh + Ikeda Masahiro (Built 1999-2002)

Location: Shibuya, Tokyo JP 

“The elliptical toroid form of Natural Ellipse is very much a product of its unique environment. Wedged into the most vibrant shopping and entertainment district in Tokyo, the building acknowledges the conflict between the desire for privacy and the need to connect with the lively surrounding neighborhood. The result is a mostly introverted structure with a few carefully placed openings to the outside, allowing the privacy necessary for domestic life.”

‘Neo-Y2K’ style works by artist JVNPEY (2022)

Club Sugar - Santa Monica, CA (1999)

Designed by John Friedman-Alice Kimm Architects 

Scanned from both Plastic Design by Daab & Public Toilet Design by Cristina Schuster 

Flagship McDonald's - Oxford Street, London UK (2003 - Remodeled 201?)  

“The highlights include nature-inspired wall graphics, Wi-Fi provided throughout, along with internet and PlayStation terminals on the first floor lounge."

Designed by SHH Architects 

Scanned from 'Cybercafes: Surfing Interiors' (2007)

Selections from the movie, Lost in Space (1998). Not the greatest film, but had a very late 90's design aesthetic spanning the Y2K & Cyber Gen-X Corporate styles. 

Art Direction: Steven Lawrence, David Lee, Keith Pain, Nick Palmer

Set Decoration: Anna Pinnock

Production Design: Norman Garwood

1996 website of The Planet, the Danish design firm responsible for fonts like Planet Kosmos & Planet Bubble 

Image #5 is of the 1998 iteration of the website

Designed by Mas Rydahl, Rasmus Keldorff, Jacob Tekiela & Søren Ebbesen

Oi Cell Phone Packaging by GAD (early-mid 2000's)